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Viewing: Blog Posts Tagged with: botanical art, Most Recent at Top [Help]
Results 1 - 8 of 8
1. between organic nature and digital images

digitally processed images after photos I took of some seeds i grew into a frame & glass, and after I took them off it.

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2. Kim Kauffman - Moving Beyond Realistic Interpretation

Finding the special in the ordinary comes naturally to photographer, Kim Kauffman. She has found her own unique way to translate her dual passions of photography and gardening into stunning imagery that simply begs to be noticed. We are thrilled to introduce Kim's striking artistic vision to Tustin!

A Peaceful Place, photography by Kim Kauffman
Kim continues the tradition of botanical discovery that blossomed in the 1600 and 1700's with artistic documentation of horticultural treasures found by European travelers. Her photographic series, Florilegium, pays homage to those explorers and travelers with its name, meaning "a gathering of flowers." These images evolved along with her growth as a curious artist and an avid gardener. Kim is drawn to her garden for the lessons nature affords if one simply slows down and looks. Flowers, leaves, seed pods and other objects collected from the environment provide her with the building blocks of her cameraless and filmless photographs.

Blue Clematis, photography by Kim Kauffman
How can a photograph be both cameraless and filmless, you might wonder? Kim has developed a special technique that utilizes both a flatbed scanner and digital process that she's been working with since the late 1990's. You might be surprised to consider that cameraless photographic techniques have been around since the birth of photography! Kim has taken inspiration from techniques of the 1830's and 40's developed by William Henry Fox Talbot and Anna Atkins. Anna is considered by some to be the world's first female photographer.

Equipoise, photography by Kim Kauffman
Images from the Florilegium series are composed of multiple layers that present a specimen straight from Kim's imagination. New environments emerge from these layers over time, much like a garden that is continually renewing itself. Each building block of the final image is carefully considered for its texture, color and pattern, and assembled into a photo collage that invites us to appraise with the eyes of a gardener and wonder with the eyes of an explorer.

Come in and discover these beautiful photographs for yourself, or preview on our website


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#CameralessPhotography #FilmlessPhotography #AnnaAtkins #WilliamHenryFoxTalbot #Botanical

0 Comments on Kim Kauffman - Moving Beyond Realistic Interpretation as of 8/4/2014 8:28:00 PM
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3. Digital Art: Marigolds from the Garden

Marigolds digital floating lemons


Snapped photos of some marigolds from the garden, erased the background on Photoshop and then popped them into Corel Painter and used oil brushes to repaint them. Back into Photoshop for a cleanup, and here they are.

Then played around a bit with filters to see if enhancing them further would give me extra-ordinary results. Came up with the result below and I do like it, though I think I prefer the colours and contrasts of the original above. Still, there's something slightly crazy about the version below that appeals to the 'need-to-experiment-more' side of my nature that's demanding my attention at present.

 

Marigolds digital 2 floating lemons

 

Wishing you a bright, extraordinary day. Cheers.

 

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4. Watercolour: Orchid Blossom

Orchid blossom watercolour


This one is for my mother. Please keep in mind the fact that I'm a beginner and still experimenting, and excuse all the mistakes that you more proficient watercolourists (is there such a word?) will probably be pointing out, as I'm playing without training or rules (Tons of fun!). Still my mother likes it and that's what counts, right?

Here's a few progress shots:

 

Orchid blossom sketch

 

Orchid blossom progress

 

Orchid blossom progress

 

I used watercolour pencils at the end just to clean up and add some detail. Now, off to think of something else to paint ...

Have a wonderful day. Cheers.

 

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5. Cardinals and Roses

I had this drawing on the board back when the conclave first started, but then the cats all got sick (they're fine now - BAD head cold, BAD BAD BAD) and that went on for an endless couple of weeks, and I got a little behind, playing nurse and all.



                          (please click on this to see it bigger)


These are some of the CATholic cardinals who didn't get elected Pope, out for a stroll through Rome, seeing the sites, and scouting for a place to have a nice plate of fishy pasta.

I had a lot of fun doing this one! Its a combination of colored pencil and Photoshop. A while back I figured out how to do a 'digital colored pencil' technique, but then got sidetracked with something else and never really developed that idea. I think now that I will go back to it, and see if I can put together a portfolio of children's book pieces that are all done that way. TALL ORDER. But hey, one piece at a time. I'll blog as I go, so you can stumble along with me.



I also finished this red rose leaves piece. This is ALL colored pencil, the old fashioned kind. I have some photos of other leaves and buds that I would like to do, and make this a series. This one was done with Polychromos and Pablos (both oil based), on Stonehenge paper, and is just under 8"x 8" (20.32 x 20.32 cm). I will do prints in the shop as soon as I am able. Today maybe.



