Tales of wonder usually have happy endings. They may have danger and darkness, forbidden places and strange creatures, witches and cruel magic...but wonder tales -- fairy tales -- do have happy endings...with very few exceptions. The journey may be fearsome, but salvation and awakenings occur in the end...and these stories endure forever.

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Beauty, Horror, and Ignition Power...

Enchanted Hunters, The Power of Stories in Childhood by Maria Tatar, takes the reader on a wonderful journey through children's literature.

In the chapter entitled, Beauty , Horror and Ignition Power, she writes about the effect of wonder tales on the imagination of children, including the balance between the dark side and positive endings. Here are excerpts..."We rarely worry about the effects of beauty, but horror is another matter...with an allure all its own, horror has the power to frighten as well as to fascinate...how much do we want children to find in their stories and how soon?..." 

Tatar then illustrates the idea of too much horror with "Hans Christian Anderson's 'The Girl Who Trod On The Loaf', a tale that revels in torturing Inger, the 'girl' in the title." Tatar then writes, by contrast. of three classic tales  where all ends well. 

 "By contrast,'Little Red Riding Hood', 'Hansel and Gretel', and 'Snow White' begin with the child as victim, but they end with the triumph of the underdog and the punishment of the villain. 'Children know something they can't tell; they like Red Riding Hood and the wolf in bed' Djuna Barnes once declared. Fairy tales and fantasy enact perils and display horrors, but they always show a way out, allowing children to explore great existential mysteries that are far more disturbing when they remain abstract and uncharted rather than take the concrete form of the story."

The illustration of Little Red Riding Hood is by Hermann Vogel.

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The Defining Dynamic of the Fairytale      

Amanda Craig,is an acclaimed British novelist,  journalist, and  children's book reviewer. The following excerpt is from her insightful review of Marina Warner's "Once Upon A Time, A Short History of the Fairy Tale", in the Guardian   

"One of the most interesting aspects of reworking fairytales is that it tends to be practised by idealists and reformers, whether devout Christians, such as CS Lewis, or socialists, such as JK Rowling. The defining dynamic of the fairy tale is optimism (as opposed to the tragic tendencies of the myth), but this has encouraged bowdlerisations from the dark and gruesome aspects of many originals – Dickens hated the way the illustrator George Cruikshank softened stories, the brothers Grimm tinkered to “excuse the men and blame the women”, and the ambiguity of the fairytale led to them being twisted into Nazi propaganda, with Little Red Riding Hood being saved from a Semitic wolf.

Happily, they have also been transmuted by modern feminism: Neil Gaiman’s striking novella, The Sleeper and the Spindle... conflates and subverts Snow White and Sleeping Beauty into a tale of female courage and choice..." Read it all in the Guardian   

The illustration from Tom Thumb is by Warwick Goble.

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Where the Light is Golden...

“October knew, of course, that the action of turning a page, of ending a chapter or of shutting a book, did not end a tale. Having admitted that, he would also avow that happy endings were never difficult to find: "It is simply a matter," he explained to April, "of finding a sunny place in a garden, where the light is golden and the grass is soft; somewhere to rest, to stop reading, and to be content.” ― Neil Gaiman, The Sandman, Vol. 4: Season of Mists

Illustration by Mike Dringenberg or Kelly Jones .

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 Humane Society of Missouri

The Humane Society of Missouri helps more than 85,000 homeless, abused and unwanted animals each year. Here is their mission statement:

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 "Perfect for Me"

"Wulff`s heartwarming stories about a household of misfit dogs, reminds me that family can include the four-legged variety, as well as the two-legged. Her simple affirmation that "My dogs are not perfect.... but they are perfect for me," guides the telling of these gentle stories. For dog lovers everywhere."

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Dr. Seuss’ ‘What Pet Should I Get?’

"First, though, the book itself: It features a round-faced brother and sister — his close-
cropped hair is bristly on top, she has a long, wispy ponytail — who enter a pet store excited about the prospect of taking a new animal home. 'Dad said we could get one./ Dad said he would pay,' the boy exclaims. Inside, they confront a head-­spinning lineup of choices. Also, they don’t have much time — their mother has told them to be home by noon. A few pages into their predicament and again toward the end, the words MAKE UP YOUR MIND charge across the top of a two-page spread, each held aloft by a different invented Seussian creature — ­floppy-limbed, scruffy-coated, oddly proportioned, jubilantly weird. On one of those pages, the boy sums up the book’s central point in a deceptively innocent lament: 'Oh, boy! It is something to make a mind up!' ” 

Here is a link to read all of Russo's article: SUNDAY BOOK REVIEW

Here's a link to a delightful and informative Dr.Seuss Today Show  report on the new book, Theodore Geisel, his widow, his personal assistant, and his publisher.  

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Winnie-the-Pooh

"To the uneducated, an A is just three sticks."

“People say nothing is impossible, but I do nothing every day.” 

“We'll be Friends Forever, won't we, Pooh?' asked Piglet.
Even longer,' Pooh answered.” 

“I think we dream so we don’t have to be apart for so long. If we’re in each other’s dreams, we can be together all the time.” 

A.A. Milne, Winnie-the-Pooh

The illustration is by Earnest Shepard.
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Rescuing Wonderful Shivery Tales

This is the title of Marina Warner's excellent and inclusive article in the NY Review of Books . Warner writes about contributions to the world of wonder tales and children's literature by Jack Zipes, Philip Pullman, Peter Wortman, and Maria Tatar. In the case of Tatar, she concentrates on her work in introducing, translating, and annotating the Turnip Princess, the tales collected by Franz Xaver von Schonwerth.

Here are excerpts from this informed and insightful article:  

"Jack Zipes has long been a staunch advocate of fairy tales and their proper study since his
book Breaking the Magic Spell (1979) issued a devastating blast against the wishful thinking of mass entertainment and shook the staid and soporific scene of folklore studies. To interpret the tales he has combined Marxism, feminism, cultural materialism, and even—for a short period—evolutionary biology. He has stirred readers with a similar passion for his material, while attacking the use of literary fantasy in movies and television to camouflage moral manipulation. Writers whom he admires—Jane Yolen, Terri Windling, and above all Angela Carter—and the films informed by their work have supplied countermodels to the sins of the dream factory. 

In the epilogue of the new critical collection, Grimm Legacies, Zipes, drawing on the work of the philosopher Ernst Bloch, once again argues that fairy tales are best understood as utopian thought experiments. When the peasant crushes the ogre, the poor lad finds justice; persecuted by malicious relatives, the kind sister gets her due, the courageous girl saves her beloved siblings or lover... 

Zipes is on a lifelong mission, as ardent as the Grimms’, to bring fairy tales into circulation for the general increase of pleasure, mutual and ethical understanding..."

The illustrations for the Grimm's Hansel and Gretel and King Thrushbeard are by Arthur Rackham.

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 FOR YOUNG FANTASY AND ANIMAL LOVERS EVERYWHERE

By Don Blankenship, educator and reviewer for Good Books for Kids . This is an excerpt from his review of Castle In The Mist... 

"This is the second book in the Planet of the Dogs series and I must say I enjoyed it, cover to cover. This work can be read as a sequel to Planet of the Dogs, an ideal situation, but can also be read as a stand-alone with no loss to the flow of the story. This read is suitable for children of approximately eight years and up as a reader, or can well be read to children much younger. Adults will love this one also; I know I did, but then I have my fare share of kid still in me...

The art work by Stella Mustanoja McCarty is of the same high quality that we found in the first book in this series (and we find in the sequel to this book also), and is a delight to the eye. These are a series of black and white drawing, probably enhanced by the use of charcoal, which fit the text perfectly. When you bring a skilled artist and writer together that know children and know their dogs, then you know you are in for a treat."

Read sample chapters of Castle In The Mist at our website: Planet Of The Dogs.

The photo, above, of the boy, Chase, and Rose, the therapy dog, are by Susan Purser. Susan and Rose bring hope and caring to many people, of all ages, from young readers to the ill and the aged.

We have free reader copies of the Planet of The Dogs book series for therapy dog organizations, individual therapy dog owners, librarians and teachers...simply send us an email at [email protected] and we will send you the books. 

Our books are available through your favorite independent bookstore, Barnes & Noble, Amazon, Powell's and many more...Librarians, teachers, bookstores...You can also order Planet Of The Dogs, Castle In The Mist, and Snow Valley Heroes, A Christmas Tale, through Ingram with a full professional discount.

The  illustration and book cover are by Stella Mustanoja-McCarty. 

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Pan In The Garden

"In many ways , modern children's literature remains an Edwardian phenomenon. This period defined the ways in which we still think of children's books and of
the child's imagination. During it's few years, this age produced a canon of authors and works that are still powerfully influential in the field...Our default mode of childhood, if you like, remains that decade or so before the first World War; the time between the death of Queen Victoria in 1901, and the assassination at Sarajevo in 1914, the time when writers looked back over loss and could only barely anticipate the end of the old order"

In the chapter "Pan In the Garden", Seth Lerer, in his book, Children's Literature, A Reader's History from Aesop to Harry Potter, writes of the impact of the Edwardian era on children's literature..."the years before the First World War in Britain and America were also years that socially and politically redefined childhood." 

Children's books written in the Edwardian era are known, even today, by many children:   The Secret Garden (Frances Hodgson Burnett), Peter Pan (JM Barrie), The Wind In the Willows (Kenneth Grahame) and more.

The cover illustration is by Inga Moore.

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"Logic will get you from A to B. Imagination will take you everywhere." Albert Einstein

The illustration is from Miyazaki's Castle In The Sky.

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Disney Got It Right in 2011-- After Previous Stumbles

According to Rotten Tomatoes, 90% of the critics (out of 127) liked the 2011 Disney production of Winnie the Pooh. Here is excerpt from the review by Michael DeQuina in Movie Report. 

..."the writing team and directors Stephen J. Anderson and Don Hall make it work by never losing sight of the spirit of the characters, world, and Milne: imagination, innocence, and heaps of heart--best encapsulated by the bear's simple, moving gesture of friendship that so eloquently ties up the story, characters, themes and the enduring legacy that is Pooh."

Here's a link to the trailer: Winnie-the-Pooh

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Maine has an organization - EmBrace A Vet -  that provides healing support with therapy service dogs. They also provide retreats for groups of vets and their families. This is from their site:

"Embrace A Vet is a nonprofit organization dedicated to providing direct and supportive services to these Maine Veterans and their families living with PTSD and/or TBI. Besides helping to save the lives of our veterans by providing love and hope through a new canine 'best friend', we also save the lives of many of the dogs who we adopt from shelters."

Embrace A Vet is the recipient of a $5,000 grant for their Paws for Peace Program. This funding, from the Planet Dog Foundation (PDF) will aid in the placement of 12 dogs with veterans in need,

Learn more about Embrace A Vet here. 

Here's a link to their new video: 

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Reading Is Fundemental

Jessica Lahey, in the Motherlode section of the New York Times, wrote an excellent article on reading,literacy, and RIF. Here is an excerpt...

"Fortunately, Reading Is Fundemental (RIF), has been enriching children’s childhoods through the distribution of free books since 1966, when the founder Margaret McNamara resolved to give books to the children of Washington, D.C., children who may not
otherwise have the chance to own books. RIF delivered books into the hands of these children by way of their iconic Bookmobiles; magic vehicles of wonder that pulled right up to the schoolhouse door and invited children to select, and take home, books of their very own. In its first year, RIF gave 200,000 books to 41,000 Washington children, and by the time I stepped into my first Bookmobile in 1977, I was just one of 1.1 million children RIF served that year.

