Title: Little Bitty Friends Author: Elizabeth McPike Illustrator: Patrice Barton Publisher: G.P. Putnam’s Sons Books for YOung Readers, February, 2016 Themes: spring, small animals, rhyme Ages: 0-2 Genre: concept picture book Opening: (first two spreads) Little bitty steps marching one, two, three, Little furry caterpillar, tickle, tickle, knee. Synopsis: Sharing strawberries with a wee mouse, stretching up skyward … Continue reading
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Blog: Miss Marple's Musings (Login to Add to MyJacketFlap)
JacketFlap tags: Elizabeth McPike, LITTLE BITTY FRIENDS, tiny critters, very young, picture book, nature, outdoors, spring, Book recommendation, Patrice Barton, Perfect Picture Book Friday, Add a tag
Blog: The Children's Book Review (Login to Add to MyJacketFlap)
JacketFlap tags: Elizabeth McPike, Ages 0-3, Picture Books, Garth Williams, Yuyi Morales, Illustrator Interviews, Oliver Jeffers, Books for Toddlers, featured, Holly Hobbie, Patrice Barton, Andrea Cheng, David Small, Leuyen Pham, Melissa Sweet, Kelly Light, Gabi Swiatkowska, Illustration Inspiration, G.P. Putnam's Sons Books for Young Readers, Poetry & Rhyme, Maria Gianferrari, Add a tag
Patrice Barton’s artistic talents were discovered at age three when she was found creating a mural on the wall of her dining room with a pastry brush and a can of Crisco.
Add a CommentBlog: the dust of everyday life (Login to Add to MyJacketFlap)
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Blog: Jen Robinson (Login to Add to MyJacketFlap)
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Book: The Invisible Boy
Author: Trudy Ludwig
Illustrator: Patrice Barton
Pages: 40
Age Range: 5-8
Trudy Ludwig's The Invisible Boy is about a quiet little boy named Brian. Brian is not overtly bullied, but he is made to feel invisible because he is ignored by his classmates. When he reaches out to a new classmate, however, things begin to change, and the invisible boy begins to be seen. I'm not normally a fan of overt issue books, but The Invisible Boy worked for me. Part of this was because I love Patrice Barton's gentle illustrations.
But also, I think, The Invisible Boy worked because I so empathized with (ached for) Brian. He's a real character, not a prop for an issue book. He spends his free time "doing what he loves to do best", drawing. He remains hopeful, even in the presence of the other children's indifference (when they don't pick him for a team, or talk right in front of him about a party he wasn't invited to). And when the other kids make fun of the new boy's Korean lunch, Brian "sits there wondering which is worse--being laughed at or feeling invisible." And he takes action. A small, believable, true-to-his-nature action. It's lovely.
Barton's digitally painted pencil sketches are simply perfect for this story. She shows Brian in gray tones, next to the brighter colors of the other kids. As the new boy responds to Brian's gesture, appreciating him for his art, Brian starts to bloom with a hint of color. And by the end of the book, he's "not so invisible after all."
The other kids form a realistically diverse palette, with Brian's eventual two friends Korean and African American. The kids are all rosy-cheeked and in slightly soft focus, in the same style as the baby in Sweet Moon Baby: An Adoption Tale, which Barton also illustrated. Brian's drawings are also realistically rendered - they look like the work of an elementary school boy, with imaginative characters and stereotypical adventure trappings (dragons and pirates).
The Invisible Boy is both heartbreaking and hearwarming. It takes on the situation of quiet kids who are overshadowed by their more attention-seeking peers, and personalizes this via Brian. And what I like best is that Brian takes the first step himself to find a solution, rather than being helped by any external forces. (Teachers may not appreciate the complete lack of help the teacher provides here, but I like to see kids solving the problem in children's books.)
The Invisible Boy will resonate with kids who feel lost in the crowd. And isn't that most of them, sometimes. It might even make the chatty kids who are the ones doing the ignoring think twice about the kids on the fringes. Quite a powerful thing from a picture book. Recommended for school and library purchase.
Publisher: Knopf Books for Young Readers (@RandomHouseKids)
Publication Date: October 8, 2013
Source of Book: Review copy from the publisher
FTC Required Disclosure:
This site is an Amazon affiliate, and purchases made through Amazon links (including linked book covers) may result in my receiving a small commission (at no additional cost to you).
© 2013 by Jennifer Robinson of Jen Robinson's Book Page. All rights reserved. You can also follow me @JensBookPage or at my Growing Bookworms page on Facebook.

