What are the strange undercurrents to fairy tales like 'Hansel and Gretel' or 'Little Red Riding Hood'? In November 2014, we launched a #fairytalesexplainedbadly hashtag campaign that tied in to the release of Marina Warner’s Once Upon a Time: A Short History of the Fairy Tale. Hundreds of people engaged with the #fairytalesexplainedbadly hashtag on Twitter, sparking a fun conversation on the different ways in which fairy tale stories could be perceived.

The post Fairy tales explained badly appeared first on OUPblog.

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                            Storytellers and The Oral Traditon

The photo is of a statue of a woman who could recite (sing) 32,000 verses of poetry
from the Kalevala, the Finnish national epic. Her name was Larin Paraske (1833-1904), one of the last Finnish Rune singer-storytellers. During  the Finnish renaisance of the nineteenth century , artists, writers, and composers (including Jean Sibelius) listened to her interpretation of the Kalevala. The Kalevala was passed on for centuries by rune singers. In earlier times, there were hundreds of Rune singers in this land of lakes and forests.

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Cinderfellas: The Long-Lost Fairy Tales

Here are excerpts from an excellent article about the soon to be published (February 24), The Turnip Princess. The article is a preview from the New Yorker of Franz Xaver von Schönwerth's "Lost" Fairy Tales. It was written by Maria Tatar, who also wrote the English translation of the new book.

..."Schönwerth’s tales have a compositional fierceness and energy rarely seen in stories gathered by the Brothers Grimm or Charles Perrault, collectors who gave us relatively tame versions of “Little Red Riding Hood,” “Snow White,” “Cinderella,” and “Rapunzel.” Schönwerth gives us a harsher dose of reality than most collections. His Cinderella is a woodcutter’s daughter who uses golden slippers to recover her beloved from beyond the moon and the sun. His miller’s daughter wields an ax and uses it to disenchant a prince by chopping off the tail of a gigantic black cat. The stories remain untouched by literary sensibilities. No throat-clearing for Schönwerth, who begins in medias res, with “A princess was ill” or “A prince was lost in the woods,” rather than “Once upon a time…”

This fascinating article continues, describing the cultural shifts that resulted in the softening of these folk stories, and noting many instances where stories that were originally about boys, became stories about girls.

" ...Boy heroes clearly had a hard time surviving the nineteenth-century migration of fairy tales from the communal hearth into the nursery, when oral storytelling traditions, under the pressures of urbanization and industrialization, lost their cross-generational appeal. Once mothers, nannies, and domestics were in charge of telling stories at bedtime; it seems they favored tales with female heroines."

Tatar offers several examples of these changes. Here is her summary of a change in role that struck me as a vivid example, a precurser of the Princess and the Frog...

"Equally charming is the  story about Jodl, a boy who overcomes his revulsion to a female frog and, after bathing her, joins her under the covers. In the morning, he awakens to find himself in a sunlit castle with a wondrously beautiful princess..."

Greater Understanding of Fairy Tale Magic  

...Here at last is a transformation that promises real change in our understanding of fairy-tale magic, for suddenly we discover that the divide between passive princesses and dragon-slaying heroes may be little more than a figment of the Grimm imagination."

The illustration of Snow White is by Franz Juttner. The illustration of the Prince and the Frog is by Maxfield Parrish.

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Tales Told by People 

 "...Von Schönwerth spent decades asking country folk, labourers and servants about local habits, traditions, customs and history, and putting down on paper what had only been
passed on by word of mouth. In 1885, Jacob Grimm said this about him: "Nowhere in the whole of Germany is anyone collecting [folklore] so accurately, thoroughly and with such a sensitive ear." Grimm went so far as to tell King Maximilian II of Bavaria that the only person who could replace him in his and his brother's work was Von Schönwerth."

This excerpt is from an early Guardian article by Victoria Sussens-Messerer reporting on the discovery of a trove of "new Fairy tales" by Franz Xaver von Schönwerth

The illustration of Snow White is by Walter Crane.

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The Original Tales of the Brothers Grimm

Jack Zipes has translated into English, for the first time, the original volumes (1812-1815) of folk and fairy tales collected by the Brothers Grimm. 

Zipes, a pioneering scholar and prolific author of books relating to folk tales, fairy tales, legends and myths, has also written an insightful and  informative article on the Brother's Grimm, their motivation, methodology, and the world in which they lived and worked. The article, The Forgotten Tales of the Brothers Grimm, was published in the The Public Domain Review.
Here are excerpts... 

"...Turning to the tales of the first edition the first thing a reader might notice is that many of the stories...were deleted in the following editions for various reasons, not because they were poorly told but because they did not meet some of the requirements of the Grimms... 

...The second thing a reader might notice about the tales in the first edition is that most of them are shorter and strikingly different than the same tales edited in the later collections. They smack of orality and raw contents. For instance, Rapunzel reveals that she has become impregnated by the prince; Snow White’s mother, not her stepmother, wants to kill the beautiful girl out of envy... 

...The literacy of the informants, however, did not diminish the folk essence of the tales
that, as the Grimms and other folklorists were to discover, were widespread throughout Europe and told more often than not in dialect. The tales came to the tellers from other tellers, or they read tales, digested them, and made them their own. Indeed, we always make tales our own and then send them off to other tellers with the hope that they will continue to disseminate their stories...

And yet, the Grimms, as collectors, cultivators, editors, translators, and mediators, are to be thanked for endeavoring to do the impossible and to work collectively with numerous people and their sources to keep traditional stories and storytelling alive. In this respect their little known first edition deserves to be rediscovered, for it is a testimony to forgotten voices that are actually deep within us. Hence, the irresistibility of the Grimms’ tales that are really not theirs, but ours. "

The illustration of the wolf about to eat Little Red Riding Hood's grandmother is by Gustav Dore. 

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Grimm Legacies: The Magic Power of the Grimms' Folk and Fairy Tales      by Jack Zipes was published in December, 2014 (Princeton University Press) as a complement to his translation of the Original Fairy Fairy Tales (above). Here is a review: 

"In this landmark work of fairy-tale scholarship, Jack Zipes comes to grips with the multiple legacies of the Brothers Grimm in German and Anglo-American cultures. With nuance and inexhaustible insight, Zipes shows how mythmaking, marketing, hype, Americanization, the appeal of collective action, and utopian longing have sustained 'the magic spell' of the Grimms' tales throughout two centuries of use and abuse. Anyone seeking to understand the popularity of the Grimms' fairy tales or their richly diverse reception will do well to begin here."--Donald Haase, editor of The Greenwood Encyclopedia of Folktales and Fairy Tales

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The Rune Singer Storyteller begins Poem 1 of the Kalevala... 

"It is my desire,  it is my wish
to set out to sing,  to begin to recite,
to let a song of our clan glide on,  to sing a family lay,
The words are melting in my mouth,  utterances dropping out,
coming to my tongue,  being scattered about on my teeth."

Translation by Francis Magoun from the Kalevala poems compiled by Elias Lonnrot (1802-1804)

The illustration is from a painting by Akseli Gallen-Kallela

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Paws 4 Autism is "helping families help their kids connect to the world 4 Paws at a time." 

The following excerpt is from the Planet Dog Foundation  (PDF) which provided a Grant to help Paws 4 Autism fulfill their mission.

