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Viewing: Blog Posts Tagged with: Roberts Snow, Most Recent at Top [Help]
Results 51 - 75 of 221
51. Robert's Snow: Joan Waites

Snowflakeforwebfront1_2_2 Joan Waites is the artist of the day here at Chicken Spaghetti. Her beautiful snowflake, "Beauty and the Beast," highlights my final installment of Blogging for a Cure, in which many children's book bloggers feature the unique art pieces from Robert's Snow for Cancer's Cure. That online charity auction raises money for cancer research at the Dana-Farber Cancer Institute; please go to the Robert's Snow web site for details on how to bid. Joan's  "Beauty and the Beast" is part of the first group of snowflakes to be auctioned; bidding starts Monday.

Joan is the illustrator of nearly 40 books for the educational and trade markets, as well as several children's magazines, posters, and greeting card art. Illustrated works have won the following awards: IRA/CBC Children's Choice Award; IRA/NCSS Notable Social Studies Trade Book, and a Benjamin Franklin Award. The artist is also an adjunct faculty member of the Corcoran Museum School of Art and Design in Washington, D.C., where she teaches various children’s programs in drawing, painting, sculpture, and story book illustration. The artist works from her home studio in the metro Washington, D.C., area, where she lives with her husband, three children, two cats, and one rambunctious puppy.

Snowflakebacknoribbon_2_2 Joan was kind enough to answer some interview questions; if you're an artist just beginning your career, she offers some good advice.

How did you become involved with Robert's Snow?

I became involved in the first Robert's Snow auction after hearing about a call for illustrators to contribute snowflakes from Grace Lin. My father had just recently passed away from esophageal cancer, and my mother was undergoing treatment for breast cancer at the time as well. It seemed like a small way that I could help contribute to cancer research.

Where did you get the idea for your snowflake?

I wanted to use a fairy tale as inspiration this year, one of my favorite types of stories to illustrate. "Beauty and the Beast" seemed appropriate...the "Beauty" of a cure overtaking the "Beast" of cancer.

Do you have any advice for children's book illustrators just starting out?

I'd say the best thing to do first is really familiarize yourself with the market. Read and study hundreds of published books in the library or bookstores. Look at how the art enhances and plays off the text. See how your own art compares and fits in. Develop a strong portfolio showing your ability to draw children and animals, and carry those characters through several scenes, like you would in a book. Re-illustrate your favorite fairy fale or fable to get a sense of what it's like to work with text and illustration combined. Develop a postcard mailer, and a simple web site/blog if you can. Get a copy of the latest Children's Writer's and Illustrator's Market to research publishers and their needs. Join the Society of Children's Book Writers & Illustrators, study its web site and articles, and attend a regional conference to learn about the business and network with other authors and illustrators. Lastly, have a lot of patience and perserverence. It may take several years to get your career off the ground, but it's worth it...I can't think of a better job!

Which books on your bookshelf  do you refer to over and over again?

I can't say I have one book in particular that I go back to, but at the start of a new job I often look over my collection of books from other illustrators to spark an idea or color palate. Some of my favorite children's books are the ones illustrated by other watercolor artists such as Jerry Pinkney, Charles Santore, David Wiesner, and Jane Dyer...all of whom have also contributed snowflakes to one of the three Robert's Snow auctions!

Sophiesseasonsspreadfo_2_3 I also asked Joan about her latest projects, and she sent along an illustration, telling me,

[Here is] a sample piece of art for a book I have written and illustrated called Sophie's Seasons, which I am just starting to submit to publishers. It's the first book I have both written and illustrated, so my fingers are crossed!

Good luck to you, Joan, and thank you so much for participating in Robert's Snow. Readers, click over to the Robert's Snow site, buy a snowflake, and raise money for cancer research! Snowflakes by Marion Eldridge and Maggie Swanson, artists whose work also brightened up this blog, are part of that first group, too.

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52. Sayle Away on a Snowflake with Shakespeare, Poetry Friday and Robert's Snow








Poetry Friday is here and with it my last feature of a Robert’s Snow snowflake and artist. These weeks have been a tremendous feast of visual delights and creativity. I can’t get over how beautiful each snowflake is. Just like a real snowflake, no two are alike and this one, “Titania’s Flowery Bed” is no exception. It’s based on Victorian lullaby and it features a sleepy little fairy.

Today, I’m featuring Elizabeth Sayles, who has illustrated more than 20 books for children. Her latest book is "The Goldfish Yawned" (Henry Holt) and it is the first book that she wrote as well as illustrated. It is a winner of the Bank Street College Best Childrens Book, 2005. She also illustrated "I Already Know I Love You" written by Billy Crystal which was a NY Times #1 best selling picture book.



Her Titania made me think of Shakespeare and A Midsummer Night’s Dream so my Poetry Friday offering is Elizabeth Sayles, her magical snowflake and Shakespeare. Makes a nice trio, doesn’t it?



I know a bank where the wild thyme blows,
Where oxlips and the nodding violet grows,
Quite over-canopied with luscious woodbine,
With sweet musk-roses and with eglantine:
There sleeps Titania sometime of the night,
Lull'd in these flowers with dances and delight;

William Shakespeare, from A Midsummer Night’s Dream, Scene 1





Liz was kind enough to send me a long email telling me all about what inspired her snowflake, how she came to Robert’s Snow and a bit about herself.

“My Snowflake -- Titania's Flowery Bed -- was inspired by a book that I just illustrated called "Mother's Song." It is a Victorian lullaby and many fairies have found their way into the art. Some are fishing for pearls, or dancing on a spider's thread, or escorting the Queen over the River bridge. This little fairy seemed to fit pretty well in the snowflake, which is actually a flower. "Mother's Song," which was adapted by Ellin Green, will be published in Spring '08 by Clarion Books.




The fairy, somehow wound up looking an awful lot like my daughter, Jessica. I see it now when I look at it, but was not aware of it when I was painting it.

I usually work in pastel... but I have been incorporating acrylic paints in my work lately and this snowflake was mostly painted using acrylics.




In the summer of 2005 Grace had asked me to do a snowflake for the first Robert's Snow auction. I was so impressed by her, and her concept and energy. Most of us are paralyzed when someone we love is sick, at least I am. I can only think of how to get through the day, but Grace put all that anxiety into hopeful action. So I was happy to do it. Last year I was too busy, so I was more than happy to do it again this year, especially in light of the fact that Grace lost her husband in August.



One of my favorite books is "Five Little Kittens" (a New Public Library 100 Books for Reading and Sharing Selection) My artwork has been on display at the Society of Illustrators in NYC, The New York Public Library, The Columbus Museum of Art in Ohio, Every Picture Tells a Story gallery in Los Angeles and Chemers Gallery in Orange County, CA. I am an adjunct professor of Illustration at the School of Visual Arts in NYC.”



Liz Sayles is one busy woman! Along with all her work, she has a website and a blog that feature her delectable art. snowflake and others at the Robert's Snow online auction. . I fell in love with her work and it’s dreamy, soft feel.

Getting to know about artists like Liz and discovering their art has made this experience a joyful and fulfilling one. Please visit the Robert’s Snow Online Auction and bid often for these selfless and thoughtful pieces of themselves the artists share. Each snowflake, the work creating them and the stories behind them are worth far more than will ever be fetched at auction.

Poetry Friday's round-up is at the place it began, Big A, little a.

8 Comments on Sayle Away on a Snowflake with Shakespeare, Poetry Friday and Robert's Snow, last added: 11/16/2007
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53. Robert’s Snow- Meet Salley Mavor!

Welcome to Blogging for a Cure!
Oh, boy! The Blog-A-Thon is nearly done. That means the time is soon coming when you will be able to bid on the snowflakes! Each piece of art is available to buy through Robert’s Snow, with proceeds going to cancer research. If you know anyone who has fought this disease, then you know how important research funds are in finding new treatments and an eventual cure. It’s great art for a great cause, so bid like crazy!