Blog: TWO WRITING TEACHERS (Login to Add to MyJacketFlap)
JacketFlap tags: Trudy Ludwig, quiet kids, teaching positive behavior, bullying, giveaway, mentor texts, isolation, Patrice Barton, Add a tag
The Invisible Boy, a new book that deals with the isolation quiet children can feel, is the kind of book that serves multiple purposes in an elementary school classroom (e.g., interactive read aloud book, teaching demonstration text, mentor text for strategy lessons). Previews of the book and giveaway information come at the bottom of the post.

Blog: How To Be A Children's Book Illustrator (Login to Add to MyJacketFlap)
JacketFlap tags: Caitlin Alexander, children's book artists, SCBWI Crystal Kite Award, Terry Widener, Willie Mays biography, children's book illustration, Children's Books, Austin SCBWI, children's book illustrators, Schwartz and Wade, Rubin Pfeffer, Patrice Barton, Children's publishing, Amy Farrier, children's book art, Shutta Crum, E.B. Lewis, Erin McGuire, Neal Porter, Laura Logan, St. Edwards University, children's book illustration course, "Mine!", drawing and painting, Add a tag
How perfect that award-winning children’s book artist Terry Widener has done the pictures for the new picture book by Jonah Winter (just released by Schwartz and Wade) about the greatest all around baseball player ever – Willie Mays. Terry brings a background of high level advertising and editorial illustration and something else to the many [...]

Blog: A Patchwork of Books (Login to Add to MyJacketFlap)
JacketFlap tags: Patrice Barton, Picture Book Saturday, Helen Ward, Mary Ann Hoberman, Il Sung Na, Add a tag

I also loved Patrice Barton's illustrations in Rosie Sprout's Time to Shine.
I Like Old Clothes
Mary Ann Hoberman
32 pages
Knopf
9780375869518
August 2012
Review copy
Hide & Seek by Il Sung Na

Hide & Seek
Il Sung Na
32 pages
Knopf
9780375870781
July 2011
Review copy
The Town Mouse and the Country Mouse retold and illustrated by Helen Ward

