This little character popped into my head the other day, so I made a rough painting of her over the course of a few morning sessions:
I don't know why her hat is so tall or how exactly it stands up as well as it does. Maybe she stores something under it - perhaps flower seeds or some such, although that seems highly impractical. I probably won't get to it for a while, but I do eventually want to do a full-scale painting of her in her garden:
I'm not sure what to do with the background yet. Maybe some dynamic clouds or possibly some tall silhouetted pine-y trees to give contrast between a dark background and the sunlit, brightly colored garden. I'll have to give it some more thought....
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Blog: The Art of Phyllis Hornung Peacock (Login to Add to MyJacketFlap)
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Blog: The Winged Elephant (Login to Add to MyJacketFlap)
JacketFlap tags: the gospel and the zodiac, bill darlison, the gospel and the zodiac, bill darlison, Add a tag
Another mind-bending Overlook release hits bookstores next week: The Gospel and The Zodiac. Here's what Kirkus Reviews has to say: "Irish Unitarian minister and journalist Darlison elucidates the zodiac's significant place in the Gospels, most specifically in the Book of Mark. Considered the "Cinderella Gospel"�briefest, least literal, colloquial, an abbreviated version of Matthew and Luke—Mark is full of the kind of unintelligible metaphors that prove most knotty to scholars of the "historical" Jesus. However, Darlison argues cogently, Mark in fact contains a highly sophisticated series of parables and mysteries intended to lead the reader on the path to self-transformation based on the cycle of the zodiac. "Mark's Gospel is a textbook of the spiritual journey written in an astrological code," the author writes. Once deciphered, this code "completely transforms our understanding of the Gospel's original nature and purpose." Jesus's miracles and parables were not to be taken literally, the author demonstrates through a systematic reading of his life and teaching, but as "dramatizations of internal processes." The Gnostics believed that the Gospel story was not an eyewitness account, but an allegory in which the seeker's internal journey mirrored the sun's 12-month cycle. Mark's primary metaphor is the yearly journey of the sun through the signs of the zodiac, and Darlison reflects this structure in his own narrative, moving from Jesus's baptism and the beginning of his ministry in Aries, the time of the spring equinox and theme of newness, through his suffering, death and resurrection in Pisces. The author debunks New Age-y nebula surrounding today's zodiac reading and reminds us how fluent ancient writers were in the language of the constellations. Judaism is steeped in the tradition, and many mythical seekers (Gilgamesh, Hercules, Theseus, etc.) were "solar heroes" whose series of ordeals were patterned on the sun's annual cycle. Darlison's accessible literary reading of the Gospels is especially useful in isolating original Greek words misconstrued over the ages. An intriguing leap into faith, and not at all the loony speculation the title might suggest.