For those of you who are new, WELCOME TO THE MADNESS! If you are just joining this crazy wagon, pop over to Denise Jaden's blog to share your list of goals for the month, no matter how big or small, dark or daffy. There will be prizes and lots of cheering as we head through a month of madness and write our socks off!
To follow up on my latest quandary, I'm exploring new introductions to a completed ms. Not to the story, but to my characters. Has your main character ever played hard-to-get? You think you know her, but she's keeping you at arms length and you can't quite figure out why? Never mind liking her, I think in some ways, I'm a little intimidated by mine.
To be fair, my main character is a historical figure, so it's kind of like walking up to the most popular kid in school and saying, "Hey! Will you be my friend?" Meanwhile, I'm dressed in hand-me-downs and a bad haircut that scream NERD. "Oh yeah, and I really want to break into your diary and share every last detail with a million people."
Okay. So there it is. I am just not cool enough to hang with my main character. I'm a walking adolescent cliché!
Hang on...maybe that's not it. Maybe it's the "Oh yeah, and I really want to break into your diary and share every last detail with a million people" part.
And why would that be a problem? Because those are my secrets. My insecurities. Every character we write has something of ourselves in them, right? Why is this one so different?
I'm not sure if I can answer that, but I think I might be putting too much pressure on her to be perfect. Poor girl. I always say every character needs her flaws, but perhaps I'm holding this ragged teen to an unreasonable standard. She holds the weight of my world on her tiny, fictional shoulders and I'm scared to let her stumble. So what do I do? Avert my eyes and hold my breath and toss her out there to fend for herself with nothing more than a cardboard shield.
My goal for this month is to get to know her and let her really tell her story. That might mean changing an entire 3rd person novel to a 1st person novel, but if that's what she needs to tell her story...
How are you getting along with your MC?
Don't forget to check in on Denise Jaden's blog tomorrow for the next leap into March Madness!
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Who says only 1st person narrators are unreliable? I'm a little frustrated with my 3rd person narrator, but I would really like to give her a chance to do her thing. The problem is, she's holding back. It just might be time to let someone else tell the story.
I recently revised my latest manuscript and really built a much more solid plot and characters who sometimes do what they want no matter what I try to offer, but something still seems to be lacking. My beta reader approves of the overhaul in terms of plot and structure but finds it a little difficult to relate to the main character for reasons unknown to her. Something was still coming between the MC and the audience, and neither of us can put a finger on it. Could it be my attempts to keep the narrative historically authentic? Could it be that I not delving deep enough? I honestly don't know.
Working the line between an authentic voice and accessibility in a YA historical can be a difficult task, and I find that no matter how much I want to hold on to the nuanced observations a 3rd person POV can offer, I have to question her reliability. Frankly, I don't think she's giving me the whole truth. In the end, I might just need to hear it all from the horse's mouth, so-to-speak.
Sparked by the challenge and never willing to settle, I have spent the last several days playing with yet another revision. I have taken the first 3 chapters and let my MC tell her own story. The first chapter wasn't too bad. She mostly gabs about herself, anyway. The second chapter got a bit more challenging when she had to bring her sisters and a pair of ghosts into things. The third chapter, however, brought a man into it, and oh, what fresh hell was wrought? Isn't that always the way of it? Of course, the MC hasn't quite figure out men, anyway, so this whole business could just make or break the experiment.
My 3rd person narrator tried to warn her. She tried to explain the subtleties that tend to elude a 17-year-old girl, but the MC didn't seem to be listening anyway. No matter how much the narrator tried to explain the subcranial workings of resolute but lost man, my MC could not be reached. So now my dear MC gets to try it on her own. On the bright side, I get to see her perspective a little more sharply, which might force me to do more than just narrate. On the down side, more than a few of my treasured darlings will end up on the chopping block...or remodeled into something unrecognizable. (Of course, that might be a positive as well.)
How many other writers out there are playing with POV? Has it made you crazy or offered an epiphany? I'm holding out hope for a startling revelation and the answer to a prayer...
And don't forget: MARCH MADNESS IS ALMOST HERE! Be sure you check in over at Denise Jaden's blog for the big launch on Friday, and check in here every Thursday!
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Today, we have a guest on our blog. YA author Gayle C. Krause has stopped by with a new friend from her upcoming release Ratgirl: Song of the Viper. Let's listen in as Gayle interviews her fascinating lead character along with a few other interesting friends...
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Anyone who knows me gets why my handle is Ghost Girl. I believe that there is a connection between this world and the world beyond and sometimes, those we have loved slip through the veil to remind us that we are never truly alone.
Over the weekend, a friend shared with me a beautiful spiritual story that inspired him to create a stunning picture book. Lee Harper's COYOTE takes us on a journey with a boy through the lonely, lovely paths of his world as he rides his bike past all the landmarks that have become home to him. Late in his trek, he meets a mysterious coyote who runs with him and becomes a part of his world for one breathtaking moment.
Lee Harper's illustrations are magical and warm and his tale moving. Inspired by the death of his own brother and his own journey through that loss, COYOTE will surely be a friend that will run with young readers everywhere.
For Lee, the book was a labor of love and healing. He finished the illustrations about a week before the Sandy Hook tragedy. Though he had intended to take this book through the traditional publishing process, the Newtown events have left such a devastating sense of loss that Lee and his wife, Krista, thought COYOTE might have something more to give. They decided to publish this book on their own and are offering it through Amazon. 100% of the profits from this book will go to help the families affected by the Sandy Hook tragedy.
As another famous writer once wrote, "Those who love us never really leave us." May we all have that moment to run with a coyote...