The Town Mouse and the Country Mouse
Helen Ward
48 pages
Templar
978076366098
September 2012
Review copy
Blog: the dust of everyday life (Login to Add to MyJacketFlap)
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Blog: How To Be A Children's Book Illustrator (Login to Add to MyJacketFlap)
JacketFlap tags: Illustration, Lisa Yee, Arts, Maurice Sendak, Cynthia Leitich Smith, YouTube, Greg Leitich Smith, Random House, children's book illustrators, Little Brown, Golden Books, portfolios, Pictures worth a thousand words, Patrice Barton, Society of Children's Book Writers and Illustrators, Mark Mitchell, Book Writers, Shutta Crum, Diane Muldrow, Patti Ann Harris, St. Edwards University, "Marks and Splashes" course, children's book author-illustrators, children's book illustration course, "Make Your Splashes - Make Your Marks!" online course, "Mine!", Amy Rose, Add a tag
Erik Kuntz, Amy Rose Capetta and Nick Alter made this video of the Austin Society of Children’s Book Writers and Illustrators 2012 Regional Conference, Something for Everybody. I get a kick out of how the thumbnail on YouTube shows me in the crowd, getting a hug from illustrator Marsha Riti. So of course I had to include it here. Erik, [...]
Blog: The Children's Book Review (Login to Add to MyJacketFlap)
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By Bianca Schulze, The Children’s Book Review
Published: April 17, 2012
The Cloud Spinner
By Michael Catchpool; Illustrated by Alison Jay
The Cloud Spinner is, as it’s title suggests, about a boy who makes fine clothes spun from clouds “just as his mother had taught him.” When the greedy King learns of the boy’s talents he demands many outfits be made. Using repetitive and cautionary words, the boy explains over-and-over: “It would not be wise … Your Majesty does not need them.” The clouds eventually disappear and action must be taken. Alison Jay’s signature paintings with the crackle varnish lend themselves well to this clever and fantastical, “green” fairy tale told by Michael Catchpool—the crackling provides an aged feeling of wisdom, while her bright pallet and fanciful placement of animals add a level of freshness that draws young readers in easily. When it comes to delivering a message of conserving resources for our future, a story driven by a child protagonist is the perfect antidote—as gentle as a floating cloud overhead, Catchpool’s tale gives power to the young people!
Ages 5-8 | Publisher: Alfred A. Knopf Books for Young Readers | March 13, 2012
The Family Tree
By David McPhail
Reminiscent of Shel Silvertein’s The Giving Tree and Virginia Lee Burton’s The Little House, McPhail renders his own little slice of thoughtfulness with The Family Tree. This poignant story about a young boy, who takes a stand to protect one tree from the perils of a new highway ready to be built, reminds all of us that our trees have been here for a very long time, they have seen many things, and they need our protection. The text is direct and the illustrations, which were created using watercolor and ink on illustration board, are sophisticated—both offer the last word in urbanity … a quality fit for this environmental tale.
Ages 4-8 | Publisher: Henry Holt for Young Readers | March 27, 2012
Green
This is a concept book about the color green in representation of all creation, by Laura Vaccaro Seeger (First the Egg—a Caldecott Honor Book and a Geisel Honor Book; One Boy—a Geisel Honor Book; and Dog and Bear: Two Friends, Three Stories—winner of the Boston Globe-Horn Book award). The simple rhyming text begs to be read aloud and invites young listeners to sit and ponder or participate through conversation. Every brush stroke and slap of acrylic paint provides purposeful texture and definition to this wonderfu
Add a CommentBlog: the dust of everyday life (Login to Add to MyJacketFlap)
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Blog: How To Be A Children's Book Illustrator (Login to Add to MyJacketFlap)
JacketFlap tags: Pictures worth a thousand words, Patrice Barton, Shutta Crum, Jeff Crosby, Shelley Ann Jackson, interactive books, Duke Ellington, Hunger Mountain, Lisa Falkenstern, InteractBooks, Ming Doyle, InteractBuilder, Nutcracker Suite, Wiener Wolf, News, Children's book illustration, e-books, Cynthia Leitich Smith, Don Tate, Hyperion, Add a tag
Illustrators can now jump with both feet into digital publishing with the help of some free software and a contest launched by InteractBooks.com
“What better way to showcase all that our InteractBuilder e-book software can do on the iPad and iPhone than holding a contest to find the very best interactive book it can make?” asks the Interact Books website .
“And who better than you to produce this book by using your developer talent and our app software for the Mac and PC?”
A Youtube video doesn’t do the reading experience justice, but an actual iPad encounter with The Tortoise and the Hairpiece by Don Winn, illustrated by Toby Heflin and distributed on the Apple iTunes store demonstrates how the touch screen interactions and subtle animations of an interactive book (let’s call it an i-book) make for a whole new storytelling language.
I-books or interactive e-books aren’t quite the same as the e-books now making headlines for trouncing paperbacks in sales at Amazon.com.
They’re a new animal — maybe a new art form, and it may be months or even years before anyone knows where this fusion of interactivity and literacy is going, aesthetically or commercially speaking. Developers and a few publishers are delving into the format, but no leader for an interactive book-building engine or platform has emerged — yet.
In the meantime Austin, Texas based-InteractBooks wants to push the innovation timeline up a little by launching the first ever contest for an interactive children’s book. Entries must be built with their free InteractBuilder software.
First place prize – 16gb white or black WIFI iPad2, or $500. lnteractBooks will also publish your title and give you a three year membership in the InteractBuilder community (a $300 value)
- 2nd Place wins a 32gb iPodTouch or $200* and a two-year membership to the InteractBuilder community.
- 3rd Place yields a $100 Best Buy Gift Card and a one-year membership to the InteractBuilder community.
All runners up and anyone entering the contest with an InteractBuilder-approved book will have a free year’s membership in the InteractBooks builders community.
The deadline is September 18 and the winner will be announced October 1, which doesn’t give you much time.
That’s why the InteractBook folks are encouraging illustrators and authors to mull over the books they’ve already done, published or unpublished, with pictures and text ready to go — and see how they might adapt their story to this new media

