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If you missed yesterday’s announcement, here are the winners:

Fantasy and Science Fiction
Elementary/Middle Grade: The True Meaning of Smekday by Adam Rex (Hyperion)

Young Adult: Book of a Thousand Days by Shannon Hale (Bloomsbury USA Children’s Books)

Fiction Picture Books
The Chicken-Chasing Queen of Lamar County by Janice N. Harrington; illustrated by Shelley Jackson (Farrar, Strauss & Giroux)

Graphic Novels
Elementary/Middle Grade: Artemis Fowl: The Graphic Novel written by Eoin Colfer and Andrew Donkin; illustrated by Giovanni Rigano and Paolo Lamanna (Hyperion)

Young Adult: The Professor’s Daughter written by Joann Sfar; illustrated by Emmanuel Guibert (First Second)

Middle Grade Novels
A Crooked Kind of Perfect by Linda Urban (Harcourt Children’s Books)

Nonfiction MG/YA books
Tasting the Sky: A Palestinian Childhood by Ibtisam Barakat (Farrar, Straus and Giroux)

Nonfiction Picture Books
Lightship by Brian Floca (Atheneum/Richard Jackson Books)

Poetry
This Is Just to Say: Poems of Apology and Forgiveness by Joyce Sidman, illustrated by Pamela Zagarenski (Houghton Mifflin)

Young Adult Novels
Boy Toy by Barry Lyga (Houghton Mifflin)

Congratulations to all the winners!

Now, I would have been happy regardless which YA novel was selected, but Boy Toy was my favorite (as if that wasn’t totally obvious), so I am very happy it won. Rather surprised, but happy. And thanks to all the judges for doing such a great job on a very difficult task.

The William C. Morris YA Debut Award is a new award sponsored by YALSA and will be given for the first time in 2009. It “celebrates the achievement of a previously unpublished author, or authors, who have made a strong literary debut in writing for young adult readers.” I love the fact that, like the Printz, it is not limited to American authors and specifically states that “original young adult works of fiction in any genre, nonfiction, poetry, a short story collection, or graphic work” will be considered. But two things in particular about this award caught my attention. First, a shortlist will be announced in December, which I’m sure will fuel Printz Award speculation as three (four? does American Born Chinese count?) Printz winners have been debut novels and several other debuts received a Printz Honor. Second, take a look at the Criteria section at the bottom of the the policies and procedures page:

3. Popularity is not the criterion for this award, nor is the award based on the message or content of the book.
4. The book must have teen appeal or have the potential to appeal to teen readers.

One of the things I struggled with as I read the Cybils nominees was exactly this difference between popularity and appeal. Ultimately, this is what I came up with: books that are popular with teens obviously have teen appeal, but unpopular, or not yet popular, books don’t necessarily lack teen appeal. And just because a book has teen appeal does not automatically mean it will be popular. Appeal is based on what’s actually between the covers, but popularity can be influenced by more superficial things, such as covers. Some books are more popular in certain areas, but that doesn’t mean teen appeal is lacking just because it’s not circulating/selling in other areas. The way I see it, the teen appeal is still there, but there may be factors limiting its popularity in those particular locations.

So how do you, oh blog reader, separate appeal from popularity? And, yes, I know. If I was smarter, I would have asked this question at least a month ago.

Bonus link of the day: Meg Rosoff’s What I Was in the New York Times

Updated!

So I stayed up to catch the webcast of the ALA’s children’s and teen awards. Which are still going on, but the big YA awards have already been announced. And all I can say is, huh. Interesting. The Printz winner and honor list frankly shocked me.

Winner: The White Darkness by Geraldine McCaughrean

Honor books: Dreamquake by Elizabeth Knox
One Whole & Perfect Day by Judith Clarke
Repossessed by A. M. Jenkins
Your Own, Sylvia by Stephanie Hemphill

The only one I’ve read is The White Darkness, and that’s only because it was nominated for the Cybils. I’ve read good things about Dreamquake and Your Own, Sylvia, but never heard of One Whole & Perfect Day.

