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Viewing: Blog Posts Tagged with: erich kastner, Most Recent at Top [Help]
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1. Day 2: An interview with Jennifer Bradbury

We're back today with Jennifer Bradbury for a nice, cozy interview. So, pull up a chair, grab your fave drink and let's get to know this well traveled author.

2k8: So tell us, Jen. Where do you do most of your writing?

JB: I do most of my writing in this chair. Since I write while my daughter is sleeping, I work in the opposite corner of the house from her bedroom, which happens to be our office/playroom (we call it the "rumpus" because the elderly woman we bought the house from called it that. Kept the name in her honor, but got rid of the geometric self-stick pea green linoleum.) The chair is sort of halfway between the office and play parts of the room, which is kind of appropriate for a calling that when its going right is equal parts work and play. Plus, I can kick back with the laptop.

2k8: We bet a lot of moms can relate. Can you tell us how SHIFT came about? How did you begin writing it?

JB: We were living in India while I was on a Fulbright teaching exchange. I'd been given a light teaching schedule, and had been thinking for years about how to write a YA featuring a bike trip. So in an effort to keep myself busy, I'd go downstairs for a couple of hours every afternoon to the library and write a chapter. My husband (who was not working while we were there) was usually at home waiting to read the chapter when I arrived. All this was happening while my friend who was getting our mail for us here at home was opening rejections from agents on a manuscript I'd been working on before we left. But my husband's enthusiasm and my own need to keep busy kept me going, and by the time we got home in January, I'd made it through a couple of passes on the story.

2k8: Your husband rocks! And how did SHIFT find a publisher? What's the real scoop?

JB: I'd queried my agent on that story that I mentioned above, and she'd liked it enough to ask for some revision, but ultimately passed. Then when I came home and decided to start sending out this new one, I thought of her again. I queried her, and her office requested a full. I took some time getting it to her (my daughter was born and I sort of forgot all about wanting to be an author for a while!), but they actually emailed again a few months later to ask why they hadn't seen it yet. So I sent it off, and she called within a few weeks with an offer of representation. I remember feeling like if this was as far as I got, I could be happy—just having someone who didn't love me but liked the story and had some faith in it. But it did go further. And quickly! The following Monday, my agent called to tell me she had an offer from Atheneum, and here we are!

2k8: They emailed you? Wow! Did anything surprise you or catch you off guard when you were writing your book?

JB: I was definitely shy about writing from a male point of view. But I ended up having a blast. My favorite bit of confirmation on this came from my brother-in-law, who is one of my early readers. He read a draft of the story while we were still over in India, and emailed me to tell me what he liked and said that he'd always known I'd make a really great guy. Which is really nice—maybe a little weird—but mostly nice.

2k8: That's a high compliment! Okay, now imagine you have an offer from your dream press to publish your dream book, no matter how crazy wild or unmarketable it might be (though of course it might not be). What story would you want to write and why?

JB: Um . . . whatever I'm working on at the moment? I do have a draft of something that I love but I think might be destined to languish in a drawer for a while. It’s a historical spy YA novel, dealing with debutantes and mummy unwrappings in 1815 London. But I love such a range of stories and subjects, that its fun to mash up my enduring adoration of Jane Austen with a past addiction to Alias. But I've always known fun for me isn't necessarily universal. I wrote it between SHIFT and APART, my next book for Atheneum. APART follows three sisters divided by a father's mental illness, the pressure ofliving with a secret everyone already knows, and what it means to makethe most of the family you find yourself in.

2k8: Please, please, please do NOT let the debutantes and mummies languish and APART sounds incredible. Can't wait for it. Last, but not least, what question won't most people know to ask you? And what's your answer?

JB: What's the first book you read all by yourself?

Answer: DANNY AND THE DINOSAUR by Syd Hoff. Love that book!

You've come a long way, baby!

Tune in tomorrow when we'll learn about a special librarian who had a lasting influence on Jennifer.

5 Comments on Day 2: An interview with Jennifer Bradbury, last added: 5/13/2008
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2. EMIL AND THE DETECTIVES in The Denver Post

Claire Martin of The Denver Post cheers the new edition of Emil and the Detectives by Erich Kastner: "This effervescent little story, first published in German in 1929 and now out in a new translation, is all about boy power. During his train journey to visit relatives, a surreptitious thief steals young Emil's money, unpinning the bills from his pocket. Enterprising Emil immediately begins his own investigation in a sort of pre-Jack Bauer confab that involves dozens of other ardent young justice-seekers. Improbable? Yes. Enjoyable? You betcha."

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3. EMIL AND THE DETECTIVES in Newsday

Erich Kästner's classic children's book Emil and the Detectives is reviewed in yesterday's Newsday. The new Overlook edition features a new translation by W. Martin and includes an introduction by Maurice Sendak, who calls Emil "a little masterpiece." Kästner (1899-1974) was one of the most famous German authors of the 20th century, and Emil and the Detectives remains immensely popular to this day.

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4. New Gift Edition of EMIL AND THE DETECTIVES Arrives This Week

A beautiful hardcover edition of Emil and the Detectives, featuring a new translation by W. Martin and an introduction by Maurice Sendak, is now in bookstores. This lavish volume of Erich Kastner's classic story is the perfect gift for Children's Book Week, or for the holidays. Originally published in Germany in 1929, Emil and the Detectives has been translated into over 60 languages and been the subject of many films, including the famous 1964 Disney pic. "Emil is a little masterpiece," writes Sendak. "It shows us the heroic nature of children, how they stick together and accomplish wonders without the help of inept grownups. What a marvelous gift! Read it and you will be happy."

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