Blog: GregLSBlog (Login to Add to MyJacketFlap)
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MINE! by Shutta Crum, ill. by Patrice Barton (Knopf 2011). Two young children and a dog sort out what's MINE in this delightful, hilarious, and elegant picture book. The text is brilliantly sparse but sufficient and the illustrations are expressive and funny.
A fine read for anyone who's ever had to share
Blog: the dust of everyday life (Login to Add to MyJacketFlap)
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And now it can be yours! Story by the wonderful Shutta Crum, pictures by Patrice Barton, published by Alfred A. Knopf. This was such a fun story to illustrate - toddlers, toys, troubles, triumphs and one puppy. Shutta also made this cute trailer. Yes, she's awesome.
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Blog: Shutta's Place (Login to Add to MyJacketFlap)
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My next book, due in June of this year, is a complete departure from the fantasy novel that came out last year, THOMAS AND THE DRAGON QUEEN (Knopf), and a return to picture book format. It’s titled: MINE!
And I thought you all might be interested in seeing the wonderful artwork of the illustrator, Patrice Barton. It’s published by Knopf, and edited by the talented Michelle Frey.
MINE! is a simple tale of one-upmanship with a hero who is a VERY YOUNG child. This book is for sharing with any child who has ever laid claim to all the toys within reach. It was inspired by the Toddler’s Creed—something I always keep in mind when writing for this age group.
Love it!
And I hope you will love MINE! when it gets here. I do know that many online ordering sites are doing preorders right now.
Happy National Reading Month to all of you!
Shutta

Blog: Picture Bookies Showcase (Login to Add to MyJacketFlap)
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Layla Queen of Hearts
by Glenda Millard, pictures by Patrice Barton
Farrar, Straus and Giroux (BYR) April 2010
Blog: Day By Day Writer (Login to Add to MyJacketFlap)
JacketFlap tags: writing advice, Kirby Larson, Writing, Author Interview, writing conferences, Patrice Barton, P.J. Hoover, Jennifer Ziegler, Jessica Lee Anderson, Liz Garton Scanlon, Austin SCBWI conference, Shana Berg, Add a tag
Today is my last post from the Austin SCBWI conference. It’s my seventh post about the conference and I’ve just given you a sampler from the presentations, so it shows how great these conferences can be.
Before I get into the post for today, here’s a quick recap of the other posts from the conference in case you missed any: agent Mark McVeigh on publishing, agent Andrea Cascardi on getting and working with an agent, editor Cheryl Klein on writing a great book, agent Nathan Bransford on finding the right agent for you, author/former editor Lisa Graff on writing and revising and advice from ALA winners.
The conference had plenty of other published writers, and here’s advice from them:
Kirby Larson (2007 Newbery Honor Book Hattie Big Sky): The secret of success is keeping your bum in your chair and working. No matter how bad you think it is, you have to get the first draft done and keep going.
Liz Garton Scanlon (2010 Caldecott Honor Book All the World): Find a community to help you, whether a critique group or writing partner, because it helps you live in the solitary environment of writing.
Shana Berg (A Thousand Never Evers): You should have an emotional reaction to your story when you read it.
Jennifer Ziegler (How Not to be Popular): Outlining can be an invaluable tool, but use it as a map.
Jessica Lee Anderson (Border Crossing): In dealing with rejection, rethink, revise and resend, inspire yourself with stories, nurture your creativity.
P.J. Hoover (The Emerald Tablet): Think outside of the box. Don’t settle for cliches and stereotypes. Write unique characters

Blog: How To Be A Children's Book Illustrator (Login to Add to MyJacketFlap)
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For some children’s artists, this interview might be a little hard to hear and to bear. For others it could offer new hope.
Jo Ann Miller of Serbin Communication’s Directory of Illustration suggests that illustrators and would-be illustrators think a little bit outside the book.
You’ve seen artists’ directories – the big glossy annuals where artists or their reps buy display ads. There were more of them around in the days before the Internet. The ones that are make sure to also provide their content online.
A couple, Picturebook and the UK-based ChildrensIllustrators restrict their focus to children’s artists.
But the Directory of Illustration is the dreadnought battleship of illustration directories, aiming its marketing guns at not just children’s publishing but the waterfront of graphic arts. That means children’s products, fashion and cosmetics merchandising, corporate and retail promotion, medical illustration, the animation industry and, well, even landscape design.
With the Toy Industry Association as a partner, the Santa Barbara, Ca. based publisher also turns out Play! (“Illustration for Toys and Interactive Games — Your primary source for hiring toy and interactive game artists.” ) Serbin Communications’ other publications include the Best of Photography Annual, the Medical Illustration Sourcebook , and Designer Jewelry Showcase — to name just a few.
It’s not cheap being in the Directory of Illustration. $2,500-$2,600 gets you a full page with 30 portfolio images. Artists sometimes share pages with others who have the same agent or art rep, for example. Artists re-up year after year. Program benefits include national advertising, distribution to 30,000 illustration buyers, free website design and cross promotion with Contact (described as the leading talent directory in Europe and the UK.)
If you’re like me and some other freelancers who keep a death grip on their wallets, you question trading your hard earned cash or IRA nestegg for a paid showcase.
Why do it when you can upload images for free to your Flickr page, WordPress.com blog, SCBWI portfolio, or favorite art web ring?
Why do it when you can mail out your own Christmas postcards to the small ranks of children’s

