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Viewing: Blog Posts Tagged with: evaluating books, Most Recent at Top [Help]
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1. Child friendly?

I've been thinking more lately about what "child friendly" means in terms of children's books, and if it's a valid assessment to evaluate a book. This comes partially out of that old Newbery discussion, and partially because I've found myself using that criticism regarding some books (that will remain nameless). "I liked the book" I've said, "But I just couldn't see kids getting into it." But of course, when that same criticism is made about a book I've edited, I bristle. Who are they to say that a book isn't child friendly? They're underestimating children. A book that some kids hate, others will love. I know this! We all know this! There is a very wide range of work that can be child friendly.

So, shame on me.

I'm fairly out of touch with what kids think of the books I edit, especially picture books. I do give books to kids I know and watch them interact with them, but these occasions are few and far between. I'm mainly drawing on my memory of the types of books I loved as a kid, the ones I read over and over again, and hope that there are kids today that have the same type of sensibility I had/have. (For novels, in terms of feedback, teens will write reviews and post them on blogs. We also get feedback from our hip scouts. Six-year-olds don't generally have blogs.)

One specific example of a book whose child friendliness is in question is Wabi Sabi by Mark Reibstein and Ed Young. Perhaps you've heard of it? (I write about it enough, don't I?) I know that there are people who find this to be a book more for adults, or older kids, but from the moment I read an early draft of the manuscript, I had faith that younger kids would love this story about a cat trying to find out the meaning of her name, and that kids would also respond to the gorgeous collage illustrations. Not every kid, of course, but many of them. And now that the book has been out about six months, the only evidence I have to go on is from what people tell me and from the reviews I read. Some of the reviews on Amazon vary from:

My favorite seven-year-old girl bookworm (and cat lover) begged me to stop reading it at about page three. And my favorite nine-year-old boy bookworm and ravenous reader wanted nothing to do with it.

to:

My four-year old grandson enjoyed the story as did his nine-year old sister.

and:

What a wonderful way to expose a young audience to meaningful simplicity. One reviewer said this wasn't a children's book but I guess it depends on the child. Curled up in bed with his dog and his cat my son pays rapt attention to this story.

One of my favorite reviews was one I read recently online. Here is the bit regarding its child appeal:

This is not your ordinary children’s book. But nevertheless, my almost 3-year old was completely absorbed as I read haiku after haiku. Sometimes I mistakenly believe that complex thoughts and art are beyond my toddler. But really I think if we as adults could appreciate art and words like a toddler must, we might have an unanticipated deep understanding of truth. That is, in one sense, the beauty of wabi sabi.

One thing I've been thinking about lately is how we in publishing will categorize books as "institutional" versus "commercial"--which maybe is another way of saying: "will sell mainly in libraries" versus "will sell mainly in bookstores" and also: "the type of books teachers and librarians need to introduce to a kid in order for him or her to like it" versus "truly kid friendly." I always hope that the books I edit will be successful in both ways, but generally, when I'm acquiring a book I do believe that it will be more successful in one over the other. And in the case of Wabi Sabi, I'm sure my publisher thought it would have more institutional appeal. But now, as it reaches its tenth week on the NYTimes Bestseller list, we've realized that it has become a true commercial hit (not that it hasn't been a success institutionally, too!).

Anyway, I suppose when people say "child friendly" they mean, "will be liked by most children." A good example would be the four "butt" books that Alison Morris highlighted on her PW blog recently (my personal favorite is the last one, Chicken Butt by Erica Perl, illustrated by Henry Cole).

It would be an interesting study to see how many kids, when forced to choose between Chicken Butt and Wabi Sabi, would choose the latter. If any of you lovely blog readers want to do a test study, I'd love to hear the results!

A question: have you ever been surprised by a book, either one that you thought would be a no-brainer in terms of kids liking it, but they turned out to not be interested, or vice versa--a book you were pretty sure they would hate, that it turned out that they loved?

