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1. And to Whom Should I Reply?

I can never understand why so many writers have websites and/or blogs, but do not have their email address or a “contact me” link easily visible.

It’s a frequent source of frustration for me. Why would you bother putting yourself out there without giving people a way to contact you?

There are two circumstances in which I come up against this:

(1) I’m following links to various websites/blogs, find something I like and become interested in talking to the writer about whether they’d ever like to be published, whether they have an agent, etc… and there’s no email address.

(2) I want to respond privately to a comment someone has left on my blog, rather than put it out there for all the world to see. I’m interested in engaging in conversation. Yet when I follow the link to their blog or website, again, no way to contact them.

Listen, there’s a lot of dialogue going on out here on the web, and real connections are being made. If you don’t include a way for people to contact you directly, it says you’re not interested in making connections, that maybe you’re just interested in being heard but not interested in hearing from others.

You’re here to network, to learn, to communicate, and to create relationships. It’s not just about putting your blog or website up and commenting on others’ blogs. Let people know how to reach you, too. Just in case.

And by the way, the excuse that you want to avoid spambots getting your email address is so five years ago. You can encrypt or obscure your email address so that people can see it but spambots can’t. If you want, you can also create a separate Gmail or Yahoo address for public use. It’s free and takes 30 seconds.

So, if you have a website or blog, and if you’re leaving comments on others’ blogs, make sure you have your email address or “contact me” plainly visible.

If you’re one of those without contact info on your site—why not? Are you going to add it today?

Have a blog or website? Make sure people can find your email address or contact page!

Click to Tweet this.

The post And to Whom Should I Reply? appeared first on Rachelle Gardner.

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2. Your Elevator Pitch

86538827You are standing in an elevator and have two minutes to tell someone about your book. Today we’re going to talk about crafting that one-sentence summary, also known as a logline, a hook, or a one-sentence (elevator) pitch. This is not your book’s tagline!

What: About 25 words that capture your novel, memoir, or non-fiction book.

Why: To get someone interested in reading your book.

When to use it: The start of a query, or anytime someone asks you, “What’s your book about?”

What it does: A one-sentence summary takes your complex book with multiple characters and plotlines and boils it down into a simple statement that can be quickly conveyed and understood, and generates interest in the book.

What it should include:
→ A character or two
→ Their choice, conflict, or goal
→ What’s at stake (may be implied)
→ Action that will get them to the goal
→ Setting (if important)

Tips:
→ Keep it simple. One plotline, 1 or 2 characters.
→ Use the strongest nouns, verbs and adjectives.
→ Make the conflict clear but you don’t have to hint at the solution.

In your one-sentence summary, try not to pitch a theme. Pitch what happens. Examples of themes:

This book explores forgiveness.
This book looks at the thin line between right and wrong.
This book explores the meaning of independence, and asks if it’s really possible.

Here is Nathan Bransford’s simplified formula for a one-sentence pitch: “When [opening conflict] happens to [character(s)], they must [overcome conflict] to [complete their quest].”

Examples of one-sentence summaries:

Harry Potter And The Sorcerer’s Stone by J.K. Rowling
• A boy wizard begins training and must battle for his life with the Dark Lord who murdered his parents. (Thanks Randy Ingermanson for this one.)

→ Character=boy wizard
→ Conflict=battling the Dark Lord
→ Stakes=his life
→ Setting=none
→ Action=http://www.rachellegardner.com/feed/wizard training; avoiding the same fate as his parents

The Help by Kathryn Stockett
• In the south in the 1960s, three women cross racial boundaries to begin a movement that will forever change their town and the way women view one another.

When Faith Awakes by Mike Duran
• Chaos is unleashed on a quiet coastal town when an unassuming crippled woman raises a young boy from the dead, unlocking a centuries-old curse.

Medical Error by Richard Mabry
• Identity theft becomes fatal for a patient and puts a young doctor’s reputation and medical practice in jeopardy.

Chasing Superwoman by Susan DiMickele
• A successful attorney and mother of three battles discrimination, exhaustion, and a clueless boss while balancing a career, a family, and a life of faith.

NOW IT’S YOUR TURN. Leave your one-sentence summary in the comments.

The post Your Elevator Pitch appeared first on Rachelle Gardner.

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3. 7 Ways to Learn From Conan O'Brien

Guest Blogger: Mary Demuth

In the February 2011 issue of Fortune magazine, there’s an article entitled "Conan 2.0: How a late-night Luddite accidentally fought his way back into bedrooms (and computers, smartphones, and tablets) across America." The picture below is featured in the article.

The article chronicles the rise/fall/resurrection of Conan O’Brien, carried on the wings of tweets. O’Brien was a reluctant Twitterer until a friend convinced him to try. This was after NBC moved The Tonight Show from 11:35 to 12:05, prompting his departure, and the subsequent frustration voiced by many of O’Brien’s followers on the Twittersphere and Facebook.