Lee Harper is the author/illustrator of THE EMPEROR'S COOL CLOTHES and SNOW, SNOW SNOW. He is also the illustrator WOOLBUR by Leslie Helakoski, TURKEY TROUBLE and TURKEY CLAUS by Wendi Silvano.
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As I watched the tribute to Jody Foster last night at the Golden Globe awards, I couldn't help but feel like the amazing shrinking woman again. She is barely two years older than I am, and we are celebrating a life-time achievement award for her career while my career has yet to begin—at least in any official capacity. Watching all those accomplished people in their glittering gowns and perfect hair as they live their dream was both inspiring and nauseating.
I can't help but feel somehow it's too late to get it right. I wonder if I should have started chasing this dream earlier or even if that would have made a difference. I was a very different person at 20 than I was at 36. While I feel guilty every time I get that twinge of resentment, I have to admit that watching 20-somethings break into the business with a bang sort of stabs me in the gut. Wunderkinds abound and here I sit feeling sorry for my 48-year-old self who has yet to get that big book contract.
Don't get me wrong. I have no intention of giving up (not today, anyway), but I sometimes wonder whether 48 is too old to ever conceive of a writing career. Is there an expiration date on a writing career?
According to one blog, the average age of a first time published author is equal to the meaning of life: 42. Apparently I've reached beyond such metaphysical enlightenment and am on my way to oblivion.
After a little more checking, however, I found a few encouraging nuggets of information.
- Raymond Chandler launched his career at 51 with The Big Sleep.
- Sue Monk Kidd set things abuzz (sorry, I couldn't resist) at 54 with The Secret Life of Bees.
- Alex Haley hit it big with Roots at the age of 55.
- The beloved Laura Ingalls Wilder was in her 60s when she found her place in the annals of literature.
I'm not looking for awards or wide acclaim (though I would take them if they were thrust upon me), but I am hoping to write for an audience who will actually read my books and want to read more. I want to say something worth hearing, share something intimate that might inspire someone or jar a reader's creativity. I want to know that what I write is actually worth something more than 255k on my laptop. Is it too late?
I'm going to say NO and keep working on my craft.
And I must give Ghost Hunk big snaps for sensing my doubts and encouraging me last night...as if he could read my mind. With a word from me, he just gets it.
In her acceptance speech, Jody Foster alluded to the fact that she is beginning something new now. That 50 isn't the end and that she is eager to break new ground. I'll bet dollars to donuts that come this time next year, there will be a shiny new kids' book on the shelves with her name on it.
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I've decided it is time to professionalize myself one step further and finally build my website. The problem is I cannot decide on a target audience. YA readers? Other writers? Industry people? Who would visit silly old me online anyway?
I have looked at the sites of several authors I admire and found a variety of approaches. John Green's pithy, nerdfighting site seems to be aimed at savvy YA readers who love his books (and most likely are crushing on him in a big way—who can blame them?). Of course, I don't have even 1/8 his wit, so I'm not sure how I would frame my content.
Maureen Johnson has a little something for both readers and writers. Her clever bio takes you through her journey to publication, hitting each book as a signpost. Her blog is directed at writers and offers entertaining insight into the business of writing.
Sadly, Libba Bray's site has been marked by our administrator (yes, I'm writing this post at work) as a potential malware menace and has been blocked. Curses!
Meg Cabot has such a wide array of publications and her website focuses on her reading audience, including contests and discussion boards.
All these examples are people who have already hit huge success, celebrity status even. I'm at the beginning of my journey, so what do I focus on? I don't have any FAQ's yet or any published titles other than a magazine article. But I need to build something.
I've also looked at some great sites from writing buddies—Kimberly Sabatini, Joyce Moyer Hostetter, Marissa Doyle—all at different points in the journey.
I guess what it comes down to is a battle with my lack of confidence. Writing is a world of constant rejection, self-doubt, and crazy ideas that could be brilliant or could be crap. It is hard to feel I have anything more than my finally published manuscript (whenever that happens) and then to whom do I offer it? What should my website intend? I guess it's just another existential crisis. (That's why I write YA!)
If anyone is out there and actually reading this blog post, do you have any ideas? Suggestions? List of no-no's? List of must-haves?
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1200 words into my new WIP, I realize I'm doing it again. I'm letting the words of someone else cloud my original focus and doubt my own vision. This person shall remain anonymous, but he is very enthusiastic about my work, which is a good trait. He is sometimes also very enthusiastic about dispensing advice when what I really need is a wall to bounce ideas off of.
That said, I came to that moment when a writer wonders if she is spending too much time on character and neglecting the plot. I voiced that question and got an immediate response from my anonymous donor. While I tried to explain what I intended to create, said donor had disappeared into his brilliant cave of ideas and fished out some advice. It wasn't bad advice. It was just the wrong species.
After beating my head with this new angle for a few weeks, I've come to the conclusion that it is just too much. It's not the right fit. I'm trying to squeeze a 20-inch big-mouth bass into the skin of a 6-inch perch. (My apologies for the lame fish analogy)
So now I find myself in the midst of an existential crisis. Do I slug through what I thought I was going to write or do I heed my donor's suggestion and try to liven things up with a more genre-oriented structure?
This whole adventure is a bit of a departure from my previous novels, so it is truly uncharted territory for me. The issue of the main character also hits very close to home and holds some sacred truths that I'm not ready to divulge yet, but she is the crux of the story. I find that my donor's advice has me worrying far to much about mechanisms and extraneous characters and I've lost my connection to her and the heart of the story. I will still worry whether this is enough "happening" but I think I need to forge ahead. In the meantime, I am drawing out the basic plot structure on a chart to keep myself sane and on track.
When I'm done, my WIP might be missing structure or lacking some definite sense of genre, but maybe that's not a bad thing. At least with any luck it will be a fixable flaw. I love my anonymous donor to death, but his passion sometimes overwhelms me. It's time to check off his influence and set it aside as a reasonable but ill-fitting experiment for this particular WIP.
