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Viewing: Blog Posts Tagged with: ted lewin, Most Recent at Top [Help]
Results 1 - 12 of 12
1. Reconciliation and Friendship in the Face of Fear and Distrust in Children’s and YA Books

Mirrors Windows Doors article: Reconciliation and Friendship in the Face of Fear and Distrust in Children's and YA BooksA few weeks ago, amidst the deepening refugee crisis from the war in Syria, many people and organisations around the world came together for the Continue reading ...

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2. Escaping Conflict, Seeking Peace: Picture books that relate refugee stories, and their importance

This article was a presentation given at the 2012 IBBY Congress in London, first posted here and developed from a PaperTigers.org Personal View, “Caught up in Conflict: Refugee stories about and for young people“.
A bibliography with links to relevant websites is listed by title can be … Continue reading ...

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3. Revisited: One Green Apple by Eve Bunting and Ted Lewin

One Green Apple, written by Eve Bunting, illustrated by Ted Lewin (Clarion Books, 2006)

 

One Green Apple
written by Eve Bunting, illustrated by Ted Lewin
(Clarion Books, 2006)

 

One Green Apple tells the story of Farah, who has … Continue reading ...

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4. Five Family Favorites with Patricia Dunn, Author of Rebels by Accident

Patricia Dunn, author of Rebels by Accident, selected her family’s five favorite books with the help of her husband Allan Tepper. They are a beautiful collection of diverse characters and plots.

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5. Reading the World Challenge 2011 – Update 1

It’s not too late to join this year’s Reading the World Challenge if you haven’t already – just take a look at this post for details.

In our family we have all joined together and read picture books set in Mongolia, which is our current focus on PaperTigers. I had to hunt around a bit but we came up with a good selection. I’m not going to go into a great deal of detail here as they are all gathered up in my Personal View, Taking a step into children’s books about Mongolia. We have really enjoyed delving into the culture and heritage of Mongolia and these picture books have been read all together and individually.

One bedtime Older Brother read Horse Song: the Naadam of Mongolia by Ted and Betsy Lewin (Lee and Low, 2008) to Little Brother – quite a long read and they were both engrossed. Watching them from the outside, as it were, I came to an added appreciation of the dynamics of Ted and Betsy’s collaboration, both in the energy of their shared enthusiasm and participation in the events surrounding the famous horse-race, and also of being struck by a busy, crowded scene one page and then giggling at the turn of expression on an individual study’s face the next.

And I’ll just share with you Little Brother’s reaction to Suho’s White Horse, which you can read about in a bit more detail in my Books at Bedtime post earlier this week:

It was a moving story. The governor made me angry because he broke his word and was cruel to Suho and his horse.
[Listening to the musical version played on the Mongolian horsehead fiddle, the morin khuur] Once you know the story, you can tell which part of the music is telling which part of the story. How do they make that music with just two strings? It fills me with awe.

I also read The Horse Boy: A Father’s Miraculous Journey to Heal His Son by Rupert Isaacson (Viking, 2009), an amazing story of a family’s journey to Mongolia in search of horses and shamans to seek healing for the torments that were gripping their five-year-old autistic son’s life: as Isaacson puts it with great dignity, his “emotional and physical incontinence”. If you have already read this humbling, inspiring book (and even if you haven’t), take a look at this recent interview three years on from their adventurous journey. Now I need to see the film!

And talking of films (which we don’t very often on PaperTigers, but I can’t resist mentioning this one), The Story of the Weeping Camel is a beautiful, gentle film that takes you right to the heart of Mongolian life on the steppe. Who would have thought a documentary film about a camel could be so like watching a fairy tale? Don’t be put off by the subtitles – our boys love this film. Take a look at the trailer –

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6. Taking a step into children’s books about Mongolia

Renowned throughout the world as the founding head of the Mongol Empire in the thirteenth and fourteenth centuries, Genghis Khan’s legacy as “the first children’s writer” is perhaps generally less well-known. But the strong oral tradition in Mongolia means that many of his stories are still told today, and some can now also be read in English, thanks to a fine anthology of Mongolian Folktales published recently.