On February 24, 2010, O’Brien and his team opened a Twitter account. His first tweet: “Today I interviewed a squirrel in my backyard and then threw to commercial. Somebody help me.” At that time, O’Brien set a single-day record for Twitter followers. The article chronicles O’Brien’s social interaction, how he’s mobilized his demographic, and how social media has fueled his latest projects and successes.

Why is this important?

Because we’re moving away from an old model of promotion to a brand spanking new one. From TV celebrities as we knew them to TV hosts who highly interact with their fans. There are huge implications for authors.

7 Author Takeaways From the Article:

1. If Conan O’Brien, a self-proclaimed Luddite in the digital realm, can open a twitter account, so can you.

2. Old ways of promotion are waning. Interacting with readers with great content, them-focused tweets, and a slice of humor goes a long way.

3. You’ll never know how your tweets (or blogs or facebook statuses) will affect your career. Recently, I received an email from a publishing executive who follows me on Twitter. This opened the door for some very exciting possibilities. He’s been following me a long time.

4. Your words matter, even in little snippets. Make them interesting. View them as part of your writing habit. See them as furthering your career.

5. This kind of publicity is FREE. For cash-strapped authors, it’s worth our time investment to garnering facebook fans, twitter followers, blog readers, and ezine subscribers.

6. Being yourself in social media is extremely important. Conan is himself. I am myself. Don’t try to be Conan or me. Be you. Folks want authentic interaction.

7. Don’t despise a setback. Conan’s leaving The Tonight Show actually turned into an epiphany, then a renewed career. See roadblocks as redirections.

Q4U: What do you think? Is social media important for the author?

39 Comments on 7 Ways to Learn From Conan O'Brien, last added: 4/14/2011
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4. A Million Screaming Fans

or... A Platform is More than a Bunch of Twitter Followers

People are always asking me, “What constitutes platform? How many Twitter followers? How many Facebook friends?”

Listen, a platform is not all about those numbers. Take a step back, look at the bigger picture, and ask yourself: What have I done to bring potential book buyers to the table? How many people are out there who know my name, already appreciate my work, and would pay twenty bucks to read something I’ve written? Could I fill a stadium with screaming fans? (Or at least fill a medium-sized theater with respectful readers?)


Seth Godin, in Tribes, says 1,000 is the magic number. If you have 1,000 diehard, follow-you-wherever-you-go fans, you can do anything. That’s not just a thousand people who’ve heard of you, or read your blog once, or heard you speak once. That’s a thousand people who will talk you up, buy your stuff, and show up to see you in person. Godin’s hypothesis may not be the gospel on platform, but it’s a good start.

Keep in mind that there are many ways to create a platform—it's not all about blogging and Twitter. Anything that draws attention to you and gets people acquainted with you can be part of platform building.

Let’s talk more specifically about the three different kinds of author and their platform requirements:

Non-fiction

The bar is getting higher for non-fiction authors. Rather than wonder “Do I have a big enough platform?” ask yourself, “Have I established myself as a credible expert in my field?” You may need credentials. You may need to be speaking to audiences of 500 or 1,000 or more on a regular basis—not just regular audiences, but audiences full of influencers (e.g. not just MOPS groups, but the national convention of MOPS leaders). You may have a blog with 2,000+ hits a day, and that could suffice.

Pay attention to the fact that more and more information is available for free on the Internet. This means that it’s harder to sell a non-fiction book, because it’s harder for publishers to sell those books. It also means you’ll have to bring more to the table. Credentials. An audience. A fabulous hook, a killer delivery, a massive felt need.

Don’t ever ask, “How many Facebook friends do I need for it to be considered a big enough platform?” Instead, look at the whole package you’ve created. Are you confident you are already bringing enough book-buyers to the table to warrant a major publisher taking a risk on you?

Fiction

Novelists, your first book will NOT sell based on your platform. It’s all about your book. The agent and editor must love your book idea, love your writing, and want to work with you.

Assuming they already love your book, they’re going to want to see that you understand author marketing and social networking. They’ll be happy if you have a blog with a regular readership, even if it’s small. They’ll be happy if you’re on Twitter and Facebook—not a lot, just enough to show you’re savvy. Eventually down the road when your book is approaching publication, they’ll definitely want you to actively take part in marketing your book. But you don’t have to show “platform” up front. Your platform is really your book.

Memoir

67 Comments on A Million Screaming Fans, last added: 1/28/2011
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5. Did I Mention It's All About Platform?

This one's for non-fiction authors—it doesn't apply so much to novelists.

Ever see the movie Little Miss Sunshine?

Richard (played by Greg Kinnear) is a wanna-be motivational speaker who knows that it begins with a book, which turns into speaking, which turns into DVDs, etc. (At least that's what he thinks.) After his agent, Stan Grossman, shopped his book proposal, here's what happened.