But The White Darkness. Really? I don’t think any of the mock awards I’ve seen picked most of these books, and I do think there were books that were more, well, excellent. I realize most of the books I like best aren’t literary, so I’m so not the best judge of this, but even as much as I dreaded finishing, oh, say Tamar by Mal Peet, I’d be more comfortable with that winning than The White Darkness. (That sound you hear? The shock of the other Cybils YA panelists. No, but the writing in Tamar really is excellent, it’s just not my kind of book.) And Repossessed? I like A. M. Jenkins, but I got bored reading it and didn’t even finish it. Although, maybe I should’ve taken that as a sign that it would win a literary award. Which reminds me of this passage from Geek High by Piper Banks, which I just read this afternoon:

This was what bugged me about literary fiction—you had to interpret everything. Why couldn’t a story just be a story? If the man is impotent, just say he’s impotent. Maybe Sadie’s books wouldn’t win any literary awards, but at least they’re good stories and they spare the reader from having to slog through page after page looking for hidden symbolism just to figure out what’s going on.

And, hey, Brave Story won the Batchelder. Maybe I’ll go read that as part of my New Year’s resolution to read more books in translation more consistently, and not just adult mysteries.

There were 123 books nominated in the YA category, and since only seven titles made it to the final round of judging, that means each book had a .8% chance of making the shortlist. (I had to use a calculator to figure that out, unlike Josh Mendel.)

Reading and talking about the books with the other panelists was fun, but picking the final seven was really hard. There were so many deserving books that we just didn’t have room for. But here is the shortlist we came up with, blatantly stolen from the Cybils blog:

The Absolutely True Diary of a Part-Time Indian
by Sherman Alexie
Little, Brown
Meet Junior, a skinny, teenage Spokane Indian with hydrocephalus, ugly glasses and too many teeth. He knows that to make his dreams come true, he has to go where no one in his tribe has gone before—a white high school outside the reservation. Sherman Alexie’s semi-autobiographical novel comes at you with its chin up and fists flying. You’re guaranteed to fall in love with this scruffy underdog who fights off poverty and despair with goofy, self-deprecating humor and a heart the size of Montana.
—Eisha, Seven Impossible Things Before Breakfast
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Billie Standish Was Here
by Nancy Crocker
Simon & Schuster
Summer 1968. Billie Standish is a young girl with a lot of heart and soul whose life is about to change forever when the rains come pouring down. Newly befriended by a neighbor, Miss Lydia, neither suspect how close danger lurks to young Billie—and it’s not danger from the rising storm waters threatening the town’s levee. Billie Standish is a story of friendship, courage, and devotion that will charm readers young and old as they fall in love with Billie’s world.
—Becky, Becky’s Book Reviews
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Boy Toy
by Barry Lyga
Houghton Mifflin
Eighteen-year-old Josh Mendel can calculate batting averages and earned run averages in an instant, but coming to terms with his past has been impossible. Until, perhaps, now. Bypassing the tawdry and sensational, Barry Lyga takes a ripped-from-the-headlines plot (Teacher-Student Sex Scandal!) and explores the devastation it leaves behind. Told with intelligence and sensitivity, Boy Toy is a powerful story that may occasionally disturb, but ultimately captivate readers.
—Trisha, The YA YA YAs
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The Off Season
by Catherine Gilbert Murdock
Houghton Mifflin
Farm girl and football player D.J. Schwenk’s refreshing voice and self-deprecating humor return in this continuation of her hilarious and occasionally heartbreaking coming-of-age story. Catherine Gilbert Murdock’s characters are authentic and fully realized, and the story perfectly captures the rhythms and conventions of life in a small, rural town. D.J.’s straightforward and endearing personality shines as she faces up to everyday adversity and struggles to find her voice.
—Anne, LibrariAnne
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Red Glass
by Laura Resau
Random
Sophie, an Arizona teenager full of insecurities and phobias, becomes the foster sister to an orphaned illegal immigrant boy. When the boy’s family is located in southern Mexico, Sophie goes along on the trek to return him, all the while hoping he’ll decide to come with her back to the U.S. As she journeys through Mexico and beyond, evocative settings and vivid characters immerse the reader in Sophie’s world. Sophie finds guardian angels along the way, and discovers inner strength.
—Stacy, Reading, Writing, and Chocolate
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Tips on Having a Gay (ex)Boyfriend
by Carrie Jones
Flux
Tips is in many ways a typical high school story—loves lost and won; navigating the social minefields of a small town; figuring out who you are, measured against the way others see you. It depicts a week in the life of Belle, a high school senior who’s just been dumped by her “true love”—for another guy. Belle progresses through heartbreak to jealousy to anger, to genuine concern for Dylan (her ex), whose road will be much tougher than her own. And Belle’s gradual realization that she and Dylan weren’t meant to be opens her to new possibilities. Belle is a sweet and optimistic narrator with quirky but believable friends and family.
—Stacy, Reading, Writing, and Chocolate
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The Wednesday Wars
by Gary D. Schmidt
Clarion
Condemned to spend every Wednesday afternoon alone with a teacher he is sure hates him, Holling despairs. When two demon rats escape into the classroom walls, and Mrs. Barker brings out Shakespeare, Wednesdays seem to grow even worse. But despair has no place in this very funny and deeply moving book about 7th grade love, the Vietnam War, heroes, true friendship, and the power of giant rats.
—Charlotte, Charlotte’s Library
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I’m so glad I had the opportunity to serve on the panel. Not only did I get to talk books with six great people, it also introduced me to books I probably would not have otherwise picked up. Billie Standish Was Here? Love, love, love it (the book was great, and, oh, Harlan… What can I say? Some of the nominated books had really awesome love interests), but I think I would have passed it by had I not been on the panel. So, if you haven’t already, go and read these books. They’re all wonderful.