Today’s featured flakemaker: fabric artist and illustrator Salley Mavor!

I was very excited to feature Salley- I have seen her gloriously stitched and pieced artwork in person, and it is positively unique. Working with fabrics, needlework, beads, acorn caps, and whatever else she finds that works, Salley makes dimensional art that almost defies description.
Quilting? Embroidery? Dollmaking? Yes, all of that- and more.

Her snowflake, Circle Dance, is here:

flake.jpg

Salley learned to sew as a child and has been playing with a needle and thread since. Drawing with crayons was never enough- she remembers feeling that her artwork was not finished until something real was glued, stapled, or sewn to it. Salley has illustrated seven children’s books using her unique blend of materials and techniques.

books.jpg

As a lifelong stitcher myself, I had a few questions for Salley about the way she works!

Liz: I’ll bet your workspace is different from most illustrator’s space. Where do you like to work best? What’s in your workspace? What kinds of things inspire you and influence your art?

Salley: I work in a large room, surrounded by shelves and chest of drawers full of different materials like felt, beads, thread, acorn caps, stones, creeping ivy, milkweed pods and twisted tree branches. Most of the things around me may never make it in to my artwork, but I find it inspiring to have things from nature and beautiful colors around me. The room feels like being inside a cantaloupe, with pale orange walls and green window trim. In the middle is the same large oak table that I used as a child to work on art projects.

studio.jpg

Liz: Are you always on the lookout for new fabrics to integrate into your art? Where do you find them?

Salley: I have a life time’s worth of fabric to use already and rarely go out looking for something specific, because I can never find what I like that way. Sometimes I look through upholstery samples and order some for a background fabric. I buy wool, plant-dyed felt from a family business. I’m not interested in making or dying felt myself, but prefer to use my time making things with it.

fishing.jpg

Liz: Each book illustration takes a month to create. Where do you get the patience?

Salley: It does take quite a while to do the illustrations and depending on the size and techniques used, I can cut down on the time devoted to each piece. But, there is no way to rush it, so I just relax into the rhythm of stitching. This way I have time to work out solutions and figure out how to make parts of the picture a new way. It doesn’t take patience as much as focus. I am happiest when at work in my studio.

viloin.jpg

Liz: What are you working on now? What would you like to work on in the future?

Salley: I am in the middle of making a 64 page book of nursery rhymes for Houghton Mifflin. It has taken 2 years so far and will come out in 2009 or 2010, depending on when my work is complete. I really like having a different rhyme on each page with a new set of characters to play with. After this book is finished, I want to make some non-illustration artwork, something with more personal expression. I took time this fall to work on a self-portrait, which has been very satisfying. It’s a time line of my life, with 52 dolls, one for every year.

berryfamily.jpg

Thanks Salley- it will be great to see these projects as they develop, stitch by stitch!

Don’t forget to bid on Salley’s snowflake at the Robert’s Snow website. The auctions start on November 19th, and Salley’s will be available starting December 3rd.

Follow the links below for more great flake features!

Friday, November 16

Saturday, November 17

Sunday, November 18

4 Comments on Robert’s Snow- Meet Salley Mavor!, last added: 11/17/2007
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54. Shine is in the eye of the beholder

For the second time my artwork is part of Robert’s Snow: for Cancer Cure, a distinctive fundraiser consist of online auctioning more than 200 original pieces of art created on wooden snowflakes.
I received my wooden snowflake in the mail over the summer, right at the time I was finishing illustrations for a book and before my annual trip to visit my family in Mexico. But at last, late in August I was able to work in my snowflake.
I had been looking forward to the work, for I had a specific idea for this year. I was going to use one of my book characters as inspiration, Little Night, a book I painted while learning about the fierce fight for life of two Mexican families, the Varilla Cruz Family, and Asuncion’s’ family, whose mothers and one of the children were dealing with cancer and poverty.
The other part of my idea was that I wanted to create a music box—something new for me, but that I have seen before in the work of some of my artist friends.

At last the auction will begin this Monday, and as Little Night: See Me Shine, a music box, is about to be available for bidding, it came to my attention that the description posted by the Danna- Farber foundation has led to confusion about what my snowflake is and does. Here is the question that has prompted: Does Little Night: See Me Shine glow in the dark?

It does not. My snowflake is a music box. You twist the base of piece, and it cranks the mechanism that begins a broken tune. While the tune plays, the figure of the babe standing atop of the box turns around. The music was originally a popular Christmas song, but I altered the tune by taking apart the mechanism and breaking some teeth of the steel comb.
To give a further insight of how I make my snowflake, I put together this video that I created with the help of my artist fiends. My husband and son were the photographers, my friend Miguel Martinez created the music, and another friend of my provided the recording of the music box sounds.



And so why call it “See me Shine” if it does not shine?
I would say that the shine is in the eye of the beholder. My snowflake is a wish. A wish I have from my own child, my beloved son, as well for the Varilla Cruz children and Asuncion’s kids, which are five and have nobody else in the world but their mother. My wish for all of them is that they shine.
When I showed my writer’s group my snowflake and we discussed the name of my piece, one of them, my friend Jim, sent me this writing by Marianne Williamson, which tells it all so right:

“Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. We ask ourselves, Who am I to be brilliant, gorgeous, talented, fabulous? Actually, who are you not to be? You are a child of God. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people won't feel insecure around you. We are all meant to shine, as children do. We were born to make manifest the glory of God that is within us. It's not just in some of us; it's in everyone. And as we let our own light shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others.”

And so here is my wish for everybody: Shine.

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55. Robert's Snow: Starring Mary Newell DePalma

I met children's author and illustrator Mary Newell DePalma at the first Robert's Snow Open House of 2004, which was held at the Child at Heart Gallery . Since that initial encounter, our paths have crossed a number of times.

We were both on hand for a Robert's Snow kickoff event in Boston in 2005. Mary is the person on the far left in the picture above. I heard her speak at the 2007 Robert's Snow Artist Open House in October.
We see each other and chat at some of the events sponsored by The Foundation for Children's Books. Here you see--from left to right in the picture above--Mary, Grace Lin, Me, and Anna Alter. We were all at Boston College to hear Janet Wong.

Mary joined in celebrating at Grace's birthday party in May. She's pictured here with Steve Engel, the man who cut all the wooden snowflakes by hand, and Nicole Tadgell who created snowflakes for Robert's Snow 2004 and 2005.

Mary attended the May 2007 dinner meeting of the PAS North Shore Council when Mary Ann Hoberman was our featured speaker. Here she is sitting with my friend Peg Howard.

Mary Newell DePalma is a talented author and illustrator of children's books. She is also personable, has a great sense of humor, and is a pleasure to be around.
Mary doesn't limit her artistic talents to creating picture books. She also knits mittens and sometimes constructs "odd objects."

One of Mary's "Odd Objects"

Interview with Mary Newell DePalma

Elaine: Would you like to tell us about some of the different job experiences you had before you ventured into creating picture books for children?

Mary: I tend to avoid traditional nine-to-five jobs. In HS I knitted sweaters for a local designer, and used my calligraphy skills to address envelopes and make signs. During college and after, I interpreted for the deaf, mostly in classroom settings. My first job out of college was at a small greeting card company in Chicago where I did some typing, filing, and brainstorming for scented stickers for children. For example, if the scent was grapes, I’d make a list of hundreds of ideas for what a bunch of grapes could do: sing, skydive, drive a racecar, walk on stilts, go white water rafting, paint, eat an ice cream cone, etc, etc…I didn’t get to draw the stickers, I was just thinking up ideas for the guy who did draw them. I lasted there about six weeks. Then I took an even lower paying job being an apprentice engrosser where I ground my own ink, mastered various lettering styles, and wrote names on certificates all day long.

Mary is still knitting things...like the mittens above.

Elaine: When did you decide you wanted to become an author and illustrator of children’s books? What inspired you?