Blog: How To Be A Children's Book Illustrator (Login to Add to MyJacketFlap)
JacketFlap tags: News, Kirby Larson, Marla Frazee, Houston SCBWI, Cynthia Leitich Smith, Lisa Graff, Austin SCBWI, Chris Barton, Lisa Ann Sandell, Nathan Bransford, Pictures worth a thousand words, Patrice Barton, Sara Lewis Holmes, Special treats, Mark McVeigh, Cheryl Klein, Stacy Cantor, Philip Yates, Shana Burg, Ruta Rimas, children's book illustrations, Jennifer Ziegler, Caldecott Honor, P. J. Hoover, Jacqueline Kelly, Jessica Lee Anderson, Liz Garton Scanlon, Andrea Cascardi, Edith Piaf, John Singer Sargent, Sara Crowe, Add a tag
What does this short animated clip have to do with John Singer Sargent or children’s book illustration?
A quoi ca sert l’amour, a short animation by Louis Clichy, with thanks to illustrator and animation/game artist Amanda Williams for finding this. She called it “brutal and adorable.”
If a child-friendly story had illustrations with these lines — and visual characters as memorable as these, and color the way John Singer Sargent used it in his painted scenes, it would be some picture book, right?
I’m assembling my fantasy football — I mean illustration project — team here.
So, starting with the cartoon: What makes these stick figures tug at your emotions as they do?
The honesty? That we know these people? And been these people?
The “simple” (but oh-so-sophisticated) graphics with their varied perspectives and 360 degree “camera revolutions”?
All the fast cutting and surprise transitions?
The song? Edith Piaf’s and Theo Sarapo’s singing?
The subject?
Could some of this aplomb be translated into picture book illustrations?
Are these enough questions for now?
OK, so let’s add some color and texture. John Singer Sargent had a knack for these.
Thanks to Chicago based painter Raymond Thornton for finding this.
I know. Sargent is the painter who gives all other painters inferiority complexes. We don’t now a lot about how he made his palette choices. (We know that he looked carefully.)
So enough with dream teaming. We’ve got some housecleaning items today.
Two powerhouse chapters of the Society of Children’s Book Writers and Illustrators (SCBWI) have announced their 2010 pow-wows — both set for early next year.
It’s Time to Mingle in Texas
Awesome Austin
Austin SCBWI comes first with Destination Publication featuring a Caldeecott Honor Illustrator and Newberry Honor Author, along with agents, editors, more authors, another fab illustrator, critiques, portfolio reviews and parties.
Mark the date – Saturday, January 30, 2010 from 8:00 a.m. – 5:30 p.m. Get the full lowdown and the registration form here. Send in your form pronto if you’re interested — more than 100 people have already signed up. Manuscript crtiques are already sold out. But a few portfolio reviews are still open at this writing!
Destination Publication features Kirby Larson, author of the 2007 Newbery Honor Book, Hattie Big Sky and Marla Frazee, author-illustrator of A Couple of Boys Have the Best Week Ever, which received a Caldecott Honor Award, and more recently All the World penned (all 200 words of it) by Austin’s own children’s author/poet Liz Garton Scanlon.
Frazee teaches children’s book illustration at Art Center College of Design in Pasadena, CA. She and Scanlon plan to talk about their collaboration. You can read wonderful essays by them on this very topic here.
The faculty also includes: Cheryl Klein, senior editor at Arthur A. Levine Books/Scholastic, Lisa Graff, Associate Editor at Farrar, Straus and Giroux Books for Young Readers, Stacy Cantor, Editor, Bloomsbury USA/Walker Books For Young Readers, Andrea Cascardi agent with Transatlantic Literary Agency (and a former editor), another former editor, Mark McVeigh who represents writers, illustrators, photographers and graphic novelists for both the adult and children’s markets, and agent Nathan Bransford.
The conference also features authors Sara Lewis Holmes, Shana Burg, P. J. Hoover, Jessica Lee Anderson, Chris Barton, Jacqueline Kelly, Jennifer Ziegler, Philip Yates, and illustrator Patrice Barton.
Read more about everyone here.
Happenin’ Houston
Houston SCBWI has announced the (still developing) lineup for its conference just three weeks after Austin’s: Saturday, February 20, 2010. Registration is NOW OPEN.
It headlines Cynthia Leitich Smith, acclaimed author of short stories, funny picture books, Native American fiction, and YA Gothic fantasies, Ruta Rimas, assistant editor Balzer & Bray/HarperCollin, and Patrick Collins, creative director at Henry Holt Books for Young Readers. Collins art directs and designs picture books, young adult novels and middle grade fiction.
Among the recent picture books he has worked on: Baby Bear, Baby Bear, What Do You See?, Old Penn Station and Rosa, which was a Caldecott Honor book.
The conference also features Alexandra Cooper, senior editor at Simon & Schuster Books for Young Readers, Lisa Ann Sandell, senior editor at Scholastic Inc., and Sara Crowe, an agent with Harvey Klinger, Inc. in New York.
You can download Houston conference info and registration sheets from this page.
No, you don’t have to be Texan to register for either of these big events. You just have to be willing to get here for them.
Remember that just about any SCBWI conference or workshop is a great education for a very modest investment.
* * * * *
Speaking of great educations for a very modest investment, Mark Mitchell, author of this post and host of this blog teaches classes in children’s book illustration at the Austin Museum of Art Art School and online. Learn more about the online course here — or sample some color lessons from the course here.