"Paws 4 Autism utilizes specially trained dogs to help children with autism and their
families. The PDF grant will specifically fund the Canine Assisted Social Skills in Education Program (CASSIE) which provides social and communication skills training for individuals aged 6-14 who have autism...Paws 4 Autism is 100% staffed by volunteers."

Visit the Paws 4 Autism website to learn more:

"Paws 4 Autism CASSIE program is currently working with 32 families in Kansas City, with a wait list of over 200 and growing..."

 

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World Read Aloud Day is March 4, 2015

World Read Aloud Day is LitWorld's Celebration of reading. In 2014, over 75 countries participated. 

This photo is from Nepal

Every year, on the first Wednesday of March, World Read Aloud Day calls global attention to the importance of reading aloud and sharing stories.

 "World Read Aloud Day motivates children, teens, and adults worldwide to celebrate the power of words and creates a community of readers taking action to show the world that the right to literacy belongs to all people. By raising our voices together on this day we show the world’s children that we support their futures: that they have the right to read, to write, and to share their stories.

World Read Aloud Day allows members of our year-round programs to invite more people into their literacy community and brings LitWorld’s messages to the rest of the world. World Read Aloud Day is now celebrated by over one million people in more than 80 countries and reaches over 31 million people online. The growth of our movement can be attributed in large part to our network of partner organizations and “WRADvocates” – a group of reading advocates and supporters taking action in their communities and on social media. "

Here is the link for more information or to be a part of this wonderful event, LitWorld.

The photo on the lower left is from a World Read Aloud Day group in the Phillipines.

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"When I examine myself and my methods of thought, I come to the conclusion that the gift of fantasy has meant more to me that any talent for abstract, positive thinking.
Albert Einstein~(1879-1955)

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  The International Children's Digital Library (ICDL)

 Free Children's Books on the Internet in a huge digital library. Many of them appear to be from another era.  From their site...

"The ICDL has been visited by over three million unique visitors since our launch in November, 2002.

• The ICDL collection includes 4619 books in 59 languages.

• Our users come from 228 different countries.
  

Free access to high-quality digital books from around the world. Browse by age, genre, book length, character types, or even the color of a book's cover."

Here is the Link: ICDL

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Tell Me A Story 

SurLaLune , Heidi Anne Heimer's website for Fairy Tales and Folklore is a veritable constellation of fairy tale books, information, annotations, illustrations, and links. Here is a excerpt from an article she posted on folklore, fairy tales and the oral tradition of storytelling.    

"...Then there is the whole explanation of how folklore comes from oral storytelling tradition. Be aware that this website and most fairy tale studies deal with literary fairy tales, tales that are once removed from oral tradition, set down on paper by one or more authors. Once the story is written down, it becomes static in that version. It is no longer only folklore, but part of the world's body of literature. In contrast, the beauty of storytelling is how the same story is slightly different each time it is told, even by the same storyteller. Oral fairy tales are elusive creatures that folklorists study, record and try to trace through history. It is an invigorating field of study, but not the one I have pursued on SurLaLune. Note that sometimes the literary fairy tale came first and was then absorbed back into oral tradition, such as with 'Beauty and the Beast.'"... 

The illustration of Rapunzel is by George Cruickshank.
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The Planet of the Dogs, as the Story Was First Told

Daisy and Bean,who lived on a farm near Lake Falls Village (on planet Earth), found themselves on the Planet of the Dogs. They were the first humans to be there. This was long, ago, before there were dogs on planet Earth.

They had been chosen as emissaries, to help with a transition --  the dogs had decided to come to earth to help people learn again about loyalty, courage and love. And they needed to learn how non-violent solutions could turn back invaders. .

The following excerpt takes place following a huge gathering of the dogs,who had come to hear the decision, by Miss Merrie, Queen of the dogs, and the Dog Council, about helping people on earth....

 
"Rex, a big shaggy dog -- bigger than Buddy, and very old -- then spoke. 'You must not tell anyone about visiting the Planet of the Dogs.  People won’t believe you, and they’ll think that you aren’t telling the truth, or that it was just something you imagined. And some will become frightened and tell false stories about you. And this will interfere with our efforts to help people. You must keep your visit here a secret. Can you do that?' ”

To read more, visit the Planet Of The Dogs

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Free Books for Therapy Reading Dogs

Therapy reading dog owners, librarians and teachers with therapy reading dog programs --  If  you email us at [email protected] , we will send you free reader copies from the Planet of the Dogs Series...Read dog books to  kids and dogs.

The photo is of therapy reading dog Jezebell, seen here with a reading student friend. They were part of teacher Julie Hauck's pioneering Pages for Preston reading program for second and third graders in the Longfellow Elementary School, Sheboygan, WI.

 

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Up On the Woof

 

 "I’ve been accused of treating my dogs like children, but I honestly see that as more of a badge of honor than a criticism. After all, the more science learns about dogs, the more apparent it is that they are like children. They are as bright as any toddler, and because they are completely dependent on us, it means they stay babies all their lives. That means it’s our responsibility as pet parents to make sure their physical (food, water, shelter, safety, hygiene, play, medical) and emotional (love, encouragement, comfort) needs are met. It means teaching them, and seeing that their lives are enriched and that they are intellectually stimulated."

The excerpt above is by C.A. Wulff, from her Up On The Woof blog. Wulff is a dog loving animal advocate/activist; book reviewer and columnist (Examiner); yelodoggie artist; author of dog world books; and associate publisher at Barking Planet Productions.

In the Spring, Barking Planet Productions will publish an updated and revised edition of Wulff's fascinating memoir, Born Without a Tale. 

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Your off to great places,

Today is your day!

Your mountain is waiting,

So...get on your way!
-Dr.Seuss

 

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New Cinderella from Disney opens March 13.

 

Cinderella returns.. Will it be Sugar Coated Survival Skills or will the spirit of Malificent return?

After the success of Frozen, which glossed over Hans Christian Anderson's Snow Queen, it's no telling. However, the director (Kenneth Branagh) is excellent, as is the cast (Kate Blanchett, Lily James, Helen Bonham Carter, Richard Madden).

Frozen, with its romantic music and sugar coated romance, is a favorite to win an Academy Award (February 22). 

Here is a link to the trailer: Cinderella

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In Defense of Little Girls Who Like Princesses

Lizzy Burns wrote a caring, thoughtful, and very lively blog defending little girls who like playing princess. Here is an excerpt... 

"There is nothing wrong -- absolutely nothing wrong -- with your young child liking princesses. Any princess...I get annoyed at the gendering of toys and books -- Legos and science are for boys, feelings and dress up are for girls -- but that is because Legos and science and feelings and dress up are for any child, boy or girl, and problematic messages are sent by calling one "boy" and one "girl."

Princesses (especially pink sparkly princesses) can be problematic not because they are pink sparkly princesses but because what it means to be a princess, to want to be a princess, and how society views that, along with misunderstandings about the nature of play and imagination (and I'd add, that goes for children, teens, and grown ups.)

I'm not the first person to talk about princesses, what they mean, what they don't mean, and the depth and substance that is needed for the "princess talk..." 