Mary: Well, after the engrossing thing, I tried all kinds of illustration. I attempted medical, semi-technical, editorial, advertising, and textbook illustration. I would get the work, try really hard, learn new skills, flounder a bit, realize I wasn’t very good at it, cross that career off the list and move on. So by process of elimination I was left with children’s book illustration. I knew lots of illustrators, but none who illustrated children’s books. I had never even given it a thought because I was kind of in awe of children’s book illustration, I guess. I imagined that some separate species of illustrator—geniuses—illustrated children’s books.

But I did send out postcards advertising my work to editors and art directors at publishing houses. I was pretty much dumbfounded by the response. Susan Hirschman, editor at Greenwillow, called and wanted to know if my illustration had a story to go with it. No, I said. She suggested that I try to write a story. Oh, sure, do you need your car repaired or any brain surgery while I’m at it???! I mean, I knew writers were very serious about their business and I had never written more than grocery lists. But I got this response over and over and I finally tried putting some book dummies together.

The stories that I made up for my book dummies were terrible, but my illustrations were charming. Some editors were very kind and thorough in their responses, and I learned what NOT to do. By making every error known to children’s book writers, then eliminating them, (and sheer dogged persistence), I did finally write and illustrate a book that was published.

Elaine: You have illustrated books for other authors as well as your own texts. Do you find there is a difference in how you approach a picture book project when the text is your own?

Mary: I enjoy the freedom and flexibility of writing my own text. Sometimes the story evolves in surprising ways and I’m free to follow my ideas and change my text if I want to. Illustrating other writers’ works helps me to stretch out of my comfort zone and has helped me to learn new things. For example, I would never have attempted to illustrate a crowd of children if it weren’t for Betsy James’ wonderful text for My Chair. (I would have avoided writing a crowd scene because I would have been too lazy to draw it.)


Elaine: You created snowflakes for Robert’s Snow 2004 and 2005. Can you tell us what your inspiration was for each of those snowflakes?

Mary: In 2004, I illustrated a book by Eileen Spinelli titled Now It Is Winter. It was the perfect snowflake theme book! I made a three dimensional mouse skating on the snowflake. I even knitted him a little sweater.

Mary's 2004 Creation for Robert's Snow


In 2005, my book A Grand Old Tree was published and I was pondering how to make a tree snowflake. My son suggested having the snowflake be the crown of the tree. So he was the creative genius behind that one!




Mary's 2005 Snowflake Tree

Elaine: I know that your 2007 snowflake was inspired by your new book The Nutcracker Doll. Would you like to tell us about the book and how you created your beautiful three-dimensional snowflake?



Mary: When my daughter Kepley was in the third grade, she got a role in Boston Ballet’s The Nutcracker. The book is about that wonderful experience, and it is published just in time for her 21st birthday! I built a little Kepley ballerina standing on her snowflake stage with a wire armature, newspaper, and rigid wrap. I sewed her a costume out of ribbons and netting. I hope it captures the adorable awkwardness of a very young ballerina.

We make these snowflakes with love and we’re grateful to have the opportunity to share that love with everyone who sees the snowflakes and benefits from the Dana-Farber Cancer Institute’s work.

Mary Newell DePalma has a great website that includes a book animation of A Grand Old Tree, a Kepley paper doll activity sheet, and curriculum guides for some of her books. Why not stop by for a visit?


REMINDER: WIN A PRIZE!!! I do hope you’ll stop by to read all of my Blogging for a Cure interviews and to comment about the artists and their work. I have a special prize for some lucky person who leaves a comment at any of my six posts featuring a Robert’s Snow artist: a limited edition giclee print of an illustration from Grace Lin’s book Robert’s Snow! Each time you comment at one of my Blogging for a Cure posts about a Robert’s Snow artist, I’ll put your name in a hat. If you comment at all six posts, your name will go into the hat six times! The drawing will take place on November 19th, the day bidding begins on the first of three Robert’s Snow 2007 auctions.

I also have several consolation prizes for commenters who don’t win the “big” prize: five small prints of the Robert’s Snow mouse(mice).

Read about the following Robert's Snow artists that I have already interviewed for Blogging for a Cure:

Here is a link to my interview with Scott Bakal.

Here is a link to my interview with Alissa Imre Geis.

Here is a link to my interview with Wendell Minor.

Here is a link to my interview with Susan Kathleen Hartung.

11 Comments on Robert's Snow: Starring Mary Newell DePalma, last added: 11/19/2007
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56. Robert's Snow Auction Starts Next Monday, November 19th

I can't believe it. The Robert's Snow Auction is almost here! Think Monday, November 19th. Just four more days. In case you need a refresher on some of the incredible snowflakes, here is 7-Imp's Master Schedule of some of the snowflakes designed by talented children's illustrators. If you'd like to see more snowflakes, go over here. Or check out this little film showcasing the snowflakes, made by Sheri of Goading the Pen.



Auction 1 will begin accepting bids on Monday, November 19th at 9:00 a.m. with a starting bid of $50 for each snowflake. Be sure to place your bid here, before the close of Auction 1 on Friday, November 23rd at 5:00 p.m. Here are the official rules for the auction.

Remember my interview with David Ezra Stein? Well, against my better judgement, I'm showing you his wonderful snowflake. Isn't it so sweet? Now, I want this snowflake, but...if you must bid on this snowflake, then bid away. Let's just find this snowflake and all the other gorgeous masterpieces a loving home.

To recap...the auction starts on Monday, November 19th at 9:00 a.m. with a starting bid of $50 for each snowflake. Be sure to place your bid here, before the close of Auction 1 on Friday, November 23rd at 5:00 p.m. Thank you for helping to raise money to find a cure for cancer.

1 Comments on Robert's Snow Auction Starts Next Monday, November 19th, last added: 11/15/2007
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57. Robert's Snow: The Timothy Bush Snowflake

149_snowflake

Hello, Snow by Timothy Bush

This is the final week of the Blogging for a Cure effort to raise public awareness of the Robert's Snow snowflake auctions. As you know, I wrote a lot about the auctions in this post. The first auction begins November 19th, so get ready to go snow shopping!

Today it is my great pleasure to feature another one of these amazing snowflakes. When the list of participating illustrators was presented to children's book bloggers a couple of months ago, I zapped back immediately with my request to host Timothy Bush's snowflake. We are very, very big Timothy Bush fans around here. We quote James and the House of Aunt Prudence almost as often as we do Monty Python. ("When the bear arrived, of course, there were not enough macaroons to go around.")

Gruntattack_2 Timothy is a gifted storyteller, and his picture book illustrations are enchanting. Each page offers a story in itself. Here's a list of his books. In addition to illustrating his own stories, he has illustrated the work of such kid lit heavy hitters as Eve Bunting and Marilyn Singer.

Those Capital Mysteries he is illustrating are new to me—they look totally up my kids' alley. I'll have to check them out asap.

At the top of this post, what you see is Timothy's Robert's Snow snowflake. It's called "Hello, Snow," and it makes me a bit nostalgic for the East Coast winters we so recently left behind.

Timothy was kind enough to answer a few questions for me about his snowflake, his work, and his taste in books and music.

What was your path to illustrating children's books?

I always loved drawing as a kid, which I don't think is unusual. Most kids draw when they're little. They just give it up as they get older. I had this great teacher in fifth grade who gave me extra credit for my cartoon stories. I think she kept me drawing at that transitional age by providing me with an audience and a motivation (I really needed that extra credit). Telling stories by combining words and pictures is pretty much what I'm still doing.

How did James in the House of Aunt Prudence come about?

I had a meeting with an editor to show her some stories I was working on. She wasn't much interested in the stories but liked a piece in my art portfolio of a very small boy sitting in a very large, fancy chair. She suggested that I try writing a story about him. JAMES was the result.

Who are your favorite children's book authors and illustrators?

I think in this field, you get to have two sets of favorites: the old ones you loved as a kid and the new ones you love as a fan of the form and as a practitioner.

