It’s Autumn now, and it’s been a long time since we attempted to ride the coattails of Guardians of the Galaxy, 2014’s breakout stars. But now that the weather is getting colder you may be needing a transitional jacket, for those snappy autumn days (or warming autumn days if you live in the South). Anyway, New American Jackets is selling pleather replicas of Starlord jacket from Guardians of the Galaxy — available in both mens and women’s sizes. It looks to be a nice detailed jacket in a flattering burnt sienna color. Men’s runs $140 and women’s $139 but both are “on sale” now.
New American Jackets sells various other pop culture themed coats, like a Rick Grimes jacket—inexplicably crisp and clean and not gore clotted, bu you can fix that my sleeping in in every day for a month—a Keanu Reaves Hellblalz er trenchcoat—hopefully to be upgraded with the new TV series—a Smallville duster, a Katniss coat, a Drive jacket with the scorpion and all. So whatever your Halloween or cosplay plans, they can be purposed as a practical if nerdy garment for even non-con days.
Via Geek Tyrant
Recently John Hendrix posted the 'Anatomy of a Jacket' on his Blog
Drawing on a Deadline. John discussed the process of making the jacket for his latest book
JOHN BROWN:His Fight for Freedom. This entry is a follow-up to his but from the view of the art director. Let's begin.
Usually after most of the interior is underway, do I start asking the illustrator (in this case John Hendrix) to start sketching up cover ideas. Sometimes I will have something in mind that might work. This was not one of those times. I felt that what ever John might sketch up was going to be better than any suggestion I might have. But more importantly at this stage I feared that any direction might stifle his creative process.
So John began to sketch.
And from there he selected his best sketch
At first glance John's sketch was very impressive and exciting only was it right for the book? I waited a couple of days to see if it was still as exciting. After showing it to the editor Howard Reeves. His concerns echoed my own. That as beautiful of a drawing as it was, for a cover it was to stately and stiff for the book that it is. In addition the subtitle was of some concern "The Oath of Freedom" It leads you to believe that John Brown actually took an oath, which he he did not. Howard and John worked on subtitles that might better suit the story.
My direction to John was simple we need more motion/action. I wanted to feel John Brown's passion. I referred him to pieces from the interior that worked well and captured what I was trying to say.
So back to the drawing board.
This new sketch
compositionally was better than the last, it
definitely had action. I loved how the type was developing but now John Brown appeared to be crazy pants rather than a 'hero' . How where we to make him appear to be a 'hero'. At first this was a hard thing to do. mainly because of his beard. It made him look Joaquin Phoenix / Una bomber crazy. This had to change. I suggested thinking of Superman crossed with Moses.
We both seemed excited by this idea but would it work? John went out in search of reference.
John's next sketch was right on the nose. At this point we worked out a subtitle that better described John's Brown's story, " His Fight for Freedom"
Only one slight change. We needed a girl character. (See below)
Next John stopped by my office where we went over how the whole cover would look. Back cover, flaps, and spine. I wanted to utilize John's typography as much as possible. Type is not something to be place just on top of an illustration. Anything I might have done would look unnatural with his art. I try to make sure that type and illustration live together rather than fighting with each other. I had John work up type for the flaps and spine , well really the whole jacket.
Once the sketch was approved John set out to work on the final. He first looked over the entire book to remind himself of the general color structure. From here I wait until I see the final art. Below are John's studies and process of making the final art
The shield on the bottom of the art needed to be used on the title page as well, in different proportions, so he built all the elements of the cover individually and assembled them in Photoshop.
Once the bottom was assembled in place with the flaps and spine, He could lay in the art for the top. Here is the full piece, unobscured by the shield.
Finally the cover art was done. Next step add Jacket and Flap copy.
Here is the final front cover.
Interview Adventure Series • 4 •
Starring John Hendrix illustrator of JOHN BROWN coming soon!Illustration © 2009 by John Hendrix.
Published by Abrams Books for Young Readers. New York.
Posted with permission of publisher. All rights reserved.
