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Viewing Blog: Sean Michael Wilson, Most Recent at Top
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Blog of Sean Michael Wilson, a comic book writer from Edinburgh, Scotland now living in Japan.
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51. The Global Institute For Tomorrow illustrations

Recently I've been making some illustrations for articles, along with various lovely artists (John Spelling, Christopher Mackenzie and Adam Pasion) for GIFT - The Global Institute For Tomorrow –which is "...an independent pan-Asian think and do tank, dedicated to advancing an understanding of:

  • The evolving social contracts that exist between business, government and civil sectors;
  • The shift of economic and political power from the West to the East;
  • The reshaping of the rules of global capitalism."



Here are some of them, and very interesting articles they are too, with our illustrations brighten things up:


The myth of technological process by Chandran Nair 
http://www.global-inst.com/ideas-for-tomorrow/2012/the-myth-of-technological-progress.html


Using Mongolia’s wealth to spur social development By Kamilia Lahrichi

http://www.global-inst.com/ideas-for-tomorrow/2012/minegolia.html



Can Asia save the world? By Chandran Nair
http://www.global-inst.com/ideas-for-tomorrow/2012/can-asia-save-the-world.html


Here is a rough sketch for one idea we did not use in the end:


52. Banality of Evil strip



A couple of pages from a project we are developing now with an academic at a UK university. Its for a series looking at theories of violence, war, conflict, etc. This page is from one going into Hanna Arendt's 'banality of evil' theory. Art by Chris Mackenzie, who has done a wonderful job, script from wee brain, as ever.

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53. Lennon and Marx are more cool than Pitt


I happened to notice Brad Pitt on a youtube clip saying, rather flippantly, that he had been to socialist countries and dismissing them. I made a reply to that as I thought it has a mistaken basis. He may have been to countries that SAY they are socialist or communist, which means the ruling power bloc cheats the people in that country under the name of socialism, abusing that term for its own sake. But just saying you are X does not make you actually X. 

It would be like me suddenly proclaiming I was Iranian. You might reply, 'Huh? you dont look Iranian' - 'Well i still am', or 'Where you born there?' - 'No, but im still Iranian', and 'Where your parents from there?' - 'No' and 'Have you ever been there?' - 'No' or 'Can you speak the language?' -  'No, but Im still Iranian'. You get the point? If I show no characteristics basic to being Iranian at all, then in what way am I Iranian? 

Simple: I'm not!

The same goes for most of the so called socialist or communist states of the past and present. If they show no characteristics basic to the actual theories of socialism at all, then in what way are they socialist? 

Same answer: they're not!

What they were and are is distortions of socialism or communism, and some people saw that right from the start. A moderate communist in Russia in late 1917 said:
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54. Parecomic success


The funding drive for Parecomic has finished - and we were successful in passing the magick $8000 target figure! 
It's been a real roller coaster ride over the last 60 days. The funding was on target, and then got a lot behind, but then we were lucky, as two well-off left wingers put in $1000 each. The announcements on Znet and IOPS made a big difference, as about half of the amount pledged came from Znet and IOPS folk. We also had quite a few comic book people support us, like Bryan Talbot and Paul Gravett and a big mention on Publishers Weekly. There was also quite a lot of people who have the great intelligence to be BOTH comic book fans and left wingers!
Apart from the actual money the general support level has been very high. And the promo value for the Parecomic book is considerable.  We've had lots of encouraging and supportive words, and done several interviews in good comic book places and radical web sites and magazines. We've also had the firm backing of Michael Albert himself. 

Here are just some of the comments we received:
"I've been following Occupy movement both in USA and Finland and happened to come across your graphic novel. I'm a long time fan of comics and graphic novels so I wanted to give my support for the project that is important and looks very promising."
"Good job guys. I am looking forward to seeing your work. I am both a left leaning person and a comic book fan but I heard about you from kickstarter. I was responding to a request and saw your project. My wife is a teacher and uses graphic novels to teach both american and international literature. Hopefully she will be able to use yours as well."
"I am a member of IOPS, supporter of ZNET and parecon (although still learning), and I totally intend to read the book myself and spread the word to everyone I know! If you ever want to bring out versions in other languages, I'd totally be ready to have a crack at the German or Spanish version!"

