Recently I've been making some illustrations for articles, along with various lovely artists (John Spelling, Christopher Mackenzie and Adam Pasion) for GIFT - The Global Institute For Tomorrow –which is "...an independent pan-Asian think and do tank, dedicated to advancing an understanding of:
- The evolving social contracts that exist between business, government and civil sectors;
- The shift of economic and political power from the West to the East;
- The reshaping of the rules of global capitalism."
Here are some of them, and very interesting articles they are too, with our illustrations brighten things up:
The myth of technological process by Chandran Nair
http://www.global-inst.com/ideas-for-tomorrow/2012/the-myth-of-technological-progress.html
Using Mongolia’s wealth to spur social development By Kamilia Lahrichi
http://www.global-inst.com/ideas-for-tomorrow/2012/minegolia.html
Can Asia save the world? By Chandran Nair
http://www.global-inst.com/ideas-for-tomorrow/2012/can-asia-save-the-world.html
Here is a rough sketch for one idea we did not use in the end:
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From Jan 2012 on I have a new web site (although there are no webs on it and its not a sight, its rather neat - but it IS new):
http://seanmichaelwilson.weebly.com
My next book is almost out, its was sent to the printer this week. Really looking forward to seeing it! Our adaptation of the classic story, SWEENEY TODD, from Classical Comics - script by yours truly, and excellent art by Irish lad Declan Shalvey. As with all the Classical comics books we have gone right back to the original text from the 1840's to make our closely authentic version. Sweeney Todd is a very well known character, but the actual original story is little known - this is your chance to find out. A sample for the book can be downloaded for free here: http://www.classicalcomics.com/previews.html
My introduction to the range has been Wuthering Heights and Dracula, which I am assured are fine examples of their back catalogue.
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e said death was coming soon, but it's annoying that it did indeed. I was hoping for a few more years of insightful Hitching. An erudite and stylish man who has often made me ponder, but who came out with some points that made me doubt him and disagree.
There are two scenes featuring Hitchens in my new book, PARECOMIC, about the ideas and life of left wing activist
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I had a 'thinkify' about why 'comic books might be good for putting over complicated information in an accessible way' as the phrase goes, especially in comparison to either text only books or films as a way of doing that. And here is what I came up with:
1. A quite large amount of text can be shown on each page - around 150 words in either captions or speech balloons is ok. Less than in a text only book, of course, but still quite a large amount if we are considering about 'putting over information'.
2. That text can be worded at a high level of sophistication, if needed - comparable to most novels, or non fiction books (despite the largely incorrect image of comic book text often being less grammatically correct).
(a page from 'Targeting Israeli Apartheid', a long report by Corporate Watch, art Rejena Smiley)
3. The text has visuals to support the understanding of the information - indeed, the understanding is conveyed by both the words and the visuals in a complex interplay. This allows some things to be understood in a more holistic fashion, or in a way that draws on a wider range of the brain's cognitive abilities than text alone. The reader may also feel that having recognisable characters or locations or some visual motifs creates a sense of continuity that provides a firm, even comforting, basis for the processing of the ideas being conveyed.
4. The visual aspect makes the page and the whole book more appealing on a variety of levels: firstly, it feels less off putting than the idea of reading an equivalent book of only text. People are likely to think a 200 page book with images is going to be easier to read than a 200 page text only book - regardless of if it is or not - and therefore are more likely to actually read it. Secondly, the attractive quality of the visuals will carry the reader along during the actual process of reading. Therefore they are likely to read MORE of the book, rather than put it down half way through, or lose focus. And the aspect that draws on visual processing, as mentioned in 3., can make the info more appealing for those who tend towards that way of taking in info.
(from 'The Story of Lee', NBM Publishing, art by Chie Kutsuwada)
5. The comic book is a physical thing that has the advantage over a film presentation of similar material in that it goes at YOUR speed, you can turn the page when you, the reader, decide. When you are ready and have processed the information on the present page. In contrast when we watch a film it goes at its own rate, regardless of the viewer. It does not wait to make sure we have 'got' the ideas presented yet, it just walks on. And this is true even despite the ability to pause and rewind. Because the pause/rewind control needs a rather troublesome decision to break with the f
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And good luck to the occupymovement protestors today in NY - keep at it lads and lassies!
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The recent Occupy Movements (#ows movement) or 'We are the 99%' are very pleasing to see. I am in support of these people in the USA, in my own country of the UK, and all around the world, demonstrating for change in the system we live under. It's desperately needed.
"Occupy Wall Street is leaderless resistance movement with people of many colors, genders and political persuasions. The one thing we all have in common is that We Are The 99% that will no longer tolerate the greed and corruption of the 1%. We are using the revolutionary Arab Spring tactic to achieve our ends and encourage the use of nonviolence to maximize the safety of all participants.
This #ows movement empowers real people to create real change from the bottom up. We want to see a general assembly in every backyard, on every street corner because we don't need Wall Street and we don't need politicians to build a better society.
the only solution is WorldRevolution"
Here are some sites to check out:
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And just come out in the latest issue of my old University's magazine, 'Caledonian Plus' , which features a special 2 page strip in the centre pages, about my time there. Also nice!