Richard:
You said it would sell...!

Stan Grossman:
That's what I thought! At the time!

Richard:
But it's a great program! You said yourself! I don't understand...!

Stan Grossman:
It's not the program, Richard! It's you, okay? No one's heard of you. Nobody cares.



The nicer way to say it: Non-fiction authors need a platform. Self-published or traditionally published... if you want to sell books, you need an audience.
Non-fiction authors: How are you going to make people care?

© 2010 Rachelle Gardner, Literary Agent

27 Comments on Did I Mention It's All About Platform?, last added: 12/10/2010
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6. Should You Have a Book Trailer?

The latest thing to hit the book marketing world is the book trailer. I'm sure you've seen them - short videos, typically 1 to 3 minutes, that advertise a book. You'll find them on author websites, blogs, publisher websites, and bookselling sites. Here's an example:



When I'm talking with my clients about marketing, of course they want to know if they should have a book trailer. I've thought long and hard about my answer, and I acknowledge I may change my stance on this as time goes by and we collect more data on the effectiveness of trailers. But for now, my answer to the question Should I have a book trailer? is...

Only if you really want one - and you can easily afford it.

The truth is that we have no evidence to show whether book trailers sell books. There's a "cool" factor with book trailers, and it's certainly fun to be able to show your family and friends. It's a nice little promo vehicle you can have floating around the Web.

But a book trailer is just ONE of ten, twenty, or a hundred different things that's being done (by you and your publisher) to market your book. Your video counts as one small part of an overall marketing strategy. But it's not a necessary or indispensable part of your strategy.

In this digital/visual/multimedia world, I think authors might be thinking they're really missing out on a valuable marketing vehicle if they don't have a trailer. To that I say (with a nod to my dad, who drove me crazy with this word), hogwash.

If you want a video for the fun of it, and to have out there so your family and Facebook friends can see it, great! If you can find effective ways to use it - even better. It definitely can be fun to show people an audiovisual representation of your story. In fact, I think authors enjoy book trailers because it helps them envision their books as movies. And who wouldn't want that? But we don't know yet whether a trailer can help sell books.

You may want to consider a more effective and less expensive kind of video—one that actually might help you move some copies. This would be simply a talking-head or author interview video. Just set up a camera (making sure you have high quality video and audio), have someone interview you about your book, edit so that it's short and only includes the interesting stuff, and voila, you're done. You can include this video on your Amazon page, feature it on your blog or website, and put it up on YouTube. This kind of video has the potential to offer readers something they can use: a glimpse into you, the author, and perhaps a real reason to buy your book. An author interview doesn't look like an ad in the way a book trailer does. It just looks like... an interview with the author.

Salon.com recently had an article on why book trailers are silly. Read it for a one-sided yet nicely in-depth explanation of the anti-trailer side of this argument.

My official advice to my authors is this: Don't spend a lot of money on a book trailer. If you want to create one, great. Have fun with it, then do your best to use it in every way possible. But don't expect it to be the cornerstone of your marketing plan.

Q4U: What do you think of book trailers? Do you think they serve any real purpose for authors? H

88 Comments on Should You Have a Book Trailer?, last added: 2/6/2010
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7. Marketing Principles: Part 3 of 3

by Jim Rubart

Marketing Principle #4:
Olympic caliber networking


When people hear the word marketing they think ads or PR. Those are parts of marketing, but marketing is much more than that. Marketing is everything you do in public. Everything. In every moment you are marketing yourself. In the way you speak, the wit you display, the subjects you talk about, the way you dress.

And who are you marketing to? People. It always comes down to people.

With the onslaught of marketing technology like Facebook, Twitter, cell phones, e-mail, podcasts, teleseminars, etc., I think we've forgotten that at its essence successful marketing is simply having people like you and be interested in you.

Most editors and agents, if they're choosing between two authors of equal skill, will take the one they like. I know this is obvious, but it's worth repeating: If an agent, or editor, or reader likes you, the odds of them buying from you skyrockets.

Put another way—assuming you've polished your writing chops—success as a writer can be improved by successful networking.

→ Be interesting, & be brief.

→There's an old show business adage that says, "Leave the audience wanting more." It works. Remember the old Seinfeld episode where George walks out of his employer's meetings as soon as he delivers a funny line? His boss ends up firing everyone except George because he likes George and thinks he's the only employee the company needs. So contribute to the conversation. But conversations aren't monologues. Keep it brief and give others a shot on stage.

→ Ask. Listen. Ask. Listen. Ask. Listen.

→ Ask. Most people don't know how to ask questions. They ask one, never following up with another. People like to be asked questions. We are needy people. We need to know we're valued. We need to know our opinion matters. We need to know others are interested in us. So ask a question, then another, then another. People will love you for it.