Now, if I can only remember what the hell I was doing...
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Writing characters that ring true in a YA novel is a daunting task considering the very real melodrama that is adolescence. The emotional and intellectual changes a teenager faces in that microscopic decade of development can seem like concentrated evil or helium-stuffed fluff to our grown-up, weathered hearts and minds, but they are very real and potent to the kid going through it. Like it or not, there are certain patterns that repeat themselves no matter what era we look at.
This question has been pounding my brain particularly hard ever since I began to consider my antagonist. Thinking about bullying and teasing and the typical kids my children have been facing at school everyday, I find that it is hard to put them on paper as they are without them bordering on cliché.
Then the issue becomes do I sacrifice authenticity for originality? If the mean girl really exists, shouldn't she be part of my novel? My main character is absolutely fodder for the vicious, self-absorbed teen.
The next problem is the back story. That is where these characters could leave the world of cliché and enter into something richer. Too much back story, however, can get in the way of my main character's story. I don't want to clutter my novel with a million digressions and explanations, but there should be some indication of how these characters are "real" and 3-dimensional rather than just cardboard cut-outs with an addendum. So where do I go?
I can't help but use a certain classmate of my child's as a map for one of these irritating characters. As I begin construction, I am reminded of the conversations that I've had with my girl, wiping away her tears as I explain why some kids are so mean. That need to find a reason haunts most of us. So I have decided to write a "needs" assessment of each character to help me keep them in perspective. Rather than go into a long story about their trouble childhoods, I'll just make a list of what each character truly needs. I can elaborate later, if need be. That doesn't exactly fix the problem, but it might help keep me on track.
But what of the tropes?
The mean girl who is pretty but lonely—come on...we all knew at least one. Wherever that insecurity comes from, it's real and that need to hold power over someone else is the best way to satisfy it. Of course, I have to ask, "why is she so insecure?" The kid is not a cliché, but the answers to that question might be. That is where I will pick at the details until I have something real.
The friends who decide social elevation is better than victimization—right around 4th grade this shit hits the fan. Kids start to become aware of their appearance and their place in the pecking order. Nobody wants to be pecked in the head every day, so they jump in line and follow instructions from the power-hungry mean girl. These are the "paid assassins" that end up doing the mean girl's bidding. I am watching my own child deal with this. People she thought were friends are turning on her and doing mean things simply to avoid being picked on themselves. When you add in a kid who has some special need or difference, there is even great motivation for distance. Nobody wants to be connected to the "weird kid."
The clueless boy who follows along because he's hoping to score points or avoid being the victim—another wonderful bit of adolescence we can all relate to. Weak minds are everywhere and they probably find roots in childhood. These kids often don't even know what they are saying. Amongst the newly minted teenagers or tweens, they might cast aspersions such as "you have rabis!" while the full-fledged teenagers will embrace their new fascination with their changing bodies and rapidly evolving libidos and play the "slut/skank" card freely.
The lonely genius—nerd or not, smarts can be very isolating unless you have either charisma or a never-ending supply of self-confidence (without the arrogance). The creative minds tend to get the most play from the bullies. What is it about their particular talents that intimidate other kids? Why can't they have faith in their abilities? Like anyone else, they need to feel connected to other human beings, but somehow, they lack the subtlety or the common thinking skills that let them do that.
There are so many more, but these are some of the characters I have to deal with right now. They are all inspired by real-life kids not only from my own childhood, but from my kids' current experience. The bottom line is that adolescence is a crucible where the most complex emotions and intellectual awakenings are set on fire and concentrated into the most potent experience of our lives.
Yes, adulthood can be hard and the decisions we make have significant consequences. When you compare that to the far-reaching effects of the choices we make as teenagers, however, our grown-up lives seem easier somehow. Perhaps it's because we finally have power over our own bodies. Or maybe it's because we have real independence and our brains are finally capable of rational thought and maybe even real empathy. As teenagers, all of this chaos rushes in and consumes us for a few years, yet in this tiny, little window of time, we are expected to learn how to make the decisions that will define us for the next 70 years. How scary is that?
While it seems as though teenagers are constantly blowing things out of proportion or over-dramatizing the minutiae, I must return to the advice that Ghost Hunk always gives me, "Go big or stay home." That kind of sums up the life of a teenager in spades.
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As I wait [impatiently/anxiously] for my agent to pass judgement over the latest revision of book #2, my newest project is struggling to be born. Like Yeats' "rough beast," this one seems both elusive and menacing, but inescapably exciting because is quite the departure from my previous work.
First, it is not historical. This one just needs to happen here and now. But does that mean that I am a fraud? My niche seems to be the historical ghosty fiction, but this particular project is screaming from a different place. Inspired by someone near and dear to me, it is also a rather bold experiment both for me and my potential readers. This MC is not your average clairvoyant. She has a few other exceptionalities that will remain a secret for now.
Second, it is far more character driven than anything I have written before. Of course, now I find myself wondering what the hell is the plot, but I'm pulling on my tall boots and wading in. I have to admit I'm a little scared. How much plotting do I really need to do before I jump in and just start writing? I made a royal mess of my first go round of the last novel, but I think I have ironed out some of its worst faults. But this new project has many, many layers. More complex characters. Delicate issues.
Third, I'm going to attempt a first-person narrative. There is really no other choice. We need to be inside the MC's head for this one and live inside her skin. Can I do it?
In light of all these innovations, I'm wondering if I am in the midst of another identity crisis. My confidence has been shaky many times...well, pretty much always. There is part of me who had sort of branded herself as the historical ghost fiction chick, but can I just be a writer? I'm still swinging the big ghost stick, but it has a very different place and purpose this time around. Is that wrong? Is it doable?