In the first category, pride of place goes to Bill Peet, the first author I can remember looking for by name. The easy, loose-elbowed energy of the drawing—an animator's way of drawing, I later recognized—captivated me. I sent him a copy of my first book when it was published and of my most prized possessions is the letter I got back from him thanking and encouraging me. There were lots of other books and book creators, of course: the manic quality of PD Eastman's Go Dog Go echoes pretty loudly in my action scenes and there's no getting away from Dr. Seuss. But the Peet books—unslick as they are to contemporary eyes - were special to me in a way that nothing else was.

In the second group, well... where to begin? So, so many people working now are doing such beautiful work. The spectrum of styles is probably bigger right now than it's ever been and the level of accomplishment within those styles is extraordinarily high.

Where do you work? What is your studio like?

I work at home, which is a tiny, tiny studio apartment in Manhattan. I'm on  the third floor, on the back of the building, which means I get a view of the gardens between my building and the houses on the next street. If you've ever seen the movie Rear Window you can imagine the sort of what it looks like. For an urban setting, it's very quiet and pretty. People can never believe it but New York City is a major stopover for migrating birds in the spring and fall. I get dozens of species coming through. Checking the trees and identifying what I find is always a nice little work break at those times of year.

Do you listen to music while you work? If so, what kind?

Everything. This work can get solitary, so I like to keep a wide variety of voices around. This week's playlist has included Bollywood soundtracks, Handel operas, medieval chants, The Decemberists, Sufjan Stevens, some hardcore, arty hip-hop a friend gave me and an audio book of Ron Chernow's Alexander Hamilton biography. And it's only Tuesday.

What was the inspiration for your snowflake?

I thought it would be interesting to take the basic snowflake shape I was painting on and repeat it a bunch of times to make a snow scene. In the same way that one snowflake in winter isn't all that exciting, my one little painting isn't that big a deal. But a whole bunch of snowflakes at once is cause for celebration, whether they're outside the window of my building or inside the window of my computer screen. So my piece is kind of an illustration of my feeling about the whole Robert's Snow project.

The boy on your snowflake is alive with joy and wonder. I've seen that expression on my own kids' faces during a snowfall—the upturned face, the utter delight. Were you a big fan of winter as a kid?

One of my earliest memories is a snowstorm in Chicago that buried the whole first floor of our house: we had to come and go through the second-story window. Big excitement, weird behavior, suspension of all the usual rules. What kid wouldn't love that? New York City in a blizzard is also amazing. Everyone's out, skiing down the avenues, but the snow muffles all the sound and the quiet of it is incredibly strange and lovely.

Disney has optioned Benjamin McFadden and the Robot Babysitter! Congrats. Anything you can tell us about that?

I got a call from the producer a while back. Her son had the book and it was a family favorite. She wanted to know if the rights were available and a conversation started. We signed the contract back in the early spring. The project is in active development, or at least it was until the writers' strike began. I'm not involved in the day-to-day part of it at this point, but I did get to visit the studio when we were putting the deal together, which was a lot of fun. They really do run around in those little golf carts. There are some pretty amazing people involved and I can't wait to see what they come up with.

You work mostly in watercolors. Watercolors often come across as soft and dreamy, but one of the things I love best about your work is how crisp, vibrant, and lively it is. Your characters have such personality and every page is crackling with energy. Can you tell us anything about how your unique style developed? Who were your influences? Where did you study?

I never really studied art. I just sort of made it up as I went along. I try to find something in every new project I can concentrate on and learn about: contrast or outline or perspective or whatever. Lately I've been trying to explore color in a more systematic way.

What are you working on now?

This week I'm finishing up a magazine illustration, then starting the final art for the latest title in the Capital Mysteries series by Ron Roy. I'm also squeezing in time here and there to bring along a new original picture book, the first I've written in ages. That's my baby right now and I'm crazy excited about it.

Ooh, I can't wait to hear more about that!

Aliencoverlarge   Janeycovericon   Ccclickicon_2

Many thanks to Timothy for granting me the interview, and to all the illustrators who have donated snowflakes to the Robert's Snow auctions. Here's a list of the entire week's lineup of snowflake features:

Monday, November 12

Tuesday, November 13

Wednesday, November 14

Thursday, November 15

Friday, November 16

Saturday, November 17

Sunday, November 18

 

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58. Robert's Snow: Maggie Swanson

Maggie_swanson_snowflake

Robert's Snow for Cancer's Cure is an online charity auction of some 200 snowflake art pieces created by children's book illustrators. The proceeds from the auction go to cancer research at Boston's Dana-Farber Cancer Institute. Won't you put in a bid? They make excellent, one-of-a-kind gifts. Visit the Robert's Snow/DFCI web site to see the particulars about buying the snowflakes. The bidding starts next week.

Maggie Swanson's snowflake, "The Birdfeeder," goes up for auction starting Monday, November 19th. This piece of art makes me happy just to look at it, and  I am  honored to feature Maggie's work here at Chicken Spaghetti.

First off, a bit of biography:

Maggie Swanson wanted to be an artist for as long as she can remember. As a child growing up in New Haven, Connecticut, she spent many hours in her parent’s grocery store drawing and coloring pictures with the customers. After graduation from the Rhode Island School of Design, she spent three years illustrating and designing product for Hallmark Cards in Kansas City. Returning to Connecticut, she started her family and her freelance career. Since then, Maggie has illustrated more than 100 books for many different publishers.

At Maggie Swanson's web site, you'll see that she has illustrated many "Sesame Street" titles. Time for Bed, Elmo is one of our favorites. Don't miss the photographs that she takes at a local animal shelter, too. Beautiful.

In a recent email, I asked Maggie about her recent publications. She writes,

"I have two new books for Christmas. One is The Kitten's Christmas Lullaby, which I wrote and illustrated for Regina Press. This one has an interesting back story relating to my work at Paws. The book is based on an Italian folk tale that I read on a bulletin board at the shelter. It was a torn off page from a 'Cat of the Day' calendar. I couldn't  stop thinking about it. I don't normally write, but this book was so clear in my mind that I  figured out the words and layouts in only a few hours. The other is A Scratch & Sniff Night Before Christmas, published by Sterling Publishing Company."

Maggie sent along these images from A Scratch & Sniff Christmas (below, left) and The Kitten's Christmas Lullaby (below, right). Aren't they wonderful! Many thanks to Maggie for sharing the illustrations with us.

Don't forget to bid on "The Birdfeeder" at Robert's Snow.

Kittens_in_bed_swanson_3 Manger_scene_swanson

 

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59. Robert's Snow: Akemi Gutierrez and I Love Me New Boots!


Joyful is the word that comes to mind when I look at Akemi Guitierrez’ work. Her sketches and paintings are filled with joy and such an amazing exuberance. I start smiling and keep smiling for a long while after visiting her colorful and happy website which is filled with fun things like The Curio Corner which features a monthly quiz, a Book Nook, her gallery, Animal Crackers and more. If you're having a down day, swing by Akemi's site - it's sure to put a smile on your face.



Akemi is the illustrator of such fun books as The Pirate And Other Adventures of Sam & Alice and The Mummy And Other Adventures of Sam & Alice which are both published by Houghton Mifflin Co.; What the Elephant Told and A Nap in a Lap are published by Henry Holt & Co.; and Three Little Bears published by Candlewick Press. She has a new book coming in 2008 entitled I'm Just Like My Mom/ I'm Just Like My Dad to be published by HarperCollins.

Akemi Gutierrez has been illustrating and writing children's books for seven years, and is currently working on her seventh book. Akemi lives in northern California with her husband Ed. She has won the Oppenheim Toy Portfolio Gold Award for two of her book illustrations: “Three Little Bears” and “What the Elephant Told.”s: “Three Little Bears” and “What the Elephant Told.”

Her story about what brought her to Robert’s Snow is a touching one and her snowflake is filled with that joy and exuberance that he brings to his paintings. I love the idea of an ice skating pirate named Dead-Eye Dirk, don’t you?





Here are Akemi’s words about her involvement with Robert’s Snow and a bit about her snowflake.