Here's a link to read it all: Lizzy Burns

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The Tin Man Returns in a theatrical perfomance piece invoving actors, puppets, a musical soundscape and innovative staging. Here is an excerpt from the New York Times Review by Laura Collins Hughes...

Led by a Tender Heart, Before It Is Ripped Out

‘The Woodsman’ Tells the Tin Man’s Tale

"Using words is dangerous in this eastern corner of Oz, yet sound is everywhere: the mournful music of a violin, the rasp of a witch, the spooky wind of the woods.

 

How to Create a YA Phenomenon, in Nine Easy Steps by Amanda Dobbins

Humor, Irony, tongue-in-PC, and truth mix in this article from New York Magazine's Vulture Website. Here's an excerpt...

"The Divergent series has sold 5 million books and is regularly called 'the next Hunger Games' or 'the next next Twilight.'Interested in writing the next next next teen franchise? Here’s a step-by-step guide. 

1. Start a blog.
Early online readers got to watch Roth write Divergent, find an agent, and sell it to HarperCollins—all in real time on her website. By the time the book was published, “she was already a social-media phenomenon,” says editor Katherine Tegen. 

Pro tip: Blog about lots of things!
A list of non-writing topics mentioned on Veronica Roth’s blog: dead raccoons, traffic lanes, sweet-potato soup, spiders, a OneRepublic CD. 

2. Don’t be afraid to be trendy.
The Hunger Games was big at that point, but there were a couple other books that were on the cusp of the dystopian-sci-fi trend—Matched and The Maze Runner. But the timing just worked so that Divergent ended up...Read it all: Amanda Dobbins

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"How to find the best vet for your pooch is about providing the best care for your dog. Dogs have a way of working their way into our heart and becoming more than just an everyday pet. If you have a pet dog then the chances are that they have become a firm member of your family. For this reason alone you are going to want to make sure that they receive the best veterinary care, which involves the best choice of vet. You probably wouldn’t visit a doctor with a bad reputation, and you will want the same for your dog..."

Read more on Nancy Hauser's Way Cool Dogs: Best Vet

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Motherless Child Project.

The voice of Emily Amber, a 16 year old girl in South Carolina, pulls you in. I rarely read YA books and I'm still in the process of reading The Motherless Child Project. However, I can report that a compelling momentum drives this story. Here is an excerpt from early on in the book...

"...In my house, no one talks about anything concerning my mother, not dad, not Jon, Nicky nor me. The best way I can explain it is like this - when it's a fact in your life that your mother is MIA, and you know you'll never get anywhere by asking where she is because you tried numerous times with bad or worse results, you just move on with your life. What else can you do?..."

I'm looking forward to reading all of the Motherless Child Project and reporting on Emily Amber in the next Barking Planet blog. For more information, visit author Janie McQueen.

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On Jan 29, Kaitlin Jenkins, posted an article  on her blog, She Speaks Bark,  about National Seeing Eye Dog Day. I found her article to be warm-hearted and informative. Here is an excerpt... 

"Guide Dogs, or Seeing Eye Dogs as they’re often called, provide support and independence to
visually impaired individuals. Often, the companionship of the seeing eye dogs allows a visually impaired person to take many of their daily tasks back into their own hands. Suddenly a world that was always limiting a person is once again re-opened, and they’ve got a constant companion who is looking out for them at all times. The partnership between a trained guide dog and their person is something to behold, and it’s something I’ve always found incredibly powerful and fascinating."

Her article led me to Guide Dogs for the Blind. This outstanding organization, located in San Rafael, CA, and Boring, OR, offers a lifetime of support to visually impaired people. In their own words...

"We are a passionate community that serves the visually impaired. With exceptional client services and a robust network of trainers, puppy raisers, donors and volunteers, we prepare highly qualified guide dogs to serve and empower individuals who are blind or have low vision. All of our services are provided free of charge; we receive no government funding."

Here is a link to their humorous guide to Blindness Etiquette video...I smiled, laughed and learned.

The photo of the woman and her dog is courtesy of Guide Dogs for the Blind

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"She was made to work like a slave from morning to night. She had to get up at daybreak, carry water from the well, clean the fireplace and the fires, cook all the food and wash all the dishes. But that wasn't all, because the sisters did everything they could to make things worse for the poor girl...And when she was done at the end of the day, could she look forward to a comfortable bed? Not a bit of it. She had to sleep on the hearth, in among the ashes and the cinders..."

Cinderella - from Philip Pullman's Fairy Tales from the Brothers Grimm

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A Dog's Life, Outside and Inside

Anna Nirva,in her Sunbear Squad blog, discusses how dogs are
social animals who are happier, and usually healthier, when they live inside. There, they can be part of a pack (people are also members of their pack). Often, however, dog owners choose to keep their dogs outside and this can necessitate -- if humane conditions are to prevail -- the need for a proper doghouse. Here is a brief excerpt: 

"If you must keep your dog outdoors, construct an excellent dog house and kennel based on considerations of your dog’s breed, age,
health status, your climate and environment, and safety and health features. Schedule daily activities so that your dog doesn’t become depressed or frustrated, leading to difficult behaviors. Never chain your dog..." 

Anna offers detailed, comprehensive, information and considerations ranging from the dog's physical limitations and the local environment to design features that will help the dog to stay safe and healthy. Here is a link to read it all: the Humane Dog House. 

The illustration by Stella Mustanoja-McCarty is from Snow Valley Heroes, A Christmas Tale.

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A man may smile and bid you hail
Yet wish you to the devil;
But when a good dog wags his tail,
You know he's on the level.
--Author unknown

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Movie producers have altered the way fairy tales are told, but in what ways have they been able to present an illusion that once existed only in the pages of a story? Below is an excerpt from Marina Warner’s Once Upon a Time that explores the magic that movies bring to the tales:

From the earliest experiments by George Meliès in Paris in the 1890s to the present day dominion of Disney Productions and Pixar, fairy tales have been told in the cinema. The concept of illusion carries two distinct, profound, and contradictory meanings in the medium of film: first, the film itself is an illusion, and, bar a few initiates screaming at the appearance of a moving train in the medium’s earliest viewings, everyone in the cinema knows they are being stunned by wonders wrought by science. All appearances in the cinema are conjured by shadow play and artifice, and technologies ever more skilled at illusion: CGI produces living breathing simulacra—of velociraptors (Jurassic Park), elvish castles (Lord of the Rings), soaring bionicmonsters (Avatar), grotesque and terrifying monsters (the Alien series), while the modern Rapunzel wields her mane like a lasso and a whip, or deploys it to make a footbridge. Such visualizations are designed to stun us, and they succeed: so much is being done for us by animators and filmmakers, there is no room for personal imaginings. The wicked queen in Snow White (1937) has become imprinted, and she keeps those exact features when we return to the story; Ariel, Disney’s flame-haired Little Mermaid, has eclipsed her wispy and poignant predecessors, conjured chiefly by the words of Andersen’s story