Title: Remembering Raquel
Written by: Vivian Vande Velde
Hardback: 137 pages
Ages: 12 & up
Publisher: Harcourt, Inc.
ISBN: 978—0-15-205976-7
Publication: November 2007
There are times when a person drifts through everyday life without being noticed all that much by those around them. Fifteen-year-old Raquel Falcone is that person in Remembering Raquel. Her life appears to be quite mundane and her story is told through the eyes of her best friend, family, classmates, and the woman who accidentally struck Raquel with her car.
Raquel’s death shakes the community to its core and proves how we all affect one another’s lives even if for only a brief moment. At first it appears that Raquel would have no lasting impact on her town. As one classmate put it, “”Oh crap. That makes me the class fat girl.” But through the eyes of the people Raquel came in contact with, we learn of Raquel’s gentle kindness, the traumatic impact her mother’s death from cancer had on Raquel, the way Raquel’s classmates perceived her, and the heartwarming frustration of her best friend. Even through cyber-space, it is shown how Raquel connected with others in her own way.
Vivian Vande Velde is an Edgar Award winning author and tackles the array of emotions all age levels go through when a death occurs.Remembering Raquel will tug at your heart. Visit Velde at: http://www.vivianvandevelde.com
*******************
Reviewed by Donna McDine for the National Writing for Children Center
Donna McDine,
Middle grade novel,
Remembering Raquel,
Vivian Vande Velde
Smart Dog
by Vivian Vande Velde
Magic Carpet Books, Harcourt (Oct 2007, reprint)
ISBN-13: 978-0152061722
My rating: 5 out of 5
On this particular spring morning as Amy walked to school, she was well within her schedule when she saw a dog sitting on the sidewalk. It was a medium-sized dog with floppy ears and big brown eyes and long fur that was equal parts brown and white and black.
“Excuse me,” the dog said just as Amy was about to step around him. “I’m in trouble. Could you please help me?”
Amy stopped, panicked–not because she was afraid, for the dog wasn’t scary–but because she had no idea how to react. She knew dogs didn’t talk, but probably the last thing she would have expected a dog to say if it could talk was “Excuse me” and “Please.” She wouldn’t have guessed that a dog would be so polite.
–Smart Dog by Vivian Vande Velde, p. 2.
What would you do if you were walking to school and a dog suddenly spoke to you, asking you for help? Would you be so surprised that you wouldn’t be able to believe it, or would you listen? Amy listens, and discovers that the F-32, who she renames as Sherlock, is on the run from a doctor at a college who wants to dissect his brain to see how it works. Sherlock’s been part of some lab experiments that made him smarter, but he doesn’t want to die. So Amy helps to hide him, overcoming many obstacles in the process and making some new friends, and Sherlock helps her to stand up to a class bully. Smart Dog is a wonderfully funny, light-hearted, and inspiring book–a really enjoyable read.
Vande Velde (Heir Apparent
, A Well-Timed Enchantment
)writes masterfully, drawing the reader in right away and not letting them go until the very last word. The good feeling, worry for the characters, humor, and plot events push the reader quickly forward. Vande Velde evokes reader identification and sympathy for Amy right away, as the reader learns on the second page that Amy is teased and bullied by a popular girl at school, is not one of the in-crowd (as so many children aren’t), and is insecure. Amy is an immediately likable character–she has a good heart, is kind to others, and is compassionate, unlike the bully (Kathryn) and the villain (Dr. Boden). The contrast in behavior also underscores just how much kinder Amy is. Sherlock, too, is also kind, which helps the reader root for both Amy and Sherlock.
Vande Velde brings the fantasy element into the story right on the second page, not making readers wait for it. I think this is a strong move that works well; readers like to know what type of book they’re reading, and whether it will be worth the time spent reading. Many readers have less and less patience with waiting to find out, so Vande Velde’s text quickly satisfies. Readers quickly discover that Sherlock is a very special dog; not only can he talk, but he taught himself how to use the computer (by watching the students at the lab, and then by using a pencil held in his teeth to press the keys), he can spell, he can work through problems, and he is kind and loyal to the people who are kind to him. Despite Sherlock’s ability to talk, Vande Velde succeeds in making readers believe that he is a dog through his child-like innocence and his dog-like behavior (such as wedging his head between Amy’s arms so that she has to pat him, or liking how another dog smells).
