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Viewing: Blog Posts Tagged with: portfolios, Most Recent at Top [Help]
Results 1 - 23 of 23
1. Monotypes


The Obi Sash, Acrylic monotype, 9 x 12 inches. © 2013 by Lisa Firke. All rights reserved.


Surf Acrylic Monotype, 9 x 12 inches. © 2013 by Lisa Firke. All rights reserved.


Loch Ness Acrylic monotype, 9 x 12 inches. © 2014 by Lisa Firke. All rights reserved.


Castle Loch Acrylic monotype, 9 x 12 inches. © 2013 Lisa Firke. All rights reserved.


Embattled Castle Acrylic monotype, 9 x 12 inches. © 2013 by Lisa Firke. All rights reserved.


Spirit Feather I, Acrylic Monotype, 8 x 9 inches, © 2014 by Lisa Firke.


Spirit Feather II, Acrylic Monotype, 9 x 12 inches, © 2014 by Lisa Firke.


Snowscape Acrylic monotype, 9 x 12 inches. © 2014 by Lisa Firke. All rights reserved.

Monotypes

























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2. A party in February

Erik Kuntz, Amy Rose Capetta and Nick Alter made this video of the Austin Society of Children’s Book Writers and Illustrators 2012 Regional Conference, Something for Everybody.  I get a kick out of how the thumbnail on YouTube shows me in the crowd, getting a hug from illustrator Marsha Riti. So of course I had to include it here. Erik, [...]

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3. Portfolio Showcase Winners

An esteemed panel of judges (possessing much expertise and very good taste) pored over portfolios yesterday to choose winners for the SCBWI Portfolio Showase! Laurent Linn, Steven Malk, Richard Jesse Watson, Nancy Conescu and Jamie Weiss Chilton chose a grand prize winner and three honor winners as well as several illustrators to participate in SCBWI's illustrator mentorship program.

Note that mentorship recipient Julianna Brion won an SCBWI student scholarship (one of three winners), awarded this year for the first time. And she's the recipient of both a portfolio honor and mentorship. Also note that honor winner Joen Deininger was a mentorship winner last year. (The wonderful SCBWI Illustrator Committee programs yield results!)

Here are the recipients...



Grand Prize Winner: ELIZA WHEELER

Portfolio Honor: GREG PIZZOLI

Portfolio Honor & Mentorship Recipient: JULIANNA BRION

Portfolio Honor: JOHN DEININGER

3 Comments on Portfolio Showcase Winners, last added: 8/9/2011 Display Comments Add a Comment
4. Fat Winter; Pencils, Mass Transit, Agents and Phase Two

Above is Doppo the Arctic fox, one of my favorite characters to draw. I probably sketched it in under a minute.

Just got home from the city. I live right on the outskirts and need to travel downtown to get art supplies. I took the GoTrain which is part of Toronto's mass transit system. It goes from here (Etobicoke) to downtown Toronto in about 15 minutes. On the way it winds through all these industrial backlots and crumbling Victorian brick factories. I love that trip. After the train drops me off it keeps going west to Aldershot, which is known for it's military base. I am always tempted to stay on the train and keep going. I almost get overwhelmed with curiosity every time. I've never been that far west and I wonder what's out there.

I went in town to buy pencils. I bought a huge pile of 3Bs which is currently my hardness of choice. Just soft enough to give a rich dark line but not so soft that it disappears in one drawing session, eaten up by the electric pencil sharpener. I also bought jogging pants. This has been one unhealthy winter.

Also, today draws to a close what has become n annual search for an agent. I've had problems with this. It's funny but I have an easier time getting published than I do getting an agent. Whenever I've had a really good idea it never seems to take long to find a home for it. Agencies are different. I don't know why but I have some guesses. I think your relationship with a publisher is short term. You do a book and that's it, no real obligation after that. With agencies it's different, the relationship is meant to be a reciprocal one that ought to last for a long time, years. Another thing is marketing. An agent is as concerned with how well they can market you, maybe more so than how talented you are. And how well an agency can market you can depend on how well you fit into the overall style of artists they already represent. If you're too different than their other artists it can be hard to market you and if you're too close to their current artists it might create redundancy in their agency or even competitiveness.

