As with years past, we’re going to spend the next week highlighting the rest of the 25 titles on the BTBA fiction longlist. We’ll have a variety of guests writing these posts, all of which are centered around the question of “Why This Book Should Win.” Hopefully these are funny, accidental, entertaining, and informative posts that prompt you to read at least a few of these excellent works.
Click here for all past and future posts in this series.
Never Any End to Paris by Enrique Vila-Matas, translated by Anne McLean
Language: Spanish
Country: Spain
Publisher: New Directions
Why This Book Should Win: Vila-Matas is most definitely one of the best writers working today. His games with form and structure are unparalleled. And this ironic gem of a book includes Marguerite Duras as a character.
Today’s post is by Monica Carter, BTBA judge, writer, reader of French, and runner of Salonica World Lit. She currently lives in Los Angeles.
Never Any End to Paris is a novel for anyone who has wanted to live in Paris, wanted to be a writer, went to Paris and failed its promise and offerings, tried to be a writer and failed its promise and offerings, loved Paris, hated Paris, loved Hemingway, hated Hemingway, wanted to live the life of A Moveable Feast but decades later, loved Marguerite Duras, hated Marguerite Duras, loved the idea of living in a writer’s garret, wanted to runaway to Paris to become a writer, or more specifically, a reincarnation of Hemingway himself and finally, this is a novel for everyone who likes novels. I am emphatically telling you it is virtually impossible to dislike this novel. Told from the point of view of a novelist about to give a lecture, it is clear that the “novelist” is thin scrim for the author. When the novelist was young, he spent two years in Paris trying to write a novel, The Lettered Assassin, while living in Marguerite Duras’s garret. He has returned to the city of Paris many years later as a successful writer, wondering through his old haunts with his wife and reminiscing about the unhappy years he spent failing his dream while running around Paris with the likes of Duras, Barthes, and Perec.
But what is at the core of this novel is the myth of Hemingway. Whenever someone dreams of being a writer, it’s inevitable that they will discover Hemingway’s A Moveable Feast and begin plotting a way to while their days away in some Parisian café penning the next great novel. Our narrator is no exception and even takes it a step further by convincing himself that he looks like Hemingway, despite the protestations of others and the humiliation of being kicked out of a Hemingway look-a-like contest in a Key West bar. The beauty and tragedy of Hemingway was that he created a mythic image of himself as author—a man who runs with bulls and hunts wild animals, lives a life of adventure and daring, with barely enough time to dash off brilliant novels and short stories reeking of courage and masculinity—that was destined to snuff out Hemingway the man. Since this mythic image of Hemingway has been immortalized, it has hurdled through time capturing the dreams and imaginations of any would-be writer. This ideological literary behemoth refuses to jump the shark despite the mocking undertow
Add a Comment