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Viewing: Blog Posts Tagged with: Editing and Adding Tension, Most Recent at Top [Help]
Results 1 - 2 of 2
1. Take the Conflict Novel Test

Every novel needs conflict and tension. No, EVERY scene. If it doesn't, than your manuscript may need more revision. Take this test pasted below to find out:


Test by author Kathleen O'Reilly
 

   1. Does one of the characters have to change in order for the conflict to be resolved?

 Yes, Score 1
 No, Score 0
 Both characters change, Score 2


2. Can conflict be resolved with a good, honest heart-to-heart between your characters?

 Yes, Score 0
 No, Score 1


3. Is it believable the one character (or both) would be leery of a relationship because of your conflict?

 Yes, Score 1
 No, Score 0
 Ask this question to someone else who's read your story. If they say yes, add one bonus point
.

4. Is conflict resolved because of sacrifice on one character's part?

 Yes, Score 1
 No, Score 0
 If BIG sacrifice, Score 2


5. Must one character abandon their story goal?

 Yes, Score 1
 No, Score 0



6. Does conflict occur ONLY because one character does not trust the other character enough to have a heart-two-heart talk?

 Yes, Score 0
 No, Score 1



Score 9: Perfect SCORE!!!! Your conflict is right up there with Shakespeare or Lorraine Heath!

Score 5-8: Good job! Thorough, consistent, believable. Character development is entwined with conflict. Grisham could learn from you!

Score 0-4: You are too nice a person. Watch the evening news, go stand in line at the post office, or try to go through the express line at the grocery story with too many items. You must learn how to truly torment your characters properly.



Bestselling author, Kathleen O'Reilly wrote her first romance at the age of eleven, which to her undying embarrassment was read aloud to her class. After taking over twenty years to recover from the profound distress, she is now proud to announce her new career - a romance author. Kathleen lives in New York with her husband and their two children who outwit her daily.

You can visit Kathleen at www.KathleenOReilly.com


 Quote:  
“I’m turned off when a writer feels the need to fill in all the backstory before starting the story; a story that opens on the protagonist’s mental reflection of their situation is a red flag.”—Stephany Evans, FinePrint Literary Management

0 Comments on Take the Conflict Novel Test as of 11/2/2012 2:12:00 PM
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2. Creating Emotional Conflict in Your YA Characters.


Writing realistic Young Adult romance isn't easy. As a teenager, most of my relationships were pretty turbulent. Lotta drama. And confusion. Reading-Too-Much-Into-Things. Jealousy. Each new love was exhilarating. Every break up was the end-of-the-world.
Not to be a traitor to my gender, but as females, we often tend to not only listen to the words a guy says, but watch his body language and facial expressions, which can be ambiguous, and then totally read-into-it.
As a writer, the hardest part of writing romance is making the relationship seem as realistic as possible between the two main characters. No insta-love. Which happens a lot in young adult novels. 
Instant lust and attraction—yes. Love? No. It is even harder trying to capture the true essence of the turbulence associated with teen romance. Plus, you gotta have tension in any good story.
Physical attraction or infatuation can be very intense, especially during the early stages of a relationship, so extreme that it can be confused for real love. Romantic love is formed when attraction, friendship, and intimacy are combined. Most relationships began with an initial attraction (a crush or “lust at first sight”) and then develop into something more.
It is impossible to have everyone love your work. If truth be told, the more people that enthusiastically love your stories, the more people who will hate it. And various readers—will also transfer their feelings about the book(s) to you. That said, some reviewers didn’t like the up-and-down relationship between the two main characters in my novel, Beautifully Broken. Sure, they had chemistry and attraction. But they also had a few arguments and misunderstandings that naturally happen in most relationships, right?
(Let’s not forget the fact that the heroine in my book has to deal with a vengeful wraith, the usual teen traumas, a dysfunctional family she loves to hate, and a demon trying to suck out her soul.)
Yet each character is emotionally flawed in their own way.
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