In any case, this round of agent hunting is over. Now it's phase two. Which is a funny way of saying I'm putting together proposals to send to publishers. So far this has been the most effective thing I've done. I think my ideas are good and publishers like the idea of one person doing both the story and the art for picture books and comic books. I think the industry seems to be moving that way.

Anyway, that's enough rambling for today.

1 Comments on Fat Winter; Pencils, Mass Transit, Agents and Phase Two, last added: 4/14/2011
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5. The Old Wall

Another portfolio piece. I really like this character and am thinking of doing a couple more of her.

6 Comments on The Old Wall, last added: 4/12/2011
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6. Looking Over

Here's a sketch for another small portfolio piece I'm working on. This week has been all about catching up. Looking for new projects and ways to get new projects, including getting a new agent. Even with pretty good contacts I feel like I'm spreading myself really thin looking for contracts as well as working in new art. Also, I really want to get more of the current work I'm doing out there.

2 Comments on Looking Over, last added: 4/9/2011
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7. Full Of Candy

Post Halloween exhaustion! Candy crash! A new portfolio piece! Again, this one's pencil and digital. My confidence with this process is really growing. I've said it before but I have to say it again, this process really helps me do the exact kind of pictures I want. I've always wanted to be able to produce work that shows my drawing prominently but is richly coloured. I couldn't fully pull this off using ink and watercolour or pencil and watercolour because the paint would inevitably hide much of my linework. This has been driving me crazy for years. So, this is closer to what I've had in my head.

What I do is; take these very finished pencil drawings and scan them in. I rework them extensively on the Cintiq using Photoshop (CS4). Reworking the black and white drawing. Mainly I lighten it up with white lines. Part of my preferred technique has always been to go too dark in the initial drawing and then recover the highlights. In the past I've white ink, gouache or acrylic to achieve this. It's much easier using the Cintiq and very easy to correct. I also play with curves quite a bit to get the exposure just right.

I than duplicate the background drawing in another layer and set the blending option to multiply (I think... ) All the colour work is sandwiched between the two layers. This method keeps the colour beneath the linework, so that nothing gets lost beneath the colouring. It's like having two layers of clear paper and the line drawing is sitting on top of the colours, if that makes sense. (I use a lot more than two layers but you get the idea) Each layer of colour is set to a different opacity, I'm going for a slightly washed out look, not overly intense but with moments of richness. This process is just an extension of my traditional work so the learning curve has been pretty gentle.

And if you're wondering this is a bit of an homage to Maurice Sendak.

7 Comments on Full Of Candy, last added: 4/8/2011
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8. New Stuff


Two new pieces I did for my portfolio. I'm trying to get a few simple pieces with children before I move on to more elaborate ones connected to some book proposals I'm working on.

9 Comments on New Stuff, last added: 4/5/2011
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9. The New Site Is Up!

Finally! my new site is up at www.ericorchard.ca  and it's one I can edit, so no more anxiety over outdated portfolios online. I used Squarespace, a website creator/host for people who are clueless, like me. I couldn't have done it without lots of help. Michael Startzman gave up some of his time to help me out an get the site the started. He basically did everything. Thanks so much! And Ben Towle led me through the labyrinth that is online portfolios. Thanks Ben!

9 Comments on The New Site Is Up!, last added: 4/5/2011
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10. Marching With The Grass

Another new portfolio piece, also done with pencil and digital-a technique I'm warming to more and more. I'm trying to get a done a number of smaller, graphically simpler pieces done for my portfolio, something I don't have enough of. I think these simple images are pretty popular with art directors and readers. And I love doing them, the restraint is worth it.

11 Comments on Marching With The Grass, last added: 3/29/2011
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11. Sky Process

So, a bit on this piece and how I did it. It's not an especially original process but it's a pretty individual one. Combining pencil and digital lets you have a real individual touch and have a really polished piece. Above is the original pencil drawing which I scanned in. I was pretty happy with it but had some issues with it.
And below here is the piece after I had played with it digitally. (To see the final colour version click here) I can be a bit of a perfectionist so I find I had to make sure I didn't go overboard. I didn't do a lot to the original but the combination of Cintiq and Photoshop is pretty powerful and a little goes a long way. It's surprisingly how quickly you can work this way.