A counterpoised form of illusion, however, now flourishes rampantly at the core of fairytale films, and has become central to the realization on screen of the stories, especially in entertainment which aims at a crossover or child audience. Contemporary commercial cinema has continued the Victorian shift from irresponsible amusement to responsible instruction, and kept faith with fairy tales’ protest against existing injustices. Many current family films posit spirited, hopeful alternatives (in Shrek Princess Fiona is podgy, liverish, ugly, and delightful; in Tangled, Rapunzel is a super heroine, brainy and brawny; in the hugely successful Disney film Frozen (2013), inspired by The Snow Queen, the younger sister Anna overcomes ice storms, avalanches, and eternal winter to save Elsa, her elder). Screenwriters display iconoclastic verve, but they are working from the premise that screen illusions have power to become fact. ‘Wishing on a star’ is the ideology of the dreamfactory, and has given rise to indignant critique, that fairy tales peddle empty consumerism and wishful thinking. The writer Terri Windling, who specializes in the genre of teen fantasy, deplores the once prevailing tendency towards positive thinking and sunny success:

The fairy tale journey may look like an outward trek across plains and mountains, through castles and forests, but the actual movement is inward, into the lands of the soul. The dark path of the fairytale forest lies in the shadows of our imagination, the depths of our unconscious. To travel to the wood, to face its dangers, is to emerge transformed by this experience. Particularly for children whose world does not resemble the simplified world of television sit-coms . . . this ability to travel inward, to face fear and transform it, is a skill they will use all their lives. We do children—and ourselves—a grave disservice by censoring the old tales, glossing over the darker passages and ambiguities

Fairy tale and film enjoy a profound affinity because the cinema animates phenomena, no matter how inert; made of light and motion, its illusions match the enchanted animism of fairy tale: animals speak, carpets fly, objects move and act of their own accord. One of the darker forerunners of Mozart’s flute is an uncanny instrument that plays in several ballads and stories: a bone that bears witness to a murder. In the Grimms’ tale, ‘The Singing Bone’, the shepherd who finds it doesn’t react in terror and run, but thinks to himself, ‘What a strange little horn, singing of its own accord like that. I must take it to the king.’ The bone sings out the truth of what happened, and the whole skeleton of the victim is dug up, and his murderer—his elder brother and rival in love—is unmasked, sewn into a sack, and drowned.

This version is less than two pages long: a tiny, supersaturated solution of the Grimms: grotesque and macabre detail, uncanny dynamics of life-in-death, moral piety, and rough justice. But the story also presents a vivid metaphor for film itself: singing bones. (It’s therefore apt, if a little eerie, that the celluloid from which film stock was first made was itself composed of rendered-down bones.)

Early animators’ choice of themes reveals how they responded to a deeply laid sympathy between their medium of film and the uncanny vitality of inert things. Lotte Reiniger, the writer-director of the first full-length animated feature (The Adventures of Prince Achmed), made dazzling ‘shadow puppet’ cartoons inspired by the fairy tales of Grimm, Andersen, and Wilhelm Hauff; she continued making films for over a thirty-year period, first in her native Berlin and later in London, for children’s television. Her Cinderella (1922) is a comic—and grisly— masterpiece.

Early Disney films, made by the man himself, reflect traditional fables’ personification of animals—mice and ducks and cats and foxes; in this century, by contrast, things come to life, no matter how inert they are: computerization observes no boundaries to generating lifelike, kinetic, cybernetic, and virtual reality.

Featured image credit: “Dca animation building” by Carterhawk – Own work. Licensed under CC-BY-SA 3.0 via Wikimedia Commons.

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From Little Red Riding Hood to Frozen, the contemporary fairy tales we know today had their beginnings in classic versions that may seem less familiar at first glance. Inspired by Once Upon a Time by Marina Warner, we’re testing your knowledge of well-known favorites with the quiz below. Do you know your Cinderella from your Sleeping Beauty? Try your hand at the questions to see if you have what it takes to be King or Queen of fairy tale lore.

We hope you enjoyed taking this quiz. If you still don’t want to leave the world of ‘happily ever afters’, why not discover who the OUP staff chose as their favourite characters from fairy tale history?

Featured image credit: Beauty and the Beast, by Warwick Goble. Public domain via Wikimedia Commons.

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From wicked step-mothers to fairy god-mothers, from stock phrases such as “once upon a time” to “happily ever after”, fairy-tales permeate our culture. Disney blockbusters have recently added another chapter to the history of the fairy-tale, sitting alongside the 19th century, saccharine tales published by the Brothers Grimm and the 17th century stories written by Charles Perrault. Inspired by Marina Warner’s Once Upon a Time, we asked OUP staff members to channel their inner witches, trolls, and princesses, and reveal who their favourite fairy-tale character is and why. Do you agree with the choices below? Who would you choose?

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“The outlook is not promising for my favourite fairy-tale character, Kai, towards the end of Hans Christian Andersen’s The Snow Queen. With splinters from the troll’s mirror in his eye and his heart (that have turned him evil), Kai is a prisoner of the Snow Queen being forced to spell out the word ‘eternity’ using pieces of ice, in the manner of a Chinese puzzle. And he does it all for the childish promise of a pair of skates. Knowing the author’s penchant for unhappy, complicated endings, I was greatly relieved when the story ends with Kai’s childhood love Gerda coming to the rescue!”

— Taylor Coe, Marketing Coordinator

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“Though I have many favorite characters, the one that has been consistent throughout my life is Ariel/The Little Mermaid. I have always been fascinated by the ocean so her story stood out amongst the other fairy-tales when I was growing up. I admire her ability to recognize what she wants, and her courage to change her circumstances, no matter the consequences. She is curious and always seeks out new experiences, which I relate to. Ariel’s story reminds us to question our surroundings and create adventurous lives.”

— Molly Hansen, Marketing Associate

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“Baba Yaga. She has long been my favorite mainly because of the sound, rhythm, and cadence with which my mother (who first told me the story from a children’s book of fairy-tales) said ‘Baba Yaga, the boney-legged’. All sorts of possibilities lay within those five words. (I later learned my mother was mispronouncing ‘Baba Yaga’.) I think what her story distinct is that Baga Yaga was an individual. Normally fairy-tale characters, especially villains, are nameless : a witch, a wicked stepmother, etc. (this was before I learned it simply means ‘old woman’). Baba Yaga had a home (with chicken legs!); she didn’t live in some random cottage that inept children could find. Baga Yaga belonged in the (fairy tale) universe just as much as the heroes. (I have no idea what the hero’s name was supposed to be.)”

— Alice Northover, Social Media Marketing Manager

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“Mine is La belle au bois dormant – or Sleeping Beauty. Just the thought of sleeping in peace for 100 years sounds like heaven to me. I’m not so fussed about being awoken by a kiss from a prince – I’d rather he came with a large cup of tea!”

— Andrea Keegan, Senior Commissioning Editor

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“My favourite fairy-tale character is one I can’t actually pronounce: Snegurochka. For those who don’t speak Russian – and I modestly include myself among that number – Snegurochka (or Snegurka) is known in English as The Snow Maiden. It’s about a girl made of snow, by a poor, childless couple, who unexpectedly comes to life. Most versions of the story end relatively tragically, but I love the mixture of fantasy and real life. It’s very poignant, and lends itself to many different retellings.”

— Simon Thomas, Marketing Executive

*   *   *   *   *

“I have always been a fan of the Brothers Grimm fairy-tale Snow White and Rose Red. Since one sister shares a name with the other fairy tale princess, I think these young ladies often are overlooked. I love that they are brave enough to be generous and kind even to those who are different or intimidating. And someone who is ungrateful for their help gets eaten by a bear—a good lesson for us all.”

