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Viewing: Blog Posts Tagged with: My Grandfather, Most Recent at Top [Help]
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1. Week-end Book Review: My Grandfather, Aajoba by Taruja Parande

Taruja Parande,
My Grandfather, Aajoba
Tulika, 2010

Ages 5-8

A granddaughter’s tribute to her beloved grandfather, My Grandfather, Aajoba invites young readers to share in the very special bond portrayed, and perhaps to refer it to their own lives. The book’s author Taruja Parande has created a portrait of her grandfather through a series of anecdotes set off by illustrations that are an effective and attractive blend of photographic collage and original artwork.

Each double-page spread presents a different chapter in Parande and Aajoba’s relationship, with extra, playful asides, such as inviting readers to “flick a bunch of these pages quickly to hear the flapping of pigeons’ wings”. The book begins with pages from both an old and a more recent photograph album. The overlaid narrative conveys a contrasting description of Aajoba as a “tough” young man (“everyone was afraid of him. He was afraid of nobody.”) and as a “lovable” old man (“He was amused by everything I did […] I was never afraid of him”). From then on, the visual and verbal narratives both revolve around the grandfather and his grandchild – from Aajoba’s recipe for buttered toast, illustrated photographically step by step; through activities such as attempting to wash the cat or evading homework; to stamp albums and lists. A chapter is also dedicated to “the secret” – how Aajoba and Aaji met. Here the tone of secrecy is perfect for young readers and it is easy to imagine delighted, conspiratorial giggles at this point: after all, isn’t this just the kind of family story children love to hear?

Although the perspective is clearly that of an adult looking back and remembering, the matter-of-fact tone never drifts into nostalgia. The narrative is past tense so most young readers will know, even if it’s subconsciously, that Aajoba is no longer alive. In fact, this would be a special book to read with children coping with the loss of a grandparent. And it would also come as no surprise to find that after reading My Grandfather, Aajoba young readers set about creating their own grandparent storybooks: for not only does this delightful book draw readers into the solid reality of the relationship portrayed, but it also provides space for those readers’ own imaginations to come into play.

Marjorie Coughlan
May 2011

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2. Reading the World Challenge 2011 – Update 1

It’s not too late to join this year’s Reading the World Challenge if you haven’t already – just take a look at this post for details.

In our family we have all joined together and read picture books set in Mongolia, which is our current focus on PaperTigers. I had to hunt around a bit but we came up with a good selection. I’m not going to go into a great deal of detail here as they are all gathered up in my Personal View, Taking a step into children’s books about Mongolia. We have really enjoyed delving into the culture and heritage of Mongolia and these picture books have been read all together and individually.

One bedtime Older Brother read Horse Song: the Naadam of Mongolia by Ted and Betsy Lewin (Lee and Low, 2008) to Little Brother – quite a long read and they were both engrossed. Watching them from the outside, as it were, I came to an added appreciation of the dynamics of Ted and Betsy’s collaboration, both in the energy of their shared enthusiasm and participation in the events surrounding the famous horse-race, and also of being struck by a busy, crowded scene one page and then giggling at the turn of expression on an individual study’s face the next.

And I’ll just share with you Little Brother’s reaction to Suho’s White Horse, which you can read about in a bit more detail in my Books at Bedtime post earlier this week:

It was a moving story. The governor made me angry because he broke his word and was cruel to Suho and his horse.
[Listening to the musical version played on the Mongolian horsehead fiddle, the morin khuur] Once you know the story, you can tell which part of the music is telling which part of the story. How do they make that music with just two strings? It fills me with awe.

I also read The Horse Boy: A Father’s Miraculous Journey to Heal His Son by Rupert Isaacson (Viking, 2009), an amazing story of a family’s journey to Mongolia in search of horses and shamans to seek healing for the torments that were gripping their five-year-old autistic son’s life: as Isaacson puts it with great dignity, his “emotional and physical incontinence”. If you have already read this humbling, inspiring book (and even if you haven’t), take a look at this recent interview three years on from their adventurous journey. Now I need to see the film!

And talking of films (which we don’t very often on PaperTigers, but I can’t resist mentioning this one), The Story of the Weeping Camel is a beautiful, gentle film that takes you right to the heart of Mongolian life on the steppe. Who would have thought a documentary film about a camel could be so like watching a fairy tale? Don’t be put off by the subtitles – our boys love this film. Take a look at the trailer –

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