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55. Parecomic - 13 days to go


The PARECOMIC kickstarter funding drive has given us a lot of encouragement - we've had lots of nice support about our plan of going into the ideas of parecon and Michael Albert's life in graphic novel format. We've had several good mentions and interviews, such as in Carl's local newspaper, the industry magazine Publishers Weekly and hundred's of people noting it on their blogs, facebook and web sites... great stuff.

Still, as to the actual money into the fund, we are behind  - and if we dont make the FULL target amount in the time limit alloted then the creators get nothing at all, it's all cancelled (that is kickstarter's rule) . 

There are just 13 days left now.

So please give something to the book today if you can. Maybe at the $40 button maybe (thats the level that also gets you the book as one of the rewards for the support) . More if you can afford it.  The money is only a PLEDGE at first, it does not get taken out of your account now, its taken out at the end of the funding drive - and only if the total target money is made. To pledge you just select an amount from the choices on the right side, and it processes it via amazon: 




<

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56. Parecomic kickstarter progress 1


'Parecomic: Michael Albert and the Story of Participatory Economics' by Sean Michael Wilson and Carl Thompson, with an introduction by Noam Chomsky. 

Our kickstarter drive for PARECOMIC is going pretty well so far, we are around the $2500 pledged mark. But if we dont make the FULL target in the 60 days time limit then we get nothing - its all or or nothing thing (that is kickstarter's rules) - so please consider supporting the book.

The money is only a PLEDGE at first, it does not get taken out of your account now, its taken out about 2 months later - only if the total target money is made. To pledge you just select an amount from the choices on the right side, and it processes it via amazon:





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57. Parecomic Kickstarter!





We now have a lovely KICKSTARTER drive up and running, for our documentary style graphic novel - PARECOMIC. Its a wonderful 200 page graphic novel we are working on now and need a bit of crowd funding on. 'Parecomic: Michael Albert and the Story of Participatory Economics' by Sean Michael Wilson and Carl Thompson. 

"...a graphic novel about something that affects us all: the system we live in - what's wrong with it, and how we might be able change it for the better! The recent upsurge in popular protest in the USA and around the world shows that people are not happy with the state of things. The Occupy movements show us that many people would prefer a better system, a model that will work for the 99%, not just the 1%." 

So, please go and have a look at the info and video there, and pledge something if you like the PARECOMIC project: 
http://www.kickstarter.com/projects/471898784/parecomic-a-documentary-graphic-novel


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58. The Book of Five Rings - our manga version

Glad to announce that our manga version of another Japanese classic is finally done - THE BOOK OF FIVE RINGS. This is by the same team as Kodansha's HAGAKURE book of last year, myself, Chie Kutsuwada and translated by the esteemed William Scott Wilson. The book is a manga version of the classic text from 1645 by Musashi Miyamoto 宮本 武蔵 probably the most respected martial artist in Japanese history. 

THE BOOK OF FIVE RINGS will be out this autumn with our new publisher in the USA, Shambhala Publications - http://www.shambhala.com/



This is the mock cover of it, and I'm hoping they will address the unfairness of having my name larger than Chie's, on the final version.

A page that shows the kind of martial arts combat scenes in the book.

And this page shows an actual shrine in Kumamoto where Musashi lived at that time, and I live now. This is my special 'manga shrine' where I go to give thanks for successful books and make magick wishes for more.
And we have various scenes of visual beauty in the book, such as this which shows the recently renovated interior rooms of Kumamoto Castle. 