→ Listen. Most people struggle to listen. They're thinking about what they're going to say next, and most don't even wait for the other person to finish. So interruptis gigantis dominates most conversations. Don't let diarrhea mouth happen to you. Try this experiment. In the next conversation you have, count to five—in your head, not out loud—before you respond to your friend's comments. You'll be amazed. Truly. (No, I'm not going to tell you what will happen, but I will tell you the great interviewers understand this powerful principle.)

→ Make it real

→ People are human lie detectors. If you're faking it, they'll know. The goal of good networking is not to get ahead. Yes, it will benefit you if you do it right. But the goal of your networking should be to care about people, to be in relationship with people who share similar passions. Am I saying it's better to give than to receive? Absolutely. And don't worry, if you have that attitude, it will come back to you in droves.

Time to get off the stage. Hopefully I've helped a bit, and maybe even left you wanting more. If so, maybe we'll do it again sometime.

Jim Rubart is the owner of Barefoot Marketing (www.barefootmarketing.com) a marketing & consulting firm in the Pacific Northwest, and his first novel ROOMS come

18 Comments on Marketing Principles: Part 3 of 3, last added: 12/24/2009
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8. Four Major Marketing Principles: Part 1 of 3

by Jim Rubart

[I'm taking time off this week, but I'm leaving you in good hands with this great series on marketing principles. Have fun! ~Rachelle]

Marketing Principle #1:
You Must Shock BROCA


In the early 90s, when I sold radio for a Seattle station, I answered the office phone one morning with, "Dominos Pizza!" This was before caller ID, so I had no idea if it was a friend or a client. It was the latter; one I would describe as devoid of the humor gene. But my slightly insane greeting broke through and she didn't miss a beat. "Large pepperoni pizza please, extra cheese, we need it by 12:30." We laughed and then talked business. After I hung up, I called Dominos, put in her "order," and had it delivered to her office.

Did the fact I got a huge amount of advertising dollars from her later that week have anything to do with my moment of insanity? Of course. Why? I surprised Broca's area of her brain.

In 1861, French surgeon Paul Broca discovered the area of the brain responsible for speech production, specifically assigning syntax of words while listening and comprehending structural complexity. Broca's area sits just behind the pre-frontal cortex, the area of the brain where we choose to take action. It's where we process the pros and cons of a decision and ultimately choose path A or B. But before any sensory input—what we see, hear, read—can get to the pre-frontal cortex, it has to pass through Broca's area. Broca is the nine-hundred pound bouncer of the brain.

What Broca hates: Boredom. What Broca loves: Surprises.

We hear this regarding our writing: "Open with a strong hook!" "Surprise the reader!" "Develop an elevator pitch that will grab 'em!" Successful authors have learned these skills, but when it comes to marketing, we tend to say the same things, in the same way that everyone else is saying them, so we bore editors, agents and even readers. We end up sounding like Charlie Brown's parents. "Wah, wah, wah, wah, wah." It. Does. Not. Get. Through.

When you've heard a joke fifteen times and a friend starts telling it again, it's Broca's area of your brain that screams, "Enough!" Its Broca’s area of the brain that says I've seen that story, pitch, Web site, one sheet, etc., a thousand times before, and I'm bored out of my mind. It’s Broca's area that is thrilled when a movie or book twists our brain into a pretzel at the end. Remember The Sixth Sense? Or The Usual Suspects? Broca loved those movies! Surprise Broca and you'll make an impression that can last for months, sometimes years. With our Web sites, phone calls, business cards, thank you notes, one-sheets, conversations, in everything we do we must surprise Broca.

These days we live in an age of information overload on steroids. There are a zillion blogs, Web sites, Facebook posts, tweets, articles to read, let alone the books clamoring for our limited time. How in the word do we stand out? How do we get noticed as authors? How can we get ourselves to the pre-frontal cortex? Surprise Broca.

After one of my first writing conferences I wrote this to an editor I'd met: "If there was time in this life, I think we might have become friends. Maybe in eternity." Not your typical—and boring, "It was such a pleasure to meet you." Two weeks later I got an e-mail from him which started our strong, on-going friendship.

Novelist Wanda Dyson puts yellow crime tape around her table when she does books signings. Do you think tha

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9. You: The Marketing Machine

First off, if you don't read anything else this weekend, read this article from the Washington Post. It doesn't say much that we haven't already discussed on this and other publishing blogs. But I think (for many of you) it will confirm what you've already heard: Yes, it's a whole new world for authors, and yes, you are your own best marketing team. (Thanks to client Gina R. Dalfonzo for the link.)


That leads me to my questions for today. I want to talk about this new publishing landscape, the one that requires you to be a marketing machine.

Does the requirement to be a marketer have any effect on your desire to be a published author?

If so, what's the effect? If not, why not?

I look forward to reading your answers. These kinds of questions really help me understand my authors, so thanks for chiming in!

That's it for today... have a good weekend.