— Patricia Hudson, Associate Director of Institutional Marketing

*   *   *   *   *

“My favourite fairy-tale character is Puss in Boots because he is such a cunning feline. Ever the loyal cat, he uses his tricks and deceptions to aid his master in pursuit of love and fortune. He is part of a long tradition of the ingenious sidekick, whose skills far outweigh those of their counterpart – in this case his master – who inevitably reap the benefits of the sidekick’s wily ways. It’s got everything really: brains, adventure, romance… and rather adorably, a cat who thinks he’s people.”

— Jennifer Rogers, Team Leader (GAB Operations)

*   *   *   *   *

“Peter Pan because he is selfish and charming, earthly and ethereal, vulnerable and bold; he boasts “Oh, the cleverness of me!” and also fearlessly announces “To die would be an awfully big adventure”. He inhabits a dream-world and delights in enticing us to join him; to leave off adulthood and rekindle our childhood spirit & imagination.”

— Suzie Eves, Marketing Assistant

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“I’ve always loved the tales of Fionn mac Cumhaill, the Irish warrior. He’s a shape-shifter in mythology; sometimes a man, sometimes a descendant of magic people, sometimes a giant. As a giant, he built the Giant’s Causeway to give him a stepping stone to Scotland. During a feud with a Scottish giant he dug out a clump of earth to throw at his rival; the hole where the earth had been became Lough Neagh, the earth (which fell short of Scotland) became the Isle of Man. It is said that he never died, but lies asleep underground, and will wake to protect Ireland and the Irish people when they need him most. I love these tales, as they speak to me of the places of my childhood, and when I visit the Giant’s Causeway, I almost feel like I could round a corner to find Fionn stepping in his giant boots across the Irish Sea.”

— Cathryn Steele, Assistant Commissioning Editor

*   *   *   *   *

“My favourite fairy-tale character is the old shoemaker, who worked very hard and was very honest, but who couldn’t earn enough to feed his family. He unknowingly receives the help of the nocturnal elves, who themselves have nothing, not even clothes on their backs, but who work all night to turn leather into beautifully crafted shoes. The eventually success of the old shoemaker did not change him and he repaid the elves kindness with Christmas presents of fancy shirts, bright pantaloons, and teeny tiny clogs, and the elves went away happy and dancing. A lovely lesson not to forget those who helped us get where we are. It also reminds me of what parents say when they’ve performed a thankless task, “the elves must have done it!”. Perhaps it’s really a hint that they deserve a nice present at Christmas!”

— Alison Jones, Managing Editor (Open Access)

*   *   *   *   *

“My favourite fairy-tale character is the horse Dapplegrim. I always loved how he was the brains and also the brawn in his fairy tale, and how the story was really about him, instead of about the prince and the princess who usually feature so centrally in fairy-tales. With his help his master was able to complete the tasks he was set and marry the princess, but Dapplegrim never asked for his own reward. His story had everything – magic, shape-shifting, seemingly-impossible tasks, a beautiful princess/sorceress to win, and a battle. Dapplegrim always came out on top.”

— Jenny Nugee, Administative Assistant

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“As a child I remember being horrified and fascinated by the Grimm’s Fairy Tales. The more horrible the story, the more I loved it. Yet, it was not until I was a full-grown adult that I discovered my favorite book of fairy-tales. It was in the mid-90s when I was in my late 20s, living in Hoboken, NJ. My bedroom window looked out the back onto the backroom of a local pub, The Shannon Lounge. It was in the backroom of the Shannon Lounge that I witnessed a strange puppet show inspired by Heinrich Hoffmann’s Der Struwwelpeter. Here are wondrous tales of kids catching fire for playing with matches, and tall lanky men snipping off the thumbs of thumb sucking minors, or what would happen if you tipped in your chair at the dinner table, and many other cautionary tales for obstreperous brats that paid little heed to the wisdom of their parents and elders.”

— Christian Purdy, Publicity Director, GAB Marketing

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“I’ve always had a soft spot in my heart for the lesser-known but very sweet Brave Little Tailor. He becomes king because of a series of calculated heroic actions, including clever wordplay (he kills “seven at one stroke,” he claims, referring not to men but to the seven flies he killed at breakfast) and defeating giants without even touching them (he turns them on each other, instead). He moves up the social ladder and marries the princess all due to his wit and cleverness—and maybe some white lies here and there…”

— Georgia Brodsky, Marketing Coordinator

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“The best characters are almost always the evil ones! I love the Queen in Snow White, particularly in the Brothers Grimm telling of the story. Her impressively creative attempts to kill Snow White are fascinating, and I’m pretty sure that I can relate to her demise: dancing in red-hot shoes until she drops dead.”

— Caroline James, Editor

*   *   *   *   *

“I’ve always had a soft spot for the Ugly Duckling. As a very sensitive kid, I agonized with the baby bird at every step of his journey and was elated when he found his true family. Then, as a typically insecure teenager, I dreamed of having a transfiguration of my own. Now, as I tell the story to my daughter, it reminds me how important it is to treat even the scruffiest of ducklings more like potential swans.”

— Beth Craggs, Communications Executive

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“One of my favourite fairy-tale characters is the dog with the eyes as big as saucers in The Tinderbox. I like him because even though the treasure he guarded was the least valuable, he is no less intimidating as a character. As a child I wished I had a dog, so the idea of having three big dogs you could summon at any time also had great appeal!”

— Iona Argyle, Programme Administrator

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“My favourite fairy-tale character has to be Roald Dahl’s feisty Little Red Riding Hood. Dahl’s ability to challenge traditional roles and inject any story with a wicked spark of fun made his books a mainstay of my childhood. As a feminist, and someone who has watched the obsession with ‘perfect princesses’ with increasing dismay, the killer lines in this poem feel like a perfect antidote:”

‘The small girl smiles. One eyelid flickers.
She whips a pistol from her knickers.
She aims it at the creature’s head
And bang bang bang, she shoots him dead’

— Emma Duke, Group Communications Manager

*   *   *   *   *

The post Who is your favourite fairy-tale character? appeared first on OUPblog.

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There is a quarrel inside me about fairies, and the form of literature their presence helps to define. I have never tried to see a fairy, or at least not since I was five years old. The interest of Casimiro Piccolo reveals how attitudes to folklore belong to their time: he was affected by the scientific inquiry into the paranormal which flourished – in highly intellectual circles – from the late nineteenth century and into the twentieth. But he also presents a test case, I feel, for the questions that hang around fairies and fairy tales in the twenty-first century. What is the point of them? What are the uses of such enchantments today? The absurdity of this form of magical belief (religious miracles are felt to be different, and not only by believers) creates a quarrel inside me, about the worth of this form of literature and entertainment I enjoy so much. In what way am I ‘away with the fairies’, too?