According to the National Library of Mongolia, at one time Mongolia’s “most popular slogan was ‘Everything for children’” and in 2003 the library opened its Book Palace for Children in Ulaanbaatar, which does indeed seem to provide everything in the way of books a young visitor to the Library could possibly desire. Meanwhile, author and publisher Dashdondog Jamba has spent his whole life ensuring that children in Mongolia have access to stories and the written word, taking his mobile library out to the remotest areas of the country, first by camel and oxen, more recently by truck. You can read his account of one of his journeys here.

Many children’s stories from and about Mongolia reflect its place in world history. The cultural heritage of those times remains strongly evident today, especially when you look beyond the urban areas towards the vast grassland steppe that consitutes most of Mongolia’s geography. This means that picture books with a contemoporary setting and the retellings of traditional stories merge to offer insight into each other that is relevant to today’s young readers, wherever they come from.

The list of books given below is not long, and I’m sure there are others to be found: but in the meantime, all of these are enriching and worth seeking out.

Picture books

Bolormaa Baasansuren, adapted by Helen Mixter,
My Little Roundhouse
Groundwood Books, 2009.

A delightful picture book, which brings the nomadic life of a Mongolian community to life through the eyes of one-year-old Jilu, who shares his experiences of all the roundness in his life, from the ger that is his home to the encircling love that enfolds him. There’s plenty here for young children to contrast and compare with in their own lives. My Little Roundhouse was selected as part of the 2010 Spirit of PaperTigers book set.

Demi,
Marco Polo
Marshall Cavendish Children, 2008.

Marco Polo’s adventurous life is relayed through compact text and sumptuous illustrations bursting out of borders that reflect the rich patterns and brocades of the Silk Route. We read about his many years working under Kublai Khan and the sceptiscism of

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7. Books at Bedtime: The books of Sheldon Oberman

This past spring, I participated as a mentor in our local writers guild’s Sheldon Oberman Emerging Writers Mentor Program.  The program was named after Sheldon Oberman, a Winnipeg writer who is well known for his childrens’ books.  Oberman died in 2004 but his legacy lives on in the mentorship program and his wonderful childrens’ books, a few of which I’ll feature in this post.  Although my encounter with Sheldon Oberman was primarily through the legacy of the  mentorship program, my children were familiar with his books, having encountered them at their school.

The White Stone in the Castle Wall illustrated by Les Tait (Tundra Books, 1995) is the story of a poor little boy named John Tommy Fiddich, who with his white stone, considers himself “sometimes lucky, sometimes unlucky.”  Set at turn-of-the-century Toronto, the book is also about the building of one of the city’s most famous landmarks — Casa Loma — and its eccentric owner, Sir Henry Pellat.

The Always Prayer Shawl illustrated by Ted Lewin (Boyds Mills Press, 1994) is about a Jewish boy named Adam.  When Adam is a boy (and it is a time when eggs were got from chickens, heat from chopped wood, and rides in wagons pulled by horses), he receives a special gift from his grandfather — a prayer shawl.  His grandfather, a rabbi, tells him that although “some things change, some don’t.”  He tells him that one of the things that will not change is his name, Adam, and he gives Adam a prayer shawl.  Adam carries that prayer shawl with him all through his long life until many decades later he is able to give it to his grandson, Adam, when he is an old man.

TV Sal and The Game Show from Outer Space illustrated by Craig Terlson (Red Deer College Press, 1993) is about a girl sucked into a TV by TV station aliens.  This delightful story about TV addiction pokes fun at both parent and child.  I especially relate to Sal’s Mom who suggests to her TV watching daughter, “Would you like to do something different, dear?  Come out with us to look at the fog.”   I’m always nagging my children to get outside more.  It is while Sal’s family is out for a walk that Sal finds herself in that alien TV world and can’t get herself out.

Sheldon Oberman’s books are a delight and pleasure to read.  Hope you can find copies in your bookstore and library!

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8. Drawn In Brooklyn! Exhibition at the BPL

image: Sophie Blackall – Big Red Lollipop

As is now routine, I moseyed through the park and did my weekly grocery shopping at the Grand Army Plaza greenmarket on Saturday.  This time, though, I wasn’t too loaded down with pickles and goat cheese, and actually had the energy to stop at the Central branch of the Brooklyn Public Library.