25 Comments on You: The Marketing Machine, last added: 9/28/2009
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10. A Day in the Life of an Author

My client, Terry Brennan (debut novelist, author of The Sacred Cipher which just released) sent me this in email. It has so many lessons in it, I can't even begin to list them. See what you can glean from his recent experience.

***

My wife, Andrea, and I spent all day Saturday going to almost every Barnes & Noble in Manhattan. We were armed with hundreds of Sacred Cipher post cards, a very good pen, and the knowledge that an author can ask to sign the store stock and the store will put a green "Autographed Copy" sticker on the front of the book. The largest B&N stores in the nation were scheduled to promote The Sacred Cipher with a table placement in the "main aisle" between August 11 and 24, a promotion arranged and paid for by my publisher.

So I said to Andrea, "We won't ask to sign the books until we can find the display in the main aisle and you can get a picture of me with the books on the display table."

But not one of the stores had the book on display. Not one.

At most Barnes & Noble stores, the Christian Fiction rack is in the farthest, backest, leastest corner of the store, and usually comes after the Gay and Lesbian and the Middle Eastern Mystic sections. It can be the basement, or the top floor or around the corner, down the hall, out the back door and around the block (well, maybe not that far).

In every location we did the "search the store" thing, looking for the table display promotion. In every one, we ended up in the farthest, leastest, backest corner. And there it was, on the shelf. Not on a table.

So, like any self-respecting author who wants to sell books, I went to the good old Customer Service Desk, presented my card and one of the 5,000 promotional post cards I got from Kregel (my publisher), and asked if I could sign the store stock. "Sure," they said. "We'll just go and get them."

Which gave me the opening I was looking for.

"Oh, where are they? On the shelf? Aren't they supposed to be in a table placement promotion in the main aisle? At least that's what I've been told. There's supposed to be a promotion between August 11 and August 24th, right?"

So they would go to their computer, tap a few keys, find The Sacred Cipher, click on Promotion and up would pop ... what do you think? ... "Table Placement Promotion - main aisle."

And, in all but one store, they said, "Oh ... it's supposed to be on display." So they moved it to a display table. Now, each store displayed it differently. And I don't think it ever made the main aisle - you know, the one with tables filled with all the bestsellers.

But, hey, I was just happy to get out of the backest, farthest, leastest. And into the light of day.

So, once the book was out where people could find it, Andrea and I went out and stood outside the front door of the B&N store and handed out my Sacred Cipher promotional postcards to people entering the store.

Now, in New York City, you get darn tired of people trying to shove something into your hand nearly every day of the week. So I was skeptical of how well this would work. But it did. People would be rushing past, take a look, slow, look again, then take the card.

And a number of people even turned back to me, smiled, and said "Thanks." In New York City!

Here’s the funny part. We must have given out maybe 200 - 300 postcards over the course of the day. And you know what the total number of copies the stores had? 40! All together, in all of Manhattan, B&N stores had 40 copies.

So ... man ... I hope we created a BIG demand here in NYC. A demand that will get filled, even if B&N runs out of copies.

***

Thanks, Terry, for sharing your experience with us. Readers, whaddaya think?
.

58 Comments on A Day in the Life of an Author, last added: 8/20/2009
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11. Social Networking in 15 Minutes a Day

A lot of people wonder how they can do all the online networking they're "supposed" to do without it completely draining all their time and energy. Well, I don't have all the answers, but I've developed a strategy that works for me, so I thought I'd share it with you.

Blog

1. I write my blog posts for the week in one or two sittings, usually on the weekend.

2. I schedule my blog to post automatically each day so I don't have to think about my blog all week unless I want to.

3. I'm flexible so that if a timely idea hits me mid-week, I can go ahead and write a blog post and schedule it for whenever I want.

4. All the blog comments go directly to a separate email box. Whenever I get comments that give me an idea for another blog post, I divert those emails to a separate folder called "Save for Blog."

5. I also keep a Word doc with ongoing ideas for blog posts, which I jot down whenever they strike me. When I need to write a post and get stuck, I have both my Word doc and my email "Save for Blog" file for ideas.

6. Some of my posts require almost no effort on my part. I strategically use guest posts and Q4Us, to maintain consistent postings without having to write so much.


Twitter

1. I use TweetDeck to keep my tweets organized on my desktop, but there are many other Twitter apps you can use. Just don't rely on the Twitter website itself - it's extremely inefficient.
2. I don't keep TweetDeck open while I'm working! I take breaks from working and open TweetDeck, or sometimes I actually keep it open on a different computer so I can check it when I take quick periodic breaks.

3. I generally give myself about a two-minute limit on Twitter during work hours, which includes tweeting, reading, and responding.

4. I use TweetLater and often schedule the day's worth of tweets in the morning before I begin my work day. Then as I'm checking Twitter later in the day, I don't have to think of new tweets, I simply respond to others, and read people's responses to mine.

