What is JacketFlap

  • JacketFlap connects you to the work of more than 200,000 authors, illustrators, publishers and other creators of books for Children and Young Adults. The site is updated daily with information about every book, author, illustrator, and publisher in the children's / young adult book industry. Members include published authors and illustrators, librarians, agents, editors, publicists, booksellers, publishers and fans.
    Join now (it's free).

Sort Blog Posts

Sort Posts by:

  • in
    from   

Suggest a Blog

Enter a Blog's Feed URL below and click Submit:

Most Commented Posts

In the past 7 days

Recent Posts

(tagged with 'Argyro Gavalas')

Recent Comments

Recently Viewed

JacketFlap Sponsors

Spread the word about books.
Put this Widget on your blog!
  • Powered by JacketFlap.com

Are you a book Publisher?
Learn about Widgets now!

Advertise on JacketFlap

MyJacketFlap Blogs

  • Login or Register for free to create your own customized page of blog posts from your favorite blogs. You can also add blogs by clicking the "Add to MyJacketFlap" links next to the blog name in each post.

Blog Posts by Tag

In the past 7 days

Blog Posts by Date

Click days in this calendar to see posts by day or month
new posts in all blogs
Viewing: Blog Posts Tagged with: Argyro Gavalas, Most Recent at Top [Help]
Results 1 - 2 of 2
1. Red Carpets, Dressmaking and Writing


So I may have mentioned that Return to Nim’s Island had a lovely, fun red carpet launch at the Australia Zoo? And everyone knows that walking the red carpet needs a new dress. But until I had one made, I’d never realised how much dress design had in common with writing.
I went to ArgyroGavalas for my dress, because five years ago I walked into her factory and immediately saw the dress I wanted for the Nim’s Island premieres, one at Sea World in Queensland, and the other at the Graumann’s Chinese Theater in Hollywood. (My husband claims he saw it first, but I’d spotted it too, and was simply finding a couple of others to try on, because I refused to buy the very first dress I saw for something like this.)
This time Argyro, better known as Roula, said she would design me one especially. She said it had to be the opposite of the first dress; blue instead of red, and a different material. When I went to see her, I could see that her thoughts were taking shape the way a story does in my head. The fabric was the character, the pattern the plot, and the style was the tone. We found the fabric that matched what she was thinking of. When I got home I dropped my sample onto my newly arrived copy of The Nim Stories, and saw that it also exactly matched the sea on the movie-poster cover.

Surprisingly quickly, she sketched out her design, measured all sorts of things –even in my rather fantastical fiction I have to get some basic facts right – and in the next days made a pattern. I returned for the completed first draft: the pattern stitched up in a white cotton. With the dressmaker, her mother Vicky, Roula pinned and measured, turning me around, standing back and considering.
It didn’t go to quite as many drafts as most of my books, but there was a second of the real material, cut, partially stitched and pinned in place as I wore it. Sleeves were altered, recut, repined. Then a third, which was like a copy edit: it was all put together, but there were final adjustments, a bit to unstitch and redo, a dart to adjust. Then trying it on for the final time, like receiving your brand new book in the mail, when it’s too late to alter but still private.  And, like the gift of seeing that new book with the shiny cover looking so much more beautiful than I’d imagined, there was the gift of the tulle petticoat, almost a crinoline, to swish underneath the skirt.
It struck me then that for Roula, it was very much like my signing off on the last edits: I’ve done the very best I can with the words, but the illustrations, the cover, the overall design are out of my control. Once the designer hands over the dress, she has no control over the belt and accessories that one chooses, the mood, the posture.
But two days later I wore it on the red carpet it was intended for, and, like the test of reading a book aloud to an audience at a book launch, knew that it worked. I felt relaxed, happy, and totally myself – and although I never thought I’d say this about a dress, the experience added something to my life. Which is exactly what I hope my readers say when they explore my books.







0 Comments on Red Carpets, Dressmaking and Writing as of 4/2/2013 5:59:00 AM
Add a Comment
2. Artists and Animals: Argyro Gavalas, Designer

Despite what you might think from this blog, not all artists work with words or paper! To prove it, today I'm interviewing Argyro (or Roula) Gavalas, a Melbourne designer. I met her when I was looking for a dress for the Nim's Island premiere. It's the most beautiful dress I've ever owned: the only 'disappointing' thing was that I had envisaged a long and arduous day of shopping, and instead, my dress was the first thing I saw when I entered the shop. I knew it was the one – tried it on, and that was that! (My husband,needless to say, didn't find that disappointing at all.) I wore it for the world premierre on the Gold Coast, and again in Hollywood, at the Graumanns Chinese Theater, and it made me feel wonderful at both.

Her website is http://www.argyro.com.au.

I loved hearing about Argyro's relationship with her four-legged companion - obviously one of mutual care and love. Isn't that what all relationships should be! This is what she had to say:



I have a gorgeous pet cat called Leo. He has been with me since he was 6 weeks old and he’s now about 13. He is the most wonderful companion and I’m convinced that he tunes in to my moods and how I am feeling. He habitually likes to get me out of bed around 5:30 -6:00 am but one time I came home on a Friday night and was quite ill and throwing up which he witnessed. Then I crawled in to bed and woke at 12noon the next day with him sitting by my head on my pillow watching me quite intently. He hadn’t made a sound at all he just watched over me till I woke up. I felt really cared for.

I am not a mother but when I went to meet Leo for the first time he had been feeding with a  dropper because his mother had abandoned him and he was one of 2 surviving kittens from a litter of 11. Anyway he’d been just fed and I put him on my palm because he was that little and he rolled over and burped! I bonded instantly with him then and there....this incredible feeling came over me which I’d never felt before....it was a warm feeling and I was awestruck by him and this little life that I was holding in my hands.
I’m still very much in love with my Leo. My partner Mark understands of course.




5 Comments on Artists and Animals: Argyro Gavalas, Designer, last added: 3/10/2012 Display Comments Add a Comment