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Viewing: Blog Posts Tagged with: Pat Brission, Most Recent at Top [Help]
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1. 4 Reasons to Give Up Writing Creatively...and it's Poetry Friday!

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Howdy, Campers!

The winner of  our latest autographed book giveaway is....KAY S!  Congratulations, Kay!

Today is Poetry Friday and the fabulous Jama Rattigan is hosting. A poem from my first verse novel is waiting for you at the end of this post. The poem is about... 

Creativity!

An example of creativity from morguefile.com
In case you've missed TeachingAuthors' series on Creativity, JoAnn started us off with kindness and community, Jill left us on a high note with 5 secrets of creativity, Esther got our juices flowing with a Writing Workout inspired by punctuation, Carmela offered "4 Ways I Boost my Creativity", and Mary Ann, back from a TA sabbatical (yay!), grants us permission.

My turn!

Here are four reasons why I think you should give up trying to be creative:
1) Don't you dare tell me what to do;
2) Get miserable;
3) Find someone so frickin' honest you want to hit them.
4) Write weird things.  Other peoples' brains are are loony as yours. Trust me.

1) Don't you dare tell me what to do.  For me, authentic ideas come most easily when no one is expecting a product; when I let myself play with words...the reason I fell in love with writing.

If you're our regular reader,you know I've been writing a poem a day since April 1, 2010.  I send them to my best friend, author Bruce Balan, who sails around the world in a trimaran, and he sends me his poem. (BTW, Oct. 2nd was Bruce's birthday. Since it's past his birthday, kindly sing to him the Birthday Song...backwards.)

Bruce can always smell if a poem is an assignment.  "It's stiff," he'll write.  "It's not you."

After I shake my fist at his sail mail critique, I pretend I'm not writing on assignment. I toss out everything I think I'm supposed to write and stand on my head...because I WANT to stand on my head. That's when words begin to flow from my heart.
Me, writing a poem...okay, not LITERALLY on my head...
2) Get miserable...(if you're already depressed, think of it as a big mud hole of ideas made especially for you!)  Some of my deepest, truest words are written when I am in a muddle of misery...or when I think back to some terrible time in my life, feeling every heartsick, petrified or bewildered feeling. (Why would anyone want to bring back life's worst moments in living color? You think writers might be just a teensy bit cuckoo?)

So, how can you stimulate creativity in students?  Make sure there's misery in their lives. When I read my students the tender book, I Remember Miss Perry by Pat Brisson, illustrated by Stéphane Jorisch (about the death of a beloved elementary school teacher), the topics they choose to tackle are much deeper than if I give them time to write without reading it first.

3) Find someone so frickin' honest you want to hit him. I write better when someone who believes in me and who is on the writing path with me (usually Bruce) reads my work and tells me his truth. (Sometimes I want to throw darts at him for his stupid, doo-doo head honesty--good thing he's in Thailand right now.)

Exhibit #1--recent correspondence between us:

From: Bruce 
To: April 
Subject: RE: poem for September 25, 2014 
Hi You,
This feels more like a very short story than a poem.
Doesn’t have your heart in it. It feels like an assignment.
Love,
B

(See what I mean?  Can't he just pretend a little bit that he likes it?)

From: April 
To: Bruce
Subject: Re: poem for September 25, 2014 

Well, damn.

I read it again tonight and see that you're right.  But maybe I can do something with it.  But maybe I can't.

Not sure it's worth it.

I am so tangled up in my novel.  I wish I could hire someone to sit with me and figure the darn thing out.

Why do we do this, again?  I forget.
xxx,
April

From: Bruce 
To: April  
Subject: RE: poem for September 25, 2014 

"I wish I could hire someone to sit with me and figure the darn thing out."

Unfortunately that is not possible. I, too, wish I could hire someone to fix so many problems but those problems always seem to be ones I need to deal with…not someone else.

I hate that part about writing.
B

4) Write weird things.  Other peoples' brains are as loony as yours. Trust me.  Go ahead, unlock the heavy wooden door in your brain and let the odd stuff out.

Let the odd stuff out (this odd stuff is from morguefile.com)
For example, here's a poem I thought no one would get. I wasn't even sure I got it.  And listen to this: my editor didn't throw it out--it's in my book, Girl Coming in for a Landing--a novel in poems (Knopf 2002)!

WRITER: CREATOR

I want to
make something
                         beautiful.

Peaches.

If I could
make peaches--grow them
from my pen...

or stretching my palms
up to the sun, watch as
they grow from my lifeline,

that
would be something
                               beautiful.

drawing and poem (c) 2014 by April Halprin Wayland.  All rights reserved.
 Okay, I'm done. I order you to be creative. GO.
And remember, Poetry Friday is at Jama's today!