I guess the only way to find out is to take the leap. Let's hope my boots are tall enough and I don't spring a leak...and that this crazy beast won't jump up and bite me in the ass, either...
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The last month and half has been full of writing and reading and family. I finished writing the novel, celebrated 2 birthdays, and discovered some scary and amazing things about my kids. Even with all of that, I managed to escape into a book every now and then. And oh, what a lovely book it is.
Full disclosure, I know the author. We've had some long discussions about this work and what led up to it, but I had not read a word of it until the ARC landed in my mailbox a few weeks ago. And here is my honest, un-biased impression:
Congratulations, Kimberly Sabatini, on an amazing debut!
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As we all take time to remember where we were and how we saw this day eleven years ago, I am reminded that we now have a generation coming up who has grown up in the shadow of that world-changing event. My daughter came home today and said that she had just realized that she has "grown up 9/11." She was only 7 months old at the time, but she has felt the impact of that day in so many ways.
Her world will always be different than the one I grew up in. I had Viet Nam and the moon landing, Woodstock, Kent State, the cold war, and the fall of the Berlin Wall. These events shaped my childhood and young adult vision of our world and gave me a sense of how dark and how light our existence can be. Even through the scariest of those times, even with the threat of nuclear war, there always seemed to be light straining through and a sense of some security. As sense that our country will be here forever and will always be protected. It is different for my children.
Since the day the twin towers fell...since the day a plane tore a gaping hole in the side of the Pentagon, our seat of military intelligence...since the day a band of brave Americans accepted their fate and changed the fate of the nation by steering a hijacked plane straight into the ground instead of our nation's capital, our children have grown up in the shadow of a new kind of terrorism. A new kind of war. A new kind of nakedness.
The sense of vulnerability that was generated that day may never leave us. Perhaps it shouldn't. Perhaps it is that sense of exposure that reminds us how precious our freedom and our lives really are. It is easy to become complacent when you live in a country that celebrates the individual and promises to protect life, liberty, and the pursuit of happiness. It is easy to take for granted the everyday necessities that come so easily to most of us. We might remember that there are still people out there, our brothers and sisters, who might not have enough food or a place to live but always assume they will forever have a right to it. That day bound us together in grief and in wonder. It reminded us that freedom is not an easy thing to define or to hold on to.
Even though she was an infant when it all came apart, my girl will forever be shaped by what followed. And this is the indelible image she will carry with her and share with her children:
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As #wipmadness continues, our fabulous host Kip Wilson Rechea blogged about visual inspiration for this week's reflection. She shared a few snapshots of the visuals that keep her inspired and fill her WIP with authentic setting details. I have always used visuals to feed my WIP-ping heart and create atmosphere and inspiration as I plow through each draft. Sadly, I spend most of my days in a lab at the university, so I'm not really free to paper my walls with all the cool photos and bits of flotsam that drive my writing. So, I have papered my Scrivener bulletin board with them:
I suppose if I papered my little corner of the lab with all my scraps and photos, security might think I was a psycho or something, building my little WIP/stalker shrine. Ah well...I suppose it would just keep them guessing...
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Please welcome Katie Carroll to the blog as her exciting new YA novel Elixir Bound hits the shelves. Today, Katie shares her cover journey with us.
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It happened again! Another month disappeared and my poor little blog has sat here neglected and lonely. At least I have some good reasons. We took our very first family vacation, for one. Then a trip to North Carolina for Ghost Girl and Ghost Son. And a few other obstacles that I'll not mention here. Suffice it to say, the Ghost Clan has had a busy summer.
By the end of July, our little turf war had ended in a draw with a bushel of twigs and pine straw strewn about the porch and no nest upon the gable. Poor little finches. At least they have a feeder full of seed to share. Of course the hummingbirds are relieved to have the peace and quiet now. I have spent the last several weeks photographing (or trying to) those speedy little birds, a feat which has echoed my writing process in a couple of key ways.
Wildlife photography lets my brain go a little sideways so that I can think about my writing when I'm not really thinking about my writing. Does that make sense? I've sat out in the 102º heat or on the porch or ankle deep in pine needles and sand for hours at a time, hoping for that magical shot of some natural beauty. Laser-focused on that shot, hungry for something stunning, and miserable at the same time. It's a lot like writing. (Yes, I hope you laughed at that). So the first writing lesson I've learned from photography is you have to be willing to be uncomfortable. I've been on the verge of heat stroke, my feet throbbing and my mouth dry, but I would not give up until I captured something, even a tiny, imperfect scrap of something to work with.
Add a new camera, and I have a lot more to learn about settings and light and distance. I'm still a green horn and new equipment is just another hill to conquer (and celebrate). So the second thing I have learned about writing through my foray into photography is that you have to be willing to fail...over and over again. You have to be able to stare at the failure and find something valid in it. Experiment, let the moment take you, but always be willing to accept failure when it presents itself and learn from it. Figure out what didn't work and why and explore new options. I got a good dose of that with my latest WIP...just ask my agent!
The bottom line is, if something moves you, if you really want it badly enough, it will always draw you back. You never know what you are willing to slog through or cope with until you give in to that creative pull. So let yourself get lost in it. Embrace the pain, physical and mental, and give those natural wonders a chance to show you what you can do. You just might surprise yourself.
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*Poof* There went another month. How does that happen? Oh yeah...I had my head down in my WIP and the rest of the world just went dark. You know how it is with revisions.