But when only 5.6% of all possible titles make it on to a shortlist, there will be some great books that get left out simply because there’s no room for them. Two books that I feel truly deserve a wider audience, but which did not make the shortlist, are Brothers, Boyfriends, and Other Criminal Minds by April Lurie and How to Get Suspended and Influence People by Adam Selzer.

Brothers, Boyfriends, and Other Criminal Minds is set in Brooklyn, 1977. Fourteen-year-old April Lundquist agrees to help shepherd her neighbor, Larry (who seems to be autistic, though it’s never specified), to school. Is this just a way of paying her off? Larry’s father is a mobster, $100 suddenly start appearing in April’s books, and Larry’s father seems to be warning her about her older brother’s relationship with the daughter of a fellow mobster. While there’s nothing groundbreaking about the story, what it does it does well. In a way, it’s a very refreshing book, simply because it’s not another high concept, plot-first story. It’s also a really funny book. I’m not sure exactly how to describe the humor. It’s not loud or mean or snarky, it’s just plain funny, and I had a good time reading it, which is always nice.

I do have to admit the setting did make me wary at first. Did I really want to read a book set in the 1970s? Ultimately, it’s a coming-of-age/slice-of-life (thanks, Jackie) story first, a book set in 1977 second. Lurie strikes a good balance of establishing the period, making it come alive in a positive way (by which I mean, she makes the era seem fun, not like other historical novels that make you think, “Man, I’m glad I wasn’t alive back then”) and depicting characters who are products of the setting, while making the story almost timeless—it definitely has teen appeal and is written for teens, not nostalgic adults—and not overwhelming readers or the characters with minutiae. And did I mention it was funny?

As for How to Get Suspended and Influence People, well, among the trends I noticed while reading the nominated books were long titles and awful, or just plain insane, parents. Leon’s parents fall into the insane category, but I mean that in a good way. Leon’s parents love him and are really supportive, but they’re nuts! Again, in a good way. His father’s an aspiring inventor who won’t listen to his son whenever Leon points out that the things he wants to invent have already been invented. His mother likes to cook purposefully bad food—Leon’s parents call themselves “food disaster hobbyists”—with recipes from cookbooks with titles like The Wonders of Lard and You and Your Artichokes. It therefore shouldn’t be much of a surprise that when Leon’s advanced studies class is assigned to make educational videos for 6th and 7th graders, Leon decides that his project will be an avant-garde sex ed video. This is a hilarious book with a strong message about intellectual freedom but never comes across as preachy. Just fun.

As for me, as great as the Cybils experience was (and I would totally do it again), I’m very happy that I now have enough time to finally watch Veronica Mars Season Three and Jumong Volume Four. But mostly that I can read The Sweet Far Thing.

Oh, and two of the shortlisted authors have previously been interviewed by a panelist. Read Becky’s interview with Barry Lyga and Jackie’s interview with Sherman Alexie. They’re worth your time.