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59. Sean's new web site

From Jan 2012 on I have a new web site (although there are no webs on it and its not a sight, its rather neat -  but it IS new): 


http://seanmichaelwilson.weebly.com


My next book is almost out, its was sent to the printer this week. Really looking forward to seeing it! Our adaptation of the classic story, SWEENEY TODD, from Classical Comics - script by yours truly, and excellent art by Irish lad Declan Shalvey.  As with all the Classical comics books we have gone right back to the original text from the 1840's to make our closely authentic version. Sweeney Todd is a very well known character, but the actual original story is little known - this is your chance to find out. A sample for the book can be downloaded for free here: http://www.classicalcomics.com/previews.html








And my other recent book from Classical comics, WUTHERING HEIGHTS, has had some excellent reviews recently, here is one such:  

"Classical Comics are really cranking up their output when it comes to the great works of literature. As a latecomer to their products I have been pleasantly surprised by the quality and thought that goes into their adaptations.
 My introduction to the range has been Wuthering Heights and Dracula, which I am assured are fine examples of their back catalogue.

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60. Round up of my books and strips in 2011



As 2011 jumps or sighs to a close I'm looking backwards at the books and strips of mine that have come out this year (in, out, shake it all about). And it's a lot! Way more than I've had published before in one year.  It's not to say that I wrote them all this year, I think that would be near impossible - some were done last year or even the year before, but have just come out in 2011.

Here's the surprisingly long list: 


- STORY OF LEE volume one, a 150 page long manga with (art: Chie Kutsuwada),  from NBM Inc, USA.



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61. The Story of Lee - digital version!


Comixology, the digital comics site for ipad, iphone, android, etc now has my own book with NBM Publishing on it - The Story of Lee. Just in time for Xmas! 
You can download the digital version for only $7.99 (a decent price as the paper one costs $11.99). It's my first English language digital book, although I have one out already in Japanese. 150 pages, mature manga story, art by Chie Kutuswada. There is also a 12 page free preview there on Comixology, as a taster. Nice!  
https://comics.comixology.com/#/issue/18636/The-Story-of-Lee-Vol-1
"Lee, living in Hong Kong, meets Matt, a fine young Scot. Their relationship becomes stronger by the day, despite their deep cultural differences. But there is Lee's dad to contend with who views this affair very suspiciously. And there is another contender for Lee's heart, a young Chinese man, whose jealousy takes on twinges of xenophobia. Will Lee and Matt's relationship successfully cross the cultural divide and overcome the negative odds?" 

Quote for today: 
- "I will pray for you.
- And I’ll think for you.


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62. Forbidden Planet, Hitchens and me.


My fellow comic book creator, artist Mike Collins posted a good idea on facebook about our book together: " Short of a last minute Christmas present idea? The adaptation of Dickens' A Christmas Carol by Seán Michael Wilson, me,David Roach and James Offredi is still available from Classical Comics- follow the link (lots of other fabulous adaptations there too!) http://www.classicalcomics.com/books/christmascarol.html
Also my pick of the best comics, books, films etc of 2011 went up on Forbidden Planet today, where I'm called  "...that round-eyed devil, the Scottish Comics Samurai". These were picked before Christopher Hitchens died, but therefore I'm even more pleased that I included him. He said death was coming soon, but it's annoying that it did indeed. I was hoping for a few more years of insightful Hitching. An erudite and stylish man who has often made me ponder, but who came out with some points that made me doubt him and disagree. 
There are two scenes featuring Hitchens in my new book, PARECOMIC, about the ideas and life of left wing activist

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63.


Various nice new things lads and lassies: 

Our comic book version of Wuthering Heights has just been shortlisted for an award. Which, interestingly, is based on votes in schools, as part of an effort to encourage graphic novel reading there.  I am very much in favour of such school or library centred efforts. 66 Schools around the middle of England are involved.  The students will discuss the books shortlisted, voting in a way that is participatory and critical. John M Burn's art on our Wuthering Heights book is, I think, probably the single best book length collection of art he has ever done. Hopefully my adaptation style helped that a bit. Nice!  http://www.excelsioraward.co.uk/page_2472670.html

And this is me mouthing off about in an interview some aspects of Scottish culture and comic books in the very interesting Scottish-centred site Bella Caledonia:
http://bellacaledonia.or

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64. Irish interview


An nice radio/podcast type interview with me went up today in Ireland.