5. In my "leisure" time (nights and weekends) I typically don't limit myself. I sometimes tweet a lot and get into conversations with people, but I don't look at it as a waste of time. It's fun and it can also be valuable networking.


Facebook

1. I adopted the philosophy that we each use social networking for our own purposes, and we get to choose how we use each platform.

2. Therefore I've decided to use Facebook only for my family members across the country, and people with whom I'm actually acquainted in real life.

3. I update Facebook approximately once a day, sometimes less. My Facebook friends are a different group than my Twitter friends. People were getting annoyed at so many updates, so I've cut it way down.

4. I've noticed that Facebook tends to swallow much more time (if you let it). The conversations are interesting and can really suck you in! For that reason, I typically only open up Facebook once a day, and it's usually not during the hours I'm working.

These are my strategies to make sure social networking works FOR me without taking up all my time. What are your strategies?
.

59 Comments on Social Networking in 15 Minutes a Day, last added: 8/16/2009
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12. Guest Blogger: Julie Cantrell

How to Plan a Successful Book Signing

As a first-time author of two children’s books, God is with Me through the Day and God is with Me through the Night, I was surprised to discover that the most challenging part of the journey has been marketing. I have worked as a marketing writer for ten years; but marketing my own work has been…well…icky. As a friend put it: “It’s a bit like standing in front of the mirror with a stranger and asking them to say nice things about you.”

Despite my reluctance, I’ve been grateful to have experienced many successful book signings since the launch of my books. When I sold more than 100 books at several signings, the bookstore managers were amazed. They couldn’t believe I was having such strong turnouts as a first-time author.

One Barnes & Noble community resource manager hit the nail on the head when he said he’d never had an author market the event as much as I had. That behind-the-scenes work was responsible for my delivering him the second-largest signing of his career.

When planning your next author event, keep these tips in mind:

1. Your biggest ally is word-of-mouth. Reach out to anyone you know in a community and ask them to invite friends, family, neighbors, church members, school peers, etc. You’d be surprised how interested folks become when they have a personal connection to the author.

2. Send out press releases to local media outlets. Look for television news programs and radio shows that routinely support local events. Contact regional magazines, and reach out to the newspapers for a book review and/or author interview.

3. Post the event on all community calendars, since many media outlets will share the event both online and in print.

4. Contact local churches to invite their church community to join you. You can also offer to visit the church for a personal author event. Some churches have been extremely kind and generous to me by promoting the event in their Sunday Bulletin or weekly newsletter.

5. Use the Internet to locate your target audience and reach out to them via email, direct mail, phone calls, or – of course – word of mouth. Depending on your book, you may want to contact veterans groups, healthcare workers, mothers’ groups, or schools.

6. Use key social networking tools such as Facebook, Twitter, and a personal blog to boost interest in your books.

7. Don’t be shy. When you’re at the event, engage attendees in conversation. Remember, humor is key. Get people laughing and they’ll want to hear more.

Marketing does take time, but the extra hours pay off in most cases. Happy booksigning!

Cheers,
Julie


As a freelance writer, Julie Cantrell has written countless articles on the topics of parenting, child development, faith, education, family, and health. She also served as contributing editor for MOMSense magazine, published by Christianity Today. She is a certified speech-language pathologist and mother of two.Visit her website and blog, Julie's Journal.

24 Comments on Guest Blogger: Julie Cantrell, last added: 8/2/2009
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13. Social Networking vs. Writing

So. Wow. Did you see how many people commented on Friday's post? And did you see how longwinded eloquent everyone was? If I didn't know better, I'd think you all LOVE giving your opinions about social networking!

So the upshot is: some of us love it, some of us hate it, many of us are ambivalent or trying to decide. Amongst those of you who read my blog, the most popular social networks are blogging, Twitter and Facebook. And whether we love social networking or hate it, we all recognize the potential hazards, i.e. the TIME aspect. The question we each have to answer is: How can we use social networking to the extent that it's positive and helpful, but no more? I can't answer it for you. We all need to grapple with it ourselves.

But I'm going to go out on a limb here and say one thing. It's hard for me sometimes, on this blog, to strike a balance between teaching that building a platform is important and encouraging writers to place their writing first. There's no question, building an audience is important.

BUT.

If you are writing fiction. And you are unpublished. You really MUST be putting your writing first. Spend most of your discretionary time learning to write. You do this by continuing to write, and by reading high quality fiction, and by using crit partners, and reading books on craft. But mostly from writing, writing, writing.

Dabble in social networking for fun and leisure, and to get a head start on what you'll need in the future. But you should keep in mind a 90/10 ratio. Spend t 90% of your free time on your writing, and no more than 10% on platform building.

Things change when you're published. And things are different if you're a NON-fiction writer.

But again, if you're an unpublished novelist, improving your writing is top priority. If you don't do that, all the rest will be irrelevant anyway.

