Today is the publication date for THE VIEW FROM THE CHEAP SEATS, my collection of non-fiction, of essays and speeches and introductions. It's out. it looks like this:
Or it looks like this:
What View accomplishes, though, is considerable. Broken up into sections — "What I Believe," "Music and the People Who Make It," "Some People I Have Known," "Make Good Art," and so on — his musings shine with wit, understatement, and a warm lack of pretention. He speaks of "backing awkwardly away from journalism" in his youth, the first step of his eventual metamorphosis into an award-winning fantasy author with a fanatical following, and reflects on the patterns that arise in our lives: "Events rhyme."
Accordingly, View draws order out of the seeming chaos of Gaiman's scattershot career, from journalism to comics to novels to children's books to screen adaptations. He talks about his life, but always through the lens of an external subject, usually on object of passion: the superhero comics of the legendary Jack Kirby, the transgressive songs of Lou Reed, the way "the shape of reality — the way I perceive the world — exists only because of Doctor Who." That was written in 2003, before Gaiman actually wrote for Doctor Who; similarly, his many ruminations onAmerican Gods, his greatest work of prose, take on a deeper resonance now that the book is well on its way to becoming a cable TV series.
Gaiman is a writer above all, though, and his entries about writing and reading make up the meat of View. They range from the deeply personal, eerily poignant "Ghosts in the Machines: Some Hallowe'en Thoughts," first published in the New York Times, to an appreciation of the element of dreams in H. P. Lovecraft's work — a particularly illuminating topic, as one of Gaiman's most beloved characters, Morpheus of The Sandman, is the deity of dreams himself. Even more intriguing is "All Books Have Genders," a meditation on the making of American Gods — as well as a humble assessment of his authorial flaws — in which he offers the succinct slogan "Novels accrete," an entire master class on the creative process summed up gracefully in two words.
(Photo of Ash NOT smiling as a bonus, because people keep asking if he ever stops being happy. He's happy pretty much all of the time, but here's one of him looking pensive.)
Obsessed toes? I'm trying to think what that could possibly refer to, but in all the great BSC posts I can't remember you ever discussing this.
But feel free to now. I'm sure we're all curious.
I can't help but think that "men behaving badly orange blouse" needs to become a poem.