RIF’s vision has remained constant since Ms. McNamara handed out those first books: to
create “a literate America in which all children have access to books and discover the joys and value of reading.” While RIF promotes literacy for all children, its priority is to provide books to children in underserved and impoverished communities. Since 1966, RIF has given 412 million books to more than 40 million children, and today, it hands out 15 million carefully selected tomes each year.

Literacy is a prime predictor of student success, as well as a range of economic and physical well-being. According to the National Center for Education Statistics, nearly half of the adult population, or 93 million Americans, read at or below the basic level needed to contribute successfully to society. Adults below this basic level of literacy are far more likely to be unemployed and live in poverty, while individuals who achieve higher levels of literacy are more likely to be employed, earn higher wages, and vote in state and national elections"...

Here's a link to read it all: Motherlode 

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Go Ask Alice

Anthony Lane,in an effervescent New Yorker article, wrote about Lewis Carrol, the Alice books, the world of nineteenth century Oxford,and several biographies in what Lane calls the Carrolllian maze. Here is an excerpt from this fascinating article...
"Conversations about what is real, what is possible, and how rubbery the rules that govern such distinctions turn out to abound in the tales of Alice. Yet they are sold as children's books, and rightly so. A philosopher will ask how the identity of the self can be preserved amid the ceaseless flow of experience, but a child -- especially a child who is growing so fast that she suddenly fills the room -- will ask more urgently, as Alice does, "Was I the same as when I got up this morning? I almost think I can remember feeling a little a little different" Children, viewed from one angle, are philosophy in motion."

 After I had prepared this post, I found that it was already posted by Maria Tatar on Breezes From Wonderland. Tatar has since added more about Alice including information about a new Annotated Alice by Mark Burstein and other news about 175 translations worldwide.  

Here is a link to Grace Slick singing White Rabbit at Woodstock (August 1969)

The illustration of Alice is one of ninetytwo by John Tenniel for Lewis Carrol's books.

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 A Rose Is Not a Rose...

This excerpt is from a fascinating article by Marina Warner in the Guardian

"A fairytale doesn’t exist in a fixed form; it’s something like a tune that can migrate from a symphony to a penny whistle.

Or you can compare it to a plant genus, to roses or fungi or grasses, that can seed and root and
flower here and there, changing species and colour and size and shape where they spring. But if the prevailing idea of an archetype gives too strong an impression of fixity, the picture-language of fairytale is fluid and shapeshifting: a rose is not a rose, an apple not an apple; a princess or a villain signify far more than what they seem. A dictionary of fairytale would look more like a rebus made up of icons: snow, crystal, apples, dark forests, pinnacled castles, mermaids, toads, giants, dragons, sprites, fair princesses, likely lads and crones.

The symbolism comes alive through strong contrasts and sensations, evoking simple, sensuous phenomena that glint and sparkle, pierce and flow, by these means striking recognition in the reader or listener’s body at a visceral depth (gold and silver; diamonds and rubies, thorns and knives; wells and tunnels). It’s an Esperanto of the imagination, and it’s available for any of us to use – in almost any medium..." 

The painting of Sleeping Beauty is by Edward Burne Jones. The illustration is by Jennie Harbour.

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 KIDLITOSPHERE CENTRAL

The Society of Bloggers in Children’s and Young Adult Literature 

I highly recommend Kidlitosphere as a source for anyone interested in children's literature.

There's magic, wonder, and exceptional animation here...I learned of this film, when I received this message from Joy Ward (author of exceptional dog books)..."There is an absolutely gorgeous animated movie out right now. It's Song of the Sea by an Irish team. Lovely story about o little boy and his selkie sister. Wonderful for everyone!"

No Dark Deeds Here

This excerpt of the review by Jo Williams in the St Louis Post-Dispatch, sums up the Minions, a movie for the very young.

"If you’re old enough to read a movie review in a newspaper, you’re too old to fully appreciate “Minions.” Ditto if you’re old enough to read the menu at a fast-food joint, the height requirements at an amusement park or the price tag on a shiny yellow toy. This spinoff of the “Despicable Me” cartoons is like a pre-verbal version of “Inside Out,” all coos and colors and cute facial expressions. Tiny tots will eat it up like jelly beans. But what about their bigger siblings and baby-sitters? Will they be trapped on a sugar-rush cycle with no hope of escape?

Yes, but … The mad scientists at Dreamworks have scrubbed this ’toon of anything that might scare or challenge the target audience"... 

Here is the trailer: Minions

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Long ago, when folk tales were told by people in homes, in fields, in the marketplace and taverns, there were many stories of the forests.

Two out of three of the original 1812 Grimm Folk Tales are set in or involve the forest. 

The forests held beauty and danger, the known and the unknown, light and darkness. 

The forests were places of lost and abandoned children; homes of witches, elves, and dwarfs. They were the place where wondrous events occurred. 

The forests were a threshold of wonder.

The illustration is of Harry Potter seeing the Silver Stag.

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The Forest - steeped in ancient myth and legend and infused with
spiritual meaning...

Justine Gaunt, in Woodlands.co.uk, writes of the underlying significance and symbolism of the forest found in the minds of ancient peoples and in their folk and fairy tales.

"Anyone embarking upon the journey of exploring forest symbolism finds themselves, perhaps like Little Red Riding Hood waving goodbye to her mother at the garden gate, on a vast voyage punctuated with the joys and dangers of the psyche, steeped in ancient myth and legend and infused with spiritual meaning.

It is no accident that so many fairytale characters find themselves having to traverse danger-laden tracts of woodland. In a most practical sense, as the ancients dreamed up those stories and even when the oral traditions were finally written down in the middle ages and later, the lands of northern and western Europe were thick with woodland. The dangers were palpable: from rogues and bandits lying in wait for unsuspecting travellers to opportunistic wolves hungry for the kill...

As for Little Red Riding Hood, straying from the path and into the woods is similarly dangerous and filled with treachery. Symbolically, those who lose their way in the uncharted forest are losing their way in life, losing touch with their conscious selves and voyaging into the realms of the subconscious..."

 Here is a link to read all of this article about fairy tales and the forest

The illustrations of fairies and for the story of Tom Thumb are by Gustav Dore.

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Fairy Tales Speak to the Secret Self

Tim Lott, who writes a Family Column for the Guardian wrote about the resonance and connection that the dark side of fairy tales have -- especially for kids - after taking his family to an interactive total immersion theater event based on Phillip Pullman's Grimm Tales...

"But why do these particular plots have such resonance for the audience? Bruno Bettelheim in
his study, The Uses of Enchantment, suggested that folk and fairytales that endure from generation to generation, speak to something deep in the reader’s unconscious – for instance, that these older tales legitimized the murderous and violent instincts that all children experience, freeing them from the guilt that such feelings generate...

Whether or not you believe in Bettelheim’s Freudian take on storytelling, it is unquestionable that the best stories have a profound resonance of the Grimm tales transparently address our darkest fears, but in a sense, all mythic storytelling is about addressing uncertainties and anxieties...

Here is a link that will connect you to the full article, Fairy Tales Are Not Just For Fun: Guardian

Both illustrations are for the Grimm's story, the Robber Bridegroom. The top one is by John Cruikshank; the lower on is by John Gruelle.

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The Planet Dog Foundation (PDF), Planet Dog's non-profit grant-making organization, is awarding $60,000 in new grants to twelve canine service organizations throughout the country.

"A PDF grant of $5,000 to America's VetDogs will support the training and placement of dogs for veterans being trained through their
Massachusetts Prison Puppy Program. Collectively, inmates from local facilities along with local volunteer weekend puppy raisers will train 40 future service dogs per program cycle to assist our nation's veterans with disabilities. The program not only raises the quality of life for wounded veterans and keeps them active in their communities, but also has a positive impact on the inmate population involved in the training."

America's VetDogs serves veterans from all eras, and first responders who have honorably served our country and community, by providing Guide Dogs, Service Dogs for Disabilities,, Service Dogs for PTSD, Hearing Dogs, and more...Click this link and
Learn more about America's VetDogs here. 

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Save The Children

The devastating effect of war on children is seen in a brief video, Second A Day, produced by Save The Children.  Here is an excerpt from a report by Dion Dassannayake in the Express: 

"The moving clip starts with a child celebrating her birthday and follows her moment by moment as war and conflict develops in the UK. The hard hitting clip shows London being turned into a war zone where rockets are fired at buildings in broad daylight and children wear gas masks. The powerful video ends with a moving shot of the young girl celebrating her birthday once again."

In just one minute and thirty three seconds, we are reminded of what is happening to multitudes of children today. Here is a link to YouTube- Second A Day

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The Wonder of a New Fairy Tale

Pixar's Inside Out...Inside the Mind of an 11 Year Old Girl...

After a rather disappointing hiatus of wonder, the folks at Pixar -- who produced Up, Toy Story and Finding Nemo --have produced another winner, both critically and with audiences.

Rotten Tomatoes reports that 98% of 217 reviewers were enthusiastic and positive in their reviews of Inside Out. Opening weekend crowds for “Inside Out” were 56% female and 38% under the age of 12. Families comprised 71% of the audience. The film opened June 19 and has already grossed over $300 million in ticket sales.

Here's the reaction of Craig Mathieson in the Sydney Morning Herald:

"The most pleasurably complete Pixar film since 2004's The Incredibles, Inside Out delivers a witty and empathetic answer to the eternal lament of, "What is going on inside your head?"

And, here's an excerpt from an insightful review by Andrew O'hehir in Salon.com

 "... there’s an enormous conceptual gulf between Disney films of the “classic” mode, from “Snow White and the Seven Dwarfs” and “Dumbo” right through “Pocahontas” and “The Little Mermaid,” and the consistently elegiac and nostalgic childhood’s-end fables of the Pixar era. If
you’ve ever wondered why Pixar’s animators have never gotten around to adapting “The Velveteen Rabbit,” Margery Williams’ 1922 classic about the boundary between childhood imagination and adult reality, it’s because they don’t have to. Almost every Pixar film is “The Velveteen Rabbit,” transmuted into some new fictional universe but built upon the same question, perhaps the most profound and tragic ever framed in the English language: 'Of what use was it to be loved and lose one’s beauty and become Real if it all ended like this?' ..."

Here's is a link to the trailer: Inside Out

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A Dog that Meows and Sings..WENDY

This is amazing...a video for all.

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Finding Fido:A Book That Can Save Your Dog's Life

"Like Wulff's "How to Change the World in 30 Seconds", this book is another practical handbook for helping pets. Easy to follow steps, important data, and insider info. Displaced pets make up most of the animals that find themselves in pounds, and with 3-4 million animals euthanized in U.S. shelters every year, it's no place for your beloved pet! Many times the pet's people have no idea where, or how, to start looking for them. This guide spells it out with lots of helpful tips and advice. And all the sales go to charity - how great is that?...
An Amazon 5 star review by Kristina Kane 

Here's a link to read excerpts, reviews, and to purchase Finding Fido.

I was quite taken by an excellent and evocative Dog Poem on C.A. Wulff's website, Up On The Woof 

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Sight Unseen...the Threshold of Invisibility

Here are excerpts from "The Hows and Whys of Invisibility" by Kathryn Schulz in the New Yorker.

...."These questions are not so much answered as provoked by “Invisible: The Dangerous Allure of the Unseen”(Chicago), by the British science writer Philip Ball...

