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Viewing Blog: Scott E Franson, Most Recent at Top
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The Creative home of Scott E Franson, Author/Illustrator
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26. Tutorial | Pattern as Brush Texture | video

Pattern as a Brush Texture from Scott Franson on Vimeo.

Pattern as Texture | Any pattern that you create or scan can be used as a texture for a Photoshop brush. This tutorial is a followup to the Repeating Pattern tutorial. If you don’t know how to make a repeating pattern, watch it first.

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27. Doodle: Aug 18, 2011 | video

Doodle | Aug 18, 2011 from Scott Franson on Vimeo.

Doodle: Aug 18, 2011 | A good friend David Molanphy, asked me to record my drawing process for my doodles. I have finally found a use for the video camera in my iPad2. I set it up and began to draw. I hope you enjoy it.

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28. Creatures | Octopiguin and his pal Owl

Octopiguin and his pal Owl | He is a cross between a penguin, octopus with 7 appendages and a pig with a three-horned owl as a pal.

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29. Slow and Crunchy

Slow and Crunchy | I hope never to step on one again.

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30. Creatures | Squish

Squish is sweet and likes hair bows.

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31. Creatures | Humming

Humming is the first of an experiment creating characters with the style I have used for doodling and the A-line series. I am working on their form now. My doodles feel like dead animals for scientific examination. I am hoping along the way that I can begin to add life to these creatures that will be able to inhabit a story.

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32. Imperfect | illustrationfriday.com

This was the perfect word for me tonight. I have been trying to get a creative project going but keep getting interrupted by the challenges that life dishes out. Now every time I start I want to see the success right away and am a bit frustrated that it isn’t prefect.

I was reminded of a drawing assignment that many of you may have done in class where you draw without looking at your paper. The whole joy of the assignment is in fact they are inaccurate. I did add a small twist on the assignment so that I couldn’t cheat. I created a new photoshop file with a white background then added a new blank layer above it. Then I did the drawing in white. That way I couldn’t see the previous drawing. Upon completing the drawing I locked the transparent pixels and added a darker value so that the image showed up.

It took a few minutes and gave me permission not to be perfect.

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33. Digital Painting | Dandelion

Perennial

Submitted to illustrationfriday.com

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34. Tutorial: Basic Repeating Pattern

Repeating pattern from Scott Franson on Vimeo.

This Tutorial shows how to create a basic repeating pattern.

  1. Choose a pattern size and create a new document. (The resolution matters. My default is 3x3 inches at 300 pixels per inch)
  2. Draw in the center of the defined area. It is important to avoid the edges.
  3. Filter > Other > Offset, check Wrap Around.
  4. Draw
  5. Offset [command F will redo the last filter]
  6. Edit > Define Pattern
  7. Name the pattern

Now you have a repeating pattern that can be used in many different ways.

  • Apply pattern to a brush [tutorial coming soon]
  • Fill with pattern [tutorial coming soon]
  • Paint with pattern [tutorial coming soon]

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35. The Great Recovery

I watched the introduction to the Great Recovery last night from Dave Ramsey. He suggests that we need to live with hope in Jesus Christ and with that hope begin our nations economic recovery in our own homes.

I choose to become a part of The Great Recovery and am committed to keeping my house in spiritual and financial order.

The government will not fix the economy until the people of this country take personal responsibility for their small part. Please help our country return to spiritual and economic health.
Start by watching Dave Ramsey’s kickoff event.

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36. Tutorial | Basic Color Harmony

Harmony in a Color Pallet from Scott Franson on Vimeo.

This Tutorial shows one way to use Adobe Photoshop to create color harmony.

(A pressure sensitive tablet required)

Mixing a bit of one color into the other colors in your pallet will give the colors a family resemblance.

  1. Change the background color swatch to the color you want in common
  2. Select the brush tool.
  3. Open the Brush window.
  4. Select Color Dynamics > Foreground/Background jitter > Pen Pressure (this setting requires a pressure sensitive tablet. I use Wacom tablets.)
  5. Choose a color and begin to paint varying the pressure.
  6. Choose a new color and repeat as desired.

The result is a series of colors that are harmonized with the addition of a common color to achieve a family resemblance.

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37. Life in Lyman | Shhhh

There are some things that only a kid can come up with. One of my favorite is, “Shhh please be quiet my foots asleep.”

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38. Digital painting | Safari

Safari

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39. Digital painting | Floating Pear

Floating Pare

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40. Digital Painting | CaveGirl

Cave Girl

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41. Digital Painting | Wool

Wool

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42. UnBook | Pinkerbell

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43. Digital painting | Crazan

Crazan: our family cat

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44. diModule | Creating Textures

The Human Touch | One way to add a human touch to illustrations created in Adobe Photoshop is to create your own textures.

I create my textures on 8.5 x 11 inch hardboards. While it is not necessary to use an 8.5 x 11 inch hardboard, I prefer it for the following reasons.

  • It doesn’t warp making it easier to scan.
  • 8.5 x 11 fits on the scanner.
  • It can be painted over and over.

Be creative

Texture is all around us and adds a tactile quality to digital images. The examples shown at the beginning of the post were created with the following materials.

  • black ink on a white gessoed hardboard.
  • acrylic black paint on a gessoed hardboard.
  • single sided courugated cardboard mounted, gessoed and painted with a thin wash of black acrylic paint

Scanning a texture

Scan in grayscale | Most of the textures that I use reference the value in an image. I scan them at 600ppi at 100% scale.

Adding a texture to Photoshop

Once the image is scanned open it. Starting in the Menu bar Edit >Define Pattern. It is that simple. The pattern is now available for you to use.

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45. diModule | Adding texture to a brush

Adding texture to a brush | This process simulates how a textures surface such as canvas or gesso influence the texture.

diModule Contents page

Applying a texture to the brush

  1. add a texture [diModule | Creating texture]
  2. open the brushes pallett  | Menu Bar > Window > Brushes
  3. select texture options | Brushes Pallett > Textures
  4. choose a texture | Brushes Pallett
  5. select a mode | Brushes pallett > Multiply
  6. paint

Experiment with the brush mode

 

diModule Contents page

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46. diModule | Overlapping texture with scale

Overlapping texture with scale | Changing the scale of the texture assigned to a brush creates visual color mixing.

Add a texture to the brush

1. Add a texture to the brush. Notice that the texture assigned to the brush can be scaled.

2. This image shows two colors painted using the same scale. Notice that the texture of the top color matches exactly.

3. This image shows two colors painted at different scales. Notice that the color of the bottom shows through the top texture.

Examples

Changing the scale of the texture was used in these images.

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47. Digital Painting | Three Suns

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48. Digital Painting | Peaches

Peaches

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49. Digital Painting | Bare Pare

Bare Pare

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50. Digital Painting | Icarus

Icarus: a tragic lesson

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