Blog: Picture Bookies Showcase (Login to Add to MyJacketFlap)
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Kenny from The Looking Book
by P.K. Hallinan, Ideals Publishing
illustrated by patrice barton
October 2009

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Blog: Welcome to my Tweendom (Login to Add to MyJacketFlap)
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Thanks to Brad, her mother's new boyfriend, Gilda is now all set to attend the swanky Our Lady of Sorrows private school. Gilda had wanted to apply on a whim. Now that the pink uniformed experience is right in front of her, she isn't sure she really wants to go!
After a tour of the school, she changes her mind. From creepy Velma Underhill, to the fact that the school looks like an old castle...there are things about this place that give Gilda that hair-standing-up-on-the-back-of-your-neck feeling that can only mean this is the perfect place for a psychic investigator such as herself.
Turns out, one of the students drowned in the lake on campus 3 years earlier. Gilda knows that she is the one to solve this mystery. But what if there are girls around who do not want the mystery solved? Girls that may have had something to do with poor Delores' demise?
Add to the mystery Gilda's unwanted, school chosen big sister Marcie, her mom's loser boyfriend, and an English teacher with the amusing name of Mr. Pante (pantay....not panty!), and readers are in for another Gilda adventure that is sure to please. There is just something about Gilda that I love. She is her own girl, wonky yet somehow sophisticated.
I am definitely looking forward to more in this series.
Wonderfully informative interview. Always love seeing the process behind a successful and brilliant work of art.
Thank you Mark for interviewing Terry Widener here on this latest book. It’s so good to hear Terry say, that if you want to learn to draw, you need to practice, practice, etc. And to go to your local education area and take a life drawing class or two, or as many as you can. He is so right that the people who stylize their drawings can also draw the traditional way. I don’t know if many people realize that today, who do not follow art or illustration. It’s so fundamental to just sketch every day. I also appreciated his comments about the old wool uniforms and the baggy pants, socks, etc. Also how he makes smaller drawings of different scenes, and slips them under the work he’s doing to see if he will change it – or not. One of my profs taught us how to make our own graphite paper by rubbing a thick graphite stick solidly on vellum paper, and then taking rubber cement thinner on a cotton ball all over it, smear it up, let it dry, and then you’ll have any size graphite tracing paper you want. Glad to see Terry from your photos also. He’s a favorite illustrator of mine. Thanks again for taking the time to do this interview.
Thank you, Theresa. You’ve written some wonderful things and done some great process posts for this blog, too!
Virginia, I was struck by the same points Terry made as you were! So basic. So “where the rubber meets the road. Terry is such a great role model for practice, due dilligence, patience and creating true beauty in his work.