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Viewing: Blog Posts Tagged with: tubs of old faxes, Most Recent at Top [Help]
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1. A Coffee Table Book and why reality is being replaced by small pieces of paper

posted by Neil
My scary goddaughter Hayley Campbell is here, working on a book of The Art Of Neil Gaiman or somesuch, and she has disappeared off to

...maddy gaiman is so cool.....

(I just stopped blogging and took the dogs for a walk. I'm sure it didn't say that when I left.)

(Just for that, a photo of Maddy Gaiman and Hayley Campbell from last week. Maddy is wearing Hayley's hat.)




Anyway. Hayley has disappeared off to the attic where she is scanning things and going through tubs of old artwork and faxes and wanting me to explain why I used to draw vampire bunnies and fax them to Steve Bissette back in the 80s.

Also, she is taking art from the walls to be scanned.

Where art used to be on the walls, there are now random PostIt notes, describing what should be there. I keep feeling like I'm in a Philip K Dick novel.



...

I wanted to plug a book here. I got my copy free, and was delighted, because it was a huge and impressive book. Then I read it and got much, much more delighted.

It's really heavy. It's also really good. Here is a photograph of it that amused me, because it is a coffee table book that takes up a whole coffee table..


The book is called 75 Years of DC Comics: the Art of Modern Mythmaking, and it's published by Taschen with production values that I've never seen from a comics publisher. Fold-out pages, amazing reproductions of old art, rarities, wonders, along with a history of DC Comics since the beginning. The majority of the text (although, probably not all -- there are captions, timelines and suchlike as well) is by Paul Levitz, who knows where the bodies are buried, and is too much of a gentleman to tell all, but tells more than I ever thought he would. It weighs 15lbs (7 kg) and comes with its own carrying case.

The production values, as I said, are amazing. They raise the bar for what any comics publisher can do in the future.

This is the Taschen Books website page for the book, where you can look at the first hundred pages of the book in a pop up window.

There's also a great photo on the Taschen site of Paul displaying the book, which makes Paul look a bit like a garden gnome holding a normal-sized book.
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