I talk about various of my books, especially AX, Yakuza Moon and The Story of Lee. I go into some detail about kind of manga that AX is, and the coming Cigarette Girl book by Masahiko Matsumoto. About the story of Yakuza Moon and The Story of Lee. And mention some critical points that critics have come up with, and my reactions! Since this is an interview in Ireland and Im Scottish from an Irish family we mention some aspects connected to that too. Also regarding the new Parecomic book with Michael Albert, and another documentary style one to come.   

It's a good mix of serious discussion about comics and also relaxed joking around, even swearing (oh, shock!). But please excuse me sniffing quite a lot, my nose was blocked up that day, poor wee lad:

http://thecomiccast.com/2011/11/22/alternative-manga-an-interview-with-sean-michael-wilson/



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65. Comic books as 'accessible info' .


I had a 'thinkify' about why 'comic books might be good for putting over complicated information in an accessible way' as the phrase goes, especially in comparison to either text only books or films as a way of doing that. And here is what I came up with:

1. A quite large amount of text can be shown on each page - around 150 words in either captions or speech balloons is ok. Less than in a text only book, of course, but still quite a large amount if we are considering about 'putting over information'.

2. That text can be worded at a high level of sophistication, if needed - comparable to most novels, or non fiction books (despite the largely incorrect image of comic book text often being less grammatically correct).


(a page from 'Targeting Israeli Apartheid', a long report by Corporate Watch, art Rejena Smiley)

3. The text has visuals to support the understanding of the information - indeed, the understanding is conveyed by both the words and the visuals in a complex interplay. This allows some things to be understood in a more holistic fashion, or in a way that draws on a wider range of the brain's cognitive abilities than text alone. The reader may also feel that having recognisable characters or locations or some visual motifs creates a sense of continuity that provides a firm, even comforting, basis for the processing of the ideas being conveyed.

4. The visual aspect makes the page and the whole book more appealing on a variety of levels: firstly, it feels less off putting than the idea of reading an equivalent book of only text. People are likely to think a 200 page book with images is going to be easier to read than a 200 page text only book - regardless of if it is or not - and therefore are more likely to actually read it. Secondly, the attractive quality of the visuals will carry the reader along during the actual process of reading. Therefore they are likely to read MORE of the book, rather than put it down half way through, or lose focus. And the aspect that draws on visual processing, as mentioned in 3., can make the info more appealing for those who tend towards that way of taking in info.

(from 'The Story of Lee', NBM Publishing, art by Chie Kutsuwada)

5. The comic book is a physical thing that has the advantage over a film presentation of similar material in that it goes at YOUR speed, you can turn the page when you, the reader, decide. When you are ready and have processed the information on the present page. In contrast when we watch a film it goes at its own rate, regardless of the viewer. It does not wait to make sure we have 'got' the ideas presented yet, it just walks on. And this is true even despite the ability to pause and rewind. Because the pause/rewind control needs a rather troublesome decision to break with the f

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66. Targeting Israeli Apartheid book



A new book that I have contributed to just came out: 'Targeting Israeli Apartheid' from activist group 'Corporate Watch'. Myself and Rejena Smiley made a 20 page comic strip addition to the 300 page book: 
"Targeting Israeli Apartheid examines the Israeli economy and details the Israeli and international companies complicit in Israeli state repression. Based on original research in Palestine, the book shows how these companies can be targeted and provides the international BDS movement with the information necessary to bring the Palestinian struggle to the doorsteps of those who profit from Israeli apartheid." http://www.corporatewatch.org/?lid=4103


And good luck to the occupymovement protestors today in NY - keep at it lads and lassies!


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67. Occupy Movement - comic books

The recent Occupy Movements (#ows movement) or 'We are the 99%' are very pleasing to see. I am in support of these people in the USA, in my own country of the UK, and all around the world, demonstrating for change in the system we live under. It's desperately needed. 


