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Viewing: Blog Posts Tagged with: lacma, Most Recent at Top [Help]
Results 1 - 4 of 4
1. “Animating The Subconcious” at LACMA

I will be presenting a fantastic set of surreal cartoons at the Los Angeles County Museum of Art next Friday night. My show, Animating the Subconscious, is part of a series of film programs at the museum, under the umbrella title of The Surreal Screen, all of which prelude an upcoming exhibition there, Drawing Surrealism. My cartoon show will present 35mm vault prints of ten classic cartoons that explore “imagination’s more outlandish perimeters”. The full list is below, but highlights include Disney/Dali’s Destino, Fleischer Studios’ Betty Boop Snow White and Screen Gems cult favorite Willoughby’s Magic Hat (I can’t wait to see that in 35mm on the big screen). Join me on Friday October 19th at 7:30pm, at LACMA on Wilshire for a bunch of great cartoons that will blow your mind. For more information and tickets, click here.

FANTASMAGORIE
1908/b&w/1 min. | 35mm supplied by Academy Film Archive

BIMBO’S INITIATION
1931/b&w/6 min. | Fleischer Studios | 35mm supplied by UCLA Film and Television Archive

SNOW WHITE
1933/b&w/7 min. | Fleischer Studios | 35mm supplied by UCLA Film and Television Archive

LULLABY LAND
1933/color /7 min. | Silly Symphonies (Walt Disney Pictures) | 35mm supplied by Buena Vista

PORKY IN WACKYLAND
1938/b&w/7 min. | Looney Tunes | 35mm supplied by Warner Bros.

WILLOUGHBY’S MAGIC HAT
1943/b&w/7 min. | Phantasies (Columbia Pictures) | 35mm supplied by Sony Repertory

IMAGINATION
1943/color/7 min. | Color Rhapsodies (Columbia Pictures) | 35mm supplied by Sony Repertory

THE OLD GREY HARE
1944/color/8 min. | Looney Tunes | 35mm supplied by British Film Institute

DUCK AMUCK
1953/color/7 min. | Looney Tunes | 35mm supplied by Warner Bros.

DESTINO
2003/color/7 min. | Walt Disney Pictures | 35mm supplied by Buena Vista

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2. LACMA: Paramount Cartoons and Oskar Fischinger

Thursday and Friday this week, The Los Angeles County Museum of Art (LACMA) is running two great evenings of animated art.

First, I’m presenting a mini survey of Paramount theatrical animation (1930-1967) this Thursday, April 26th. As part of the museum’s film series celebrating the 100th Anniversary of Paramount Pictures, there will be a double bill saluting the studio’s animated legacy. At 7:30pm South Park: Bigger, Longer and Uncut will screen – followed at 9pm by my tribute (introduced by yours truly, Jerry Beck); a full program of rare 35mm archival film prints, which will include Fleischer Betty Boop, George Pal Puppetoons, Famous Studios’ Baby Huey, Gene Deitch’s Munro and John Hubley’s Herb Alpert and The Tijuana Brass Double Feature. An incredible show that would be difficult to repeat. If you want to buy a separate admission ticket ($5) for just the Paramount shorts at 9pm, click here.

On Friday April 27th LACMA will host a double feature of experimental classics. First, at 7:30 Design In Motion: Oskar Fischinger and Abstract Animation a program of 35mm preserved prints of Fischinger’s visual music films: Allegretto, Motion Painting no. 1, Composition in Blue, Kreise, An American March, Radio Dynamics, Spirals, Spiritual Constructions, Studies 5,6,7 and 8, and more. At 9pm, a program of modernist animation by California artists (including 16mm films by Jordan Belson, Jules Engel, Harry Smith and others). These programs will introduced by Cindy Keefer of The Center for Visual Music.


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3. LACMA in April: Alice, Fischinger and Paramount Cartoons

The spectacular sold out UPA program at the Los Angeles County Museum of Art (LACMA) last week marked the beginning of even more animation events being planned for The Bing Theatre. In fact, the next few weeks are practically a festival of animation at the museum.

Starting tonight is a two-week series Adventures in Wonderland: Alice and Other Lost Girls in Fantastic Worlds, which will include a look at some of the great Alice In Wonderland adaptations, including Jan Svankmajer’s Alice (tonight at 7:30pm), William Menzies’ 1933 Paramount version (4/7 @ 5pm), Disney’s 1951 animated feature (4/14 @ 5pm), and Lou Bunin’s stop-mo feature plus Quay Brothers shorts (4/14 @ 7:30pm).


On Thursday April 26th, as part of the Museum’s series celebrating the 100th Anniversary of Paramount Pictures, there will be a tribute to the studio’s animated legacy. At 7:30pm South Park: Bigger, Longer and Uncut will screen – followed at 9pm by a tribute (curated by me, Jerry Beck) to Paramount Cartoons where I will introduce a full program of 35mm archive prints – including Fleischer Betty Boop, George Pal Puppetoons, Famous’ Baby Huey, Gene Deitch Munro and John Hubley’s Herb Alpert and The Tijuana Brass Double Feature. The double bill with South Park is $10. There will also be a separate admission available ($5) for just the Paramount shorts at 9pm. More details to come!


On Friday April 27th the Center For Visual Music will host a double feature of experimental classics. First, at 7:30 Design In Motion: Oskar Fischinger and Abstract Animation a program of 35mm preserved prints of Fischinger’s visual music films: Allegretto, Motion Painting no. 1, Composition in Blue, Kreise, An American March, Radio Dynamics, Spirals, Spiritual Constructions, Studies 5,6,7 and 8, and more. At 9pm, a program of modernist animation by California artists (including 16mm films by Jordan Belson, Jules Engel, Harry Smith and others). These programs will introduced by Cindy Keefer of Center for Visual Music.


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4. My last day at 26

I spent the afternoon (3+ hours) at LACMA exploring the Tim Burton Exhibit. So so good. I got teary-eyed when I saw all the Vincent stuff. These art/animation exhibits always get to me here. I was tremendously inspired by his humor and work unrelated to his movies. I loved his number series so much I could eat it up! I purchased his book of illustrated poems, "The Melancholy Death of Oyster Boy & Other Stories" and sat outside for a couple hours to churn out some Burton-inspired pieces.



4 Comments on My last day at 26, last added: 7/22/2011
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