Suspicion now hangs around fairy tales because the kind of supernatural creatures and events they include belong to a belief system nobody subscribes to anymore. Even children, unless very small, are in on the secret that fairyland is a fantasy. In the past, however, allusions to fairies could be dangerous not because belief in them was scorned, but because they were feared: Kirk collected the beliefs of his flock in order to defend them against charges of heterodoxy or witchcraft, and, the same time as Kirk’s ethnographical activities, Charles Perrault published his crucially influential collection (l697), in which he pokes fun, with suave courtly wit, at the dangerousness of witches and witchcraft, ogres and talking animals. Perrault is slippery and ambiguous. His Cinderella is a tale of marvellously efficacious magic, but he ends with a moral: recommending his readers to find themselves well-placed godmothers. Not long before he was writing his fairy tales, France and other places in Europe had seen many people condemned to death on suspicion of using magic. The fairy tale emerges as entertainment in a proto-enlightenment move to show that there is nothing to fear.

The current state of fairy tale – whether metastasized in huge blockbuster films or refreshed and re-invigorated in the fiction of Robert Coover, Donald Barthelme, Margaret Atwood or, most recently, Helen Oyeyemi (Mr Fox, and, this year, Boy Snow Bird) does not invite, let alone compel, belief in its magic elements as from an audience of adepts or faithful. Contemporary readers and audiences, including children over the age of 6, are too savvy about special effects and plot lines and the science/magic overlap to accept supernatural causes behind Angelina Jolie’s soaring in Maleficent or the transmogrifications of the characters. Nor do they, nor do we need to suspend disbelief in the willed way Coleridge described.

Rather the ways of approaching the old material – Blue Beard, The Robber Bridegroom, Hansel & Gretel, Snow White and so on – opens up the stories to new meanings. The familiar narrative becomes the arena for raising questions; the story’s well known features provide a common language for thinking about families and love, childhood and marriage. Fairies and their realm allow thought experiments about alternative arrangements in this world. We are no longer looking for fairies at the bottom of the garden, but seeing through them to glimpse other things. As the little girl realises in The Servant’s Tale by Paula Fox, her grandmother through her stories ‘saw what others couldn’t see, that for her the meaning of one thing could also be the meaning of a greater thing.’ In the past, these other, greater things were most often promises – escape, revenge, recognition, glory – but the trend of fairy tales is turning darker, and many retellings no longer hold out such bright eyed hope.

Featured image credit: Sleeping Beauty, by Viktor M. Vasnetsov. Public Domain via Wikimedia Commons.

The post Once upon a time, part 2 appeared first on OUPblog.

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With the welcoming of ghoulish decoration displays and the buzz of Halloween costume ideas, the streets will soon be filled with candy-hungry witches, superheroes, and beloved fairy tale characters. Of all the many treasured fairy tale characters that come and go in popularity, none seems to be more resilient than Cinderella. But this Halloween, Cinderella doesn’t have to just mean the classic blue ballroom gown and glass slippers…

Whether you are planning your Cinderella unit this time of year or are brainstorming with young readers on Halloween costume ideas, Lee & Low Books is proud to present the Cinderella Around the World series. This collection of five diverse Cinderella stories from our Shen’s Books imprint features stories of Cinderella from several different cultural perspectives. Cinderella has been told for centuries across many distant lands and cultures from around the world. Readers will discover a range of settings, cultures, traditions, and characters as they explore Cinderella tales from Southeast Asia, India, and Mexico.

On our Cinderella Around the World webpage, you will find recommendations for classroom-tested, educator-created resources to utilize with this five-book series collection. We are grateful to the educators at ReadWriteThink.org and EDSITEment from the National Endowment for the Humanities (NEH) for sharing exemplary lesson plans for teaching diverse Cinderella stories.

But the resources don’t stop there! Check out our Cinderella Around the World Pinterest board to discover more ways to teach these treasured retellings, where we are compiling the most extensive collection of related content, enriching activities, and instructional plans for teaching Cinderella both in the classroom and at home.

We believe that collaboration and sharing of resources is key to furthering a more global mindset and education. Therefore, if you are interested in connecting with our broader educator and parent community through collaboration on Pinterest or know of even more high-quality resources to share on our webpage, please contact us at [email protected].

Filed under: Common Core State Standards, Educator Resources Tagged: cinderella, diversity, Educators, ELA common core standards, halloween, holiday, literacy

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This month marks the 50th anniversary of Disney’s beloved film Mary Poppins, starring the legendary Julie Andrews. Although Andrews was only twenty-nine at the time of the film’s release, she had already established herself as a formidable star with numerous credits to her name and performances opposite Richard Burton, Rex Harrison, and other leading actors of Hollywood’s Golden Age. Mary Poppins would earn Andrews an Academy Award for Best Actress and serve as a milestone in a career that continues today. Herewith are some of our favorite songs from Andrew’s illustrious career.

“I Could Have Danced All Night”
Andrews belted out this song in the 1956 Broadway performance of My Fair Lady. Andrews proved her singing capabilities playing Eliza Doolittle opposite Rex Harrison as Professor Higgins, although she was replaced in the film version (with Audrey Hepburn acting and Marni Nixon dubbing).

“Camelot”
Andrews performed the play’s title track during its 1960 performance on Broadway. The actress played Queen Guenevere – a title she was apparently comfortable with, later playing Queen Renaldi in Disney’s Princess Diaries – opposite Richard Burton as King Arthur.

“Impossible; It’s Possible”
Starring in another royal role, Andrews played the title character in CBS’ 1957 production of Cinderella, written by Richard Rodgers and Oscar Hammerstein.

“Supercalifragilisticexpialidocious”
People are still reciting this tongue twister performed by Andrews in Disney’s 1964 hit film Mary Poppins. In addition to earning her an Oscar, Andrews’ role as the angelic English Nanny cemented her name in silver screen history.

“My Favorite Things”
Hot on the heels of her success from Mary Poppins, Andrews starred as Maria von Trapp in The Sound of Music, expanding her international fame and branding herself as a singer to be reckoned with in Hollywood and on Broadway.

Headline image credit: Mary Poppins Movie Poster via Panhandle Post.

The post Celebrating Julie Andrews appeared first on OUPblog.

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Cinder, Scarlet & Cress
Marissa Meyer
YA

This review has me torn. On the one hand, I really enjoyed the first book in this series, Cinder. On the other hand, I had a hard time moving from book 1 to book 2 because main protagonists change. Is this a revolutionary way to avoid the sequel slowdown? Or does it kill the reading momentum?

But one thing at a time. First, Cinder.

Basic premise: A retelling of Cinderella as a cyborg/lunar girl living in a future Beijing in which the Queen of the Moon threatens to attack and enslave (or destroy) earth. Cinder, a mechanic and adopted daughter of the archetypically evil stepmother and one evil stepsister and one nice stepsister, is (spoiler alert!) secretly the rightful heir to the lunar throne. She doesn't know it yet. She thinks she's just a mechanic, who is also partly cyborg, and thus despised by most. Cyborgs are considered de-humanized by the cybernetic parts. Add to that, earthens suffer a plague caused by a viral strain introduced by runaway lunars.

As Fate would have it, the crown prince, Kai, is looking for the lost lunar heir, and comes to Cinder to repair  a broken android that may hold the answers to the lost princess's whereabouts. Cue: meet-cute.

The rest of the book is action-packed unraveling of the plague, who the princess is, the love interest between Cinder and Kai that all lead up to the annual ball where (spoiler alert!) the princess does not get her prince. In fact, he sacrifices her to the Lunar Queen to save earth.