I've been watching a little battle with revisions on my front porch as well. After a triple-decker stack of finch nests grew unwieldy (and kind of nasty), Ghost Hunk finally knocked them down off our porch post to clean out the area a bit. I felt a little guilty considering they had raised at least 20 chicks there, but we figured if they wanted to rebuild, those sweet little finches would rebuild. We had no idea, however, that two couples would be doing battle for the same ratty little poop-stained piece of real estate.
A second pair of finches has apparently put in their bid for that property and they are none too happy that someone has started building on their claim. There is another empty nest at the opposite end of the porch (next to the driveway), but apparently the traffic pattern is too busy for a growing family's comfort. Even in the bird world, it's location, location, location. Everybody wants the lot on the cul-de-sac!
So it looks as if I'll be watching this little turf war while I mull over the ever-changing landscape of my WIP. I've ripped out 6 chapters and added 2 new ones from scratch. I've reseeded and reshaped 5 more and hope to have this thing singing before the summer is gone (not likely, but I can dream). A few new characters have moved in and a couple have decided to stay. In those moments when I want to tear my hair out and bang my head against the keyboard, I'll just think of these little finches. They are building a world of their own out there on my porch post. A real world full of danger and territorial urges and new life. With a little luck, a clutch of tiny fuzz--heads will be ready to take their first flight about the time my precious WIP is ready to step out into the real world again. Here's to the good fight!
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That may be a big title for a small idea, but the notion hit me today as I sat munching on my salad and reading Inside Out and Back Again. I realized how differently I see the world now that I am an active writer. Sure, I'm a grown-up too, full of wisdom and introspection (ha!), but I'm not sure I would take the time to consider the world in the same way if I weren't a writer, no matter what my age.
Of course, I started as a reader. A lover of stories. An explorer of histories. A scientist on a quest. I can't help it. Every day I catch myself examining the smallest bits of the world around me and asking why and why not and what does it all mean? A snippet of conversation overheard at Burger King suddenly becomes a momentous revelation that must be celebrated...somewhere. Out of nowhere, that stupid thing I did in 5th grade makes sense all these years later. As expansive as the universe seems, there is a reason you can find the word microcosm in the dictionary.
I might be taking a little writing break at the café. Some kid walks in dressed like an oompa loompa or a pro wrestler or a Sid Vicious wannabe. Rather than retreat to my comfort zone and chalk it up to drug addiction or mental illness, I ask myself questions like: What did he eat for breakfast? What frightens him the most? What does it feel like to wear that? What is the last thing his father said to him? Has he ever saved a life? Or lost a life? How many times has he lost his keys in the last month?
The deeper I am buried in a writing project, the more powerful these moments are. The more open I become to the unexpected simply because it is so...human. That is easy to forget. In this time of convenience foods and mass production and social media overload, the truly human has been homogenized and processed out of our curiosity and replaced with a simple like or #epicfail in our minds and then we move on. Life has become so conspicuous. We laugh and watch it go viral, never considering where it came from in the first place. At least it seems that way for many people I've met.
Sure, the whole public persona thing is nothing new, but it has become a much more concerted effort in the modern world. If we really look hard, listen closely, lay our hands on long enough to feel what wriggles beneath the surface, we can know life. Honest to God, painful, joyful, twisted life. As a writer, I always want to know and feel more. I want to understand why and see where that connects to my own experience or what it tells me about the universe.
Marlo Thomas, I hear ya...free to be you and me...right on. But what's behind the performance of you and me? Always more. Much more. The writer in me will keep asking. She will always put it under the microscope and look for what she knows and then look at what she doesn't know.
And wouldn't it be awesome if our kids did that a little more? So often their cruelty comes from fear of the unknown. The unknown is not what lies in the other kid, either.
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Has it really been nearly a month since I last posted? Egads! In that month, I have spent far too many hours creating two Southparkian videos on plagiarism for work, begun work on the next WIP and received editorial feedback on the one I just finished, which has carved out a whole new summer plan for me. Hence the title of this post.
I knew there were good things about the WIP, but it also never sat quite right with me. I fell into an old trap. An amateur mistake. I tried to start at the beginning. I had way too many ideas and none of them had reached maturity yet.
The good news is, there is good, salvageable material here. The bad news is, I've already hacked 20k words and started in a completely different place. The great news is, I like it! I have a better sense of things, a stronger sense of direction.
My agent rocks. She is completely right in her criticism and I am embarrassed that I turned in such schlock. I lost my way and got dug in so deep I had to look up to catch the subway back to reality. I know it's still in me, that awesome book. I just got bogged down with details and research and too many ideas. She reminded me that I had a very particular audience to think of. I kept, thinking "go big or stay home," but I forgot to actually do the work. So, I'm jumping into the middle of the story, the juicy, dangerous stuff, and starting over. With a fresh new look at things, it's time to dig out and kick some YA ass.
I hope all of our #wipmadness pals are hanging in there!
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As I am sure many of you are doing, I'm scratching my head wondering where in the world did April go? I hope it was productive for all you wipsters, out there. I just got word that my agent is done reading the WIP I finished in March and is in the process of writing up her notes for me. It looks as if the May Madness will be all about revisions.
April was a good month for pre-writing and I accomplished a lot. I spent time thinking about my characters and the plot while I researched some critical elements of the story. Journaling through it brought me that beautiful "Aha!" moment when I discovered my main character's emotional arc for the story. Now I have something more concrete to shoot for when I start the actual writing. While I have no word count for the month, I do have a hatful of magic to launch me into the next leg of the journey.
Thank you all for sticking with me through the madness and I look forward to keeping it all going with you over on Angelina's blog throughout the month of May. Rock on, Wipsters!
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How in the world did week #4 get here so fast? This month has been about balance. With the last WIP done and in the hands of my agent, I have spent the last few weeks journaling through my new WIP and handling a rush of work at the day job. It is the last week of classes here, so I have a pile of students all clamoring for help on their final projects. It seems that I just start to lose myself in a character exploration when some forlorn undergrad crawls into my lab, gasping for that last-minute miracle. Alas...I won't write the paper for you, kid. I have my own writing to do!