I’d been meaning to hit the BPL because, though I’ve always been a huge library supporter (it’s in my blood, thanks mom and dad), lately I’ve been in the bad habit of buying books instead.  But with student loans looming this November (it’s been nearly 6 months already?!), it is time to tighten the finances and catch up on my reading – for free.

I was disappointed that I didn’t find anything super fresh and exciting in the YA section… but I guess it’s good that teens are checking them all out. Next time, I’ll have to bring a bigger list. I DID get the chance to see the Drawn In Brooklyn! exhibition of children’s illustration – and that, in itself, was worth the trip.

Drawn In Brooklyn! is a 4-month long festival of 34 local artists, celebrating the borough with the largest concentration of children’s book illustrators on the planet. In close proximity to Manhattan, illustrators can network with the publishing and art worlds first-hand… but then find both community inspiration and a bit of creative peace back here.  No wonder Brooklyn is home to, well, almost everyone I admire.

image: Peter Brown – Chowder

In the vast display of work in the Grand Lobby of the BPL, there were many, many familiar names, including personal heroes (Leo and Diane Dillon, Ted and Betsy Lewin, Paul O. Zelinsky), current favorites (Sophie Blackall, Peter Brown) and former professors (Pat Cummings, Megan Montague Cash). Also, a few illustrators I’d never heard of before: both Daniel Salmieri and Sergio Ruzzier‘s whimsical, quirky characters made me smile.  Here they are below!

image: Daniel Salmie

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9. Click, Clack, Who? Betsy Lewin Visits our School!


clickclackmooWhat a lucky duck–I got to meet the moovelous Betsy Lewin this week. The whimsical illustrator of Click, Clack, Moo: Cows that Type and countless other barnyard books visited our local elementary school and entertained the kids with a mix of slide show, drawing lesson and Q&A.

Two Kindergarten classes filed into the library with clipboards and crayons, eager to learn from a master cartooner.

But first, Mrs. Lewin showed photos of her 120 year-old Brooklyn brownstone. Her living room is filled with souvenirs from her world travels–Africa, Australia, the Galapagos–places where she has observed animals and gained inspiration. When she showed her husband’s studio on the fourth floor, she pointed out that it was far bigger than hers, not because he was more important, but because it also housed a photography studio. Ted Lewin paints his realistic watercolors by studying photographs. He pays neighborhood kids to model for him. “Anybody want to move to Brooklyn?” she asked. (My hand went up!)

Mrs. Lewin brought along her cartoon friend, Weirdly, to show the children how to draw expressions: mad, sad, excited, laid back and cool, mischievious, shy. “Weirdly helps me draw ’sound’ words like BOOM and CRASH because sometimes I can’t imagine what they look like,” she explained.

She also showed her first draft cover for Doreen Cronin’s Duck for President. The original cover depicted a national political convention. The point of view is Duck’s, looking out over the crowd (we see his back and tail, wings outstretched). In the front row there’s Farmer Brown, some cows and chickens, Doreen Cronin and Betsy Lewin. Red, white and blue balloons are falling from the ceiling as the crowd holds signs with slogan spoofs like “The Duck Stops Here,” “I like Duck,” and “A Veggie in Every Pot.”

Then her publisher decided they didn’t want political sayings on the cover, so they asked her to write signs with all 50 states. She soon realized that wouldn’t work. “Which states should go on the front cover? Which states should go on the back? It wouldn’t be fair. What about M-I-S-S-I-S-S-I-P-P-I? That’s too long!”

duckforprezUltimately they decided to put Duck on the podium with just three signs: DUCK, Doreen Cronin and Betsy Lewin. PERFECT!

The hilarious moment came when Mrs. Lewis showed a photo of someone in a cow costume, typing away. She said the photo was sent to her in an unmarked package. Then she asked, “Does anyone know what Doreen Cronin was before she became a children’s author?” One kid had an answer. ”A cow?”

