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Lisa Yee: On Revision...

It was standing room only for Lisa Yee's session on revision. Lisa started out by talking about her first version of her novel Millicent Min, Girl Genius which she said was "episodic and weird." In her next version, 11-year-old Millicent was in college, but editor Arhtur Levine suggested Lisa explore a version in which the main character interacts with kids her own age. She continued to revise--and what was constant through each revision was her character.

There was a show of hands to see who loved revision and who hated it. Those who love revision, Lisa said, often love is so much that they can't stop themselves. Those who hate it can't get started.

Lisa, who is currently revising a work-in-progress from first person point of view to third persion, said she she can fall so much in love with her writing that she doesn't want to cut any of it. But when you look at your work, she says, ask yourself, "If I had to cut my story by 20%, what would I cut? She said that generally her first three chapters can be thrown away.

One tip she gave was taking your document and making a copy of it, changing the font, adjusting the margins just slightly, and making it look like something someone else wrote--this can help you look at your story in a different way. She also suggested reading your manuscript out loud as you revise to hear words in a different manner than reading it silently. Also circle what you think is really great in your story and that becomes your standard to adhere to.

For revise-a-holics, she suggests setting deadlines for yourself, or have your writers group set them. This way you can force yourself to write to a deadline and write on a schedule.

Finally, she recommended everyone check out the radio program Bookworm on KCRW featuring an interview with Tobias Wolf (there are two--try the fiction one) in which he talks about his writing process--he just keeps cutting.