And what do you suppose is the #1 issue with the student writing I saw last week (college freshman, sophomores, and juniors)? PLAGIARISM. Scratch that. The #1 issue with student writing is that they have no idea how to THINK. I will refrain from my ever-growing tirade about NCLB and the whole teach-to-the-test mentality, but suffice it to say a significant portion of our young people cannot think, which is why so many refuse to learn the difference between researched support and plagiarism. It's devastating!
How many 1st-person narrators in YA books are thinkers? I have yet to encounter one who isn't. And of course the kids who read YA are the thinkers or they wouldn't be reading independently. So why are so many kids content to coast? Is it the pressure or fear of failure encouraged by a tyrannical system? Do they just want to make sure they have someone else to blame? Or is it just a severe lack of creativity (both in the teachers and the kids)?
It can be very deflating to keep beating the same drum, but I am shocked at how many of our college students cannot think critically or write with any sense of personal stakes. All I can say is thank God for the arts and I pray that they don't get cut from primary and secondary schools anywhere because at least that is one place where students are encouraged to push the boundaries. And thank God for those amazing teachers out there (in all subjects) who refuse to be boxed in by a test. If you teach them how to think, they will nail that test. End of story.
Oops. I guess I did fall into a bit of a mini-tirade. I'll stop there and head back into WIP country. How has your week been, wipsters? I hope the #wipmadness has been good to you.
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It's another morning-after-insomnia Monday and I'm running character sketches through my brain. That may be why sleep eluded me last night. Too many ideas that would not take a break. As I'm scurrying about trying to lay out the details and backstory of my main character, one question nags me: what is this book going to be about? Seriously. What is its final raison d'être?
Have you ever launched into a project with a wisp of a notion but had no idea where it would end up? I don't know that I would say my current predicament is quite that extreme, but I am wrestling with two different possibilities and finding it hard to reconcile them. It is a ghost story, as mine tend to be, but this one is going to be more than that. This time I really want the character to drive the story in a way I haven't developed before. How do I do that?
That's what all the research and sketching is for. I've written about how every story finds its moment. It will be told when it is ready. The problem is I'm just a little too impatient about this one. So it is back to the journal and the preliminary doodling for now.
How has the madness treated everyone this week?
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Happy April, Wipsters! March Madness was truly on fire, and I want say thanks again to all the fabulous people who hosted and who participated. I'll be hosting the April edition right here on Mondays. Let's start by setting some goals for the month.
Goal #1—Since I was so fortunate as to finish my WIP in March, I'm going to spend the next couple of weeks brainstorming my next project. I know the subject, but I don't have a clear idea where it is going yet, so the first step is a shiny new journal. I have journaled through my last few projects, especially in the early planning stages. It helps me to get my head around the idea and explore the problems/research/plot points/characters... So that is where I begin.
Goal #2—READ. I need to catch up on some reading, which will help me decide on point of view and approach for this next book. It will also give my brain a break. I'm going to start with LIAR by Justine Larbalestier. I just read John Green's amazing The Fault in our Stars, and bawled my head off, so I need something a little different. TFIOS was amazing, beautiful, and so on point, and it made me miss Indy a little bit. I know exactly where 86th and Ditch is and the Art museum and Castleton Mall (aka Hassleton) are. Which brings me to another goal:
Goal #3—Decide when and where the next book will take place.
As I await the edits from my agent, and hope she likes the ms enough to give me edits, I'll be pulling my thoughts together for the next big thing.
Where does everyone else plan to go in their journey this month?
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What a thrilling way to start spring break! This morning, I was truly delighted to talk to best-selling author Heather Graham, whose new paranormal thriller The Unseen hits bookstores this week.
MA: After reading and loving The Unseen, I have to ask, have you ever had a ghost encounter?
HG: I can’t say I’ve walked down a misty street and run into a ghost. My mother was born in Ireland and they believed in everything. I grew up around her family and my grandmother watched us. If we were misbehaving, she would threaten us with “The banshee will be getting you in the outhouse!” She did such a good job with it. We were teenagers and we didn’t even have an outhouse, but she could threaten us so well.
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Adolescence is a time when what should be and what is come crashing together in a world flooded with swirling hormones and shifting perceptions. That is the challenge of writing books for teenagers. As I look at my characters, I am constantly asking questions like:
- What does she expect?
- Why does she expect that?
- Is it fair?
- What does that mean?
- How does she rationalize that?
- How does it affect her?
- How does it affect other characters?
- Why is it different?
- How would she change it?
- What difference can she make?
- Where is the justice?
- Why is it important?
If the answers are too easy, then I'm not sure I'm doing it right.
I finally figured out that the hardest part of being a teenager for me was the barrage of grayness that came the minute my hormones were launched. No longer were the big questions a simple matter of a black or white answer. Suddenly my moral and social landscape had gone all gray.
In my battle for self-discovery, I was an unarmed civilian stumbling through a dusty minefield of choices. There was no map to me. No schematic with neat little dots marking where all the bombs were buried so I could navigate my way safely to adulthood, which to most teenagers means freedom.
(Who am I kidding? After the hormones kick in, there is no safety, ever. Of course, I didn't realize that until I reached about...40.)
As I read some tween and MG novels to my 11-year-old daughter, I see her perception struggling to hold on to the black and white. Allie Finkle isn't always right, but my daughter is outraged when other characters are so clearly wrong. Her sense of justice is still holding out for the clear answer. But I see the color wheels turning and those answers are a little bit harder to find.
