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Viewing: Blog Posts Tagged with: Dennis Lehane, Most Recent at Top [Help]
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1. A place to write...

Most writers have honed their skill of procrastination to a keen edge. I'll work on that novel when...


my house is clean
my kids don't need me anymore
all my socks match

Let's just say, that time never comes. I've also heard people say, "I'll start writing as soon as I have a place to write." But how many writer wannabes can afford their own office? Not many. So here are a few alternatives:

In a cafe--Cafes provide excellent atmosphere, low rent, and great people watching. Most places won't throw you out as long as you buy a small item every few hours. Warning: The cumulative effects of cappuccinos and scones may have a permanent effect on your personality. (But I was already like this before I started frequenting cafes, honest.)

A personal note: You become a sitting duck for all sorts of conversations in a cafe. Once a man approached me and asked if I could write his novel. (better than asking if I would have his baby, I guess). He sat down and laid out his concept, his characters, and plot ideas. (I'm very polite, so I kept a straight face the whole time.)

Outside in a beautiful spot--this varies by location. In New Mexico, the wind, snow, dust, and mud make this almost impossible for at least half the year.

In the bathroom--Don't laugh. John Nichols (of The Sterile Cuckoo, The Milagro Beanfield Wars, and The Empanada Brotherhood fame) told me that when his kids were young, he used to retreat to the bathroom to write because it was the only room in the house with a door.

Which brings us to...

Any room in the house with a door--All you really need to write is a computer and no interruptions. I write in my bedroom because I'm used to working while stretched out. On the Gaucho, I did all my schoolwork for 3rd, 5th, and 6th grades in my bunk because we had no desks on the boat.

So... no more excuses. Get to work!

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2. What David Simon and The Wire Can Teach You About Writing Careers

City Editor Augustus Last night I finally caught up with the fifth season of The Wire. Besides having the best writers in television (Richard Price and Dennis Lehane and George Pelecanos for gosh sakes!), the show has a dark look at the inside of a contemporary newsroom--full of layoffs, cutbacks, and overworked reporters.

David Simon created the show after he got laid off from his reporting job at a major newspaper (meet him in this essay). His fictional city editor Augustus "Gus" Haynes grapples with small staffs and corporate interests in his newsroom, but the story never discusses how the Internet is killing print outlets around the country. 

Instead of feeling sorry for yourself this season, read this. Here are two examples of journalists struggling to reinvent themselves in this new era, the kind of stories writers need to read right now.

At the Huffington Post, Pulitzer Prize winning journalist Nancy Cleeland is detailing her struggle to maintain her career after she lost her dream job at the Los Angeles Times. Check it out:

"I'm across the country at an influential Washington D.C. think tank -- the Economic Policy Institute -- puzzling over how to pour two decades of newspaper experience into a new job of translating economic research and policy for a broad audience ... But there's a key difference: My writing now will be unabashedly informed by a point of view."

Then, check out Paul Lamb over at MediaShift Lab, this business technology expert is advising newspapers how to use mobile phone innovations in the newsroom. Read "When Phones Become Reporters." (thanks to Maud Newton for the Simon essay)

 

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