His book takes seriously a subject that, perhaps aptly, has heretofore been mostly
disregarded. Invisibility looms large in the kingdom of childhood—in pretend play and imaginary friends, in fairy tales and comic books and other fictions for kids—but it seldom receives sustained adult scrutiny. And yet, once you get past the cloaks and the spells, invisibility is a consummately grownup matter. As a condition, a metaphor, a fantasy, and a technology, it helps us think about the composition of nature, the structure of society, and the deep weirdness of our human situation—about what it is like to be partly visible entities in a largely inscrutable universe. As such, the story of invisibility is not really about how to vanish at all. Curiously enough, it is a story about how we see ourselves..."

The illustrations are from the Miyazaki film Spirited Away.

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Alice: 150 Years of Wonderland

The Morgan Library Museum in New York is presenting an extraordinary exhibit, both at the Museum and Online...

"This exhibition will bring to light the curious history of Wonderland, presenting an engaging account of the genesis, publication, and enduring appeal of Lewis Carroll's classic tale, Alice's Adventures in Wonderland.

For the first time in three decades, the original manuscript will travel from the British Library in London to New York, where it will be joined by original drawings and letters, rare editions, vintage photographs, and fascinating objects—many never before exhibited..."

The array of artwork by Lewis Carrol and John Tenniel is dazzling. The scope of the online exhibit is quite comprehensive and includes information and links to early Alice films.

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 Another Reality

“You know very well you’re not real.”

“I am real!” said Alice, and began to cry.

“You won’t make yourself a bit realler by crying,” Tweedledee remarked: “there’s nothing to cry about.”

“If I wasn’t real,” Alice said—half laughing through her tears, it all seemed so ridiculous—“I shouldn’t be able to cry.”

“I hope you don’t suppose those are real tears?” Tweedledum interrupted in a tone of great contempt.

Through the Looking Glass and What Alice Found There -Lewis Carrol

Illustration by John Tenniel

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 Castle In The Mist is the second book in the Planet Of The Dogs Series  -

"...Castle in the Mist is full of the same elements I enjoyed in Planet of the Dogs and Snow Valley Heroes: beautiful, detailed, soft, mood setting drawings; the fun and antics of the dogs, and the people who are discovering them for the first time; encroaching danger and suspense; the lovely fantasy of a planet of dogs who are so concerned with the people of earth; and the forgiveness, unconditional love and loyalty that the dogs are able to subtly impart."- Taken from a 5 star Amazon review by Lisa Harvey, Book Thoughts by Lisa...

For sample chapters visit our website: Planet Of The Dogs

We have free reader copies of the Planet of The Dogs book series for therapy dog organizations, individual therapy dog owners, librarians and teachers...simply send us an email at [email protected] and we will send you the books. 

 Our books are available through your favorite independent bookstore, Barnes & Noble, Amazon, Powell's and many more...Librarians, teachers, bookstores...You can also order Planet Of The Dogs, Castle In The Mist, and Snow Valley Heroes, A Christmas Tale, through Ingram with a full professional discount.

 The illustration by Stella Mustanoja-McCarty is from Castle In The Mist

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Rescuing Wonderful Shivery Tales

Marina Warner, in the New York Review of Books, writes an extremely informative overview  encompassing the books and lives of the brothers Grimm, the work of Franz Xaver von Schönwerth (The Turnip Princess, translated by Maria Tatar), as well as related work by Philip Pullman and the translation of Selected Tales of the Brothers Grimm by Peter Wortman. The article also contains information and insights regarding the contributions through the years by Jack Zipes, including his translation of the Original Grimm Tales and his latest book, Grimm Legacies, The Magic Spell of the Grimms' Folk and Fairy Tales.

Here is brief excerpt regarding a turning point:

The brothers had been strongly encouraged to make their scholarship a bit more family-friendly by including Ludwig’s illustrations after they learned of the huge success in England of the first English translation by Edgar Taylor (1823 and 1826), with its quirky, joyous drawings by George Cruikshank. In Grimm Legacies, Zipes relates how the tone of the English illustrations changed the tales’ reception, inspiring Dickens to write sentimentally about their innocence, and Ruskin to claim that Cruikshank’s “original etchings…[are] unrivalled in masterfulness of touch since Rembrandt.”

The illustration of the Elves and the Shoemaker is by George Cruikshank.

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"The simpler question to answer is why these tales are called "fairy tales." It is from the influence of the women writers in the French Salons who dubbed their tales "contes de fees." The term was translated into English as "fairy tales." The name became so widely used due to the popularity of the French tales, that it began to be used to describe similar tales such as those by the Grimms and Hans Christian Andersen."  Heidi Anne Heiner -- SurLaLune

The illustration of Beauty and the Beast is by Walter Crane. 

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Sunbear Squad is Anna Nirva's practical site for a wide range of information focused on the well being of dogs ( as well as cats). Here are a few excerpts from a very comprehensive article on Traveling by Car or Truck with Pets. 

...On the Road...

Once you are on the road with your pet, you will need to adhere to some basic guidelines to keep your animals and your family happy and safe. Here are some recommendations for the trip itself:

Keep the Animal Inside...Anyone who owns a dog knows how much these animals like to put their heads out the window while they are riding in a car. This is dangerous for the animal, as debris can injure it. It is best to keep the animal’s head and every other part inside the car or truck, and never let your pet ride in the bed of a pickup truck, which exposes it to many dangers.

Stop Frequently...Particularly if you are traveling with a dog, you will need to stop regularly to give your animal bathroom, exercise, and water breaks. Fortunately, most rest areas have ample space for you to give your pet a chance to stretch its legs. Keep your pet leashed when you stop and have a bag ready to clean up after it.

Food and Water...You will want to limit excessive feeding while you are traveling to avoid giving your pet an upset stomach. Keep feeding to a minimum and stick to the pet food. Avoid the temptation to let the animal snack on what you are eating, as that can cause some unpleasant digestive issues.

On the other hand, you want to make sure that your pet gets as much water as possible. Give it water every time you stop. You may also want to bring along some ice cubes, which are a treat for most pets and easier for them to handle than water if they get upset stomachs while you are traveling...

 There is much more to this article...here is the link: TRAVEL

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 "Wonder has no opposite; it springs up already doubled on itself, compounded of dread and desire at once, attraction and recall, producing a thrill, the shudder of pleasure and of fear...It's a useful term, it frees this kind of story from the miniaturized whimsy of fairyland to free the wilder air of the marvelous"... Maria Warner in the Introduction to her book Wonder Tales: Six Stories of Enchantment.

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The essential strangeness of fairy tales

"Over the last few months, I’ve been telling my daughter a lot of fairy tales. My approach has been largely shaped, for better or worse, by Bruno Bettelheim’s book The Uses of Enchantment: I happened to read it last year as part of an unrelated writing project, but it also contained insights that I felt compelled to put to use almost at once in my own life. Bettelheim is a controversial figure for good reason, and he’s not a writer whose ideas we need to accept at face value, but he makes several points that feel intuitively correct. When it comes to fairy tales, it seems best to tell the oldest versions of each story we have, as refined through countless retellings, rather than a more modern interpretation that hasn’t been as thoroughly tested; and, when possible, it’s preferable to tell them without a book or pictures, which gets closer to the way in which they were originally transmitted. And the results have been really striking. Stories like “Little Red Riding Hood” and “Jack and the Beanstalk” have seized my daughter’s imagination, to the point where we’ll discuss them as if they happened to her personally, and she isn’t fazed by some of their darker aspects. (In “Hansel and Gretel,” when I tell her that the parents wanted to take their children into the woods and leave them there, she’ll cheerfully add: “And kill dem dere!”)...

The above is an excerpt from Alec Nevala-Lee's blog --  Thoughts on art, creativity, and the writing life. Nevala-Lee is also an author. His books include Icon Thief, City of Exiles and Eternal Empire.

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 3AM: Magazine

Crossing the Avalanche of Time...Excerpts from Richard Marshall's in-depth article and review of Jack Zipes' current books

"...The Grimms have been appropriated by U.S. America because defying the inhuman is as urgent there as anywhere else and its unhinged power leaves behind the innocent and the beaten. What Zipes has done in these two books is remind us that there’s a need for the naked struggle of Kafka, where speech goes to extremes without strategy, without masks, without calculation. The tales of this first edition are as much a part of an old weird Americana as bluesman Howling Wolf singing ‘Going Down Slow’... 

The Grimms have become as ancient a part of this old weird America as the other folk songs and tales that ship around, and though Zipes is right to decry their banalisation and Disneyfication they still remain underneath or behind, ready to be reeled in by alert souls..." 

 Marshall was inspired by Jack Zipes' recent translation of The Original Folk and Fairy Tales of the Brothers Grimm   (1812 & 1815) and by Zipes' provocative ideas regarding the impact of the Grimms' tales, Grimm Legacies:The Magic Spell of the Grimms' Folk and Fairy Tales.   

 Here is another excerpt from this very heady article:

"From 'The Frog King' to 'The Golden Key,' wondrous worlds unfold—heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique—they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms’ later, more embellished collections of tales. Zipes’s introduction gives important historical context, and the book includes the Grimms’ prefaces and notes.

The original edition of Grimms’ tales read like once-familiar weirds, crossing the avalanche of time like hallucinatory figures, abrupt as thorns, troubling as a black hawthorn that won’t stop bleeding. They move in and out between long disconnected synapses, stirring up logics and memories that fill us up with dread and unease. Readers are Macbeth listening to the stories of the three weird women. Everything is laid out for us but we are dazzled by their dark intensity. What is needed to read them? Courage and an imminent doomsday."

Here is a link to all of Marshall's article, Curious Legacies of the Brothers Grimm: 3:AM Magazine.  

The illustration of Snow White is by Hermann Vogel. The photo is by Gregg McCarty.

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Wonder has no opposite...

Cinderella has strayed from Charles Perrault and the Brothers Grimm, but she has never left us.

In the Western World today, romantic fantasy appears to be the foundation for the popularity of this abandoned child story and sustains its huge popularity in the hearts of little girls, young girls, and many mommies.

The current worldwide box office results (as of May 31) of over $531,750,700 attest to way the story continues to resonate around the world.

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Cinderella Has Been Everywhere -- Forever. And Heidi Anne Heiner has written a book to prove it: Cinderella Tales From Around the World . Here is an excerpt from her introduction on the often overlooked dimensions of this timeless story:

" The quandary is that one version of Cinderella dominates all the others, so we assume we
know her, this fairy tale celebrity, and many of us have grown bored with her to the point of relegating her to cliche and nothing else. But when we consider the hundreds of Cinderella variants from around the world, Cinderella becomes once again mysterious and lovely, active and vibrant, for she defies definition and understanding... "

Book Overview by Barnes and Noble:
"Yeh-hsien. Cenerentola. Cendrillon. Ashenputtle. Chernuska. Cinderella. These are just a few of the names of one of the best known and most beloved fairy tale characters in the world. The tale is known in countless variations throughout Europe and Asia as well as Africa and the Americas. The tales share the familiar story of a persecuted heroine who finally triumphs over oppressed circumstances through her virtue and the assistance of a magical helper. "  

Here is a sample from Heidi Anne Heiner's collection...

Cinderella in Ireland: The Story of Ashey Pelt 

"WELL, my grandmother she told me that in them auld days a ewe might be your mother. It is a very lucky thing to have a black ewe. A man married again, and his daughter, Ashey Pelt, was unhappy. She cried alone, and the black ewe came to her from under the greystone in the field and said, “Don’t cry, go and find a rod behind the stone and strike it three times, and whatever you want will come.”