My almost-15-year-old son, on the other hand, crossed that valley quite a while ago. He is painting his social consciousness with a much more nuanced brush and is cautiously stepping into the arena of boy-girl relationships. He has no map. Just a vague destination. But he marches onward with amazing determination. He is one of those rare kids who has decided very early that he and no one else is going to choose who he is.
As I revise my latest WIP, I need to remember to pay attention to the gray matter, to leave some things unanswered, to let my characters choose badly sometimes. Adolescence is not devoid of conviction or even lacking in direction (for some, anyway). Teenagers are not the clueless wanderers so many stereotypes try to portray. They are just us...at our most human.
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Oh how I know those character blues, only mine isn't with my MC, it's the guy she likes. He's sorta shy and standoffish with her, but he's being the same way with me! After about a million rewrites, I think I'm finally understanding him, but geez, he's been a tough one.
My current MC is just so good. So good she's a bit judgmental, and thus my readers are connecting way more with her love interest than her. Trying to find the perfect balance isn't always easy.
Hooray for you for tackling such a big revision challenge! You can do it.
My MC is a spoiled brat, so my challenge is to make her more likable. I understand why she is the way she is and I empathize with her, but I'm afraid readers will just want to see her die. . . Anyway, that's one of the many challenges I face as I tackle this messy first draft for the first time.
Best wishes with getting deep inside your MC. ^_^
Like Angelina, I'm also facing the challenge of making my MC more likable. Mine's not a spoiled brat, but she is a brat. She has good reason, of course, and I understood her on some level before. But now I think I've dug around enough that I understand her even better, and I'm feeling more compassionate toward her. Hoping my potential readers will, too! ;)
Today's goal: revise two more chapters. I made good progress yesterday, so yay for that! Happy writing/etc, everyone!
I need to dig deeper inside my character and show more emotional struggle and conflicts. At first she came across to my Beta readers as wishy washy and not having enough back bone. Then she was too much of a smart mouth. I just need to get it just right.
Right now I'm in Act 2 of my revision right after Espie is kicked out of her world. This revision is turning into more of a major rewrite as I dig deeper for emotions and her motivations.
Today's goal: revise at least 2 scenes. She's in a harsh new environment, so I have the challenge and opportunity to really pull down deep.
Because I'm working on revisions to two manuscripts I thought were trunked forever, I feel like I'm having the happiest reunion ever. It's all dancing together in fields of flowers - at least for now. But it's early yet. But these are girls I LOVED and my CP's LOVED but then it looked like maybe no one would meet them, but now it looks like maybe they'll get their shot after all, so I guess I feel sort of like a fairy godmother trying to make sure they're as awesome as they can possibly be when they set foot in the ball! May they snag the prince (except not really b/c it's MG and there's no romance!).
The shy ones are always tough. And stubborn! I'm glad you slapped some sense into him! :-)
That is tough, Angelina, and it has inspired another blog post perhaps. Should the narrator be objective or sympathetic? Of course, we know what lies beneath the surface, but how much do we show our readers just so they don't just our MC too harshly too soon? But then again, a little spunk and brashness is good! It makes us feel... Good luck!
Way to go, Shari! Can't wait to hear more about your MC's journey!
Oh, yeah...I've been there. I did the major re-write and now I'm waiting for the verdict on the first attempt at "tweaking" the major rewrite. Send up a flare if you need a safety line sent down to the deep!
I was having issues with my male MC being just a total unlikable jerk (I think he was representing a part of me that THINKS some of the same things he does, but he didn't have the decency/filter not to say or act on those things). It was fun to write him, especially his dialogue, but by this latest draft I could see it wasn't really working in terms of the greater story.
Yesterday I had to go back and give him more narrowly defined goals in each scene narrated from his POV so it didn't just seem like he was being a jerk for the sake of being a jerk. Today, I have to go over sections narrated by my Female MC, but I think she'd better rounded already.
Happy writing/revising, everyone!
It's amazing how people we've MADE UP are so difficult to understand sometimes. And how they don't like to do what WE want them too. Good luck going from 3rd to 1st, that's not going to be easy but you can do it!
I managed to shake off yesterday's writing apathy and got 3 solid chapters revised. Now it's back to house-cleaning for this weekend's party! :D
That's exactly what I've been doing with my male MC! Also fixing his dialogue so he sounds more British. Somehow he keeps sounding like me. ;)
Way to work that character, Kim! I've thought about multiple POV's but I haven't hit the right project for it yet. Have fun!!
Thanks, Carolyn! And WOW! That's the way to shake that apathy. 3 chapters at a time. Have a fun party!
LOL! I might just take you up on that offer!
I've also met some characters who defy my efforts to get to know them.
They usually make the best characters in the end, though, because I have to get to know them on the page, which means the readers will too.
Checking in: I wrote a bit over 1600 words today, which means I'm 6 words away from being ahead of schedule. Then I also read 16 chapters, which means I'm now 5 chapters ahead. So far so good. ;-)
I'm so impressed with your goal to completely start over! But you are right - if we can't get inside the character, we'll probably put the book down.
My MC finally started talking to me a week ago and so far, we're doing okay with each other, as long as I let her keep her secret from her best friend. In the end, she'll hate me, of course, but that's many pages away.
Thanks, JRo! You are so right about finding that balance. They all need to be wrong once in a while, vulnerable, lost, even if it just for a second. Maybe a little guilt could shake things up ;-)
LOL, Joy. Maybe a puppy prince is in the cards ;-) Enjoy the reunion. I know that magic wand will find just the right spell!
Holy cow, Misha! You are rockin'!
Those are the tough moments in tweendom, Lori. Navigating friendship through all that emotional and physical chaos is tough! Hope the conversation keeps going!