Despite how much is going on in this story, it held my attention and was a fun read. Definitely a dessert book. My youngest loved the book so much, she asked if we could get the second book. We listened to both as audio books. We got it. We almost didn't get through.

Scarlet begins with a wholly different protagonist, namely, a character based on Little Red Riding Hood, with a parallel story about the people who helped Cinder escape from the moon, hide her and transform/heal her as a cyborg. It was very jarring to trade out one main protagonist for another, and in this instance, Scarlet is a very angry 18 year old, which makes it hard to feel empathy for her. She constantly lashes out. But we stuck with it (partly due to a very long car ride) and eventually, about halfway through the book, were able to listen without checking the clock.

I'm not sure I'd have bought the third book, but Scarlet ended in the middle of said long car trip, so we did. Cress follows the same pattern as Scarlet, introducing yet another new main protagonist and another retelling of a fairy tale, Rapunzel.

All of the main female lead's stories are connected and interwoven. The writing is tight and filled with action. And I admire Meyer for coming up with a novel way to avoid the sequel slowdown. I'm not sure introducing a new protagonist as the lead works particularly well. The reader is forced to alter heroes from one protagonist to another, while also following the original protagonist's main story as it unfolds in a sort of b-story role.  Clearly, these books have sold exceptionally well, so something is working. Maybe it's my misperception that I'm getting hung up on. This isn't a trilogy. These are chronicles, loosely related stories that are nevertheless connected and do move forward toward a common goal. Still, it was jarring to move from book 1 to 2. And yet, here I am on book 3. Like I said, these books have me torn.

For other great May treasures, click on over to Barrie Summy's website. Happy reading!

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In case you haven’t heard, we acquired SHEN’S BOOKS last winter, and we couldn’t be more excited! Shen’s Books published great children’s books emphasizing cultural diversity and tolerance, with a focus on introducing children to the cultures of Asia. 

This month, we released the first title under our new Shen’s Books imprint: Summoning the Phoenix: Poems and Prose About Chinese Musical Instruments, and it’s been an amazing journey so far! The title received a starred review from Kirkus Reviews, and author Emily Jiang and illustrator April Chu have been very busy with book events!

There are seven more titles that we have reprinted and plan to release this spring. All will be available starting in mid-May:

Abadeha: The Philippine Cinderella, retold by Myrna J. de la Paz, illustrated by Youshan Tang

Angkat: The Cambodian Cinderella, by Jewell Reinhart Coburn, illustrated by Eddie Flotte

Anklet for a Princess: A Cinderella Story from India, by Lila Mehta, adapted by Meredith Brucker, illustrated by Youshan Tang

Cora Cooks Pancit, by Dorina K. Lazo Gilmore, illustrated by Kristi Valiant

Domítíla: A Cinderella Tale from the Mexican Tradition, adapted by Jewell Reinhart Coburn, illustrated by Connie McLennan

Jouanah: A Hmong Cinderella, by Jewell Reinhart Coburn with Tzexa Cherta Lee, illustrated by Anne Sibley O’Brien

Land of the Morning Calm: Korean Culture Then and Now, by John Stickler, illustrated by Soma Han

We’re looking forward to all of these titles and hope you are too!

For a list of Shen’s Books that are currently available from Lee & Low Books or to place an order, contact our ordering department toll-free at 1-888-320-3190 x. 28.

Filed under: New Release Tagged: children's books, cinderella, diversity, new releases, reprints, Shen's Books

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When I get in a certain kind of mood, there’s nothing that I want more than stories about downtrodden people being showered with care and nice things and the people who have been metaphorically treading on them having that shoved in their faces. And Aunt Crete’s Emancipation, by Grace Livingston Hill, is the distilled essence of that. And you guys know me pretty well, I guess, because a number of you have recommended it to me over the past few years. It’s my own fault for not giving in and reading it sooner.Aunt Crete is Lucretia Ward, a dumpy middle-aged spinster who lives with her sister Carrie and her niece Luella. They’re not particularly nice to her, in just about every way they can manage. They pass off to her the greater share of the housework, deprive her completely of anything she wants for herself, and put down everything about her: her looks, her intelligence…even the kindness and love for her dead eldest sister that make her look forward to a visit from her unknown Western nephew.  Carrie and Luella are much less excited about the nephew, who they picture as gawky and uncivilized, and flee to a seaside resort just before he arrives, leaving Aunt Crete to receive him — and also to finish trimming some of Luella’s dresses and make jam and whitewash the cellar. The nephew, of course, is neither gawky or uncivilized. He’s handsome and wealthy and well-educated and kind, and he both appreciates and returns Aunt Crete’s affection. He also quickly grasps the actual nature of the situation, hard as Aunt Crete tries to hide it from him, and immediately starts making up for it. First he takes her shopping for clothes, sparing no expense — an essential part of this kind of book — and then he takes her to the same resort Carrie and Luella have run off to. From there on, Hill wallows in gentle malice. And she does it with such balance. She’s less gentle than, say L.M. Montgomery, but less malicious than Mary Jane Holmes, who would have had Luella die at the end of the book, but not before all her hair had fallen out. Hill only makes Luella marry a plumber, but she rubs Aunt Crete’s newly acquired advantages in Luella and Carrie’s faces exactly as much as I wanted her to.  To paraphrase Jimmy Carr on 10 o’ Clock Live, Grace Livingston Hill has clearly found my level. I’m just kind of impressed by the purity of this book, for lack of a better word. It’s the platonic ideal of this trope, whatever this trope is called. It’s unsullied by romance and there’s no plot to speak of – just nice things being showered on Aunt Crete and not on Carrie and Luella, and Carrie and Luella having that rubbed in their faces. It’s petty, and vindictive on behalf of a character who couldn’t be, and I love it. I should go figure out where I left that copy of Cloudy Jewel.

Tagged: 1910s, cinderella, gracelivingstonhill

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Mel happened to be reading this one when I said I wanted a Cinderella book, and something that was like The Blue Castle but wasn’t The Blue Castle, and recommended it. And Margaret Widdemer’s The Year of Delight is very definitely both of those things, and if Margaret Widdemer can’t stop her characters from coercing each other into being married…well, it bothers me a lot less when the person being coerced is the man.

The title makes both more and less sense when you know that it’s the name of the title character. Delight Lanier is a dreamy, obedient child, brought up at a cross between a boarding school and an orphan asylum, and she grows up into a dreamy, obedient young woman, working as a secretary for a philanthropic cousin. She exist more in her daydreams, which take place in the year after next, than in her real life.

That changes when her cousin dies and leaves her six million dollars and she’s simultaneously diagnosed with pernicious anemia. She’s only got a year to live, so there isn’t any year-after-next anymore. But she’s got millions of dollars at her disposal, so she decides to start living in year-after-next now. She collects the girl she wanted as a best friend when she was a kid and hires her as her companion, does a lot of shopping, buys a house in the country, and gets up a house party with the man she hasn’t realized she’s in love with and his fiancée as its nucleus. And, with all that in place, she tries to be an ordinary young person, in a way she’s never gotten to be before.