So she did as she was bid. She wanted to go to a party. Dress and horses and all came to her, but she was bound to be back before twelve o’clock or all the enchantment would go, all she had would vanish. The sisters they did na’ like her; she was so pretty, and the stepmother she kept her in wretchedness just.

She was most lovely. At the party the Prince fell in love with her, and she forgot to get back in time. In her speed a-running she dropped her silk slipper, and he sent and he went over all the country to find the lady it wad fit..."  The story, Ashey Pelt, continues with a fine Irish ending. 

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"Have Courage and Be Kind"

Jack Zipes has written often of the hype that distorts the meaning of folk and fairy tales. I found a disturbing example in Kenneth Branagh's comments about the film quoted in Kate Connolly's Cinderella article in the Guardian . The comments were made at a press conference following the successful launch of the film at the Berlin Film Festival. Here is an excerpt:

"Branagh said though more used to directing Shakespeare, he had been struck by many of the
similarities between those plays and the Brothers Grimm fairytale. “We have the line Cinderella is told by her mother: ‘Have courage and be kind’; some people thought it seemed trite, but I was reminding them of King Lear when Edgar says ‘Have patience and endure’ at the point he’s being put in the stocks and mocked. Patience to me equates to compassion, and endurance is a form of courage – it reminded me that these basic, human and fundamental situations get seized on by great storytellers and there are obvious resonances between all these stories.”

I find it difficult to see the "obvious resonance" that exists in Mr Branagh's sugar-coated Cinderella and the tortured story of King Lear. I do see hype. Disney is not Shakespeare.

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Never mind Branagh – my mother wrote a Cinderella story you can believe in...

Here is an excerpt from a saucy article by Ed Vulliamy in the Guardian about a retold version of the Cinderella story with a very different setting, and a totally different ending.

"It is hardly surprising that Kenneth Branagh’s saccharine Barbie-Cinderella, with her tiny waist and crinoline dress, has caused a storm in Hollywood and irked cinema-going women, let alone those wanting to see changed female role models on screen.

The actor-cum-fairy-storyteller – and his critics, to cheer them – would have done well to
heed an acclaimed retelling of Cinderella in a book of more than a decade ago, which won the Kate Greenaway medal, the highest honour in illustrated children’s books, for 2003.

It was entitled Ella’s Big Chance: A Fairy Tale Retold, by the author and illustrator Shirley Hughes, serial award-winning doyenne of children’s books, described by Philip Pullman as “a national treasure” (I should declare an interest here: Shirley Hughes is my mother). She retells the famous and primal story of the persecuted seamstress: the ball, prince (a duke in this version) and shoe – set in the roaring 1920s on what seems to be the Mediterranean coast – with two big differences..."

Read more about this award winning book where Cinderella chooses not to marry the prince -- in the Guardian.

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Reading programs with therapy dogs that support kids and open the doors to the world of reading, have been spreading throughout the US and the Western world.

READing Paws is opening the doors to reading for kids in Alabama, Florida, Georgia, Nevada and Tennessee. READing Paws is a recipient of a Planet Dog Foundation grant.

"The mission of READing Paws is to improve the literacy skills of children...READing Paws utilizes nationally registered animal-owner/handler Therapy Teams who volunteer to go to schools, libraries and many other settings as reading companions for children. The utilization of registered therapy teams is the foundation of READing Paws, in order to ensure that the animals have been trained and tested for health and safety, appropriate skills and temperament, and have been insured for liability."

READing Paws is proud to be an Affiliate of R.E.A.D.® (Reading Education Assistance Dogs®), a program of Intermountain Therapy Animals ® (ITA) of Salt Lake City, Utah" R.E.A.D. has affiliates throughout the USA and in fourteen foreign countries, from Spain to Finland, and Canada to Australia.

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The Last Echoes of Pagan Myths 

 "These were the 'last echoes of pagan myths...A world of magic is opened up before us, one which still exists among us in secret forests, in underground caves, and in the deepest sea, and it is still visible to children...(Fairy tales) have existed among the people for several centuries.' And what we find inside those secret forests, caves and seas...(are) fairy tales full of families, full of parents who bequeath a sense of self to children, full of ancestors and heirs whose lives play out, in little, the life of a nation from its childhood to maturity."

Wilheim Grimm as quoted by Seth Lerer in his book, Children's Literature, A Reader's History from Aesop to Harry Potter. 

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Entering a World of Long Ago...

Castle in the Mist

When the dogs first came down to planet Earth, great forests were found in many lands.

The Castle In The Mist was located on lake Ladok in the land of the Forest People. It is here that the Black Hawk Warriors, under Prince Ukko's command, brought the kidnapped children. And it is this act that brought the threat of war.

Forests play a major role in all of the books in the Planet of the Dogs Series. The forests frustrate invaders. What does conquest mean when people can disappear by going to places in the forest unknown to the invaders --  or beyond the forest and into the mountains.

Stories and fairy tales about the forests and the deep woods have always stimulated children's imagination. In the Castle In The Mist, the dogs love the forests and use them to frustrate the Black Hawk Warriors. The dogs follow a non-violent path until their courage, loyalty and cleverness cause Prince Ukko to free the children and bring peace to the land of the Forest People.

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Castle In The Mist Is the second book in the Planet Of The Dogs Series 

"...the McCarty's again succeeded in bringing archetypal themes such as good vs evil, man vs nature, love, faith and faithfulness into the story without being overly teachy or preachy. We were riveted by the story and its main characters (both human and canine); we shared in their challenges and celebrated their victories. Melinda Gates, Reading Mother

Visit our website for sample chapters: http://www.planetofthedogs.net

The illustration from Castle In The Mist is by Stella Mustanoja-McCarty

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For sample chapters from all the books in the series,visit our Planet Of The Dogs website.

We have free reader copies of the Planet of The Dogs book series for therapy dog
organizations, individual therapy dog owners, librarians and teachers...simply send us an email at [email protected] and we will send you the books. 

Our books are available through your favorite independent bookstore, Barnes & Noble, Amazon, Powell's and many more...Librarians, teachers, bookstores...You can also order Planet Of The Dogs, Castle In The Mist, and Snow Valley Heroes, A Christmas Tale, through Ingram with a full professional discount.

The illustration by Stella Mustanoja-McCarty is from Snow Valley Heroes, A Christmas Tale

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Here's another look at Cinderella from BerkeleyMews.com

KidLitoSphere is a very special website that connects kid lit bloggers to the world of readers. Librarian MotherReader (Pam Coughlin), who describes herself in this way -- "The heart of a mother. The soul of a reader. The mouth of a smartass" --  is president. Among her achievements as a passionate advocate of children's books is the founding of Bloggers Against Celebrity Authors. Here's a sample...

"As Bloggers Against Celebrity Authors founder and let’s say president, I see it as the
kid lit equivalent of the four horsemen of the apocalypse when the Children's Choice Book Awards Author of the Year is Rush Limbaugh. I'm sure that there are and will be many thoughtful articles about what happened to make the winner of a prestigious children's literature award for Rush Revere and The Brave Pilgrims: Time-Travel Adventures With Exceptional Americans. But all I can say is, "Dear God, what have we done?"

The power of the bestseller was a slippery slope for children's literature awards. Certainly the power of the celebrity author - with their top budget promotions and guaranteed WalMart shelf space - was enough for a snarky online cause like Bloggers Against Celebrity Authors. But now, we've added to this mixture the nebulous and sometimes nefarious power of the Internet, which allows anyone to vote for this now-less-prestigious award. There is no way - NO WAY! - that children voted for Rush Limbaugh over Rick Riordan or Veronica Roth... 

Read more from MotherReader-cast your vote at BACA

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Circling the Waggins

Aaron Fowler wrote a profile of C.A. Wulff for Akron Life....Here are excerpts...

..."For the last 26 years, Wulff has volunteered in animal rescue. In 2007, she released her first book, “Born Without a Tail,” which chronicles the true-life adventures of two animal rescuers living with an ever-changing house full of pets.

This past year she unveiled the sequel, “Circling the Waggins: How 5 Misfit Dogs Saved Me from Bewilderness,” which follows Wulff and her companion,  
Dalene, as they maneuver through one unexpected pet incident after another while living in 
a cabin in the Cuyahoga Valley National Park. 

Although both books are memoirs, she explains that they are very
different. “Born Without a Tail” tells the stories of 20 animals who have shared her life. While it’s chronological, each chapter stands alone and is devoted to a single animal.

 ‘Circling the Waggins’ is more of a story with a beginning and an ending. It tells the story of some 27 animals over the course of two years, who lived in our home and took root in our hearts,” she says...' 

Like her first book, “Circling the Waggins” is an incredibly personal story. Its depiction of the ups and downs of sharing your life with animals has reached out to those who have experienced the same heartache and joy... "

Nancy Segovia, Amazon reviewer and author of Dragon Tears, wrote this:

" I am not really sure what it is about these books by Wulff, but I simply love them. The story telling and commentaries are engaging, honest and sincere. And, her love of animals shouts out from every page." 

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A Fairy Tale excerpt from the Turnip Princess by Franz Xaver von Schönwerth

In lieu of actually reviewing the newly translated (by Maria Tatar) Turnip Princess, Slate published one on the stories,Tricking the Witch. It has magic, transformations, twists and turns and a princess heroine -- not a prince -- who saves the day. 

..."It looked as if the two were about to be caught, when the princess said: “I’m going to change into a rosebush, and I’ll turn you into a rose. My sister is chasing us, and she won’t be able to do a thing because she can’t stand the smell of roses.” Just when the girl was closing in on them, a fragrant rosebush sprang up right in her path with a magnificent rose in bloom. The girl had been tricked, and she had to turn back. The witch scolded her to no end. “You stupid girl,” she grumbled angrily. “If you had just plucked the rose, the bush would have followed.” And then she sent the eldest of the three to find the two fugitives.

In the meantime the couple returned to their human shapes, and they continued on their way. Reinhilda turned around at one point, and she saw that they were still being pursued. She decided to take advantage of her magic powers again, and she said to the prince: “I’m going to turn myself into a church, and you are going to climb up into the pulpit and hold a stern sermon about witches and their sinister magic...”

Read it all on SLATE

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Canine Cognitive Dysfunction

Nancy Houser has written an informed article, based on research and experience, about the effects of age on dogs and parallels with the aging experience of humans. Here are excerpts:

"The more we are around the old dogs on our rescue farm, the more we see similar characteristics between human dementia and Canine Cognitive Dysfunction.  To tell the truth, there is not a whole lot of difference. The health care field is one I have been involved with throughout most of my life – dementia and Alzheimer’s were my specialties. The very first job I had was at a care-home in Lexington, Nebraska, when I was 16-years old.''"

Read all of this insightful article at:  Way Cool Dogs

Opening the doors to a child's imagination...

An 8 year old girl, after reading the first chapter in a manuscript, helped convince her father, the CEO of Bloomsbury, to publish Harry Potter. It had previously been rejected by eight publishers.

The Harry Potter book series that followed has found an enormous and passionate following around the world. The seven books in the series have been published in sixtyseven languages. The books have taken readers to Hogwarts and beyond, to a world of wizards, flying broomsticks, and magic wands ...a world of the imagination. There are over 450 million books in print. There are eight movies that have translated the the books into fantasy adventure films with a worldwide gross of over seven and a half billion dollars... there are websites, games, theme parks, as well as a wide variety of merchandise.