Speaking of the shop - I'm changing the paper I use for prints from the semi-gloss I've been using, to Epson Presentation Matte. I like it a lot better. Its a lighter weight, but I love the crisp images it produces. It also works really well for less "shiny" subject matter (like candy in foil wrappers). I still have some of the semi-gloss though, so if you would prefer that for something, please let me know. 

I have to tweak my whole shop (today's chore) to include the new paper, as well as adjust some prices for shipping. I'll think I have it all sorted out, then I'll get a sale to a new (to me) country that has crazy expensive shipping, and I'll have to include that in all the listings. Like Australia, for example. What I could send here in the US for $3.50 will cost $9 to Australia sometimes. I hate having to charge so much to ship things, but I also hate to get a rude surprise at the post office, and find out I've just lost all my profit on the sale to under-charged shipping. Those of you with shops know what I'm talking about.  Its the least fun part of having a shop. I just want to make the art! 


1 Comments on Cardinals and Roses, last added: 3/20/2013
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6. Old Onion

This poor onion was sitting in a tureen on the kitchen counter along with others, waiting to be diced into a spaghetti sauce or maybe something a little more exciting. While its friends were content to keep waiting, this one gave it up and started to 'go funny'.


What fascinates me is how part of it is dying, while at the same time its shooting new life out of its head.

And so I had to draw it.


This was done with Polychromos and graphite, on illustration board. Its about 6 x 8 inches.

An interesting challenge was to get it drawn before it changed too much! This puppy GREW right before my eyes, I swear. I'd work on it, then go do something else for a few hours, and come back to find it had morphed into a slightly different creature. Just enough to make me wonder if it was just me. (Like, back in school, when we had an unsuccessful figure drawing, we'd say "but the model moved!") The same was true here - but it really did move!



Using graphite to do the 'peels' seemed like a good choice. I didn't feel like rendering them, and also felt like they'd detract from the rest of the piece. The 'story' was in the onion itself and the shoots.

And I had to get a 'square' in there somewhere. That's my 'thing' now I guess. I love square shapes. So if the art itself isn't square, there will be something square in it. You heard it here first.

2 Comments on Old Onion, last added: 4/26/2011
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7.

Working on a commission I'm not at liberty to show, so meanwhile, I'll show you other stuff ~

I received my order of botanical art books - whee! Can't WAIT to sit with these and gorge myself on the beautiful art within.



I have some framed art that I'm a) trying to photograph properly to sell and b) trying to decide whether to redo the backing on or not. These are framed prints that were selling in a shop here (which has closed), and the backs are not sealed up with paper, ala gallery framing. They were purposely done that way, since people sometimes wanted to switch out a print to put it in a different frame. I'm trying to decide whether to upgrade that, or leave them as is, before putting them up in the etsy shop. "As is" would fetch a lower price, so methinks that might be the safest way to go. Still mulling.







I also joined and uploaded some art to Fine Art America. I love the stretched canvas option they have.



Have also been fiddling with my online shops and am updating my whole shopping page, so lots of 'behind the scenes' stuff going on. I did list the originals of the cracker drawings for sale (unframed) if you're interested. The frames I had ordered that I thought would be perfect for them, aren't (grrrrr...), so they're going solo.

And for now, its back to the drawing board for me ~

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8. Roots, Untitled

"Roots, Untitled" © Paula Pertile
11 x 17, Polychromo pencils on Stonehenge paper

Its done. *Whew*
I'm stuck on the title. I've come up with every obvious, lame, 'trying too hard' pun on 'roots' or anything related. Roots en route. Roots Unbound. Flying veggies. I may just keep "Roots, Untitled ". I don't know.

But I'm pretty happy with it. I learned a lot on this one, and did a lot of discovery and felt like I was actually making art, rather than just rendering something, the same old way. The beets were particularly challenging. There are a lot of colors in them thar beets. A lot. Caput mortuum came to the rescue, once again. Its my favorite color in the box.

I was going to put a rectangle of color behind part of the stems to make them 'pop', and tie them in to the last piece, but decided against it.

Oh! And as Leslie mentioned in the comments in the last post, yes, the 'roots' and hairs do bring to mind my yarn pieces with all the little fuzzies. I guess I have a thing for doing squiggly wild haired things, how weird is that.

And CC, I did roast the veggies along with some potatoes, and they were yummy. Thanks for the suggestion!

Now its back to being a children's book illustrator for a while.

16 Comments on Roots, Untitled, last added: 5/6/2010
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