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Viewing: Blog Posts Tagged with: shamanism, Most Recent at Top [Help]
Results 1 - 3 of 3
1. Luzclara Camus Living in Times of Plenitude

tatiana de la tierra

In Chile, Luzclara lives in a round wooden temple that overlooks the Maipo River and faces the Andes mountains. Buddhist flags, statues of goddesses, and an organic garden planted in the shape of a spiral lead the way to Luz del Maipo, the temple that she calls home. This is where she meditates, does yoga, prepares for ceremony, and rides on horseback into the mountains to a special retreat. But shamanic leader Luzclara Camus is a globetrotter who hasn’t been home much lately. She’s been in Poland, Spain, Portugal, and France recently, facilitating ceremonies of the sacred feminine. Her next stop is California, with weekend workshops planned in the Los Angeles area (June 17-19) and in Mount Shasta (June 24-26).

A Priestess of the Goddess, Luzclara is on a mission to bring women together in old-fashioned ways. Imagine a circle of women chanting and drumming around a fire under the full moon. “It’s time for women to come together again,” she says. “This is a moment of a great awakening to the feminine, and we are responding en masse. We’ve been living in a patriarchal system for thousands of years, where we had to develop our masculine side in order to survive. We had to learn to compete, for instance, and we had to forget our feminine essence.”

I met Luzclara in a medicine journey in Chile a few years ago. That same night, after I’d met her, she came to me in a dream as a condor. Over the next few days, I participated in fire circles, sweat lodge, sound healing, and a labyrinth ceremony that she led. I learned of her ways of viewing sexuality, menstruation, manifestation, healing, Pachamama, plant medicine, menopause, and magic. I also found out that the grand Condor is her totem, and that, before going to sleep, she gives her light body permission to travel. Luzclara has unforgettable presence and I’m looking forward to her landing at Los Angeles International Airport in a few days.

Responding to an email interview while taking a break in Saint-Tropez in the French Riviera, Luzclara explains that ancient ones said that the way energy enters the planet changes every two thousand years. Masculine energy entered Earth from the Himalayas, and now feminine energy is entering from the Andes mountain range. “Feminine energy is not just for women,” she says. “It’s for everyone, and it’s time for the feminine qualities to develop once again.”

A native of Chile, Luzclara was mentored by an indigenous Mapuche Machi (shaman), Antonia Lincolaf, after the Machi came to her in a dream in 1981. Machi Antonia taught her how to hold ceremonies and how

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2. Visioning Beneath the Almond Trees

by tatiana de la tierra

The shamans shuttled us to a grove of almond trees for a 4-day, 4-night silent vision quest. They placed us each beneath an almond tree, far apart from each other. Here, we would commune with nature, sleep upon the earth, pray and meditate. We were instructed to put an altar at the eastern entrance of our space and to hang our tobacco prayer ties around the four corners. A tiny ceramic replica of Venus del Valdivia accompanied us, along with a cornhusk-rolled tobacco, which we had swept four times through the fire at the base camp. The fire, which would be tended to at all hours, would reflect our states of being and would alert the fire keepers if anything came up.

We were to live off of two apples, one pear, one avocado, one corn on the cob, a miniature chocolate bar, a handful of almonds and a gallon of water. We would pee on the ground and, with the little plastic shovel provided, we would dig a hole in the earth for bowel movements. Two in the group of ten women were menstruating; they were to bequeath their bloods upon Mother Earth. We were told to wear skirts for ceremony and not to read any books.

I wondered how many rules I’d break, and if I could make it through even one night.

As the sun set behind the mountain, I scrambled to get my space in order. A bright pink piece of plastic was the “floor” of my “house”, which consisted of a twin air mattress, a sleeping bag and travel pillow, a duffle bag for nightclothes and another for day clothes. I also had two mochilas, one for health and beauty aids/writing tools and the other for my altar. Though we had only minutes to prepare, I skillfully crammed quite a lot of stuff to bring with me, leaving nothing to chance.

It was around 8 pm after I’d finished setting up and changing into flannel pajamas. With just a bit of daylight left, I set out to make the hole for going to the bathroom. It was to be deep enough to last all four days. I walked all over, crunching dry leaves and twigs in my path, searching for just the right place to squat. A place with a view, yet out of sight, and without spiky bushes and vines in the vicinity. There were many options, but all my attempts were futile. Dry, hard and rocky, the earth was impenetrable with a little plastic shovel. If only I had a pick and a sledgehammer, maybe I could swing it. Instead of one deep hole, I made several shallow ones. Yet I wondered if the other women were able to dig deep into the earth, and if I was just a lazy, inefficient, shit-hole digger.

Vision Quest Realization #1: I don’t know how to dig holes and am pretty clueless about appropriate tools for this or other means.

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3. The Blessing Next to the Wound

JOURNEYING INTO THE JUNGLE

by tatiana de la tierra

Inside the psyche of a young man being tortured in that cell at the top of a hill there is a book that will one day tell his story: The Blessing Next to the Wound. A political memoir rife with intimate and harrowing details of fractured life, this book takes deeply personal wounds on a journey to global healing. This is the story of Hector Aristizábal, a Colombian theater artist, activist and psychologist. It is about some difficult issues—abortion, homophobia, drug addiction, racism, exile, prison, immigration, murder, torture, and the U.S. juvenile justice system. It is about the intersection of creativity, ruptured reality, ritual, and therapy. And it is about Colombia, where the story begins and returns to at critical junctures.

Co-written with Diane Lefer, The Blessing takes place in Medellín, Colombia and Los Angeles, California, with many stops throughout the world. Aristizábal hails from the low-income barrios on the outskirts of Medellín. Rounded up at four in the morning in 1982 by the army in search of guerrilleros, the twenty-two year old university student was taken to a compound where he underwent questioning along with beatings, waterboarding, electric shocks, mock executions, and psychological terror. Ten days later, thanks to pressure from human rights activists, he was released (and went into hiding). His brother Juan Fernando, who had also been arrested, was imprisoned for several months for carrying a machete. In 1999, when his brother was murdered by paramilitaries for his past ties to the Ejército de Liberación Nacional guerrilla group, the enraged Aristizábal demanded an autopsy of his brother’s corpse and photographed the event.

Out of this experience came “Nightwind,” a solo play that re-enacts Aristizábal’s torture and his brother’s autopsy. Co-created with author Diane Lefer and musician Enzo Fina, Aristizábal performs “Nightwind” in the U.S. and around the world.

“The play opened doors for me,” he says. Diane Lefer, Hector and I meet for coffee and conversation one morning in Pasadena. He’s recently returned from an ayahuasca retreat in the Amazon jungle, where he experienced the plant’s healing, illuminating, and maddening psychedelic “pintas” for the first time. Later tonight, he’s heading to Nepal to perform “Nightwind” and “Kiss of the Spider Woman” at the Kathmandu International Theatre Festival. “‘Nightwind’ opened the chamber of torture for people to see inside, opening the chamber for me to come out of it and not continue to live in it.”

The play also led to further collaboration between Lefer and Aristizábal, including writing and publishing magazine articles. The two joined political and artistic forces after people responded with suggestions that they write a book. Armed with Hector’s journal and his Masters thesis, Diane immersed herself in his voice and interviewed him, his family and others for further details. “W

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