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Viewing: Blog Posts Tagged with: accents, Most Recent at Top [Help]
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1. Watch That Tone

A child learns early on to recognize tone of voice. The mother's soft, sweet coo means she is happy with him. The low growl utilizing his middle name means he pushed the boundaries a tad too far, but what does tone have to do with fiction?



Tone is the emotional atmosphere the writer establishes and maintains throughout the entire novel based on how the author, through the point of view character, feels about the information she relates. 

You may not have thought about how you actually feel about your story. Take a moment to consider. Are you writing about ghosts with a wink and a nudge or are you aiming for chill bumps? Is the story serious and bittersweet or a satirical exposé?

1. Tone can be formal or informal, light or dark, grave or comic, impersonal or personal, subdued or passionate, reasonable or irrational, plain or ornate.

The narrator can be cynical, sarcastic, sweet, or funny. A satirical and caustic tone plays well in a dark Comedy. It won't play well in a cozy Mystery.

2. Tone should suit genre.

Are you writing a shallow Chick Lit comedy or a dark and mysterious Gothic novel? If you write a mixed genre, the tone should match the genre that takes precedence over the other.

If you are writing a funny romance, you have to decide if you want your reader to belly laugh her way through it or have a few moments that make her belly laugh while worrying about the outcome of the relationship. Some Romance fans love a frothy, light tone. Others prefer the melodramatic tone of Historical Romance. Yet another prefers a heart-wrenching Literary love story.

Some paranormal stories are eerie and set an ominous tone. Light Horror feels almost comic to the reader. Readers who prefer ominous, creepy paranormal might not enjoy the comical version.

3. Tone is demonstrated by word choice and the way you reveal the details.

It informs the narrator's attitude toward the characters and the situation through his interior narration, his actions, and his dialogue. If he does not take the characters or situation seriously, the reader won't either. Word choice, syntax, imagery, sensory cues, level of detail, depth of information, and metaphors reveal tone.

4. Tone is not the same as voice.

Stephen King writes horror. His voice is distinct. At times he employs quirky, adolescent boy humor (his voice), but his aim is to chill you and his quips impart comic relief in a sinister story world. Being heavy-handed with the humor can ruin a good horror story, even turn it into parody.

5. Tone is not the same as mood.

Tone is how the author/narrator approaches the scene. Mood is the atmosphere you set for the scene. If you are writing a mystery, a scene can be brooding and dark leading up to the sleuth finding the body. The mood can lighten as the detectives indulge in a moment of gallows humor. Tone defines your overall mystery as wisecracking noir or cozy British as they solve the crime.

6. Tone is not the same as style.

Style reflects the author or narrator's voice. It is also revealed through sentence structure, use of literary devices, rhythm, jargon, slang, and accents. Style is revealed through dialogue. Style showcases the background and education of the characters. It expresses the cast's belief system, opinions, likes, and dislikes. It is controlled by what the characters say and how they say it. Tone is revealed by the narrator's perceptions, what he chooses to explore, and what he chooses to hide.

Stay tuned for examples of tone next week.

For these and other tips on revision, pick up a copy of: 




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2. Why Can’t Katniss Have an Accent?: The Role of the Southerner in American Children’s Literature

In a recent USA Today piece we learned that the two leading contenders for the role of Katniss in the upcoming Hunger Games movie are Chloe Moretz and Kristen Stewart (thanks to bookshelves of doom for the link).  Moretz, if you might recall, played the imaginary friend in the recent Diary of a Wimpy Kid movie.  Stewart is the actress best known for portraying Bella Swan in Twilight.  To my mind, neither is a particularly sparkling personality on the silver screen.  Had I my way we’d cast someone outside of the usual white girl between the ages of 12 and 29 pool.

Of course, all this talk of Katniss casting (or “castniss” if we’re gonna be cute) made me think of the most recent YouTube video of Suzanne Collins reading the first chapter from Mockingjay:

Prior to the release of book #3 all the YouTube commenters could talk about was Collins’s choice to give Katniss an Appalachian accent.  In fact, I saw a fair amount of adults also lamenting this choice on a variety of blogs and websites and Twitter feeds.  What was up?  Why is an American accent that deviates from the standard “newscaster” bent such a bone of contention for folks?

Well, then I made the mistake of thinking about other books.  At first I just wondered to myself, “Are there any other books starring kickass girls with southern accents out there?”  On the YA side of things there’s Beautiful Creatures by Kami Garcia and Margaret Stohl, sure but my bent is children’s literature related anyway.

So out of curiosity I started looking at Newbery winners and my 100 Best Children’s Novels Poll results to see some of the big time children’s literary novels set in the south.  Not just to see books starring girls, but books with stars of both genders.  I walked into it thinking that maybe all the books set there are historical in some manner.  This assumption was summarily destroyed by all the contrary evidence.

We do not lack for award winning books for kids set down South.  Insofar as I can tell, books do best if they come from Texas.  There you can find your Evolution of Calpurnia Tate, your 14 Comments on Why Can’t Katniss Have an Accent?: The Role of the Southerner in American Children’s Literature, last added: 9/10/2010

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