The Harry Potter books were the catalyst for the major cross-over phenomenon of adults reading YA books, a change in the book buying  marketplace that continues to this day. 

And it all started with the imagination of J.K. Rowling -- and an 8 year old girl who liked to read, who helped open the doors to a world wonder, a world of fantasy, magic and imagination for millions of children, teenagers, moms and dads around the world.

The centaurs in the Forbidden Forest and the Hogwarts school are from the Harry Potter movies.

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 "Many prefer not to exercise their imaginations at all. They choose to remain comfortably within the bounds of their own experience, never troubling to wonder how it would feel to have been born other than they are". J.K. Rowling,  Harvard Commencement Speech, 2008

 
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The Courage to Love...

Lev Grossman, journalist, critic, and best selling author -- Warp, Codex, and the Magicians series -- wrote a very personal, insightful and in-depth appreciation of the legacy of J. K. Rowling, the Harry Potter series, and the Deathly Hallows. It was published in Time  Here are excerpts...

"Deathly Hallows is of course not merely the tying up of plot-threads, it's the final iteration of Rowling's abiding thematic concern: the overwhelming importance of continuing to love in the face of death....

So we have known for a while that Voldemort cannot love, that he has been spiritually ruined by his parents' deaths, and he will kill anyone to stave off his own death. Harry, though also an orphan, has found the courage to love. "Do not pity the dead, Harry," a wise man tells Harry in Deathly Hallows. "Pity the living, and, above all, those who live without love." Characterologically speaking, the greatest question that remains in Hallows might be whether Harry can do this — that is, whether Harry can find it in himself to pity the man who killed his parents..."

Grossman then writes of mixed feelings, including sadness, following the completion of Deathly Hallows, the final book in the series...

The sadness is more an instant nostalgia for the unironic, whole-hearted unanimity with which readers embraced the story of Harry. We did something very rare for Harry Potter: we lost our cool. There is nothing particularly hip about loving Harry. He's not sexy or dangerous the way, say, Tony Soprano was. He's not an anti-hero, he's just a hero, but we fell for him anyway. It's a small sacrifice to the one that Harry makes, of course, but it's what we, as self-conscious, status-conscious modern readers, have to give, and we gave it. We did and do love Harry. We couldn't help ourselves."

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 Reading... 
"Losing one’s self is, after all, one of the rewards of reading. The opportunity to inhabit another self, to experience another consciousness, is perhaps the most profound trespass a work of literature can allow." - Eula Biss

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Opening the Door for Hermione 

"You really are the cleverest witch of your age" 

These are the words of Sirius Black, at the close of the movie Harry Potter and the Prisoner of Azkaban. 

In the book, at this same moment, Sirius spoke to Harry, and says,"We'll see each other again. You are -- truly your father's son, Harry."

Seth Lerer, writing about Theaters of Girlhood in his history of Children's Literature, cites this telling movie moment as a "benediction of female accomplishment"... "this movie takes as its telos the authority of girlhood. It makes Hermione the real performer of the story: the stage manager of magic; the director of its time shifts, costume, and control.The film becomes a girl's film, one in which the female audience can find their affirmation. Yet the book remains, despite Hermione's obvious centrality, a story about men and boys: about Harry's search forfor his relationship to his dead father; about his need to find surrogates in Black, or Dumbledore."

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Harry's Destiny...

"J.K. Rowling never shies away from the great existential mysteries: death and loss, cruelty
and compassion, desire and depression. Harry  is anything but sheltered and protected from the evils of Voldermort. Think of those fiendish Dementors who are experts in making you lose hope...The presence of loss and the threat of death perpetually hover over the boy magician and he becomes heroic precisely because. like his literary predecessors, he is destined for greatness even though he also possesses the weaknesses, failings, and vulnerabilities of all humans." -- Maria Tatar, writing about Theaters For The Imagination, in her book, Enchanted Hunters, The Power of Stories in Childhood. 

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The Mind of the Dog

Dog lovers find dogs to be quite special. Dogs are forgiving, affectionate, helpful, and unconditionally loyal.

Therapy dogs help people to heal from emotional problems and support people with physical problems. And they enable kids, helping them to learn to read.

Dog owners often feel that their dogs know what they are thinking.

How much of this is instinct, intuition, or conditioning? What is going on in the dog's mind? What are they thinking?

Yale University has established a Canine Cognition Center to better understand the dog's mind.Here is an excerpt from their website: 

"The Canine Cognition Center at Yale is a new research facility in the Psychology Department at Yale University. Our team of Yale scientists studies how dogs think about the world. Our center is devoted to learning more about canine psychology—how dogs perceive their environment, solve problems, and make decisions. Our findings teach us how the dog mind works, which can help us to better develop programs to improve how we train and work with our canine friends."

 Here is a link to an informative CBS documentary news broadcast on the research and goals of the Yale  Canine Center : Studying the Brain of Man's Best Fried. This video includes scenes where the research tests with the dogs is taking place.

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 Castle in the Mist is the second book in the Planet Of The Dogs Series...Here is an excerpt... "The trail became rougher and then, through the trees, they saw the ancient castle of the Black Hawk warriors.  It was an awesome sight.  It had been built as a fortress castle long ago – before the memory of people could recall.  It was later abandoned and lay empty for hundreds of years until the forest people began to use it once again.  It was a large, solid structure with two towers rising above the walls.  The ancient stones rested on granite bedrock, and the back wall rose straight up from the vast waters of the lake.  As they approached, the sun was setting and mist was rising over the waters.  Soon, the mist would move over the land."

To read more, and for sample chapters from all the books in the series,visit our Planet Of The Dogs website.

We have free reader copies of the Planet of The Dogs book series for therapy dog organizations, individual therapy dog owners, librarians and teachers...simply send us an email at [email protected]. and we will send you the books,. 

Our books are available through your favorite independent bookstore, Barnes & Noble, Amazon, Powell's and many more...Librarians, teachers, bookstores...You can also order Planet Of The Dogs, Castle In The Mist, and Snow Valley Heroes, A Christmas Tale, through Ingram with a full professional discount.

 
The illustration from Castle In The Mist is by Stella Mustanoja McCarty. The photo is by C.A.Wulff.

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An Alternate Universe... The Harry Potter Legacy

Michiko Kakutani is a highly regarded book critic for the New York Times. Following the publication of Harry Potter and the Deathly Hallows,” the seventh and final book in the series, she wrote a review of the book and an affirmation of the Harry Potter Legacy.

Here are excerpts:

"It is Ms. Rowling’s achievement in this series that she manages to make Harry both a familiar
adolescent — coping with the banal frustrations of school and dating — and an epic hero, kin to everyone from the young King Arthur to Spider-Man and Luke Skywalker. This same magpie talent has enabled her to create a narrative that effortlessly mixes up allusions to Homer, Milton, Shakespeare and Kafka, with silly kid jokes about vomit-flavored candies, a narrative that fuses a plethora of genres (from the boarding-school novel to the detective story to the epic quest) into a story that could be Exhibit A in a Joseph Campbell survey of mythic archetypes.

In doing so, J. K. Rowling has created a world as fully detailed as L. Frank Baum’s Oz or J. R. R. Tolkien’s Middle Earth, a world so minutely imagined in terms of its history and rituals and rules that it qualifies as an alternate universe, which may be one reason the “Potter” books have spawned such a passionate following and such fervent exegesis. 

The world of Harry Potter is a place where the mundane and the marvelous, the ordinary and the surreal coexist. It’s a place where cars can fly and owls can deliver the mail, a place where paintings talk and a mirror reflects people’s innermost desires. It’s also a place utterly recognizable to readers, a place where death and the catastrophes of daily life are inevitable, and people’s lives are defined by love and loss and hope — the same way they are in our own mortal world." 

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Celebrating Reading

Liz Burns, activist librarian, blogger ("its all about story"), book reviewer (YA and chhildren's books), and author (PoP Goes the Library) wrote a post about libraries and reading. Here is an excerpt:

"As libraries, especially public libraries, take a look at programs and resources and books within the context of the Common Core --

Remember. We are more than the Common Core. We are also about escaping into literature. We are about the joys of getting lost in a book. We are about celebrating the act of reading for the sole reason that some of us like to read. Or, rather, love to read.

And that simple pleasure, well, sometimes, it does get attacked. Is the person reading the
right books? What are they learning from those books? Is it making them a better person? Is it uplifting? Does it have a moral? Is deep reading going on? Is the reading being done the "right" way? Will this make someone a better employee? Is reading too passive? Isn't it better to be making something than reading? Isn't it better to be talking to people? Don't people have better things to do than read? Than read that book?
I think one of the wonders of libraries is that it is still a place for the person who loves reading. Libraries are more -- we are the sum of our parts, more than any one part of our mission. And part of that more is, and should continue to be, celebrating reading and being there for readers."

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Planet Dog Foundation  Has Awarded More than A Million Dollars in Grants to Therapy Dog Organizations...

Chicago's Canine Therapy Corps was one of the recipient organizations.  

The Canine Therapy Corps (CTC), with over 100 volunteers, helps to heal and bring hope to children and adults with a wide range of difficult and painful problems including autism, cancer, PTSD, addiction recovery problems, emotional behavioral problems, rehabilitation and senior issues and more.

The kids and therapy dogs in this excellent CTC  video will touch your heart...the video includes interactions and healing moments with kids, dogs, therapists, parents and volunteers.

Here is their Mission Statement:

The Canine Therapy Corps...

Empowers and motivates individuals to improve their physical and psychological health and well-being by harnessing the human-animal bond;
Provides goal-directed, interactive animal-assisted therapy services, free of charge, using volunteers and certified therapy dogs;
Advances animal-assisted interventions through research and collaboration.

The group photo of CTC dogs is courtesy of Steve Grubman

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Imagine That

An Interview with Jack Zipes, By the Editors of Interstitial Journal, on how media and marketing have reduced the cultural value of Fairy Tales...

Here are excerpts:

..."The nineteenth century, especially in Europe and North America, became the golden age of fairy tale collecting that led to the foundation of folklore societies. By the twentieth century, the fairy tale and other simple folk genres began to thrive not only by word of mouth and through
print, as they had for centuries, but were also transformed, adapted, and disseminated through radio, postcards, greeting cards, comics, cinema, fine arts, performing arts, wedding ceremonies, television, dolls, toys, games, theme parks, clothes, the Internet, university courses, and numerous other media and objects. Among the modes of hyped advertising were posters, billboards, interviews, window dressings, department store shows, radio, tv, and Internet interviews, ads in newspapers, magazines, and journals, and all the other kinds of paratexts that accompany a cultural product. As I argued in my book Why Fairy Tales Stick: The Evolution and Relevance of a Genre... Hyping is the exact opposite of preservation and involves, as I have argued, conning consumers and selling products that have a meager cultural value and will not last. Some recent fairy tale films produced by the mainstream culture industry reveal how filmmakers and producers hype to sell shallow products geared primarily to make money. They use the mass media to exploit the widespread and constant interest in fairy tales that has actually deepened since the nineteenth century..."

The interview continues with examples of marketing compromises made to achieve financial success that blur or change the integrity of the original tales.  

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 A fairytale doesn’t exist in a fixed form... 

