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Viewing: Blog Posts Tagged with: palms, Most Recent at Top [Help]
Results 1 - 4 of 4
1. Illustration Friday: “Explore”

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2. Last Visits and Memories

One of the things I love about entering an Indian home is the mingled scents that greet you: fragrant incense from the shrine and the mouth-watering aromas of spices from the kitchen. Garlands of flowers strung over some doorways. Here are what some of the spices look like: Very pretty in the kitchen as you cook with them, as you can see. And 

 the grains are colorful, too. I used to keep glass jars of the
grains on my countertops, but then I needed the work space, so,

back they went behind closed doors.



We visited two more homes during our stay. One was to my husband's sister at the home of her youngest son, Madhu, and his family. As mentioned earlier, she keeps busy at three households, as she has a daughter in Bangalore and two sons, Madhu and Vasu, in Chennai.
My husband's sister, Pattu.
BR: Rohid, Malathi, Maithreyi; FR: Madhu, Pattu, me .
Like Ashok in Bangalore, Madhu is a tech expert, but he has a multitude of interests, including poetry and homeopathic medicine and acupressure. On our visit, he gave me five exercises to do that help control allergies and boost immunity, among other things. (The allergy ones seem to be working, too!) His daughter,, Maithreyi is a doctor in homeopathic medicine and is now beginning he

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3. connecting the life line to the heart and head lines

 
In January of 1998, some months before we moved to San Luis Obispo so unexpectedly, I found myself, equally unexpectedly, in New Orleans where, naturally, I had my palm read.

For $5, the palm reader began her reading by sharing a number of things about me that she couldn't possibly have known. A good intuitive, I thought. Then she said I would travel a lot that year, sometimes unexpectedly (already true), that I would change jobs, no, that I would have the same job but in another location (which turned out to be true as well), and that I would live into my 80's (very reasonable) but that I come very close to death once before that. 

In the years since her reading, the palm reader became an integral part of my how-we-came-to-San-Luis story, but I never included the last part. Superstitious. Anyway, if every part of every prediction came true, we would live in a very different world. It's startling enough that so much of the rest of the story came true.

But now that part has manifest, too. On the day of the Grand Opening of Sweet Earth's new store (at Chorro and Palm), my palm was having own grand opening, my hand, and quite possibly my arm and my life, saved. 

A few days later it happened again. Back in the ER for 7 hours of blood tests, stool cultures and saline solution dripping into my vein, I so severely dehydrated from a intestinal infection that my blood pressure was 77/48. A nasty bacteria (C. diff.) had taken up residence in my intestines, so beautifully clean from four days of intravenous antibiotics rushing through them.

Now I am recovering. It's taking quite a long time. I'm still so tired that I sleep for hours every day. My hand is recovering beautifully, though, thanks to Dr. Daniel Woods' excellent work. It's just taking a while for all those complex internal communities to be rebuilt.

Yesterday the sutures were removed from the wound at the center of my palm. What remains is a horizontal line with four tiny stars above it.  A good palm reader would have more to say but it seems pretty obvious that the major lines on my right palm - are now connected: head to heart to life.

What can I be but eternally grateful?


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4. Creativity - The Magic Synthesis

The synthesis referred to in the title is the ability of a person to combine the primary process and secondary process of the brain. The primary process is concerned with the subconscious workings of the brain: dreams, imagery, associations. The secondary process is concerned with logical thinking or how we express our primary thinking to the outside. The "magic synthesis" is the result of an individual merging these two processes, and then creating metaphors, symbols, abstractions and a new way of seeing or thinking about the world.

According to author Silvano Arieti, creative persons and schizophrenics have a greater connection to the primary process, but, unlike the schizophrenic, the creative person is able to then process this thinking into a rational or logical form and create something new. I'm not surprised to read once again about the closeness between madness and creativity.

Aside from the physiological similarities, I believe there is a driven quality, a momentum that is shared by both states. I have felt compelling urges when creating something new and in states of intense emotional duress. In my life, when I try to make art, I take that energy and hopefully, articulate it, infuse it with metaphor, rhythm, and a certain beauty. (Unlike when I've experienced deep emotional crisis, where the experience is more like a spiraling panic that I need to release.)


As I started work that combined movement and poetry, I found myself more and more concerned with the way the spiritual is linked to the physical, the way the word is made flesh, both literally and figuratively. How something ineffable as connection to Spirit manifests is incredibly important to me.
In Creativity: The Magic Synthesis, Arieti discusses the neurological and biological aspects of creativity. The fact that “the human cortex has fifteen billion neurons” seems to account for our ability to be more creative than the other animals on earth.

A path or an “engram” is formed in some neurons when we perform a task or have an experience. It is through the engram that we are able to later recall the experience or perform the task again.
“The unfolding of the human psyche may ultimately be considered as a formation and transformation of engrams (and groupings of engrams) throughout life,” says Arieti, though this is where he and I part company.

The ineffable quality of being can't be reduced to this explanation, no matter how compelling or seductive it seems to be. I say seductive, because there is a certain egotism in assuming everything can be known, dissected, reduced to quantifiable elements. And yet, I'm attracted to this kind of research, much in the same way I enjoy my own cleverness, by own ability to be witty, to craft a piece of work, to edit and shape something.

But I'd be foolish to think that I'm the ultimate source for the ideas, the inspiration.
Arieti also points out that social factors play a part in a person's level of creativity. He postulates that a society which promotes creative thinking through its educational systems and then controls it via rewards in the work force, will ensure the engrams that get traced will be more likely to facilitate innovative thinking on a collective level. I do feel a certain level of agreement here, although it's a staggering comment on the isolation of the scientific ivory tower that Arieti can write this treatise with no reference whatsoever to the way social forces shape how people learn, and what, in fact, is taught to whom .

Those critical flaws aside,
Creativity offers a detailed overview and some cogent theorizing on some of current research on creativity, and does take into account the wide variable of unpredictability when dealing with the human mind. I can hardly wait to see the results of the engrams that were etched into my neurons as a result of this reading.

ISBN-10: 0465014437
ISBN-13: 978-0465014439

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NEWS FROM FLORICANTO PRESS!!!!!!!


http://floricantopress.com/NEW%20TITLES.htm
Lisa Alvarado

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