Dear Gina,

Thanks so much for writing & thinking of me for your blog!

I first heard about the Robert's Snow event from my editor at Houghton Mifflin in 2004. It sounded like such a great idea and a wonderful cause, I really wanted to get involved. My brother passed away in 2000 from cancer so this charity felt especially close to my heart. After contacting Grace, I painted a snowflake for the first auction and the following two. I strongly believe in all the good that can come from people working together, such as the artists & coordinators of Robert's Snow and plan to participate in this charity as long as they'll have me.

When I was designing this year's snowflake, I thought back to my first (and only) attempt at ice skating. There's just 2 kinds of people that shouldn't be on ice skates: pirates & me. So it seemed like a good chuckle to put my pirate "Dead Eye Dirk" on the same slippery skates that I once wore. I think he's better at skating than I was, and it helps that he's properly distracted from the icy peril by the sweets at hand.

I hope this was helpful to you! Thanks again for writing & I hope this year's auction is another big success!

Happy Autumn,
Akemi

Isn’t she nice? I just want to give her a big hug! Akemi's snowflake is adorable and like each of the snowflakes I see, I want it. It’s not every day you can have a pirate skating on a snowflake.
So bid, bid, bid! Let's help to make this the most successful Robert's Snow ever. Many, many thanks to all the wonderful illustrators that gave of their time to create these beautiful works of art.

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60. via the Blue Rose Girls

Blogging for a Cure: The Final Week

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61. Robert's Snow Week 5 Schedule

As you know if you've been visiting any children's book blogs for the past few weeks, Robert's Snow is an online auction that benefits Dana-Farber Cancer Institute. Over 200 children's book illustrators have created art on individual snowflake-shaped wooden templates. The snowflakes will be auctioned off, with proceeds going to cancer research. You can view all of the 2007 snowflakes here. Jules

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62. Blogging for a Cure: The Final Week

Time certainly has flown in the past four weeks. Think about this: The final week of Blogging for a Cure begins today. Once again, I would like to thank Jules and Eisha, the fine ladies of 7-Imp for spearheading this effort to promote Robert’s Snow: for Cancer’s Cure, a series of online auctions that will raise money for the Dana-Farber Cancer Institute and cancer research. Please visit the Robert’s Snow website to learn more about this unique fundraiser, which was co-founded by Grace Lin and her late husband Robert Mercer.

Jules coordinated the efforts of dozens of bloggers who have been posting features about the picture book illustrators who created snowflakes for Robert’s Snow 2007. She also organized the master schedule for our postings. In addition, I would like to thank Tricia Stohr-Hunt of The Miss Rumphius Effect and Jen Robinson of Jen Robinson’s Book Page for providing participating bloggers with weekly schedules to post at our blogs.

NOTE: I have linked to the blogs that will be posting features about the Robert’s Snow artists this week—not to the specific posts. Jules and Eisha of 7-Imp have created a special page that includes a list with links to all the Blogging for a Cure posts. Their list is updated every day.
Monday, November 12
John Nez at ChatRabbit
Liza Woodruff at Check It Out
Jane Dippold at Just Like the Nut
Mike Wohnoutka at laurasalas


Tuesday, November 13
Cynthia Decker at The Silver Lining
Cecily Lang at Kate's Book Blog
Jane Dyer at Whimsy Books
Akemi Gutierrez at AmoXcalli and Cuentecitos
Lee White at Please Come Flying

Wednesday, November 14
Philomena O'Neill at Jo's Journal
Maggie Swanson at Chicken Spaghetti
Timothy Bush at Here in the Bonny Glen
Peter Emmerich at Loree Griffin Burns: A Life in Books

Thursday, November 15
Yangsook Choi at What Adrienne Thinks About That
Laura Jacques at cynthialord's Journal
Mary Newell Depalma at Wild Rose Reader
Leanne Franson at Just Like the Nut

Friday, November 16
Mary Haverfield at Your Neighborhood Librarian
Lisa Kopelke at Lisa's Little Corner of the Internet
Salley Mavor at ChatRabbit
Greg Newbold at The Longstockings
Elizabeth Sayles at AmoXcalli and Cuentecitos

Saturday, November 17
Paul Brewer at A Chair, A Fireplace & A Tea Cozy
Aaron Zenz at Jo's Journal
Wendy Edelson at What Adrienne Thinks About That
Joan Waites at Chicken Spaghetti

Sunday, November 18
Giles Laroche at Book, Book, Book
Annie Patterson at Check It Out
Teri Sloat at The Miss Rumphius Effect
Annette Heiberg at Lisa's Little Corner of the Internet
Wade Zahares at Wild Rose Reader

These are the Robert’s Snow artists who will be/have been featured at Wild Rose Reader.

October 16: Scott Bakal
October 29:
Alissa Imre Geis
November 3:
Wendell Minor
November 9:
Susan Kathleen Hartung

COMING SOON TO WILD ROSE READER
November 15: Mary Newell DePalma
November 18: Wade Zahares

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63. Blogging for a Cure Week 5

The schedule for week five of Blogging for a Cure (Robert's Snow fundraiser for cancer research) is in the sidebar to the right.

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64. Robert’s Snow-Meet John Abbott Nez!

Welcome to Blogging for a Cure!
Here’s where we, the Bloggers of the Kidlitosphere, are chatting about the fabulous artwork that’s showing up on snowflakes these days. Each piece of art is available to buy through Robert’s Snow, with proceeds going to cancer research. If you know anyone who has fought this disease, then you know how important research funds are in finding new treatments and an eventual cure. It’s great art for a great cause, so bid like crazy!

Today’s featured flakemaker: Author-illustrator John Abbott Nez!
Here’s an illustration that will get you in a snowflake-y mood:

winterscene.jpg
From My Cherry Tree, by John Nez

John is an artistic dynamo- his whimsical art can be found in literally tons of books and magazines for children, and also paints his favorite natural subjects on canvas in his “spare” time. He’s also one of the few people I know who’s been a “ghost illustrator” for a few popular book series. For his children’s work, he works traditionally to a point, then digitally enhances it for his trademark look.

His handpainted snowflake is a gorgeous homage to winter birds:
006_snowflake.jpg

Here’s the guy himself and a small selection of his books:
books2.jpg
(more…)

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65. Robert's Snow Week in Review

As you know if you've been visiting any children's book blogs for the past few weeks, Robert's Snow is an online auction that benefits Dana-Farber Cancer Institute. Over 200 children's book illustrators have created art on individual snowflake-shaped wooden templates. The snowflakes will be auctioned off, with proceeds going to cancer research. You can view all of the 2007 snowflakes here. Jules and Eisha from Seven Impossible Things Before Breakfast have found a way for bloggers to help with this effort, by blogging about individual illustrators and their snowflakes. The idea is to drive traffic to the Robert's Snow site so that many snowflakes will be sold, and much money raised to fight cancer. The illustrator profiles have been wonderful so far - diverse and creative and colorful. And there are lots more to go.

Here's the schedule for the past week, so you can go back and see the features. As previously, this schedule links to the participating blogs, instead of to the individual posts. You can find links to the posts themselves, and any last-minute updates, each morning at 7-Imp. Jules and Eisha have also set up a special page at 7-Imp containing a comprehensive list of links to the profiles posted so far. Also not to be missed is Kris Bordessa's post summarizing snowflake-related contests to date over at Paradise Found.

Monday, November 5

Tuesday, November 6
Wednesday, November 7
Thursday, November 8
Friday, November 9
Saturday, November 10
Sunday, November 11

Please take time out to visit these blogs, and read about these fabulous illustrators. And, if you're so inclined, think about bidding for a snowflake in the Robert's Snow auction. Each snowflake makes a unique gift (for yourself or for someone else), and supports an important cause.

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66. Blogging for a Cure: The Final Week

Grace Lin & Alissa Imre Geis
admiring the 2007 snowflakes
in Newburyport, Massachusetts

Note: My husband and I took the rest of the photographs posted here at the Reception for Robert's Snow Artists, which was held on November 4th at the Danforth Museum of Art in Framingham, Massachusetts. The 2007 snowflakes will remain on exhibit through December 2nd.