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12. Grass Thing

Thanks so much for all the kind comments on yesterdays new portfolio piece. Here's a new one I'm working on, or rather a sketch for one. I plan to add about 5 or 6 new pieces before relaunching my website. I'm really loving the possibilities I'm finding combing paper, pencil and digital. I have to say, it's giving me the tools to do things I've always wanted to but couldn't.

6 Comments on Grass Thing, last added: 3/25/2011
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13. Frank's Cats

Here's a portfolio piece I was working on but put on the back-burner. I love the idea, an escaping Frankenstein's monster escaping his master with a cadre of cats but the composition wasn't really working for me. I'm trying it out in a landscape orientation but that isn't working either....I'm putting it aside for a while and I'll revisit it later.

2 Comments on Frank's Cats, last added: 11/17/2010
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14. WPSHOWER - Free wordpress themes

WPSHOWER - Free wordpress themes:

Some nice free WordPress themes for artist portfolios.

(via @n8w)

0 Comments on WPSHOWER - Free wordpress themes as of 1/1/1900
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15. David M. Buisán

I’ve seen video trailers as ads for books and comics before, but here’s something that’s new to me, and I think fairly original. Illustrator David M. Buisán has created a promo reel of sorts for his illustration portfolio, similar to an animator’s promo reel, but with static images set to music. It definitely makes the task of sifting through an artist’s body of work, and trying to decide which piece to share with you guys, far easier.

I think it’s a brilliant idea, and I’m surprised I haven’t seen more of this sort of thing. I’m certainly going to create one for my work.


Posted by John Martz on Drawn! The Illustration and Cartooning Blog | Permalink | No comments
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4 Comments on David M. Buisán, last added: 10/3/2009
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16. Diego Lara’s Neuropeurto v4.0

I love the web presentation of this portfolio site:

by Diego Lara

by Diego Lara

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17. Thinking About My Portfolio

Over the last few weeks I've been devoting most of my time to Harry and Silvio and sketchbook sketching. If you follow my blog you may recall me posting about wanting to expand my work into the fantasy field a few months ago. I've changed my mind. Well, sort of. I keep trying to produce serious, fantasy paintings but can't seem to complete anything worth looking at. And I'm looking at the work of Shaun Tan, Dave McKean and Brad Holland and thinking "I'd rather be doing that." So my plan today is to just follow where things go and if the fantasy crowd likes it then cool but if not that's OK too. I keep surprising myself. My work will angle down a weird, unexpected road and I'll be in this really great place I didn't plan for but am glad to have found.
I think that's one of the great challenges in being a creative person: being open to many things and being brave enough to explore places that are new and surprising. Everyone who visits and comments here has been so patient with my stream of changing ideas and arguments. I really should trust people more.
P.S. After ruminating over a glass of wine I wonder if I'm saying that I don't want to to be tied down to genre. I'm not sure it is but it might be. I don't want to produce stuff that is pure genre.

23 Comments on Thinking About My Portfolio, last added: 11/30/2008
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18. Clockwork

Here's my newest portfolio piece. Well an unfinished portion of it anyway. I really wanted to get a science fiction and fantasy portfolio finished at this point but a number of other projects and leads have kept me really busy. Hopefully when Robot Museum is done for Scholastic I can get back to this.
On another note, I got my Wacom tablet last night. It was surprisingly easy to set up. It's taking some time to adjust to though.
I'm doing a lot of writing these days as well. The world of Fogg just wont leave me alone. I did the imaginary novel for fun and ended up finding it had more depth than I thought. It's like a mystery I've been exploring. Like Who is Mina Fogg, the founder...?

27 Comments on Clockwork, last added: 9/21/2008
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19. Green Skies




And here's the final piece, Green Skies. I think it's funny that this still looks a bit like a kid's book. I don't think I'll ever reach further than YA in my paintings, which is fine with me of course. Note that the birds are a last minute addition and are pretty conventional in their other- worldliness I think, I mean that in a good way. I was thinking of some pretty standard SF illustrators while doing this piece. Virgil Finlay, Hannes Bok. Finlay in particular.
http://www.bpib.com/illustrat/finlay.htm
http://www.americanartarchives.com/bok.htm
But I was also thinking of more contemporary work like Jon Foster and Rick Berry.
http://www.jonfoster.com/
http://www.rickberrystudio.com/
and I really wanted the black water to be creepy. have you ever looked into the water whaiole sailing at night? Creepy... I'm going to leave this up until the weekend.