Vande Velde captured Kaitlyn, the girl bully, really well, showing realistic emotional manipulation, taunting, and laughing at Amy, while fooling many adults around her. Vande Velde shows us Kaitlyn’s bullying behavior and allows us to understand it for ourselves, and through this example, creates greater sympathy for Amy. Vande Velde also captured the feeling of the child who’s left out, teased, or on the outskirts of a group, making the experience vivid and believable. She knows her craft well–she does not make the bullying so horrible that it stops you reading, and she makes sure that that there are many rewards for readers–happy, uplifting moments as Amy gains friends, finds acceptance, is compassionate with others, and is the true hero in the book, and as others stand up for and help Amy. This will strike a deep chord for any child being bullied or having experienced bullying and the feeling of being left out, and it gives the book an emotional appeal. The humor throughout the text helps to balance out the bullying and tension and keeps it from becoming too painful.
There are places where the reader can see more clearly than Amy can, and before she does, what is going on (such as that Sister Mary Grace is not fooled by Kaitlyn, like the other teachers are). Some readers may enjoy this feeling. Depth and thoughtfulness are twined throughout the text, less obvious than the humor but a strong thread.
Vande Velde never overwrites or over-explains, allowing readers to come to their own conclusions. At times she shows us the subtext or gives the reader extra clues to make something clear (such as with the villain, Dr. Boden), but Vande Velde shows us cleverly, through Amy’s observations of the difference between someone’s actions or speech, and what they seem to be really thinking or feeling. Vande Velde slowly increases and builds on the tension, which, although alleviated by the humor, should keep readers flipping the pages. Plot points are all neatly linked together, following each other so that everything makes sense.
The reader sees Amy change and grow, moving from insecure and unconfident to, as Sherlock depends on her for his safety, more sure of herself, bold, and challenging, yet still compassionate and good hearted. Amy has small triumphs along the way, which help the reader bond with Amy, cheer for her, and feel good. Amy’s and Sherlock’s relationship also brings good feeling; they each give something to each other. Amy helps protect Sherlock from an early death, and Sherlock helps bring Amy some friends and greater acceptance with her peers. Both learn from each other and protect each other.
There is so much humor in the book that works really well, from some of Amy’s reactions and opinions (such as Amy, instead of being surprised that Sherlock can talk is surprised that he is polite because he’s a dog), to Sherlock’s lack of understanding of how some things work in the world outside his lab which contrasts with his great intelligence (such as when he thinks that fish can talk and attend school because of the saying “schools of fish”). The children’s joint manipulation of their parents (so that the parents won’t suspect Sherlock or make him go back to the lab) and the misunderstandings that ensue becomes hilarious, especially because the reader is in on the joke.
There were only a few brief places where Amy’s language or insight felt adult or unrealistic, such as when she wonders if people are only around Kaitlyn, the bully, so they’ll lessen the chances of their being teased themselves.
The villain, Dr. Boden, is written well; he’s clearly cold and aggressive, but he’s not over-the-top. It’s also a relief to find that there is a reasonable adult in the ending who sees the bully and villain for what they are, and helps to save the day; not all of the adults are mean or insensitive or out of it; Dr. Shieber ends up being a real ally.
The ending is satisfying and enjoyable, as Amy and Sherlock get to remain together, each finding greater happiness and acceptance, and having overcome all their obstacles. Smart Dog may be particularly reassuring to readers, since the bully gets her comeupance, the villain is dealt with appropriately, and good wins out in the end.
Smart Dog is an enjoyable fantasy and a very satisfying read. It is a warm, feel good, laugh-out-loud book.
Highly recommended!
reviewed by Cheryl Rainfield
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All you sketchbook pages are fantastic and very detailed!!