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Viewing: Blog Posts Tagged with: Agent Protocol, Most Recent at Top [Help]
Results 26 - 30 of 30
26. Nitwit assistants

Let's say:
You're a writer, and you're represented by a small established agency.
The agency's lone assistant (in his late 20s) is posting on a personal page not using his own real name, but does reference the agency’s name.
Some of the assistant’s postings could be taken as bespeaking a macho, not terribly enlightened attitude to women: links to "adult" sites, etc.
The personal page comes up pretty easily in a search engine – under the agency’s name. I doubt anybody else in the agency knows this is the case. The assistant may not even know it.
A lot of people in publishing are women. Will the assistant's lack of discretion hurt the agency, or its clients, or him?



no.
No one in the industry spends much time reading myspace pages by assistants.
He'll get the message soon enough, but no one is going to think less of you for his idiocy.

14 Comments on Nitwit assistants, last added: 2/28/2007
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27. Extra agents

Dear Miss Snark,

Last week, Kristin Nelson posted on her blog that, upon receiving an offer of representation, an author should contact any other agents considering his/her full manuscript and inform them of the offer. Ms. Nelson stated that the lucky author should then give the other agents a deadline, ex: contact me by April 1st (joke's on me) if you're interested.

My question: if you agree that this isn't too forward an approach, how would you suggest wording the Love-Me-Or-Lose-Me email so as not to come off looking like a complete jerk?



Dear Miss Snark,

While you've been lollygagging around Kristin Nelson has been working. She's offered. What's up with you SlothSnark?


or


Dear Miss Snark,

My manuscript has been gathering electronic dust on your hard drive for lo these many moons. If it's not too much trouble could you get off your sorry ass and read it so that I can accept Agent Kristin's offer?


or

Dear Miss Snark,

I've received an offer for representation from Kristin Nelson. She's asked me to get back to her by April 1.



What I don't like is when I'm given a deadline. Info yes. Deadline no.
And it's VERY helpful if you mention the agent. I'd be just as likely to bow out of the dance if it's Kristin cause I know for a fact you'd be in good hands. On the other hand, I always like whisking a good novel out from under the noses of my colleagues too. You mention one of the 20 Worst Literary Agents, we're going to have an entirely different conversation.

3 Comments on Extra agents, last added: 2/24/2007
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28. Don't be a pest

Dear Miss Snark,

I just got an agent who has actually made sales and isn't a scam artist or anything! Woo hoo! The problem is, I want to email her ALL THE TIME! And not just about my book (which is already out with a bunch of editor dudes). I want to tell her about my old boyfriends. I want to invite her to go drinking. (I don't drink and I live 2000 miles away from NYC.) I want to send her chocolates in the mail with a note that says, "Be my BFF!!" For the love of all that is holy. Can you PLEASE snark some sense into me?

Thanks so much, I think you freaking rock!

She-who-desperately-needs-to-hear-that-"Your Agent is not your friend"-speech-one-more-time




Don't be a pest.


Your agent is friendly, but she is not your friend.
She is a business associate, a colleague.

She is your only agent, but you are not her only client.
You want her to sell your book, not spend time canoodling with you on email.
The two ARE mutually exclusive because no matter how much time you spend writing science fiction, this world still has only 24 hours and Miss Snark must drink gin for several of them, and woo Mr. Clooney for several more.

Resist Resist Resist.

4 Comments on Don't be a pest, last added: 2/22/2007
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29. What to reveal

Hello Miss Snark,


An agent at a top-notch agency just requested a full (didn’t I say before that you’ve had a profound effect on my writing?). Included in her list of “stuff to send” is a submissions history. Obviously I’ll let her know that one other agent is currently reading a requested partial; I also understand that it’s not necessary to mention the other agent’s name.

However, I also submitted sample chapters to an editor back in December, who, after reading my work, referred me to an editor at a different publishing house. A referral – wonders never cease! My question is, in outlining my submission history to the agent who has requested the full, should I mention the specific names of the editors and houses, or simply state that my manuscript was referred from one editor to another, who now has sample chapters? My gut tells me to spill all, since I understand that this is important information for a prospective agent. But my businessman husband is telling me, “Don’t give more information than is absolutely necessary.”

So. Which one of us is right?


The agent wants to know if this work has been seen by so many people that it's narrowed the pool of possible submissions past what she would take on.

In this instance I would mention the editor's name and house. Here's why: some major publishers allow submissions to more than one division of the company. Some don't. If you've sent this off to one that does NOT, the prospective agent needs to know the potential market has been narrowed.

Another reason that is that agents have varying levels of rapport with editors. If you've sent it to someone I do a lot of biz with, it's a much easier follow up than someone I've never called before in my life.

Another reason to be specific is that there's no downside to it, whereas being coy, or too general makes you look clueless. Telling me your book is at "Penguin Putnam" is utterly useless, much like telling me it's at "Random House". Telling me your book is being considered by Liz Scheir at Roc after a referral from Mark Tavani at Ballantine tells me a WHOLE lot more.

Being specific is the best choice here.

5 Comments on What to reveal, last added: 2/23/2007
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30. Now what

Dear Miss Snark,

What advice would you give a first-time writer whose agent leaves the agency (and the profession of agenting) right after signing you up, but before your novel has sold?

My book was transferred to the desk of another associate agent who doesn't seem enthusiastic about my manuscript, and just suggested the possibility of my hiring a freelance editor. (The original agent who'd signed me up thought it was ready to go and was preparing her sub lists and cover letter.)

At the time I was querying agents, I was lucky enough to have three other offers of representation, but I picked this one on the strength of the agency's reputation and the original agent's enthusiasm. Should I ask if they'll release me from my agency contract now, and contact one of the other agents who'd offered to represent me, or should I wait and give this new agent a chance?

I'm perfectly willing to make revisions to make my manuscript as strong as possible; it's just that I'd like to work with an agent who truly believes in it, and I'm not sure she does. Help!


Thanks for any advice you can give me.


If you had three solid offers of representation for the book in its present form, I'd be hard pressed to explain why you'd want to hire an editor to look at it.

Call the head of the agency and ask to be released from your contract.

Go to the other agents who offered originally and tell them what you told me. Make sure they know the book hasn't been shopped.

The agency can NOT keep you if you don't want to be represented. You are not a slave. If you signed an agreement that doesn't have a 30-day release clause, well, now you know why you should have one.

This advice applies only when you have solid offers waiting in the wings. It might apply in other instances, but don't take this as some sort of "must".

4 Comments on Now what, last added: 2/16/2007
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