"Like a mother tongue, the stories are acquired, early, to become part of our mental furniture
(think of the first books you absorbed as a child). The shared language is pictorial as well as verbal, and international, too. Such language – Jung called it archetypal – has been growing into a common vernacular since the romances of classical antiquity and the middle ages – Circe from the Odyssey and Vivienne from Morte d’Arthur are recognisable forerunners of fairy queens and witches, and the sleeping beauty herself first appears in a long medieval chivalric tale, Perceforest. A fairytale doesn’t exist in a fixed form; it’s something like a tune that can migrate from a symphony to a penny whistle."

 This is an excerpt from Marina Warner’s Once Upon a Time: A Short History of Fairy Tale 

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The New Edition of Born Without A Tail

In her original book, Born Without a Tail, C.A. Wulff chronicles the true-life adventures of two animal rescuers living with an ever-changing house full of pets. She takes us on a journey from childhood through adulthood, sharing tales, (mis)adventures and insights garnered from a lifetime of encounters with a menagerie of twenty remarkable animals.

The new edition also has a prologue about Wulff's journey into advocacy; and, it also has several additional photos. Here’s what some readers have said about it:

 “I can’t say too much about this book, it’s more than a ‘dog book’ it’s
a people, animals, life book. I was hooked from the first page and read it straight through, and have re read it since, enjoying it just as much the second time around.  Anyone who’s ever had a heart dog, a misfit cat, ever been touched by the love of an animal should enjoy this book. It’s a keeper. “ 

“A collection of funny and heartwarming tales that shaped the life of a young animal advocate. Inspiring and written from the heart.“ I was touched by this account of love, friendship, responsibility and true selflessness. If you love animals you will not be able to put this book down.“ .

The book covers and the photo of Rocket are by C.A. Wulff.

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Lumos is part of J.K. Rowling's effort to make the world a better place. Her focus is on children and poverty. She is the founder of Lumos, one of several charities she supports. Here are excerpts from the Lumos website:

Across the globe 8 million children are living in institutions that deny them individual love and care. More than 80% are not orphans. They are separated from their families because they are poor, disabled or from an ethnic minority. As a result, many suffer lifelong physical and emotional harm. 

Meanwhile, the numbers of children in so-called orphanages continues to rise in areas outside Europe. Lumos has now begun work in the Latin American and Caribbean region. We have started in Haiti, where approximately 30,000 children are currently living in almost entirely privately funded orphanages. Once again, we find the familiar ratio of 80% non-orphans, and recognize the driving force of poverty. 

Lumos has a single, simple goal: to end the institutionalization of children worldwide by 2050. This is ambitious, but achievable. It is also essential. Eight million voiceless children are currently suffering globally under a system that, according to all credible research, is indefensible. We owe them far, far better. We owe them families.

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Nancy Hauser's Way Cool Dogs has two new articles with excellent guidelines for people thinking of getting a dog. One article is an overview, dealing primarily with breed and size...Here is an excerpt from the second article:

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 The Power of Illustration at the Eric Carle Museum

If you have an interest in the power of illustration to ignite children's imagination, and you'll be in New England in the coming months, consider visiting the  Eric Carle Museum in Amherst, MA. where multiple exhibits are taking place.

Children's memories of early books have often been enhanced by
illustrations of worlds of wonder. As an adult, the mind still carries images from these early journeys. Historians attribute much of the great success of Taylor's versions of the Grimm's Tales in early nineteenth century England to the illustrations of George Cruikshank.

"Sleeping Beauty,' 'Little Red Riding Hood,' and 'Beauty and the Beast.'  Doré’s timeless illustrations are presented in this exhibition along with the works of contemporary children’s-book illustrators. Allowing for a side-by-side comparison, the influence of Doré becomes apparent in the works of famous contemporary illustrators like Jerry Pinkney, James Marshall, and Fred Marcellino..." 

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It is now a well-established fact that dogs are social, pack-oriented animals who thrive on human companionship and are happiest while living indoors as part of the family. When you bring a new dog into your family, the dog learns to view your family members and your other pets as his or her pack.

Everything proceeds well as long as your dog is content with his or her place in the pack. Many behavior problems can be avoided with a little extra effort or training to make the dog comfortable with this position.

The most devastating thing the leader of a pack can do is to isolate an individual from the pack to solve a problem; different problem behaviors will likely arise. The dog might become profoundly depressed or anxious. Nuisance barking is common among dogs kept outdoors. Also, a lonely, isolated dog might disassociate from the family pack and cease to be watchful or protective of the family. You must schedule daily play time or take daily walks. Engage in a new activity with your dog such as nose work."

Anna Nirva, editor and prime mover on Sunbear Squad, continues this post with detailed, comprehensive considerations and guidelines for creating a Humane Dog House.

The illustration, from Castle In The Mist, of the children and the dog, is by Stella  Mustanoja Mccarty.

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"Dogs have given us their absolute all. We are the center of their universe. We are the focus of their love and faith and trust. They serve us in return for scraps. It is without doubt the best deal man has ever made." -- Roger Caras
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Hansel and Gretel...

Life was harsh for the country people who told this story to relieve the  cruel reality of their daily existence.

Hansel and Gretel encounter abandonment, fear, hunger, cannibalism, and magic...they are lost in a cruel world of kill or be killed.

The children must rely on their own courage and ingenuity to survive and prevail.   

Welcome to the world of the wonder tale.

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Wonder Tales before the Grimms 

During the reign of Louis XIV, cultural endeavors in all the arts were encouraged and highly regarded in the court of Versailles. Writers, including Moliere, Racine and Marais, were respected and often admired. Ideas were in the air in the salons of Paris and in the court itself.  

Good but Grimm Bedtime Reading

Here is an excerpt from the beginning of her excellent article:

"Many readers may argue with the poet Schiller’s assertion that ‘Deeper meaning resides in the fair tales told to me in my childhood that in the truth that is taught by life.’ Even so, perhaps those same readers will admit that the belief, quoted in Bruno Bettelheim’s master-work ‘The Uses of Enchantment’ (1976) has some validity.

They will certainly do so if they acknowledge the staying power of the fairytales told or read to them in childhood, and if they remember that strange hinterland in which mystery, search, loss, redemption and triumph still bring some imaginative consolation to the perceived injustices of the very young.

The fact is, as Jack Zipes discusses in his fascinating anthology, fairy tales incorporate the truth that is taught by life...."

The illustration of the Elves and the Shoemaker is by George Cruickshank.

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The Grimm's Wonder Tales Sweep England in the Nineteenth Century

David Blamires, in a very comprehensive and rather scholarly article for Open Book Publishers, details the impact on readers in England of the  Edgar Taylor translation (1823) of the Grimm's original Childrens and Household Tales. The article provides both overview and details of the English versions throughout the 18th Century. Blamires credits the illustrations by George Cruikshank as being very important to to wide popular acceptance. 

 "Without a shadow of doubt the single most important German contribution to world literature is the collection of traditional tales made by the Brothers Grimm and first published in two small volumes in 1812-15. It outshines Goethe’s Faust and such twentieth-century classics as Mann’s Death in Venice or Kafka’s The Trial by virtue of an infinitely greater readership. Not only have the tales been translated in whole or in part into virtually every major language in the world, but they have generated countless new editions and adaptations and become the cornerstone of the study of folktales not only in Germany, but throughout the world... 

When Edgar Taylor made the first translation of the Grimms into English
as German Popular Stories, translated from the Kinder und Haus Märchen, collected by M.M. Grimm, from oral tradition (London: C. Baldwyn, 1823), the fairytale as a genre was very much in the grip of the French. Of course, such truly English fairytales as ’Jack the Giant-killer’, ’Whittington and his Cat’, ’Tom Hickathrift’, ’Tom Thumb’ and ’Jack and the Beanstalk’ had circulated in chapbooks, but English tales were not systematically collected until later. It was the fairytales of Charles Perrault, Madame d’Aulnoy and Madame Leprince de Beaumont that dominated the scene..." 
The illustrations of Rapunzel and Cinderella are by George Cruickshank.

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Born Without A Tail Returns

The enhanced second edition of Born Without A Tale, by C.A. Wulff will be published later this month by Barking Planet Productions. The book is a heartwarming life journey memoir by of Wulff's never ending rescues, healings, and adventures with a melange of dogs and cats. 

Here's a description of the first edition from Amazon:

When your home has a revolving door for abused and abandoned animals, keeping pets takes
on a whole new dimension! Sometimes hilarious, sometimes heart-rending, Born Without a Tail chronicles the true-life adventures of two animal rescuers living with an ever-changing house full of pets. The author takes us on a journey from childhood through adulthood, sharing tales, (mis)adventures and insights garnered from a lifetime of encounters with a menagerie of twenty remarkable animals.--

And here is an abridged sample of a review...there are many more on Amazon : 

"I can't say too much about this book, it's more than a 'dog book' it's a people, animals, life book. I was hooked from the first page and read it straight through... The writer has a great way of drawing you in, making you at home in her world. Anyone who's ever had a heart dog, a misfit cat, ever been touched by the love of an animal should enjoy this book. It's a keeper."                                     -- Bookpleasures.com

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Lost Wonders Found In An Immersive Theatrical Experience

Imagine walking into a warehouse converted into an environment of wonder where you find clairvoyant ravens, a runaway princess, and elves with magic powers.  I discovered all of this is happening in London when I read a recent post by Kristen in her Tales of Faerie blog. Here is an excerpt...  

"Any readers who live in England/will be travelling to the UK this spring? There's a unique fairy tale play going on, Philip Pullman's Grimm Tales for the Young and Old: An Immersive Fairy Tale, adapted and directed by Philip Wilson....

Reviewers seem overall very impressed with the play, especially the format. Instead of an audience sitting in chairs in an auditorium, they follow the characters through a large warehouse with different sections set up as each fairy tale. Props to the creators of this play for not only staying faithful to the Grimm fairy tales, but introducing audiences to lesser known tales, such as "Faithful Johannes" and "The Three Little Men in the Woods" (which seems to be the audience favorite)."

In the words of Philip Wilson (Director & Adapter) of this theater piece:

"I love the fact that, in German, these are known as 'wonder tales' rather than the more twee term 'fairy tales': and so audiences coming to the Bargehouse will find themselves plunged into a parallel universe in which extraordinary adventures happen - and the darker side of these stories will come to light..."

For more information and a video, visit Grimm 

Photo by Angela B; Illustration by Hermann Vogel

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Paws Giving Independence (PGI) is a multi-faceted, grass roots organization, located in Peoria, Illinois, that does wonderful work in providing service dogs for people with disabilities. Their dogs serve people ranging from the Jesse Brown Veteran's Hospital in Chicago to the Peoria Children's Home Youth Farm. 

The photo on the left is of Monty, who recently had his first day of school with his new friend, the young girl in the photo. They are both in fourth grade. Monty now lives with her in her home, and they go everywhere, including the school bus, together.

Monty was trained by a Bradley University student as part of the Wags for Mags program, initiated by Paws Giving Independence (photo on the right).This ongoing program of student volunteers works directly with people and training the dogs for service. Anyone with a disability can apply for a PGI service dog. Saturday, June 6, 2015, is the day for PGI's  Running With The Dogs Day. 

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Dogs As Healers in the Planet Of The Dogs Series

 In the first book in the Planet Of The Dogs we are introduced to Bella, the healer lady of Green Valley. And it is through Bella that people have their first experience with dogs as healers...the first Therapy Dogs. Here is an excerpt...

"The next morning, just as daylight brightened their home, Tomas and his family had another visitor, Bella, the healer lady. Bella helped the people of Green Valley when they were having babies, or when they were sick. She had a large garden of flowers and herbs that she used when healing people. All the people in Lake Village, including Omeg, liked her and respected her. Bella had been dreaming of the dogs and understood the reason they had come to Planet Earth. 