Much to his disappointment, no. Ms. Cronin was a lawyer, just like Mrs. Lewin’s brother, a judge, who had sent the funny cow costume photo. (Yep, lawyers are some of the funniest people I know. My own father included.)

Next, Mrs. Lewin showed the children how to draw a lion with a few easy steps. She broke it down into wiggly lines, circles and half circles and then had the kids decide how they wanted to draw the eyes–happy, sad or angry–with just a slant of the eybrows. She had the first row stand up to show the rest of the audience how different each lion was, as different as they were. “And that’s what makes you so special,” she said. “You’re the only you in the whole world.”

After some questions and answers–her favorite books as a child were Winnie the Pooh and Call of the Wild–she asked the children for suggestions of what to draw. An animal lover and observer all her life, Mrs. Lewin grew up in rural Pennsylvania surrounded by farms. She would watch the animals intently so she could remember how to draw them. She doesn’t need to look at an example as she creates. She can draw anything!

Mrs. Lewin draws with quick strokes, and it’s amazing to watch how these simple lines and squiggles magically come together  to form monkeys, elephants, rocket ships and knights in shining armor. Two lucky ducks, I mean kids, even got their portraits drawn.

The most interesting part of the presentation was when Mrs. Lewin showed the difference between her original black and white drawings for her debut 1979 book, Cat Count, and the new full-color edition. In the new release, she gave two dancing felines a blue room lit with the shimmering, sparkling light of a disco ball. The way the dots played on the page gave the scene a magical feel, as if it could lift right out of the book and tango around the room.

I’ll use the saying “lucky duck” one last time: how fortunate children are to have such marvelous books illustrated by a true genius. Thank you, Betsy Lewin!

8 Comments on Click, Clack, Who? Betsy Lewin Visits our School!, last added: 5/22/2009
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10. Books at Bedtime: stories about refugee children

One Green Apple by Eve Bunting and Ted LewinIn her post at the beginning of the month, Aline talked about books which help young people gain some insight into what it means to be a refugee, in light of World Refugee Day on the 20th June – and in fact we decided to bring her post up to the top on Friday to keep the day at the forefront of our minds.

She mentioned Four Feet, Two Sandals by Karen Williams and Khadra Mohammed (Eerdman, US 2008) and this really is a particularly special book for giving an idea of what life is like for children in a refugee camp.

Two other books for younger children which also highlight some of the difficulties faced by refugees but also, crucially, that in essence children are children the world over, are:

A True Person By Gabiann Marin, illustrated by Jacqui Grantford (New Frontier Publishing, 2007), in which a young girl, Zallah, is living with her mother in an Australian immigration detention centre, while they wait to hear if they will be allowed to stay in Australia - see our full review here; and…

One Green Apple by Eve Bunting, illustrated by Ted Lewin (Clarion Books, 2006), which tells the story of Farah, who has recently arrived in the US from the Middle East. She is not finding it easy to cope with a new culture and language – but on this, her second day of school, she is going on a field trip to an apple orchard and it is a chance for Farah and her classmates to make the first steps towards friendship and learn that there are ways to get over any barrier of language. Tone of voice, gestures, smiles – all these help to make Farah begin to feel welcome and recognise that some things can and will be just like they were at home.

Perhaps what makes the story so powerful is that Farah herself is the narrator – through the picture-book medium, Eve Bunting has given a clear voice to all those young people who arrive in a new place feeling vulnerable and unable to communicate. It is a story but it reflects certain aspects of reality – not everyone is nice and there are references to intolerance and impatience: but the overriding message for children in Farah’s situation is that it is possible to feel whole again; and it serves as a compelling reminder to children generally how to make a newcomer feel welcome and reassured.

Lewin’s stunning illustrations also deserve a special mention – they enhance the insight offered by the story through their perfectly attuned observation of body language as much as verbal communication; his children’s faces are perfect, whatever their expression. And the word luminosity comes to my mind every time I look at them, they are so enfused with dappled sunlight.

These are all well-written and beautifully presented books, which will make young children ponder, and probably ask lots of questions. Certainly they are best read aloud the first time they are introduced. Can anyone else recommend books for reading aloud to children which touch on the experiences of young refugees?