So get off this blog and get back to work!

39 Comments on Social Networking vs. Writing, last added: 7/19/2009
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14. How To Build Traffic on Your Blog

A Guest Post by Jennifer Fulwiler

A lot of writers have mixed feelings when they hear about the importance of using blogs to build platforms. On the one hand it sounds nice to have a popular blog, but on the other hand it's daunting: How do you go about getting traffic? Isn't it mostly just luck anyway? I have good news: Attracting a loyal readership to a blog is not just blind luck. After more than a decade working as a web developer, I've learned from some exciting successes (and a few spectacular failures) that there are concrete steps you can take to grow traffic to your site.

When I give advice on this topic I usually spend most of my time talking about how to write well; after all, if a blog is not well-written there are no tips or tricks that will make people want to read it. But since most of you probably have that part covered, here are some practical steps you can take to make sure your blog effectively highlights your writing and draws in a loyal audience:

It's all about generosity.
If you only remember one thing from this post, make it this: It is a spirit of generosity that brings traffic to a website. As I know from personal experience, having a blog can tempt you to become a black hole of attention. However, the more inwardly-focused you become, the fewer readers you will have. Ironically, it is when you stop asking questions like "How can I get people to link to me?" or "Why don't more people comment on my posts?" and start asking questions like "Who are some other great bloggers I can link to?" and "How can I better serve readers through my blog?" that your traffic will begin to grow.

Write scannable posts.
Internet readers have notoriously short attention spans, and they tend to briefly scan a post first to assess whether it's worth their time to read the whole thing. Use things like pictures, bolded section headers, varied paragraph sizes, bulleted lists and indented quotes to make your posts appealing from the first glance.

Make your blog easy to read and follow.
I believe that a lot of blogs don't have the readership that they could simply because of design problems. You don't have to hire a professional designer to do anything fancy, just make sure that you keep an eye on these things:

- Value prime real estate: The part of your blog that is "above the fold," i.e. what first appears in a reader's browser without him having to scroll down, is precious space. Avoid mastheads that are so tall that a reader has to scroll down to see your content (Rachelle's is the perfect size, for example) and put the most important sidebar elements at the very top.

- Use a readable font: Use one of the standard, easy-to-read fonts; make sure it's big enough (a good rule of thumb is to look at the size of online newspapers' text); and watch out for harsh color combinations like white font against a black background.

- Check your blog in different browsers: Your site will show up differently in different browsers. You don't have to go crazy checking all possible options, but just take a glance at your blog on friends' computers to make sure it doesn't look strange.

- One of the best ways to build a loyal readership is to encourage people to subscribe to your RSS feed. Check your blogging platform's support documents to find out how to add a "Subscribe to my RSS feed" link in your sidebar. (If you're not familiar with RSS, here's an informative video.)

Decide on a theme (but don't stick to it rigidly).
It's important to identify a loose theme for the subject matter of your blog. If you write a description of a family picnic one day, an analysis of the stock market the next day, and a lesson on Chinese history the day after that, readers are going to get whiplash from so much jumping around. A good litmus test for how well you've clarified your theme is if you could summarize your blog within the 140-character limit on Twitter.

That said, don't forget that what draws readers to blogs is not just the information itself, but the unique personality behind the great content. Don't be afraid to throw in some posts about topics near and dear to your heart, even if they're off-topic from your usual subject matter.

Help people get to know you quickly.

- Introduce yourself: New readers immediately want to know who is behind the blog they're reading. Put a two- to three-sentence bio in a prominent place on the front page of your blog.

- Remember that every post you write will be the first post someone reads: The other day I stumbled across a blog with a stirring post about how life was different after Sara left. You're probably wondering the same things I did: Who's Sara? Where did she go? I spent a few minutes looking for the answers but eventually lost interest. Make sure that in every post you either explain necessary backstory or link to where it's explained elsewhere.

- Include a "best of" list: I can't recommend strongly enough that you list a few of your best posts as permanent links in the sidebar. (If you're uncomfortable self-identifying which posts are great, just do a "most popular" list.)

Don't give up.
Website traffic grows geometrically; it's much easier to go from 1,200 to 1,400 visits per day than it is to go from 200 to 400. There will be periods where it seems like it's taking forever for your traffic to increase, but don't give up. Just keep having fun and pouring genuine love and passion into each post; before long, you'll find that you've been too busy engaging with readers and practicing the craft of writing to notice that you finally have a platform.


Jennifer Fulwiler is a computer nerd and writer who lives in Austin, Texas. She has more than 10 years of web development experience and her websites have been mentioned in USA Today, Slate, National Lampoon and The Washington Times. She is writing a memoir based on her blog, ConversionDiary.com, and is represented by Ted Weinstein Literary Management.

57 Comments on How To Build Traffic on Your Blog, last added: 7/19/2009
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15. Do You Need a Blog Mentor?