She’s very good at it, of course. That’s the kernel of the whole Cinderella story thing: a heroine who’s out of the world in some way — whether because she’s poor, or sheltered, or a drudge or whatever — to the point where she doesn’t really know how to…do life, I guess. But then she gets fitted out with a nice set of worldly possessions and thrown in with a nice set of people, and finds out that actually she’s very good at doing life.

Margaret Widdemer has a pretty solid grasp on that concept — see The Rose Garden Husband, The Wishing-Ring Man, Why Not?, etc. Don’t see I’ve Married Marjorie, because it’s gross. And she executes it very well here: The Year of Delight is materialistic but light-hearted, and Widdemer understands the value of being pettily mean to the hero’s fiancée, and of having an extra man on hand to fall in love with the heroine. She’s also really good at convincing you that her characters really enjoy each other’s company, which is always a plus.

The Year of Delight is almost too much like The Wishing-Ring Man, without being quite as good. Delight’s love interest, Julian, was a little less attractive by the end than he was at the beginning, partly as a consequence of clinging to Edna, his fiancée, for a little too long, and while Widdemer tries to make Delight’s inconsistency seem more like a feature than a bug, it doesn’t quite work. Still, though, mostly it’s just super, super fun. I feel like Widdemer delights in the same kind of knotty emotional situation that I do, and sometimes I almost don’t dislike her for I’ve Married Marjorie.

Tagged: 1920s, cinderella, margaretwiddemer, romance

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Cinderella Stays Late

Tomorrow is my first day at Grimm Academy! It’s the most famous school in Grimmlandia and was founded by the brothers Grimm as safe haven for everyone “born of fairy tale, folktale, and nursery rhyme magic.” My stepsisters have been going there for years and now I finally get to go, too!

I’m so excited, but I’m also nervous! The Steps haven’t told me much about what school is like. I think they even wish I wasn’t going with them tomorrow. Guess I’ll just have to make some new friends!

Any advice for my first day at a new school? Whatever happens, I’m sure it will be grimmtastic!

Love,
Cinda

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The Korean Cinderella

A lush Korean version of the story of Cinderella....

To honor her birth, a pear tree is planted and the newborn baby is named Pear. She is beautiful and loved by her elderly mother and father. When Pear's mother dies, her father remarries a woman with a daughter the same age as Pear. Beautiful Pear's stepmother is jealous of her stepdaughter's beauty and requires her to perform many impossible chores, while her own daughter, Peony watches.

With the help of magical creatures (frog, sparrow, and black oxen) Pear successfully completes each chore and is able to attend the festival. On the way to the festival she loses her shoe. The magistrate sees the beautiful Pear and calls out to her. Believing he is yelling at her, she runs away without her shoe. At the festival the magistrate looks for the girl without the shoe...

If you liked this, try:
The Irish Cinderlad
The Rough Faced Girl
Mufaro's Beautiful Daughters
Lon Po Po
The Golden Sandal

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Cinderella: Fables Are Forever Chris Roberson

Yay! More adventures in Cinderella's double life as one of Fabletown's spies! I love this other side to her!

As I mentioned on Monday, the closing scene of Inherit the Wind sets up the story for this one (although we start with a flashback, so it doesn't appear right away.)

The person who killed Kadabra is an old, old nemesis of Cindy's--one she thought she buried a long, long time ago. We start in the USSR, in the early 80s. Lots of sexy ladies in hot tubs. That was the last time Cindy met her old advesary.

Remember how I said we were going back to Oz? Meet Dorothy Gale, mercenary. We get some good backstory on her, too.

With Mr. Kadabra's death, many old secrets and enemies are coming home to roost, with issues involving the other Fable communities around the world. I like the backstory that flushes out these characters that don't quite fit into the main Fables narrative. I also love the deeper look at the international Fable politics.

PLUS! Anansi! ANANSI! What a wonderful surprise to see him turn up as a character.

I hope we see much more of Cinderella's adventures, as she really does open up the the Fables universe.

Plus, she knows how to fight.

Book Provided by... my wallet

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4.5 Stars Beautiful Wild Rose Girl B. Magnolia Mystic World Press No. Pgs: 32  Ages: 4+ ................. From Back Cover: If everyone in the village calls her “Beautiful Wild Rose Girl,” why does this poor, sad girl live in a swamp? And why, when she goes to bed every night, does she hear bullfrogs sing to [...]

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The Cinderella App by Nosy Crow is one of finest, funnest, lushest things on our family iPad these days.
It's a really charming retelling of a classic, with a clear story and just enough interactive elements to make for fine replay.
I love Ed Bryan's illustrative style - the images glow in a way a fairy tale should, not garish but magical.
Enjoy the short making-of video featuring Ed below. Then pick it up in the app store - it's on sale for the jubilee this week (normally it's a few dollars more).

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Having read the entire Hunger Games trilogy last year, I was ever so eager to see the film. It came out in Lent so we were saving it for our Bright Week treat. But when we got there, the theatre had technical difficulties, so we had to find another time in our over-full schedule to view it, and at long last we got there last night. It was everything I hoped, one of the best movie adaptations of a book I've ever seen-- and of a book that was exceptionally good to begin with.

We were discussing it around the fire afterward and enthusing about the character of Peeta.

I've written in this blog about several literary characters who are heroic and even chivalrous-- Reepicheep is perhaps the best of all-- but I am really thrilled with author Suzanne Collins for giving us Peeta, the boy with the bread as a-- dare I say it-- role model for young men today. A role model who shows us that chivalry is not dead yet.

When Katniss is suffering severe hunger, collapsed in the rain behind the bakery owned by Peeta's family, he comes out to give some burnt bread to the pigs, and seeing her there he throws one of the loaves her way. The book expands on this incident, and we know that not only did he give her the bread; in order to help Katniss,  he deliberately burned the bread in the first place so his mother would make him throw it out. He did this even though he knew very well she would beat and scold him for burning the loaves.

Katniss herself is certainly no spoiled princess-- and she too shows her sterling character from the start of the story, first risking herself regularly to hunt and provide for her family, then stepping forward to take her little sister's place in the arena.

At the end of the movie, of course, the rules of the horrific Survivor-like Hunger Games are switched on them, and the promise that two might be victors together is snatched away from them. Of course Peeta instantly offers himself up so Katniss may survive. And Katniss of course finds a way out, forcing the gamemakers to to allow them both to live.

Amid all this heroism there is one small detail in the film version that to me particularly spells 'chivalry'. Peeta lies in danger of death, and starts talking to Katniss about the incident with the bread. "I should have just given it to you!" he laments. The boy with the bread took a beating to help her, but now as he looks back on what is likely his rather short life, he can only think he should have done what he did in a better way.

Chivalry is never just satisfied with a right thing. It strives to do the rightest thing that can be done, in the rightest way it can find to do it.

Here on A Spell for Refreshment, I try to focus largely on the positive side of things, the side of light and refreshment, though I have talked in some posts about how this doesn't mean spiritually refreshing stories shy away from the darkness and ugliness in the world. But the cliche about lighting one candle rather than cursing the darkness certainly applies. So when I was reading some articles about how a depressing percentage of young people in our society are "more confident, assertive, entitled-- and more miserable than ever", it threw Peeta

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Using Illustration Friday this week for my warm-up drawings. This is #3.

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the invitation

Filed under: little boxes

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