Those are the tough moments in tweendom, Lori. Navigating friendship through all that emotional and physical chaos is tough! Hope the conversation keeps going!
I'm soooo behind schedule with my writing this month. I'm really contemplating switching projects. I know. Crazy, eh? Problem is I'm just not feeling like I've got enough of a plot plan to begin the story. My thoughts keep evolving, and they're becoming some new storyline, which needs more work.
But I hope all of you are soaring through March Madness!!!
I think I'm *finally* ( in the 11th rewrite of my opening scene) starting to get my MC to show herself on paper in a way that matches the emotional tone of the rest of the book. In the earlier iterations she's either come off as too Debbie Downer or too sarcastic and clever without showing that it's mostly a shield to protect her from really opening up to anyone after her brother died.
I've made pretty good progress towards my goals the last couple of days. Nine new scenes outlined for my rewrite, about 1800 words written yesterday and working on my romance arc.
Kim, I'm working on the same thing on my current revision too. All of this messy emotional stuff is hard!
Reposted for Tonette dela Luna (sorry, it was accidentally deleted):
I'm taking a workshop right now where we get to be our characters. We answer questions in the forums as our characters and it's really helped with the voice and also led to revelations I never considered that I can work into rewrites. I've also tried writing diary/journal entries from my characters' POVs as a part of my Morning Pages. They seem to be working so far for character development. :)
That sounds like a very cool workshop, Tonette.
I'm a little behind of my goals this week, although I've taken the time to write down a few ideas I've had for future projects. Hoping this weekend, I'll be able to catch up and be back on track.
I figure if I start putting all my energy into my current projects, I'll stop worrying about the one I just sent off.
My characters and I are doing fine, it's the darn structure/plot that's giving me headaches. But I suppose the only way to work that out is to work through it. Anyone have a spare wrecking ball?
It's draining but needs to be done!
Well today was a bit of an off day for me in goals, as I didn't write a word on my novel today HOWEVER I managed to re-work my query (which will be re-worked and -re-worked till I am pro at writing queries) AND I got a surprise today on my blog by being nominated for an award so I worked on my response post for the most of the afternoon. I also justify my fall back on the fact that I have done well so far in the past few days.
My house all decided to get a cold at the same time as well, and I guess my body didn't want to be left out on that, so here is hoping I can kick it.
As for my main character, I am doing well with her, she is like an extension of myself, in some ways, so it is easy for me to imagine how she might think, and be, and act. Because of that I think that may be why I am having such a great time with her. It is the other characters that are giving me grief most of the time.
Mary Ann, I had the same struggle with my MC a few months ago. I had to walk away from her for a bit and spend some time with characters from a completely different WIP before she stubbornly demanded attention and when I returned, we got on like a house on fire. Sometimes, you just need to take a step back.
Got some work done today, even if it felt like pulling teeth. Outlined 3 chapters (up to 32 now) and wrote about 1000 words (bringing me up to about 140 handwritten pages of this WIP so far). My head wasn't in the game today so I feel a bit attached from what I put on the page but maybe it'll feel different once I look at it with fresh eyes tomorrow.
Hope everyone's doing wel!
- M
My MC is supposed to be angry and worried, but in my first, very rough draft he seems fairly normal and happy. I, too, am working on adding emotions in this revision. Met my goal today through a critique group meeting. Always helpful! :)
Maybe some first-person journaling is what he needs, too. Great idea!
Massive, massive breakthrough tonight. When I started writing my novel a few years ago, I was in a completely different place, emotionally and spiritually. Realizing that, or at least reaffirming that, and remembering that I was writing the story for no one but *me*, was an eye-opener because it freed me to cut out a part that really didn't need to be there. Yay hacking and slashing! Oh, the glee with which I wield my writerly machete. ;)
I've been there, too! Sometimes a switch can throw your brain off kilter just enough to jar something fabulous loose. I say go for it!
I love those strategies, Tonette! I've interviewed my characters for the new WIP, and it's given me some good bits to work with and some real insight. Keep rockin' that wip!
That's a good plan, Chris. The best medicine for anticipation is focusing on a new project. In the meantime, I'm sending along my favorite wrecking ball...it bears the likeness of a certain WSJ journalist who seems to think YA has a problem with darkness...
Queries and synopses are the bane of my existence! Way to work it, Rebecca! And tell that immune system of yours not to give in to peer pressure. Sending cyber soup and inspiration your way.
Awesome work, Melissa! Handwritten?! I couldn't do long-hand anymore. I've gotten too spoiled by the speed of the keyboard and the slick organization of Scrivener. A pen in hand just could not keep up with my brain and I'd lose half of it before I got it written down. I'm not sure what that means...Hope I don't have lazy brain.
Walking away for a bit is a huge help. I'm still not sure if switching POV is the right answer, but we'll see... Keep rockin' that WIP!
I have a journal for every book I write. It really helps me work through things in the process. As far as the emotions go, Ghost Hunk always says, "Go big or stay home." When it comes to teenagers, they usually go big. I want to say go to a mall or some place teens hang out and look for the angry ones and jot down what you notice about their demeanor, but I wouldn't want you to be accused of stalking or anything! ;-) I'm also not sure where the angry ones tend to go...might be a good question to consider.
Way to work it, Liz!
Slaughter those darlings, babe! Way to go! Hurray and Hazzah for the breakthrough!
I just joined March Madness today, and I'm looking forward to it. I'm working on the sequel to a novel I've already finished, but I've discovered I still don't know the characters as well as I hoped. Part of this next week will involve digging deeper into their minds, so I can figure out what direction this sequel is supposed to go.
Yay! Welcome to the madness, Stephanie! I've considered a sequel to one of my books, but I'm not sure I'm ready to explore those depths yet. Have fun!