Yesterday I was talking to one of my clients, the uber-talented Patricia Raybon, about building an online presence and using blogging and social networking to build a platform (all the things we've been discussing on the blog lately). She said she'd been reading all the recommended websites about blogging, and even got the book Blogging for Dummies. But it all still seemed so overwhelming. Can you relate? I think many people feel this way.

Patricia said, "I'd love to be able to work closely with a cyber counselor - that's what I call it, anyway. Someone who could work with me, step by step, as I'm starting my blog and trying other social networking. Someone to talk me through designing my blog - not just the look of it, but the concept behind it - then help me get it up and running."."

I said, "You mean like a blogging mentor?"

We talked about it for awhile and I realized, a cyber-counselor is a GREAT idea (not to mention that I think we coined a couple of great terms, blog mentor and cyber counselor). People who'd be perfect at this are those who are already published authors, are successful bloggers, and already run some kind of editorial or consulting service where they work with authors. They could expand their businesses to include counseling authors in building an online platform.

Of course, the downside for authors needing this kind of service is that it will cost. Many writers won't be able to afford a service like this. But... many people can afford it, especially those who work full time, plus write books, and don't have the extra time needed to teach themselves all the ins and outs of blogging and social networking. This kind of person may have more money than time available, and might well benefit from working with a blogging mentor.

I put out a call on Twitter for blogging mentors and got a few responses. Here are some you might look into:

Camy Tang

Blogging with Beth

Kelly McCausey

Blogging Bistro

Anne Wayman

Lori Widmer

Kristen King

Thomas Umstattd Jr.

In addition, you could click on the websites of the editors listed on my Freelance Editors page. Many of them are published authors and successful bloggers as well as writing consultants, so they're used to working with authors and could probably expand into blog-mentoring.

If YOU are (1) a published author, (2) a successful blogger, (3) already running a consulting business, and (4) would be willing to be a cyber counselor for authors, here's your chance to leave your name and contact information in the comments.

Hope this helps!

Rachelle Gardner, Christian Literary Agent, Colorado

23 Comments on Do You Need a Blog Mentor?, last added: 6/30/2009
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16. The Dreaded Author Platform

Last week at the Write-To-Publish conference, the one topic that kept coming up in conversations, panels, and workshops was AUTHOR PLATFORM. Yes, the hated p-word!

I explained again and again that publishing just ain't what it used to be. Gone are the days when publishers were solely responsible for the marketing of a book.

Today's audience is more segmented than it has ever been before. People have more options for their leisure time than ever before - 600 channels on television, movies on demand, video games and Wii, and then of course, the Internet. It's harder than ever to attract people to books. The way to do it is increasingly through personal connection, and that means YOU, the author, making connections with your readers.

(This discussion applies mostly to non-fiction writers, but you novelists, take note. It will help you, too, if you want strong sales on your book.)

It has never been more crucial for authors to play a major part in marketing themselves, BUT it has never been easier. Where are readers hanging out these days? The Internet. That's the best place for you to find readers for your books.

The Internet has leveled the playing field. With a well-written and compelling blog, you have the potential to build a significant platform. If you take the time to research website optimization and do everything recommended to build traffic on your blog, you can build a sizable audience in a matter of months. Then when you begin to use Twitter and Facebook strategically, you can grow your audience exponentially.

You can, and you must.

After the conference last week, and all the conversations I had with writers, editors and agents, I almost wanted to announce that I'd no longer accept queries from anyone who doesn't already have a good solid head start on a platform. (I won't draw such a clear line in the sand, but consider yourself informed.)

If you have major credentials, teach at a university or pastor a large church, make a living as a public speaker to large audiences, appear on national television regularly, publish stories in the New Yorker, or you're a regular contributor in Esquire or the Washington Post (for example), then don't worry about what I'm saying here.

But if NOT.... then you really need to show that you are willing and able to put the time and effort into marketing yourself and building a readership online. You're competing with so many authors who already do this.

I DON'T want to see in your proposal, "I am willing to start a blog and join social networks to market myself."

I DO want to see: "I've been blogging for a year, with my readership growing steadily. I use Facebook and Twitter to create relationships with potential future readers of my books, and to drive people back to my blog. I'm currently making contact through the blog and social networks with several hundred (or several thousand) people a day."

You want to sell a book? Take this seriously. You don't have to have a television show or be on the radio. You don't have to be a celebrity. But you DO have to have a good book, AND you have to be able to sell it.

It doesn't cost money. It doesn't require special skills, besides the ones you already have: those of being a writer. What it DOES take is time. Marketing yourself as an author will cost you a serious investment of time.

Can you do it? Will you do it?

Is this dream worth it? You tell me.

P.S. Blog reader Jeanette Levellie sent this photo from the conference. It's me, Jeanette, and Mary DeMuth.

55 Comments on The Dreaded Author Platform, last added: 6/26/2009
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