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Art, love, and high school:
never were three standard tropes
more deftly explored.
A boon to teenage
girls everywhere . . . but a bane
to poor guys named Ralph.
#30 on The LIST.
How I knew high school:
Mostly innocent, but with
awkward horrors, too.
Miracle Wimp by Erik P. Kraft. Little Brown, 2007, 245 pages.
Just what I needed:
shoot-outs, leprechauns, and a
horse in the kitchen.
Plum Lucky by Janet Evanovich. St. Martin's, 2007, 166 pages.
O dear Lord, thank you
that I am neither single
nor twenty-something.
The God Box by Alex Sanchez. S&S, 2007, 272 pages. (And hey -- there's a blurb on the back from
my bishop!)
The name-dropping grates,
but the final tableau is
pure comedy gold.
Pontoon by Garrison Keillor. Viking, 2007, 256 pages.
This is the line where
comedy and tragedy
are horribly blurred.
Catch-22 by Joseph Heller. S&S, 1961, 443 pages.
#24 on The LIST.
Yep, it's award bait --
but the thing is, it's also
a damn good story.
The Absolutely True Diary of a Part-time Indian by Sherman Alexie. Little Brown, 2007, 229 pages. (book jacket TK)
V's looking for love.
It's not her mother's road trip --
and thank God for that.
Guyaholic by Carolyn Mackler. Candlewick, 2007, 192 pages.
Unrequited love
plus ultra-hip urban angst.
(Man, I'm such a square.)
I just noticed your Important Books sidebar. You should try the audio editions of the Little House series. :)
I might just do that. When the weather's warmer, I walk on my lunch hour and listen to Playaways, and I'm pretty sure they've got a few of the LH books in their list. Do you have a favorite version/narrator?