Back row: Leo Landry & Grace

Time certainly has flown. Think about this: The final week of Blogging for a Cure will begin tomorrow! Where did the time go?

Once again, I would like to thank Jules and Eisha, the fine ladies of 7-Imp for spearheading this effort to promote Robert’s Snow: for Cancer’s Cure, a series of online auctions that will raise money for the Dana-Farber Cancer Institute and cancer research. Please visit the Robert’s Snow website to learn more about this unique fundraiser, which was co-founded by Grace Lin and her late husband Robert Mercer.

Jules coordinated the efforts of dozens of bloggers who have been posting features about the picture book illustrators who created snowflakes for Robert’s Snow 2007. She also organized the master schedule for our postings. In addition, I would like to thank Tricia Stohr-Hunt of The Miss Rumphius Effect and Jen Robinson of Jen Robinson’s Book Page for providing participating bloggers with weekly schedules to post at our blogs.

NOTE: I have linked to the blogs that will be posting features about the Robert’s Snow artists this week—not to the specific posts. Jules and Eisha of 7-Imp have created a special page that includes a list with links to all the Blogging for a Cure posts. Their list is updated every day.
Robin Brickman with an original illustration
from her book
One Night in the Coral Sea

Rebecca Doughty standing near her snowflake

Amiko Hirao and Alissa Imre Geis

Monday, November 12
John Nez at ChatRabbit
Liza Woodruff at Check It Out
Jane Dippold at Just Like the Nut
Mike Wohnoutka at laurasalas

Tuesday, November 13
Cynthia Decker at The Silver Lining
Cecily Lang at Kate's Book Blog
Jane Dyer at Whimsy Books
Akemi Gutierrez at AmoXcalli and Cuentecitos
Lee White at Please Come Flying

Wednesday, November 14
Philomena O'Neill at Jo's Journal
Maggie Swanson at Chicken Spaghetti
Timothy Bush at Here in the Bonny Glen
Peter Emmerich at Loree Griffin Burns: A Life in Books

Thursday, November 15
Yangsook Choi at What Adrienne Thinks About That
Laura Jacques at cynthialord's Journal
Mary Newell Depalma at Wild Rose Reader
Leanne Franson at Just Like the Nut

Friday, November 16
Mary Haverfield
at Your Neighborhood Librarian
Lisa Kopelke at Lisa's Little Corner of the Internet
Salley Mavor at ChatRabbit
Greg Newbold at The Longstockings
Elizabeth Sayles at AmoXcalli and Cuentecitos

Saturday, November 17
Paul Brewer at A Chair, A Fireplace & A Tea Cozy
Aaron Zenz at Jo's Journal
Wendy Edelson at What Adrienne Thinks About That
Joan Waites at Chicken Spaghetti

Sunday, November 18
Giles Laroche at Book, Book, Book
Annie Patterson at Check It Out
Teri Sloat at The Miss Rumphius Effect
Annette Heiberg at Lisa's Little Corner of the Internet
Wade Zahares at Wild Rose Reader

Grace, Anna, & I decided to have a picture taken
next to the beautiful angel created by Linda Wingerter.

These are the Robert’s Snow artists who will be/have been featured at Wild Rose Reader.

October 16: Scott Bakal
October 29:
Alissa Imre Geis
November 3:
Wendell Minor
November 9:
Susan Kathleen Hartung

COMING SOON TO WILD ROSE READER
November 15: Mary Newell DePalma
November 18: Wade Zahares

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67. Robert’s Snow profile: Tim Coffey


Tim Coffey is the latest Albert Whitman illustrator to be featured online for the annual Robert’s Snow art fundraiser. Tim illustrated the award-winning books Red Berry Wool, by Robyn Eversole, and Mabela the Clever, by Margaret Read MacDonald. He also wrote and illustrated Christmas at the Top of the World, and if something about his style looks familiar, it’s because he also has a line of scrapbooking products. Today he’s being profiled by Pam Calvert at her blog The Silver Lining.

Once again, the Robert’s Snow auctions begin November 19th, and we’ll let you know when you can bid on snowflakes by your favorite Albert Whitman illustrators to raise money for cancer research.

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68. The Trumpets of the Sky: Week 5 of Robert's Snow

The final week of Blogging for a Cure starts today. Blogging for a Cure supports Robert's Snow for Cancer's Cure, the online charity auction of wooden snowflake ornaments decorated by children's book illustrators. Proceeds go to the Dana-Farber Cancer Institute, and the effort by the children's book bloggers was launched to drive as much traffic as possible to the Robert's Snow web site. There you'll find all the information about how to bid on these unique pieces of art. The first round of auctions begins Monday, November 19th. Buying a snowflake will fund cancer research. That's what it's all about.

Do stop by these woods on a snowy evening for a visit with artists Maggie Swanson on Wednesday and Joan Waites on Saturday.

This week's schedule and the source of this post's title come after the jump.

Sunday, November 11

Monday, November 12

Tuesday, November 13

Wednesday, November 14

Thursday, November 15

Friday, November 16

Saturday, November 17

Sunday, November 18

I borrowed the title of this post from "The Snow-Storm," by Ralph Waldo Emerson, which can be found online at the Poetry Foundation.

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69. Robert's Snow: Week Five

Here's the schedule for Week 5, which starts Monday. As previously, this early schedule links to the participating blogs, instead of to the individual posts. You can find links to the posts themselves, and any last-minute updates, each morning at 7-Imp. Jules and Eisha have also set up a special page at 7-Imp containing a comprehensive list of links to the profiles posted so far. Also not to be missed is Kris Bordessa's post summarizing snowflake-related contests to date over at Paradise Found.

Monday, November 12


Tuesday, November 13


Wednesday, November 14


Thursday, November 15


Friday, November 16


Saturday, November 17


Sunday, November 18

Please take time to visit all of these blogs, and read about these fabulous illustrators. And think about bidding for a snowflake in the Robert's Snow auction. Each snowflake makes a unique gift (for yourself or for someone else), and supports an important cause.

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70. Robert's Snow - Week 4 Round-Up

Four weeks of amazing art and snowflakes, what more can I say? The first auction begins in 8 short days. I hope you have been following along and making notes on the snowflakes you'll be bidding on. If you haven't seen the snowflakes that were highlighted this week, along with their fabulous creators, please take some time to do so. Robert's Snow needs your support! Here are a few of my favorites from this week, along with links to all the features.
If you want to learn more about this extraordinary effort, visit the Robert's Snow site. Not only can you view all the all the 2007 snowflakes, but you can also link to children's books illustrated by the artists. Finally, many of the illustrator's have been generous in offering prizes for the readers of these blog entries. For a listing of all the Robert's Snow contests, check out this list at Paradise Found.

**Please Note - At the time the Blogging for the Cure event was organized, not all snowflakes were in the hands of the folks at Dana Farber. As a result, not all of the illustrators were available for selection as part of this effort. This in no way diminishes the work of any of the illustrators that will not be highlighted. It is our hope that these features will encourage readers to visit Robert's Snow and look at ALL the wonderful snowflakes up for auction.

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71. Behind the Snowflakes-Up Close and Personal



















It's been fun following, Blogging for a Cure 2007 with over 70 bloggers highlighting many of the beautiful snowflakes created by children’s book illustrators as part of Robert’s Snow: for Cancer's Cure. You can still visit the handful of artists featured each day, and get to know each one of them up close and personal. Remember you can bid on your own original art snowflake while helping to fight cancer.

Today I have the privilege of featuring another author and illustrator and snowflake creator Chris Gall! (You can read about the first artist I featured here.) This is a special privilege for me since Chris is one of the illustrators I find my inspiration in. He is one creative guy with a keen eye for detail. Chris Gall is a direct descendant of Katharine Lee Bates author of America the Beautiful, the classic poem and anthem. He has worked with clients all over the world including Time, Newsweek, Money, and National Lampoon, to name just a few. Be sure to visit his website!


