Dana Terrace graduated this spring from the animation program at the School of Visual Arts in New York City. She moved to Los Angeles where she was recently hired to do storyboard revisions on the Disney Channel TV series Gravity Falls.
Here is Dana’s 3rd year student film, Kickball! (featured last year on Cartoon Brew), completed at SVA in roughly eight weeks start to finish, according to the description on Vimeo:
Here are some character studies from Mirage, Dana’s thesis film co-created with Iker Maidagan, which was also recently featured on Cartoon Brew:
You can explore more artwork from Dana on her blog and portfolio website.
It happened again. Not a moment too soon. After a year of on off rather unsatisfactory writing, I had five days of joyous, out of my control/forget-to-eat writing possession.
The last book, which I’ve just delivered, finally found its shape and rhythm only at the very last minute, on a deadline and after much spitting and cursing. I had a good few of those desert days where you can’t see the oasis or when you think you’ve found it only to have it dissolve - another bloody mirage. I briefly became a menopausal ancient mariner stoppething anyone who’d listen about the futility of it all. I drank a lot of coffee, ate a lot of chocolate and was unfailingly, unfeasibly grumpy for far too long.
My restoration began innocently enough when my son and his girlfriend reminded me of a story idea I’d had a year or so ago. I’d regaled them with it over the course of lunch: they were students, I was paying - they were obviously a captive audience. At first I thought they were mistaken. I had no idea what they were talking about. It must have been some other novelist, or some other book, but as they continued I felt the first flicker of something, recognition, enthusiasm and the blam it hit me! Passion swiftly followed by possession. I couldn’t type fast enough: sentences tumbled over sentences, characters walked into my head talking to each other, kissing each other, killing each other, enacting, no, living a plot. How could I have forgotten such a brilliant premise? Why hadn’t I written it? Within the hour the whole thing had unfolded in my head like some exotic, wondrous plant. I was consumed.
Today I am knackered and bereft. Where did it go? Obviously it was just another writing mirage - the idea of a perfect novel. Still, it was wonderful while it lasted. It reminded me that sometimes writing is just great fun. I am determined to push through the plodding phase of uncertainty and self doubt because if your son remembers the plot of a story for more that a year - there’s something there - right? And the passion, that possession might return? Please. Pretty please.
I know just what you mean, Nicky. There are these wonderful moments of passion and possession, and then one comes to the times when one has to implement it - and all the things that seemed so brilliant, packed together inside my head, suddenly seem rather flimsy and inadequate when I take them out to look at them and - what do I do about that? and I need to do a lot of finding out, and there are passages and bits of plot that stubbornly resist being written.
The difference between the professional writer and the amateur is, I think, that the professional - or someone who is going to become a professional - keeps at it, nagging, gnawing, stubbornly writing what seems to be crap - and then the moment of breakthrough comes again. It usually happens to me in Waitrose carpark (the moment of breakthrough, I mean!)