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11. Journeys of Discovery

Earlier this month I had the privilege of attending the 16th Annual Conference on Literature and Literacy for Children and Adolescents, Journeys of Discovery Across Time and Place, at the University of Arizona in Tucson.

The hardest part about attending this conference featuring Ted Lewin and Cynthia Kadohata* as keynote speakers, was deciding which books by Ted Lewin I wanted to buy. Look at this table! It went on and on and on! Filled with books I've read a many times, books that were new to me, even one I have on loan from the library that I've renewed way too many times. I chose three. The Girl on the High-Diving Horse an old favorite of mine. After hearing him tell the story behind the story of The World's Greatest Elephant that's a book I had to have. And I can finally return my library copy of High as a Hawk.

Some of Ted Lewin's more than thirty books.

As I went through my notes to see what all I could share from Ted Lewin's keynote address, I found I had very little down on paper. I was totally engrossed in the stories of his life, of how he works, of the adventures he's been on, the places he's traveled to, the animals he's encountered, and the insight he offered. One of the things I related to the most was his use of research and reference material. He said research and reference help you to find the details to make your illustrations authentic. He also compared the picture book to a movie or film, it should tell the story in the same way, but slower. Now if we could only be so lucky as to get to travel the world to research our stories!

The second hardest part about this conference was deciding which break-out sessions to attend. There were more than 20 to pick from, but only two time slots. As it turns out (for a reason I just can't figure out) Ted Lewin's break-out session had very few people. I got there early and he happened to be sitting and talking to a few other people in the front of the room. I sat down behind him and the session turned into a literal "conversation with Ted." He asked a few others sitting in back to come closer and join in. Nothing formal, we all just talked and asked questions.

He told us about his life growing up with very unconventional parents. The way the kids brought home pets. But not the normal stray dog, they filled the house with a lion, an iguana, a chimpanzee and some monkeys. (Which he stressed today wouldn't be in the best interest of the animals. And that his family did end up sending these animals to the Buffalo Zoo.) He left home at a young age to join the circus. He also followed in his brother's footsteps and became a professional wrestler, which led him to later write an autobiography called I Was A Teenage Professional Wrestler. He had a surprise gift from David Edwards, a big fan and a collector who was attending the session. Edwards had found on old wrestling playbill with Ted's name on it and bought it on Ebay. Ted was genuinely touched as he read the names and reminisced about the venues he once wrestled at. Then he appropriately thanked Edwards with a headlock.



The other session I chose was "The Art of Storytelling" with illustrator Guy Porfirio. This guy is filled with passion and energy. Now I know why he has illustrated over a dozen books! He is bursting with energy. Plus, he has one great sense of humor. Which I'm sure was a big plus while he was working with Billy Crystal on Grandpa's Little One. (Unlike most situations he did get to work directly with the author on this book. He even told us how Billy Crystal changed the text to expand more on an image he had created, because Mr. Crystal found so much humor in the image.) His latest book Junk Man's Daughter just made The Bank Street College of Education in New York City's list of the "Best Books of the Year" for 2007.

He talked about the importance of "telling the story with artwork" and showed how he uses the illustrations to add a sub-plot. His work is full of vibrant color, wonderful composition, tons of emotion, and little bit of humor. I have been in awe of his work for a while, but until recently l hadn't realized he was a fellow Arizonan. After his session I got to talk with him, and I'm really looking forward to all he has to share with our local community.

Here are some of the locals I was able to capture.

Author/Illustrators Debbi Haun and Joan Sandin

Juanita Havill and Guy Porfirio at the autograph table.

The line for autographs at Ted Lewin's table.

Performance by Japanese ensemble group during the autograph session.

* More to come later on Cynthia Kadohata. Sorry, no pictures. I was late getting a seat to her "full house" keynote address and wasn't able to get any good photos.

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12. Nifty Little Shout Box and its FREE

I found this niftly little shoutbox that i have just installed on my forum. It is FREE and the paid version is only $17.95 US per year. These can be a handy little tool for adding customer service to your site. Now how many artist do that? Here is the link: http://www.planetminibox.com

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