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Viewing: Blog Posts Tagged with: best of 2009, Most Recent at Top [Help]
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1. Best Children's Book Covers 2009 - Julie's Picks

As a friend wrote recently, "It's the end of the Aughts (or the Oughts, or the Should'ves)" which means it's time for The Best of the Year lists, as well as a few Best of the Decade lists. Not able to get my head around a whole decade, which stretches back to the innocent little year of 2000 (pre-Bush, pre-9/11, pre-Afghanistan, pre-Iraq, pre-Madoff, pre-bailout....), I will offer up only what my sequestered memory can handle - my Favorite Kids Book Covers of 2009, along with a few reasons why:


1. WAITING FOR WINTER by Sebastian Meschenmoser - A strange choice, maybe. This is a quiet cover. I love the scruffy fur, the outstretched hand, the leaf (not falling, but near falling) - love the patience of it,  the subdued palette, the static (perfect for its subject: waiting) scene, the elegant mix of fonts. Why have I never heard of this artists before? He's fantastic.


2. TALES FROM OUTER SUBURBIA by Shaun Tan. You simply can't see anything behind the glass of the mask - what's in there?? If I were a kid, I'd have to buy this book just to find out. Shaun Tan is one of the most brilliant illustrators around - don't you love the barnacles at the top of the head, the suggestion of continents? It could be Jules Verne down 20,000 leagues, couldn't it?...but what are those 1950's houses doing in the background?



3. THE LION AND THE MOUSE by Jerry Pinkney. Such an obvious choice, but how not to choose it? If you watch five-year-olds in the kids' section of a bookstore, they walk straight to it as if they're metal filings and it's a magnet. Irresistible force, that cover. I'm not convinced the book should get the Caldecott (I would have liked more text) but how to argue with the illustrations? It made all the difference, of course, not to put any title/author name on the cover, and to move the mouse so that he's only visible if you open the cover to its full length.


4. HIGHER, HIGHER by Leslie Patricelli - simply because it's hard not to laugh when you look at it. The guy pushing her is so far-down, her smile is so up-high, and that right foot really is about to touch the clouds - don't we all remember what that feels like? Besides, I love the simplicity, the almost handwritten quality of the font, bold primary colors, and the exuberance of those exclamation marks (!!)


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