Before Bella reached the house, Robbie and Buddy, who now slept in the barn, sensed her arrival and ran up the road to greet her. The family was happy to see her and to find that she welcomed the dogs. They  were  surprised that Bella was  so comfortable with Buddy, who lay at her feet while she sat at the table drinking a refreshing cup of mint tea. Bella had an even bigger surprise for everyone. She said, “From my dreams, I have learned that the dogs can help me in my work. I know they have the power of love and the power to help people heal,” she said. Tomas and Sara looked at her in amazement. Daisy and Bean were not so surprised. Then Bella said, “I want to take the little dog to visit Delia, the sad one...”

For sample chapters from Planet Of The Dogs, Castle In The Mist, and Snow Valley Heroes,  A Christmas Tale -- and more information about all of our Barking Planet books -- visit our Planet Of The Dogs website.  

Free copies of the Planet of The Dogs book series  for therapy dog organizations, individual therapy dog owners, and librarians and teachers with therapy reading dog programs...simply send us an email at [email protected].

"In PLANET OF THE DOGS, Robert McCarty weaves an enchanting story that will delight the young reader as well as the young reader's parents or grandparents. Parents and grandparents should be forewarned, however, that their young readers will be pleading with them unrlentingly for a visit to Green Valley."  Warner V. Slack MD, Professor of Medicine, Harvard Medical School; Father, Grandfather
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All Barking Planet Productions Books are available on the internet at Barnes & Noble, Amazon, and other booksellers --  as well as your local independent bookstore. 

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LitWorld and World Read Aloud Day

LitWorld brings literacy, reading, books, and empowerment to disadvantaged children.

LitWorld celebrated their annual World Read Aloud Day on March 5th.

"World Read Aloud Day allows members of our year-round programs to invite more people into their literacy community and brings LitWorld’s messages to the rest of the world. World Read Aloud Day is now celebrated by over one million people in more than 80 countries and reaches over 31 million people online. The growth of our movement can be attributed in large part to our network of partner organizations and “WRADvocates” – a group of reading advocates and supporters taking action in their communities and on social media."

Visit their website and learn more about their wonderful work: LitWorld

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The Wind In The Willows

"But Mole stood still a moment, held in thought. As one wakened suddenly from a beautiful dream, who struggles to recall it, but can recapture nothing but a dim sense of the beauty in it, the beauty! Till that, too, fades away in its turn, and the dreamer bitterly accepts the hard, cold waking and all its penalties."--Kenneth Grahame, The Wind In The Willows; Illustration, E.H. Shephard

 
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I was drawn to read this book. 

The Motherless Child Project is terrific and timely. The central character, Emily Amber Ross, a 16 year old girl, is bright, interesting, conflicted, and very likable. The fact that she lives in a home where there can be no mention of her mother and her childhood becomes a driving force in her life. The story builds into a suspenseful, compelling, poignant rush of events. The ending is exciting and satisfying. I would think that word of mouth will be significant. In addition to being an excellent, and meaningful read -- The Motherless Child Project would make a great YA crossover movie. 

Janie McQueen and Robin Karr are the co-authors of The Motherless Child Project

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 The Unintelligible Truth of Folktales

Laura Miller, in Salon, conducted an excellent interview with Maria Tatar on the occasion of the publication of The Turnip Princess. Here is an excerpt:

What do you in particular find so compelling about this form?

"What I really love about fairy tales is that they get us talking about matters that are just so vital to us. I think about the story of Little Red Riding Hood and how originally it was about the predator-prey relationship, and then it becomes a story about innocence and seduction for us. We use that story again and again to work out these very tough issues that we have to face. My hope is that this volume will get people talking about not just the stories and the plot but the underlying issues.

Milan Kundera has this quote in “The Unbearable Lightness of Being” about painting that goes something like: Painting is an intelligible lie on the surface, but underneath is the unintelligible truth. Folktales are lies, they misrepresent things, and they seem so straightforward and so deceptively simple in a way. It’s the unintelligible truth beneath that’s so powerful, and that’s why we keep talking about them. They’re so complicated. We have a cultural compulsion about folklore. We keep retelling the stories because we can never get them right."  Illustration by Lancelot Speed

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"He now felt glad at having suffered sorrow and trouble, because it enabled him to enjoy so much better all the pleasure and happiness around him;” 

 “It is only with the heart that one can see clearly, for the most essential things are invisible to the eye.” 
― Hans Christian Anderson, The Ugly Duckling

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Animated Movies and Inspiration from Tales of Wonder 

Last year (2014), the Oscar for the best animated film -- Frozen -- was "inspired" by Hans Christian Anderson's classic story, The Snow Queen. In addition to substantive story changes, this Disney fantasy removes the dark fear and danger of the original and substitutes dazzling animation, fast pacing, and romantic gloss. Frozen has a sound track of soaring romantic music. the film also won an Oscar for best song: Let It Go.

Disney achieved their goal. In addition to recognition by their peers in winning the Oscars, the film has been extremely popular and made a great deal of money, grossing $1,274,219,009. That figure represents an incredible number of children and adults experiencing the Disney version of the story.

Here is an excerpt from Anderson's original Snow Queen, which, unlike the film, I find permeated by a sense of the ominous, of danger and events beyond control...

"There stood poor Gerda, without shoes, without gloves, in the midst of cold, dreary, ice-bound Finland. She ran forwards as quickly as she could, when a whole regiment of snow-flakes came round her; they did not, however, fall from the sky, which was quite clear and glittering with the northern lights. The snow-flakes ran along the ground, and the nearer they came to her, the larger they appeared. Gerda remembered how large and beautiful they looked through the burning-glass. But these were really larger, and much more terrible, for they were alive, and were the guards of the Snow Queen... but all were dazzlingly white, and all were living snow-flakes."

Hopefully, many more children, having experienced the Disney version, will be drawn to read the original.

Illustration of the original Snow Queen is by Vilhelm Pedersen.

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Little Red Riding Hood...There are many versions and many interpretations in film, TV, theater and illustration of Little Red Riding Hood. The story had a major role last year in Disney's production of Into The Woods, a film inspired by a popular Broadway musical.

On a more modest scale, Cale Atkinson, a talented young Canadian illustrator, created a delightful short animated  version (1:37) of Red Riding Hood on Vimeo.

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Disney's Big Hero

This year, Big Hero 6 , also a Disney film, has won the Oscar for best animated film. This time , inspiration for the film was inspired by a Marvel comic story. The film is a significant departure from the original. Humor, imagination and outstanding animation bring Hiro, a brilliant teenage robotics inventor, Baymax his robot, and the fantasy future world of San Fransokyo to fun-filled life.

Disney, through the collaboration between Winnie the Pooh director Don Hall, and Chris Williams, director of Bolt, succeeded in adding charm and fun to the original premise; as a result, Big Hero 6 found a large audience worldwide: $546,225,000 (this figure will grow with winning the Oscar).

Here is a link to the delightful trailer: Big Hero 6.

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 Disney Returns with Cinderella on March 13. 

Cinderella back and, once again, has a cruel stepmother ... If Kate Blanchett was my cruel stepmother, I would be most grateful if Helena Bonham Carter was my fairy godmother --  especially if Kenneth Branagh was my director. This comment is based on watching the trailer for Cinderella - the next Disney movie.  

See for yourself:  Cinderella Trailer...and listen to the soaring music.

The advance reviews suggest this Cinderella will please and delight young girls and their families. Personally, I'm still marveling at the movie created by Linda Woolverton, Robert Stromberg, and Angelina Jolie in Malificent, inspired by Sleeping Beauty.

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JRR Tolkien’s fantasy novels have been elbowed out of the annual lineup of the most popular books for schoolchildren by a deluge of dark dystopias and urban fantasies.

The seventh What Kids Are Reading report, which analyses the reading habits of over half a million children in over 2,700 UK schools, revealed today that Tolkien’s books have dropped out of the overall most popular list for the first time since the report began six years ago. In previous years, Tolkien’s titles have featured within the chart’s top 10 places, mostly among secondary-school children.

Instead, this year in secondary schools the most popular title was John Green’s tale of a heartbreaking teenage romance, The Fault in Our Stars, followed by two dystopian stories: Suzanne Collins’s Catching Fire, from the Hunger Games series, and Veronica Roth’s Divergent, set in a world where people are classified according to their personality traits...."

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 Nancy Houser posted an informative article in Way Cool Dogs on Separation Anxiety in Dogs. To people who don't know dogs, this may sound a bit over the top. Dog owners, however, will appreciate this fact-filled article.

"Separation anxiety in dogs is that dreadful moment as they fall apart in front of our eyes as we walk out the door, leaving them … alone. We could be be having a medical emergency, a day of shopping, a day of hard work, an exhausting afternoon at the grocery store … or maybe even a quick trip outside to check our mail. And truthfully, it does not matter. Every situation becomes a period of hell for dogs with separation anxiety, an animal who is a social animal that needs a lot of companionship.

Where and when we  go does not matter; what matters is the fact that we are gone and they are not. They are at home, and alone.  Mother Teresa once said, “The most terrible poverty is loneliness, and the feeling of being unloved.”   She was speaking of humanity, of course, but current dog studies are proving that dogs not only have intelligence but similar emotions and emotional disorders as we do, and should be treated as such.

What is canine separation disorder?

According to dog experts, canine anxiety is divided into three different categories:

• Noise anxiety
• Separation anxiety
• Social anxiety.

Canine separation disorder is considered to be one of the most common causes of behavioral problems in dogs..."

The article continues to analyze of canine anxiety disorders; Read more:Separation Anxiety.             The illustration is by Nancy Houser

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The Wonders of Reading for Children

An excerpt from Neil Gaimon's impassioned presentation on the importance of libraries, books and reading:

"There are no bad authors for children, that children like and want to read and seek out,
because every child is different. They can find the stories they need to, and they bring themselves to stories. A hackneyed, worn-out idea isn't hackneyed and worn out to them. This is the first time the child has encountered it. Do not discourage children from reading because you feel they are reading the wrong thing. Fiction you do not like is a route to other books you may prefer. And not everyone has the same taste as you.

Well-meaning adults can easily destroy a child's love of reading: stop them reading what they enjoy, or give them worthy-but-dull books that you like, the 21st-century equivalents of Victorian "improving" literature. You'll wind up with a generation convinced that reading is uncool and worse, unpleasant..."

This link, Neil Gaimon, will take you to all of this excellent presentation as reprinted in the Guardian.  Illustration of Tom Thumb by Alexander Zick.

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 “We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.” 
―  Ursula K. Le Guin      

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 How To Greet A Dog...and How Not To Greet A Dog (or cat)....

Unlearn polite human greeting behaviors … greet a dog or cat safely...Here is an excerpt and link to an article by Anna Nirva...

Yesterday at the shelter where I volunteer, a group of new volunteers were being led through the dog kennel room as part of a shelter volunteer orientation tour. I was returning a dog to a kennel after a
walk, and several of the volunteers left the group to investigate the dog as I was leading him toward his enclosure. Two well-meaning people quickly approached the young dog straight-on, with hands outstretched, staring directly into the eyes of the shelter dog. Chief, the dog, a young, sensitive coonhound mix, feeling threatened, immediately moved through the open gate to the back of the kennel with his tail tucked and head lowered. “What’s wrong with him?” one of the new volunteers asked.

