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How does one capture the Classical style sound aesthetic when approaching performance of eighteenth-century repertoire on the modern piano? Although it is important to know of the period instruments and their associated physical sound qualities, knowing how period musicians approached their art emotionally and intellectually will provide even deeper insight into discovering how to recreate the sound aesthetic.
The post Affekt: the foundational pillar in eighteenth-century music appeared first on OUPblog.
Grappling with performing the music of early Beethoven, Mozart, and Haydn on the modern piano can be a daunting experience. The modern piano is not the instrument for which their music was composed. Beethoven, Mozart, and Haydn all preferred Viennese pianos (today called the fortepiano) and the traits from the inside out are distinctly different than those of the modern piano.
The post The fortepiano: capturing the sound aesthetic for modern playing appeared first on OUPblog.