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Perhaps it's the result of the ending of summer and the arrival of autumn, but it's play submission mode time. Somehow, the summer heat plus the sun shining down prompts the brain to enter into a state of lethargy, at least it does mine. All this is to say or write that now it's time to actively seek out homes for my literary 'babies."

Before the actual act of hitting the key that will send them off to parts unknown, they've been receiving a once-twice-and more evaluation for any necessary changes or modifications. Frequently, this assessment results in a re-examination of a/some play(s) followed by muttering of bad words, the end result of which is yet more revisions. Some of the plays have been updated to the point where it's difficult to recognize the original story line and conduct an objective assessment as to which version works best.

So where is all this sharing of inner angst and trepidation leading you may well be asking yourself. Came across a competition for a ten-minute play with the focus being "The Urban Jungle." A while back I wrote a piece entitled, "Waiting for Roach" featuring the end result of a meeting up of a young punk-mode adult male and a female senior citizen, which will work perfectly. The play-ette as I call short offerings, has never been submitted anywhere before having waited for the right occasion and right opportunity to share it with the world, or at least with the people running the competition.

In addition, I decided to share one of my favorite plays, "Neighbors" now re-named "The Shrubs" with a theatre. Upon reflection and somewhat interesting, this two-act play started out as a short 10-minute play as many of them do. After years of ignoring it for the most part, I was scanning over some of the file titles and this play jumped out at me. Somehow, in the shorter version, something seemed to be lacking and after reading it through, a story began to develop resulting in a re-working and its development into a full play. In any case, it has left home with my best wishes and hopes not to mention prayers, that others will enjoy the contents as much as I enjoyed writing it.

Meanwhile, my wedding play, "Make Me a Wedding" has also taken a few cyber trips. A comedy, this was my first endeavor in playwriting and my favorite but then I say that about all my plays. It was almost performed a while back but had to be abandoned due to a breakdown in the production. Let's just say that the undertaking was akin to "Noises Off" and leave it at that. To get back to the play, it elicits laughter every time I read it through and I do frequently. Here's hoping.

Last but certainly not least, my second-favorite play, "Gin: an Allegory for Playing the Game of Life" is still seeking new digs as they say. A comedy, the two-act play focuses on the long-time friendship of three women who discuss their lives and those of people their lives touch upon, during their weekly card game. When writing plays, I always envision the actors who would best suit the various roles and today decided that Barbra Streisand, "the" famous singer/actress would be ideal for the role of Becky. Barbra if you're reading this, the role is yours for the taking when it finds a new home.

It all starts with a dream and if you're gonna dream, you have to dream big. Barbra would understand.

To say that Austrian playwright, Peter Handke is a man of few words is truly an understatement.

In fact he has written a play entitled, "The Hour We Knew Nothing of Each Other" to be performed at the National Theatre from March 31 to April 12 for 30 performances. What makes his play "special" is that not one word will be spoken by the actors.

For 1 hour and 40 minutes, 450 characters will be silent.

According to a blurb on the National Theatre site:

http://www.nationaltheatre.org.uk/thehour

The play is best described: "For a moment, a bright, empty town square. And then a figure darts across, and another and another – businesspeople, roller-bladers, a cowboy, several street-sweepers, a halfdressed bride, a film crew, a line of old men, a tourist, a beauty in a mirrored dress, Abraham and Isaac, a family of refugees, a fool – more and more people, the bizarre and the humdrum, fleetingly connected by proximity alone."

The idea apparently came to Handke as he sat at a cafe on an Italian piazza watching strangers come and go. Even if not a word is spoken, the play is not sound-less. The silence is punctuated by snatches of music, the occasional scream and the recorded sounds of an aeroplane or workmen drilling.

A National Theatre spokeswoman said: "It is a great piece of work, challenging and something that we should be doing. Tickets are selling well - not like hotcakes, but they are doing well. It is appealing to younger people. We think our more traditional audiences will wait until the reviews."

If this is a success, I shall re-read and re-edit my plays with the possibility of eliminating the dialogue. Perhaps I'll re-name the wedding play, "Make Me a Wedding and Let's Keep It Between Ourselves." Given that it's a comedy, there will be lots of body language and gesturing. Since my play has a mere 9 characters, it shouldn't be too difficult to fill the various roles.

If anyone attends this play, please pass on your impressions and review.


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