"Occupy Wall Street is leaderless resistance movement with people of many colors, genders and political persuasions. The one thing we all have in common is that We Are The 99% that will no longer tolerate the greed and corruption of the 1%. We are using the revolutionary Arab Spring tactic to achieve our ends and encourage the use of nonviolence to maximize the safety of all participants.
This #ows movement empowers real people to create real change from the bottom up. We want to see a general assembly in every backyard, on every street corner because we don't need Wall Street and we don't need politicians to build a better society.
the only solution is WorldRevolution"





Here are some sites to check out:


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68. Japan and Scotland


This is the (top bit) of the first of my regular articles in Japanese AX magazine. At last I am in the actual magazine itself - nice!



And just come out in the latest issue of my old University's magazine, 'Caledonian Plus' , which features a special 2 page strip in the centre pages, about my time there. Also nice!

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69. More STORY OF LEE reviews, good and bad


I've seen a few more reviews of THE STORY OF LEE recently - one of them was probably the best review the book has yet got, and an other is one of the worst. It's fair enough if a person has thought deeply about a book and given a well expressed opinion which is largely negative. Those are not pleasant to see, but you can respect them.  But its very much an other thing when the reviewer has just whipped something off without much thought, regurgitated unexamined assumptions, or set out to support some agenda. 

One such review is interestingly full of holes (and not even whole holes, partial ones!): http://bookdragon.si.edu/2011/04/05/the-story-of-lee-vol-1-by-sean-michael-wilson-and-chie-kutsuwada/

1. They mention liking the art and then attack the story - betraying a fundamental missunderstanding of comic books/manga. In this format there is no clear distinction between the two aspects, so that they can be so clearly separated. They mention: for example the beginning scenes in which "the eponymous Lee gliding along on her bike, then the shock of a narrowly-missed collision with an elderly woman, and the embarrassed apology as she picks up her scattered belongings."  That scene is 'art' but not 'story'? I think not. Firstly, that scene is in the script - it was thought out by me and described to the artist, Chie (who then did her excellent job of bringing it alive). And the same for all the rest of the art in the book - it all springs from the script, from the artists visual version of the script. It's not some separate aspect as this person seems to be saying, or are they? They don't make it clear. Secondly, the art that we see IS the story - the visuals are as much the story as the TEXT on the page is. Thats how comics work.

2. "She dreams of British punk bands"
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70. Yakuza Moon: the manga edition - various art


Our second book from Kodansha has been out a few months now only, please pick up a copy if you fancy it. Above is the cover artwork that we finally decided on. The real lady, Shoko Tendo, who's life this book is based on really has that beautiful tattoo on her back, and indeed all over her body. Below are a couple of roughs that Michiru Morikawa also came up with that we might have used: 



Since we are often asked how do you make comics, what is the process, etc, we decided to put a four page section at the book of YAKUZA MOON to show a bit about that. Here is what Michiru said about her art process:

"In this lively and inspiring adaptation by a rising star in the manga world, and with illustrations by a leading artist, Shoko Tendo's powerful story has been recreated. Yakuza Moon is a heartrending and eye-opening account of her experiences growing up in Japan's gangster society.

Born into the family of a wealthy yakuza boss, Shoko Tendo lived her early years in luxury. But labeled "the yakuza kid," she was the victim both of bullying and discrimination from teachers and classmates at school, and of her father's drunken rages at home. Then, the family fell into debt, and Tendo fell in with the wrong crowd. By the age of fifteen she was a gang member; by the age of eighteen, a drug addict; and in her twenties, a willing participant in a series of abusive and violent relationships with men.

Tendo sank lower and lower. After the death of her parents and her own suicide attempt, she began a tortuous, soul-searching reevaluation of the road she had taken. An unconventional act of empowerment (getting tattooed from the base of her neck to the tips of her toes) finally helped her take control of her life, leading to redemption and happiness.

Already an international success and translated into fourteen languages, Tendo's story is sure to appeal to many new fans in this outstanding graphic version."  

The book can be got from bookshops or via amazon (a quick link to this is on the right side panel of my blog here. Or press the post title) . Give it a go!
71. Comic books need a revolution!