Interview with Chris Gall

First let me congratulate you for being selected in this year's Original Art Show at the New York Society of Illustrators. How many times before have you made it into the show?

I was just in New York for the show. It was great fun! My publisher, Little Brown, threw a party. They don’t usually do that. New York is the place to be if you are in illustration or publishing. All three of my books have been in the show. Although only one illustration is displayed, the jury makes their decision on the book as a whole.

How did you become involved in Robert’s Snow and what was your inspiration for your snowflake, “Dinoflake”?

I got a call from Grace Lin. I knew it was for a good cause but at the time I didn’t know a lot about the project, after some checking I found it was a great conglomeration of illustrators. For my snowflake I wanted to do something different, that’s the way I approach all of my art. So I went with something in contrast to the expected imagery, yet not too random, Santa Dino!

Who had the most influence on your work?

As a kid, no question, Maurice Sendak. My grandmother was friends with him. She owned a small bookstore and he would visit. I would get gifts and signed books from him. As an adult I would have to say my influences come form Chris Van Allsburg and David Wiesner.

What is your all-time favorite picture book?

Where the Wild Things are.

How did the project for your first book, America the Beautiful, come about?

After spending a long time as a commercial illustrator, doing magazine and editorial work it became dry, not so rewarding. I decided I wanted to do children’s books. Even with success as an illustrator elsewhere, it’s hard to break into publishing, so I was looking for a pitch. Something that would interest a publisher. My family kept asking me to illustrate America the Beautiful-I am the great grand-nephew of Katharine Lee Bates—the poem’s author, and after 9-11, I felt the need to do just that. So I put together a proposal and sent it to friends, who sent it to friends, until it ended up in my agents hands. I still have that agent today.

Are the original hand written lyrics on display now?

The family has one of the hand-written copies of the lyrics.

You are the writer and illustrator for your last two books. For you, which comes first, the pictures or the words?

The manuscript first. Always. The industry is biased toward the story not the art. You have to have a strong story. They buy the manuscript. I will include some sample art along with the manuscript when I send it.

You have such a unique style, tell us a little bit about your illustrative process.

I start with thumbnails, sketches, layouts, tracings, and composition. I spend the most time on composition. Then I do a black and white engraving on clay board, kind of like a woodcut. Then it’s scanned and colored in Illustrator. 75-80% of the color is done on the computer. I might then use Photoshop too to move elements or make any changes.


There’s Nothing to do on Mars is due to be released early next year. This book seems like it will help fill the void in picture books for boys, do you have more like it planned for the future?

Yes! I definitely want to fill that void. Early in my career I walked into a bookstore to research the current state of pictures books, and I couldn’t find much that I (with my 7 year old hat on) wanted to actually read. I was determined to create books that I would like if I were a young boy. Of course, girls are always welcome too!

With such a busy schedule, do you still find time to do stand-up comedy? (You curious readers can see what I’m talking about on his bio.)

Oh, I retired from that four years ago. I toured, I was in an improve group, but it was too exhausting. It’s a serious business! But it did give me public speaking experience. If you’re used to dealing with 300 drunk, rowdy, chain-smoking strangers on a late Friday night—all of whom are convinced they are funnier than you are—then entertaining a few 3rd graders is a piece of cake.


Thank you Chris for letting us get to know more about you! His Grandmother was friends with Maurice Sendak, how cool is that! As a special treat I will be giving away a copy of Dear Fish to one lucky reader of this blog. That's right! Just post a reply on this post and your name will go into a drawing. The winner will be selected on the first day of the auction. (You can find the auction details here.)





All images © 2004 - 2007 Chris Gall.

Be sure to check out the other snowflakes being featured today:

Sunday, November 11


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72. New Podcast: Grace and Alvina

Our latest podcast is up.

In anticipation of the Robert's Snow: for Cancer's Cure snowflake auction, Lolly talks with author-illustrator Grace Lin and her friend, co-blogger, and editor at Little Brown, Alvina Ling.

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73. POETRY FRIDAY: Robert's Snowflakes and Poems

When I read this post by Jules at 7-Imp the other day, it gave me an idea for my Poetry Friday post at Blue Rose Girls this week. Last week at Wild Rose Reader, I wrote about poetry inspired by famous paintings and other works of art. Since we are in the midst of Blogging for a Cure, I thought it would be fitting to post three haiku poems and images of the 2004 snowflakes that inspired their authors. The poems and snowflakes are all included in Robert's Snowflakes: Artists' Snowflakes for Cancer's Cure.


NOTE: Robert's Snowflakes: Artists' Snowflakes for Cancer's Cure is a beautiful collector’s item. It is a compilation of the 2004 snowflakes and haiku written specially for the book by Jane Yolen, Janet Wong, Heidi Stemple, Jennifer Holm, Carole Lexa Schaefer, April Halprin Wayland, Charlotte Zolotow and her daughter Crescent Dragonwagon, and me. Please consider purchasing a copy of the book because 100% of the royalties will go to the Dana-Farber Cancer Institute.

Snowflake Art & Poetry

The first haiku I’ve posted here was written by Charlotte Zolotow and Crescent Dragonwagon. What you may not know is that Charlotte and Crescent actually wrote a poem with three stanzas for Robert’s Snowflakes. The poem was too long to fit on the blank snowflake template—so only the last stanza, which you see below, was included in the book.

This is the two-page spread in which their poem appears:


The Snowflake Artists
(left page from left to right)
Phoebe Stone, Loren Long, Scott Bakal
(right page from left to right)
Kinuko Y. Craft, Grace Lin, Gary A. Lippincott

Busy small white stars
making the cold dark earth white.
Inside, we are warm.

Click here to read the first two stanzas of this lovely poem.

Here is another lovely haiku written by Janet Wong…along with the snowflakes that inspired it.
The Snowflake Artists
(top to bottom & left to right)
Amy Young, Melissa Iwai
Linda Wingerter
Susan Swan
Theresa Smythe, Kathy Jakobsen



Skater and scarf wrap
themselves around each other,
ice-dancing as one.


Finally, here is the haiku I wrote for Robert's Snowflakes: Artists' Snowflakes for Cancer's Cure and an image of the book’s two-page spread in which my poem appears.

A snowman shadow
paints himself in blue upon
a cold white canvas.


The Snowflake Artists
(left page from left to right)
Janie Bynum, John Hassett, Jarrett J. Krosoczka
(right page from left to right)
Leo Landry, Jaime Zollars, Fred Lynch

The first auction of Robert’s Snow 2007 begins on November 19th!

NOTE: The poems posted here are the copyrighted property of their respective authors. All rights reserved.


Cloudscome has the Poetry Friday Roundup at A Wrung Sponge this week.

8 Comments on POETRY FRIDAY: Robert's Snowflakes and Poems, last added: 11/10/2007
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74. Robert's Snow: Starring Susan Kathleen Hartung

I remember well the Robert’s Snow Artist Open House held at the Child at Heart Gallery in the fall of 2004. It was so exciting to meet a number of the picture book illustrators who had contributed their creations to this worthy cause. I was dazzled by all the beautiful snowflakes. The gallery seemed like a wonderland to me.

Trying to decide which snowflakes to bid on in the 2004 auction was difficult. One of the snowflakes that caught my eye at the exhibit because it was so different from the others had been painted by Susan Kathleen Hartung. On her snowflake, koi swam amidst lily pads and lotus flowers on a bright white background.

I realized later that Susan had done the lovely illustrations for One Leaf Rides the Wind, a wonderful haiku counting book that was written by Celeste Davidson Mannis. (I wrote a short review of the book in my Happy Haiku to You post at Blue Rose Girls in February.)

Well, I won Susan’s snowflake in the auction. I had decided that I wanted a piece of her original art because I had fallen in love with her work. You may, too, if you read One Leaf Rides the Wind and some of the other books she has illustrated. They include One Dark Night, Dear Juno, and Christmas Mouseling.