I had just found the topic for my weekly post...

In the western world, we are taught at an early age to greet new people by approaching them with upright posture, looking directly into their eyes and offering a hand to shake or squeeze. It becomes second nature to us, so as a result, many of us animal lovers greet every living thing–except bugs–using those same “good manners.”...

We must UNLEARN that set of social rules to avoid frightening dogs, cats, and other animals... read it all on SunBear Squad

The illustration from Snow Valley Heroes, A Christmas Tale is by Stella Mustanoja-McCarty

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" You think dogs will not be in heaven? I tell you, they will be there long before any of us." -- Robert Louis Stevenson

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                            Storytellers and The Oral Traditon

The photo is of a statue of a woman who could recite (sing) 32,000 verses of poetry
from the Kalevala, the Finnish national epic. Her name was Larin Paraske (1833-1904), one of the last Finnish Rune singer-storytellers. During  the Finnish renaisance of the nineteenth century , artists, writers, and composers (including Jean Sibelius) listened to her interpretation of the Kalevala. The Kalevala was passed on for centuries by rune singers. In earlier times, there were hundreds of Rune singers in this land of lakes and forests.

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Cinderfellas: The Long-Lost Fairy Tales

Here are excerpts from an excellent article about the soon to be published (February 24), The Turnip Princess. The article is a preview from the New Yorker of Franz Xaver von Schönwerth's "Lost" Fairy Tales. It was written by Maria Tatar, who also wrote the English translation of the new book.

..."Schönwerth’s tales have a compositional fierceness and energy rarely seen in stories gathered by the Brothers Grimm or Charles Perrault, collectors who gave us relatively tame versions of “Little Red Riding Hood,” “Snow White,” “Cinderella,” and “Rapunzel.” Schönwerth gives us a harsher dose of reality than most collections. His Cinderella is a woodcutter’s daughter who uses golden slippers to recover her beloved from beyond the moon and the sun. His miller’s daughter wields an ax and uses it to disenchant a prince by chopping off the tail of a gigantic black cat. The stories remain untouched by literary sensibilities. No throat-clearing for Schönwerth, who begins in medias res, with “A princess was ill” or “A prince was lost in the woods,” rather than “Once upon a time…”

This fascinating article continues, describing the cultural shifts that resulted in the softening of these folk stories, and noting many instances where stories that were originally about boys, became stories about girls.

" ...Boy heroes clearly had a hard time surviving the nineteenth-century migration of fairy tales from the communal hearth into the nursery, when oral storytelling traditions, under the pressures of urbanization and industrialization, lost their cross-generational appeal. Once mothers, nannies, and domestics were in charge of telling stories at bedtime; it seems they favored tales with female heroines."

Tatar offers several examples of these changes. Here is her summary of a change in role that struck me as a vivid example, a precurser of the Princess and the Frog...

"Equally charming is the  story about Jodl, a boy who overcomes his revulsion to a female frog and, after bathing her, joins her under the covers. In the morning, he awakens to find himself in a sunlit castle with a wondrously beautiful princess..."

Greater Understanding of Fairy Tale Magic  

...Here at last is a transformation that promises real change in our understanding of fairy-tale magic, for suddenly we discover that the divide between passive princesses and dragon-slaying heroes may be little more than a figment of the Grimm imagination."

The illustration of Snow White is by Franz Juttner. The illustration of the Prince and the Frog is by Maxfield Parrish.

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Tales Told by People 

 "...Von Schönwerth spent decades asking country folk, labourers and servants about local habits, traditions, customs and history, and putting down on paper what had only been
passed on by word of mouth. In 1885, Jacob Grimm said this about him: "Nowhere in the whole of Germany is anyone collecting [folklore] so accurately, thoroughly and with such a sensitive ear." Grimm went so far as to tell King Maximilian II of Bavaria that the only person who could replace him in his and his brother's work was Von Schönwerth."

This excerpt is from an early Guardian article by Victoria Sussens-Messerer reporting on the discovery of a trove of "new Fairy tales" by Franz Xaver von Schönwerth

The illustration of Snow White is by Walter Crane.

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The Original Tales of the Brothers Grimm

Jack Zipes has translated into English, for the first time, the original volumes (1812-1815) of folk and fairy tales collected by the Brothers Grimm. 

Zipes, a pioneering scholar and prolific author of books relating to folk tales, fairy tales, legends and myths, has also written an insightful and  informative article on the Brother's Grimm, their motivation, methodology, and the world in which they lived and worked. The article, The Forgotten Tales of the Brothers Grimm, was published in the The Public Domain Review.
Here are excerpts... 

"...Turning to the tales of the first edition the first thing a reader might notice is that many of the stories...were deleted in the following editions for various reasons, not because they were poorly told but because they did not meet some of the requirements of the Grimms... 

...The second thing a reader might notice about the tales in the first edition is that most of them are shorter and strikingly different than the same tales edited in the later collections. They smack of orality and raw contents. For instance, Rapunzel reveals that she has become impregnated by the prince; Snow White’s mother, not her stepmother, wants to kill the beautiful girl out of envy... 

...The literacy of the informants, however, did not diminish the folk essence of the tales
that, as the Grimms and other folklorists were to discover, were widespread throughout Europe and told more often than not in dialect. The tales came to the tellers from other tellers, or they read tales, digested them, and made them their own. Indeed, we always make tales our own and then send them off to other tellers with the hope that they will continue to disseminate their stories...

And yet, the Grimms, as collectors, cultivators, editors, translators, and mediators, are to be thanked for endeavoring to do the impossible and to work collectively with numerous people and their sources to keep traditional stories and storytelling alive. In this respect their little known first edition deserves to be rediscovered, for it is a testimony to forgotten voices that are actually deep within us. Hence, the irresistibility of the Grimms’ tales that are really not theirs, but ours. "

The illustration of the wolf about to eat Little Red Riding Hood's grandmother is by Gustav Dore. 

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Grimm Legacies: The Magic Power of the Grimms' Folk and Fairy Tales      by Jack Zipes was published in December, 2014 (Princeton University Press) as a complement to his translation of the Original Fairy Fairy Tales (above). Here is a review: 

"In this landmark work of fairy-tale scholarship, Jack Zipes comes to grips with the multiple legacies of the Brothers Grimm in German and Anglo-American cultures. With nuance and inexhaustible insight, Zipes shows how mythmaking, marketing, hype, Americanization, the appeal of collective action, and utopian longing have sustained 'the magic spell' of the Grimms' tales throughout two centuries of use and abuse. Anyone seeking to understand the popularity of the Grimms' fairy tales or their richly diverse reception will do well to begin here."--Donald Haase, editor of The Greenwood Encyclopedia of Folktales and Fairy Tales

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The Rune Singer Storyteller begins Poem 1 of the Kalevala... 

"It is my desire,  it is my wish
to set out to sing,  to begin to recite,
to let a song of our clan glide on,  to sing a family lay,
The words are melting in my mouth,  utterances dropping out,
coming to my tongue,  being scattered about on my teeth."

Translation by Francis Magoun from the Kalevala poems compiled by Elias Lonnrot (1802-1804)

The illustration is from a painting by Akseli Gallen-Kallela

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Paws 4 Autism is "helping families help their kids connect to the world 4 Paws at a time." 

The following excerpt is from the Planet Dog Foundation  (PDF) which provided a Grant to help Paws 4 Autism fulfill their mission.

"Paws 4 Autism utilizes specially trained dogs to help children with autism and their
families. The PDF grant will specifically fund the Canine Assisted Social Skills in Education Program (CASSIE) which provides social and communication skills training for individuals aged 6-14 who have autism...Paws 4 Autism is 100% staffed by volunteers."

Visit the Paws 4 Autism website to learn more:

"Paws 4 Autism CASSIE program is currently working with 32 families in Kansas City, with a wait list of over 200 and growing..."

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World Read Aloud Day is March 4, 2015

World Read Aloud Day is LitWorld's Celebration of reading. In 2014, over 75 countries participated. 

This photo is from Nepal

Every year, on the first Wednesday of March, World Read Aloud Day calls global attention to the importance of reading aloud and sharing stories.

 "World Read Aloud Day motivates children, teens, and adults worldwide to celebrate the power of words and creates a community of readers taking action to show the world that the right to literacy belongs to all people. By raising our voices together on this day we show the world’s children that we support their futures: that they have the right to read, to write, and to share their stories.

World Read Aloud Day allows members of our year-round programs to invite more people into their literacy community and brings LitWorld’s messages to the rest of the world. World Read Aloud Day is now celebrated by over one million people in more than 80 countries and reaches over 31 million people online. The growth of our movement can be attributed in large part to our network of partner organizations and “WRADvocates” – a group of reading advocates and supporters taking action in their communities and on social media. "

Here is the link for more information or to be a part of this wonderful event, LitWorld.

The photo on the lower left is from a World Read Aloud Day group in the Phillipines.

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"When I examine myself and my methods of thought, I come to the conclusion that the gift of fantasy has meant more to me that any talent for abstract, positive thinking.
Albert Einstein~(1879-1955)

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  The International Children's Digital Library (ICDL)

 Free Children's Books on the Internet in a huge digital library. Many of them appear to be from another era.  From their site...

"The ICDL has been visited by over three million unique visitors since our launch in November, 2002.

• The ICDL collection includes 4619 books in 59 languages.

• Our users come from 228 different countries.
  

Free access to high-quality digital books from around the world. Browse by age, genre, book length, character types, or even the color of a book's cover."

Here is the Link: ICDL

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Tell Me A Story 

SurLaLune , Heidi Anne Heimer's website for Fairy Tales and Folklore is a veritable constellation of fairy tale books, information, annotations, illustrations, and links. Here is a excerpt from an article she posted on folklore, fairy tales and the oral tradition of storytelling.    

"...Then there is the whole explanation of how folklore comes from oral storytelling tradition. Be aware that this website and most fairy tale studies deal with literary fairy tales, tales that are once removed from oral tradition, set down on paper by one or more authors. Once the story is written down, it becomes static in that version. It is no longer only folklore, but part of the world's body of literature. In contrast, the beauty of storytelling is how the same story is slightly different each time it is told, even by the same storyteller. Oral fairy tales are elusive creatures that folklorists study, record and try to trace through history. It is an invigorating field of study, but not the one I have pursued on SurLaLune. Note that sometimes the literary fairy tale came first and was then absorbed back into oral tradition, such as with 'Beauty and the Beast.'"... 

The illustration of Rapunzel is by George Cruickshank.
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The Planet of the Dogs, as the Story Was First Told

Daisy and Bean,who lived on a farm near Lake Falls Village (on planet Earth), found themselves on the Planet of the Dogs. They were the first humans to be there. This was long, ago, before there were dogs on planet Earth.

They had been chosen as emissaries, to help with a transition --  the dogs had decided to come to earth to help people learn again about loyalty, courage and love. And they needed to learn how non-violent solutions could turn back invaders. .

The following excerpt takes place following a huge gathering of the dogs,who had come to hear the decision, by Miss Merrie, Queen of the dogs, and the Dog Council, about helping people on earth....

 
"Rex, a big shaggy dog -- bigger than Buddy, and very old -- then spoke. 'You must not tell anyone about visiting the Planet of the Dogs.  People won’t believe you, and they’ll think that you aren’t telling the truth, or that it was just something you imagined. And some will become frightened and tell false stories about you. And this will interfere with our efforts to help people. You must keep your visit here a secret. Can you do that?' ”