40 Comments on Green Skies, last added: 8/13/2008
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20. Process

I'm just finishing up a new painting for my updated portfolio and I thought I'd post the process, starting with sketches. I think it's one of my favorite paintings ever, it has a kid, a pink robot and a planet with green clouds. I'm reading some amazing books right now and I thought I'd share some fantastic titles with you:
Little Brother-Cory Doctorow
A Wolf In The Door-Edited by Ellen Datlow and Terri Windling
Orvis-H.M.Hoover
Four And Twenty Blackbirds-Cherie Priest
Please check out Orvis, it's pretty close to the aesthetic I'm going for in Robot Museum.

2 Comments on Process, last added: 8/2/2008
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21. Link Back the Love

Link Back the Love is the brainchild of wife, mother, and creative entrepreneur Holli Conger. Check out this link to see all of the cool stuff she dreams up. Today she has a post on her blog, a girl who creates, titled "A Day in the Life" check it out later today and see what she's up to next. (Here's the link) She sure is one creative girl! Is there a blog you like to visit everyday? Head over to Link Back the Love, grab the link back logo, and link away!

Update:
What I like to See in an Artist Portfolio
.
While I'm at it, here's a link to a great post from editor Cheryl Kline over at Brooklyn Arden. She has a lengthy post on exactly what she's looking for when viewing an illustrator's portfolio.

1 Comments on Link Back the Love, last added: 4/30/2008
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22. Portfolios and Promo Cards

At a recent event I was asked two questions:

1."When is your portfolio drop-off day"

2."Do you like getting 'portfolio' cards in the mail.

I had the same answer for both "No".

Now this is by no means a universal opinion but rather my own. My answer got me to thinking of the why? Why do I feel this way. I see a ton of cards pass my desk everyday which I scan through so fast that it seriously isn't worth the time that is but into them or the money. Some are really amazing. But I think they might be a waste, at least for me. What I would rather see is work on a website or Blog or some sort of online posting. Save your sell some stamps and some trees and get your work online.

Second I like most art directors these days don't have much time left in there day to see new portfolios on drop-off days. We will call artist in when we need to see there work. ( which we find on sites, from reps, and artist recommendations) Why is this? It was not long ago that an Art Director would have illustrators in to look over there work together. The Art Director had more time in a way to see new work. Before computers publishers worked on fewer books and thus had more time to look and cultivate new talent. When you work on over 70 books, plus 26 calendars a year, unfortunately you have little time to see new work. This doesn't mean I don't want to, I do. But working on more books means that there is more work out there than there was 20 or even 10 years ago.

So how do you get me to see your work?

As I suggested before, get your work online. I love looking at new sites. We all waste time in the morning on the Internet. So why not have me looking at your site over a tasty sausage, egg and cheese breakfast sandwich. But again, how do you get me to look at you site. I have created a email address for you to send your site address too. This way you are not clogging up my work email which can be quiet troublesome.

[email protected]

Let's see how this little experiment works out.

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23. Happy Father’s Day to Dads Everywhere!

Father’s Day is the perfect time for dads to spend some quality time with their kids. For dads with very young children, here are two books to enjoy together today or any other day:

A Perfect Day
Title: A Perfect Day by Remy Charlip
Reading level: Ages 4-8
Hardcover:
40 pages
Publisher: Greenwillow (April 24, 2007)
ISBN-10: 006051972X
ISBN-13: 978-0060519728

What could possibly be better than spending a day together?
Absolutely nothing.
Turn the pages.
Here is a perfect day.

This sweet book from writer Remy Charlip received a star review from School Library Journal.

You Can do anything, daddy
Title: You Can Do Anything, Daddy - by Michael Rex
Reading level: Ages 4-8
Hardcover: 32 pages
Publisher: Putnam Juvenile (March 22, 2007)
ISBN-10: 0399242988
ISBN-13: 978-0399242984

If your dad is willing to save you from pirates, gorilla pirates, robot gorilla pirates and even robot gorilla pirates from Mars, you know he’ll do anything for you. And if that makes your dad hungry and thirsty or if he gets cuts and bruises, you know just how to take care of him right back. An adventurous tale of the heroic lengths fathers and sons will go for each other that will elicit gasps, giggles and warm contented sighs.

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