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Since we are often asked how do you make comics, what is the process, etc, we decided to put a four page section at the book of YAKUZA MOON to show a bit about that. Here is what Michiru said about her art process:
"In this lively and inspiring adaptation by a rising star in the manga world, and with illustrations by a leading artist, Shoko Tendo's powerful story has been recreated. Yakuza Moon is a heartrending and eye-opening account of her experiences growing up in Japan's gangster society.
Born into the family of a wealthy yakuza boss, Shoko Tendo lived her early years in luxury. But labeled "the yakuza kid," she was the victim both of bullying and discrimination from teachers and classmates at school, and of her father's drunken rages at home. Then, the family fell into debt, and Tendo fell in with the wrong crowd. By the age of fifteen she was a gang member; by the age of eighteen, a drug addict; and in her twenties, a willing participant in a series of abusive and violent relationships with men.
Tendo sank lower and lower. After the death of her parents and her own suicide attempt, she began a tortuous, soul-searching reevaluation of the road she had taken. An unconventional act of empowerment (getting tattooed from the base of her neck to the tips of her toes) finally helped her take control of her life, leading to redemption and happiness.
Already an international success and translated into fourteen languages, Tendo's story is sure to appeal to many new fans in this outstanding graphic version."
The book can be got from bookshops or via amazon (a quick link to this is on the right side panel of my blog here. Or press the post title) . Give it a go!
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A Japanese version of my 'Lafcadio Hearns Japanese Ghost stories' book is now out in Japanese, in two formats. A PC downloadable version called 'Kaidan Koizumi Yakumo' (怪談小泉八雲 in Japanese). It can be seen and bought here at the Papyless web site store: http://www.papy.co.jp/
Press the blog title to go there directly. Gambaru!
Also the 'Yuki-Onna' story from the book is available on Keitai (mobile phone) throughout Japan, via the NTT-Dokomo and AU systems. It can be seen on the Keitai bookshop 'Doko demo dokusyo'. どこでも読書 Which I think is this one: http://www.mobilebook.jp/
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At last our adaptation of Wuthering Heights is out! It's, as always with this series, a close to the original version in comic book form. With truly beautiful colour artwork by the legendary John M Burns. Another wee coup for me to work with him, an artist that I first read when I was about 11 years old. Nice!
A new interview with me went up in Edinburgh, hae a wee look, like, ken: http://edinburghleagueofcomics.wordpress.com/2011/08/20/from-scotland-to-japan-an-interview-with-sean-michael-wilson/
Also, I am looking to get into animation now, as a script writer. So, if any people are interested in discussing this with me, please get in contact. Nice!
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Hi Sean, your cybernetic friend from Argentina.
First of all, very interesting this "Thinking about this more I realised that there really was something to this point. The key problem besetting comics in the UK and USA, etc is not lack of ideas, lack of desire to create them, lack of respectability, or even a lack of interest amongst consumers"
I agree with that, there is a lot of crap that is being publish and from the first issue that you smell that it will be a holy shit.
Apart from that, I want to show you my first short story in comics. It was drawn by Pablo Túnica, who is a brilliant artist from Argentina, that works for France and for magazines and anthologies here. I will do more short stories and I will remind you to give me an opinion about it.
Thanks as always and keep on writing...
Lucas..
Hi Lucas,
Is it YOU thats cybernetic, or just the email link between us? he he...
Thanks for your comment, my point was really that the capitalist system does not suit the creative side of comic book production well. Another, more anarchistic, system would allow more focus on the art, less on the money.
Where can i see your story please?
Sean
When you ckeck out the crap, you smell that there is nothing to tell, that the caracters are really so cold that they could be naked with Santa Claus in NorthPole. Check out super heroes genre, they are always killing and getting grim and cool, going to the bathroom "to be more real" and in the end the only thing you see is the same story. There are some authors that write stuff that is very interesting in superheroes but it is because the characters and there storylines have something to tell or there is an interest to tell things to people who only read super heroes book.
JAJAJAJ I forgot to put my blog, sorry for that.
http://humildementedebelgrano.blogspot.com
That is all
Saludos..
I checked out your story - its great, i like that mix of simplicity and complexity in the idea, and the art style is very good. Its your FIRST short story?
Pablo Túnica lives in Argentina? Can you show me some of his French comics maybe?
Sean
Hi Sean, please send me your mail and we can talk in private in order no to put a lot of posts here, so other people can also talk about the topic of anarchy in comics.
Yes it was my first story. Pablo lives in Argentina.
This is his blog..
http://pablotunica.blogspot.com/
Please send me your mail, we can talk better.
Saludos from Argentina..
Lucas
Lucas, please email me on
[email protected]
mata!
Sean
Lucas, I like Pablo's work - can he speak English?
(or Japanese, he he)
Sean
Sean I am right now sending you a mail. Pablo speaks english.
Saludos..