15 Comments on Child friendly?, last added: 3/23/2009
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2. Reconsidering Ten Little Rabbits - Evaluating Books From the Viewpoint of Other Cultures

Imagine you are a teacher looking for counting books for your classroom. You want to include books that showcase a range of diversity, so in your search you come across a book that not only "celebrates Native American traditions" (from the publisher's description), but one that has been noted in the following ways.
Best Books
  • Adventuring with Books: A Booklist for Pre-K-Grade 6, Tenth Edition, 1993
  • National Council of Teachers of English
  • Recommended Literature: Kindergarten through Grade Twelve, 2002; California Department of Education
Awards, Honors, Prizes
  • ABC Children's Booksellers Choices Award Winner 1992 Picture Books
  • International Reading Association Children's Book Awards Winner 1992 Younger Readers International
  • National Association of Parenting Publications Awards (NAPPA) Winner 1991
  • Redbook Children's Picturebook Awards Winner 1991
Chances are, with these honors behind it and the recommendation of school librarians and state sanctioned reading lists, you would be persuaded you to use this book in instruction.

Published in 1991, Ten Little Rabbits, written by Virginia Grossman and illustrated by Sylvia Long, is ostensibly a counting book that introduces rabbits in dress and activities typical of Native American tribes. However, the book does little to refute the stereotype that all Native Americans are alike.

Why am I rehashing the issues surrounding this book? I am working on a piece about using children's literature in math instruction, rigorously reviewing books in my collection and on suggested reading lists, and thinking deeply about what it means to include books that represent peoples and ideas outside of mainstream (dare I say white?) American culture. Have you any idea how hard it is to find a counting book that highlights African American children (there are lots set in Africa, but few of black children in the U.S.) and their experiences? The same is true for Native American children.

I was one of those teachers who eagerly bought Ten Little Rabbits upon the recommendations of librarians and instructors. I never really thought much about the message sent by this book when I first read it. I saw possibilities in the last pages for using the blanket images for studying patterns, symmetry and shapes. However, in 1995 I read the article "What's Wrong with Ten Little Rabbits?" in the children's literature journal The New Advocate. Reading Theresa McCarty's short review was like receiving a slap in the face. I wondered how I could have been so naive and so quick to accept a book about another culture without subjecting it to a more critical review.

The answer is, I didn't know any better. (A poor excuse, I know.) I have since learned that it is difficult, if not impossible, to evaluate what you don't know. While I hate having to rely on members of the Native American community to help me make these judgments, I know that I will never have the depth of knowledge or background necessary to accurately evaluate instructional materials that draw heavily from Native American history and storytelling.

So how do I evaluate books of other cultures? I currently use several resources to guide my selection of pieces for instruction. One is Donna Norton's Multicultural Children's Literature: Through the Eyes of Many Children. I find this short volume to be particularly helpful in applying evaluation criteria and identifying stereotypes. A Broken Flute: The Native Experience in Books for Children, edited by Doris Seale and Beverly Slapin, is an enormous and comprehensive volume that not only includes author reviews from A to Z, but also a range of essays that provide a wealth of information about Native Cultures and insights into reviewing works about Native peoples. This is not an easy book to read and at times, the anger in the reviews can be disconcerting, but it is valuable and educational nonetheless. I also read the following blogs for very helpful information and reviews.
Ten Little Rabbits still remains in my teaching collection, but not in the way it was originally intended. I now give the book to students (all preservice and inservice teachers) and ask them to review it for use as a counting book. Then, once all the glowing reviews are in (and they are all glowing), I hit them with the McCarty article and watch the blood drain from their faces. They are shocked, astounded and embarrassed -- all feelings I know well. From here we proceed to talk about why this book is not a resource we should use for instruction, and then push on to discuss how we can be more thoughtful evaluators of books for children. It's a tough lesson, but one that works well, and while my teachers learn new strategies, I learn right along with them. What more could I ask for?

6 Comments on Reconsidering Ten Little Rabbits - Evaluating Books From the Viewpoint of Other Cultures, last added: 8/10/2007
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