Here are excerpts from reviews of some of the picture books Susan has illustrated:

ONE LEAF RIDES THE WIND
Kirkus Reviews: “Hartung's delicate illustrations with varying perspectives effectively complement the haiku and add touches of visual humor throughout. Just as each element of a Japanese garden contributes to a calming, satisfying whole, the elements of this work—poetry, subtly integrated additional text, illustration, design, and even the endpapers—all meld together into a lovely whole that both entertains as successful poetry and educates as an introduction to several aspects of ancient Japanese culture.”

DEAR JUNO
Kirkus Reviews: "The illustrations, done in oil-paint glazes, are beautifully lit; the characters, particularly Grandmother, with her bowl of persimmons, her leafy garden, and her grey bun that looks ‘like a powdered doughnut,’ are charming." ONE DARK NIGHT
School Library Journal:
“The heart of this story is its illustrations, created by the manipulation of oil-paint glazes. Hartung’s blotting technique provides contrast between a complex detailed background and the simple drawings of people and animals in the foreground. This contrast and the opposition of the dark night and the well-lit house reduce any fear children might have about the storm.” Booklist: “Outdoor scenes, awash in dark blue and gray hues, are often framed with silhouettes of recognizable objects; indoors, rooms are warm and glowing. Alternating perspectives add further drama and intimacy. The dark, Gothic-looking book jacket implies mystery, but the story itself is about the welcome comfort of safe havens, for humans and animals alike.”
CHRISTMAS MOUSELING
The Horn Book Magazine: "The rhythmically repetitive text is greatly enhanced by Hartung's blustery pictures, equally effective at conveying the wintry night and the warm and loving tableau in the stable."

Publishers Weekly: "Hartung's chilly images painted in oil glaze and a bevy of swirling snowflakes on a backdrop of blue turn to burnished hues of gold as the pair enters the welcoming stable, where the mouseling nestlesnext to the infant in the manger."

Click here to read Step-by-Step in which Susan explains her process for crafting a picture book.

Click here to take a Studio Tour.


Interview with Susan Kathleen Hartung

Elaine: Susan, you use oil glazes and a blotting technique to create your wonderful picture book illustrations. Is that something you learned about in art school or a technique you developed yourself?

Susan: The basic glazing technique is loosely based on the oil glaze technique used by Maxfield Parrish, which I was taught in college. However the original impetus behind the actual process I currently use came when I had an assignment due in a matter of hours and I realized I had a limited quantity of supplies available. I created some interesting effects while messing about with what supplies I could find and began experimenting. Through trial, error and a series of happy accidents, an actual repeatable technique began to emerge. The process has been developed and refined over the years and is now something uniquely my own.

Elaine: Your first trade picture book was Dear Juno, which was written by Soyung Pak. It certainly garnered a number of accolades, including the Ezra Jack Keats Award. That was a most auspicious entry into the world of published children’s books for you. Could you tell us how you felt when you met with such great success with that first book?

Susan: I don't think it really hit me just how lucky and remarkable it was that I had such an auspicious entry into the world of trade books until just a few years ago. It was certainly thrilling and exciting at the time, but I also had nothing to compare it to. Now with well over a decade of experience in the industry and an ever-growing list of titles – some that have done well and others that have simply muddled along – I realize that it was a remarkable stroke of luck.

Elaine: I love your illustrations in the haiku counting book One Leaf Rides the Wind. The setting of the book is a Japanese garden. Did you have to do any research before beginning your art for the book?

Susan: I research all of my projects quite thoroughly. One Leaf was a bit easier for me to do than some others due to a fascination I had with Japanese culture many years ago. Primarily I do a barrage of visual research before starting any book. For example ­– if it's a book about cats, I look at 100's of pictures of cats. Then I put all of it aside, usually sleep on it, and then draw from my visual memory. No matter how familiar I might be with the subject matter, I basically run my brain through a visual refresher course on a subject before attempting to draw it.

Elaine: Have you ever thought of writing a children’s book?

Susan: I think most every picture book illustrator entertains this idea and more often than not your publishers will ask if you have ever considered the notion at some point.

The one thing that I have come to realize is that although over the years I may have become a relatively good judge of manuscripts, and have even developed some reasonable skills as a story editor, I have yet to achieve any real viable ability or talent as a writer. However, I do still keep a journal of story ideas and make attempts from time to time to develop my ideas further.

One of the biggest issues in my inability to achieve any success as a writer, is that I simply don't have the time. Illustration is very much a full time job for me these days. Writing, although intriguing, is at this point low on the priority list.

Elaine: Are you working on any picture books at the present time that you would like to tell us about.

Susan: I just recently finished a project for Viking by first time author Rita M. Bergstein titled Your Own Big Bed that will be coming out in May. I also have the third book in the Mittens series from HarperCollins coming out around the same time.
I am currently in the process of finishing up my second project with Celeste Davidson Mannis through Bloomsbury, currently titled Midnight in London . It's all about time zones. After that I am slated to begin work on a project for Peachtree Publishers currently titled Three Scoops and a Fig about an Italian-American girl and her family’s restaurant. Also in the works is a new early reader series for Zonderkids, and a retelling of an old Scottish folktale for Boyds Mills Press.

Elaine: Are there any artists—whether fine artists or picture book illustrators—whose work you especially admire?

Susan: There are quite a few – Maxfield Parrish, Sendak (of course), Edward Gorey, Lane Smith, David Wiesner, Ponder Goembel, Ross MacDonald, Ian Falconer, Michael Hague, Chris Van Allsburg, William Joyce, J. Otto Seibold, Garth Williams, and on and on. What can I say, I'm a big fan of picture books.

Elaine: The snowflake you created for Robert’s Snow 2004 was inspired by One Leaf Rides the Wind. Your 2005 snowflake was inspired by Christmas Mouseling, which was published in that same year. Would you care to tell us what the inspiration was for your 2007 snowflake of a dragon?

Susan: The dragon originated from a private commission piece I was working on for a close family friend. It was one of several dragon character concepts I was playing around with. Although not used in the final commissioned work, I decided to use this particular dragon in a piece for my personal Christmas card several years ago. I never did finish the image and it has just sort of been floating around with the "someday" tag on it. When it came time to do the snowflake for this years Robert's Snow auction, it just seemed like the right image for the ornament.

NOTE: All illustrations © copyright Susan Kathleen Hartung. No image may be used in whole or in part without written permission.

REMINDER: WIN A PRIZE!!! I do hope you’ll stop by to read all of my Blogging for a Cure interviews and to comment about the artists and their work. I have a special prize for some lucky person who leaves a comment at any of my six posts featuring a Robert’s Snow artist: a limited edition giclee print of an illustration from Grace Lin’s book Robert’s Snow!

Each time you comment at one of my Blogging for a Cure posts about a Robert’s Snow artist, I’ll put your name in a hat. If you comment at all six posts, your name will go into the hat six times! The drawing will take place on November 19th, the day bidding begins on the first of three Robert’s Snow 2007 auctions.

I also have several consolation prizes for commenters who don’t win the “big” prize: five small prints of the Robert’s Snow mouse(mice).

Read about the following Robert's Snow artists that I have already interviewed for Blogging for a Cure:

Here is a link to my Blogging for a Cure interview with Scott Bakal.
Here is a link to my Blogging for a Cure interview with Alissa Imre Geis.
Here is a link to my Blogging for a Cure interview with Wendell Minor.

10 Comments on Robert's Snow: Starring Susan Kathleen Hartung, last added: 11/19/2007
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75. Robert's Snow: Genevieve Cote

I am just thrilled to bring another snowflake feature for Robert's Snow auction for Dana Farber cancer research. Today I have an interview with Genevieve Cote. Check out her home page to see the fabulous work she has done in a variety of places. She has a long list of awards for her children's books, exhibitions of her work, and her editorial illustrations published in major periodicals. A few of

5 Comments on Robert's Snow: Genevieve Cote, last added: 11/15/2007
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