Posted by April Halprin Wayland, who thanks you for reading all the way down to the end.  

0 Comments on 4 Reasons to Give Up Writing Creatively...and it's Poetry Friday! as of 10/3/2014 6:39:00 AM
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2. Wednesday Writing Workout--STAND ON YOUR HEAD and revise!

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Howdy Campers!   Welcome to another edition of TeachingAuthors'

TeachingAuthors--and most writing teachers--have taught and discussed versions of this exercise over the years—and it's worth repeating.

Last week I tweaked it just a bit and the raw results in student writing was much more personal than when I've used this exercise before--their stories were notably stronger.

In my UCLA Extension Writers' Program class on Writing the Children's Picture Book, I spend one of the three-hour classes on rewriting.  I tell my students, "the information I'm about to tell you may be a tad depressng."

Then I show them a stack of revisions of my 1087-word picture book. I read an early draft, a middle draft and the final published book.  I show a PowerPoint which details the long journey to publication:

TIMELINE OF ONE OF MY PICTURE BOOKS
•    April 2000: interviewed expert on topic; wrote first version
•    April 2002: additional interviews
•    October 2004: accepted by publisher
•    January 2005: author’s revision sent to Dial
•    July 2005: editorial notes promised
•    December 2005: editorial notes received
•    January 2006: author’s revision sent to editor
•    January 2006: line edit promised “soon”
•    March 2006: line edits promised “May at the earliest”
•    May 2006: no line edits yet
•    May 2006: illustrator accepts offer
•    September 2006: considerable line edits received
•    September 2006 (about 12 days later): edited ms. sent off with new title
•    May 2007 titles still under discussion—August 2008 projected publication date
•    September 2007—book delayed until summer 2009 because illustrator is delayed.
•    April 2008—tiny edit: five small word changes
•    Fall 2008: illustrations arrive—wow, wow, WOW!
•    June 2009: book ship—yippee!
•    Summer 2009 lots of PR
•    September 2009: official launch—bricks-and-mortar and blog tour

      = 38 versions from start to finish.


After depressing them with the timeline, I did something different this time.  I read them the touching picture book, I Remember Miss Perry, written by Pat Brission, illustrated by Stéphane Jorisch (he's also the illustrator of New Year at the Pier).  It's about the death of a beloved elementary school teachers and how her students work through it by sharing happy memories of her.  It's a delicious book about a topic no one wants to talk about--the kind of book that every school needs in its library, because when you need it, you need it immediately.

I want my students to feel they can tackle any topic in a children's picture book as long as it's written honestly.  As long as it rings true.

So, here's the exercise:

1) Have your students brainstorm for five minutes, writing a list of experiences from their childhood that rocked their world. 

Tell them to jot down whatever comes to mind, writing quickly. They don't need to worry about neatness or spelling or complete sentences--they're making notes for themselves.

Here are some possible topics:

When did you do something that made you feel grown-up?

Maybe you helped paint the kitchen.
Maybe you did something that helped someone older than you solve a problem.

When did something scary happen to you?
Maybe your dog ran away.
Maybe your parents separated.

When did something joyous happen to you?
Maybe your family moved into a nice home for the first time.
Maybe you learned how to skateboard or read.

2) Give them just five minutes to circle one of the things on their list that they want to write about and then write a brief outline of the whole story. 

3) Tell them to change one thing about this story.
Tell them: BE WILD!  
Tell them: STAND ON YOUR HEADS AND BALANCE SAUSAGES ON YOUR TOES! 
They might change:
~ Point of view.  Instead of first person, try third person.  Or perhaps the family dog tells the story.
~ Time period.    Instead of the present, try setting it in ancient times, in the 1920s, in the future.
~ Place:              Instead of on a farm, try setting it underwater, in a volcano, on an island, in New York.
~ Characters:      Instead of people, try ground hogs, lightning bugs, elevators, a jar of pickles or cows.
~ Plot:                Instead of the cricket finding his home at the end, perhaps he gets even more lost.  Or instead of the bully getting her comeuppance, throw a party for her and see what happens.

As I said, this is the first year I've read my students that book before we launched into this exercise; the stories were more heartfelt than in the past.
They tried riskier subjects, subjects that were closer to their skin--and every idea was worth pursuing.
I hope you try it--either in your own writing or with students.  Then let me know what happens!
And, hey--thanks for reading this!
April Halprin Wayland


3 Comments on Wednesday Writing Workout--STAND ON YOUR HEAD and revise!, last added: 6/22/2013
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