In a recent interview i did in Scotland for the Edinburgh league of comics, we got onto discussing how to revive sales of comic books in the UK. To which I made these points:
"How to do that is a complicated thing, ne? I’ve heard that the main problem might be reluctance on the part of retailers and publishers to give the necessary investment of money and space.  However, if there were enough customers they would do it. You know what capitalism is like – it will sell any old crap that makes money: cigarettes, booze, pills, even comics! The hard economic fact is that comics in Scotland/UK just don’t sell as much as they used to. So companies that need to make money can’t afford to give them much time.
So, on the wider level its really an economic problem inherent in the capitalist system. In a different social system comics would flourish far more, I think. Since their artistic and entertainment value is recognised by enough people – just not enough to make much profit! – that they WOULD be given more attention if the profit aspect was not such a dominating thing.
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72. 'Lafcadio Hearns Ghost stories' in Japanese ラフカディオ・ハーン

Yatta! - I am one of the very few gajin/foreigner manga ka to have his work available in Japanese. 

やったーっ!
私は彼の作品を日本語で出版する、とても数少ない外国人漫画家の一人です。


A Japanese version of my 'Lafcadio Hearns Japanese Ghost stories' book is now out in  Japanese, in two formats. A PC downloadable version called 'Kaidan Koizumi Yakumo' (怪談小泉八雲 in Japanese). It can be seen and bought here at the Papyless web site store: http://www.papy.co.jp/act/books/1-121548/

私が書いた「日本の怪談(ラフカディオ・ハーン)」は現在、日本で2つの方法で入手できます。
一つは、PCダウンロードバージョンです。
「Kaidan Koizumi Yakumo」(邦題:怪談 小泉八雲)というタイトルで、電子書店パピルスのWebサイトで購入できます。

ショーン・マイケル・ウィルソン is the Japanese katakana for my name.
Press the blog title to go there directly. Gambaru! 

「ショーン・マイケル・ウィルソン」というのは、私の名前をカタカナにしたものです。
ブログのタイトルを入力して直接見に行ってください。頑張ります。


Also the 'Yuki-Onna' story from the book is available on Keitai (mobile phone) throughout Japan, via the NTT-Dokomo and AU systems. It can be seen on the Keitai bookshop 'Doko demo dokusyo'. どこでも読書 Which I think is this one: http://www.mobilebook.jp/mobilebook2/index.html

また、この本の中の「雪女」という話は、日本では携帯Web(NTT DoCoMo、auに対応)から閲覧できます。ケータイ書店の「どこでも読書」のサイトをご覧ください。


Press the blog title to go there directly.
ブログのタイトルを入力して直接見に行ってください。 




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73. The Story of Lee - another scene

THE STORY OF LEE has gone to a second printing, which is nice. But in indie comic book terms that still does not add up to a huge amount of sales! - so please get a copy of the book, if you fancy it. You'll make me smile... 

Lee, living in Hong Kong, meets Matt, a fine young Scot. Their relationship becomes stronger by the day, despite their deep cultural differences. But there is Lee’s Dad to contend with who views this affair very suspiciously. And there is another contender for Lee’s heart, a Chinese young man, whose jealousy takes on twinges of xenophobia. Will Lee and Matt’s relationship successfully cross the cultural divide and overcome the negative odds? Two worlds collide creating good sparks… and bad ones.
NBM publishing, 5 x 7, 160pp., B&W,  $11.99, 
ISBN 978-1-56163-594-8

Here is a scene from early on, when Matt and Lee are just starting to get to know each other:





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74. Parecomic - first 4 pages







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75. Wuthering Heights - our comic book version

At last our adaptation of Wuthering Heights is out! It's, as always with this series, a close to the original version in comic book form. With truly beautiful colour artwork by the legendary John M Burns. Another wee coup for me to work with him, an artist that I first read when I was about 11 years old. Nice!

http://www.classicalcomics.com/books/wutheringheights.html





A new interview with me went up in Edinburgh, hae a wee look, like, ken: http://edinburghleagueofcomics.wordpress.com/2011/08/20/from-scotland-to-japan-an-interview-with-sean-michael-wilson/




Also, I am looking to get into animation now, as a script writer. So, if any people are interested in discussing this with me, please get in contact. Nice!  

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