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Viewing: Blog Posts Tagged with: win, Most Recent at Top [Help]
Results 26 - 40 of 40
26. Art Show Teeming with Talent

Art Show Teeming with Talent

By Leeza Hernandez, Illustrator Coordinator, NJ SCBWI

At the New Jersey SCBWI 2011 Annual Conference, more than 40 illustrators exhibited work in the Juried Art Show.

This is the second year that NJ SCBWI has offered the show to illustrators—in addition to the regular portfolio display—to help show off the variety of member talent to industry professionals during the conference. The show ran Saturday and Sunday and was accessible to all attending members for viewing.

The jury included editors, art directors and agents from this year’s faculty. They selected the winners based upon the following factors: Craft, Consistency, Concept, Impact, Marketability and Appropriateness.

First place went to Lisa Falkenstern (www.lisafalkenstern.com) for her Steampunk-style Humpty Dumpty piece. She left the conference prior to the announcement of the winners, so a friend called live from the amphitheater to break the news.

Falkenstern’s reaction was regret for not staying until the end, but also shock. “I entered my piece because I wanted to see the reaction to Steampunk from children’s book people,” Falkenstern said. “I was sure I wasn’t going to win—I just wanted to see  what people would say. To me it wasn’t a typical children’s [book] illustration.”  She added that she never wins anything so the shock was two-fold!

For winning the show, Falkenstern will visit two publishing houses to meet with art directors and editors and show her portfolio of work.

The two runner-up winners were Kelly Light www.kellylight.com  and Katia Wish www.katiawish.com , who each received a $50-off gift certificate for a future NJ SCBWI event.

Here is Kelly Lights winning entry:

Here is Katia Wish’s entry for the art show.

Honorable mention went to Kim Wood, who received a $25-off gift certificate for a future NJ SCBWI event.

When thinking about showing an illustrator’s work one member of the jury had this piece of advice: “There were many strong pieces and I found this a hard decision. In the end it was marketability that broke the ties, because in the end—even if all the other qualities are there—if it can’t find a place in the bookstores, it has no chance of success!”

There was no theme for the juried art show. IIlustrators were invited to submit one print of a piece of work that showed off their style in the best possible way.  NJ SCBWI will be featuring the juried art show, portfolio display and a special bonus exhibit at next years’ conference, so stay tuned for more details.

Leeza Hernandez is an illustrator/author and serves as the Illustrator Coordinator for New Jersey SCBWI. www.leezaworks.com

Thanks Leeza for sharing an inside view of the art show.

Talk t

2 Comments on Art Show Teeming with Talent, last added: 7/3/2011
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27. Poetry and Writing Contest

Do you love to play with words, arrange them in artistic ways?  Have you written poetry or a short story?  If the answer is yes, then maybe you will want to consider The Dream Quest One Poetry & Writing Contest.   The people at Dream Quest say if you have an abilty to dream, you have an ability to win.

Write a poem or short story for a chance to win cash prizes. All works must be original.

Guidelines:

Write a poem, thirty lines or fewer on any subject, style, or form, typed or neatly hand printed.  And/or write a short story, five pages maximum length, on any subject or theme, creative writing fiction or non-fiction (including essay compositions, diary, journal entries and screenwriting). Also, must be typed or neatly hand printed.

Multiple poetry and short story entries are accepted.

Postmark deadline: July 31, 2011

All contest winners will be announced on August 31, 2011

Entry Form:  http://www.dreamquestone.com/entryform.html

Prizes:

Writing Contest First Prize is $500. Second Prize: $250. Third Prize: $100.

Poetry Contest First Prize is $250. Second Prize: $125.  Third Prize: $50.

Entry fees:

$10 per short story.

$5 per poem.

To send entries: Include title(s) with your story (ies) or poem(s), along with your name, address, phone#, email, brief biographical  info.
(Tell us a little about yourself), on the coversheet. Add a self-addressed stamped envelope for entry confirmation.

Mail entries/fees payable to: “DREAMQUESTONE.COM”

Dream Quest One

Poetry & Writing Contest

P.O. Box 3141

Chicago, IL  60654

Visit http://www.dreamquestone.com <http://www.dreamquestone.com/> <http://www.dreamquestone.com/rules.html>for
further details and  to enter!

Talk tomorrow,

Kathy


Filed under: Author, Competition, Contests, earn money, opportunity, Poems, Win, writing Tagged: Dream Quest Contest, Poems, Short Stories, Writing Contest 0 Comments on Poetry and Writing Contest as of 1/1/1900
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28. Happy Bloomsday



It’s a holiday for James Joyce fans, a holiday known as Bloomsday. Joyce’s seminal 1922 novel Ulysses spans a single summer day in Dublin (1904), and now we know every 16th of June as Bloomsday, so named after the novel’s protagonist Leopold Bloom. Typical Bloomsday activities include Ulysses-themed pub crawls, dramatizations, and readings. Some committed fans even hold marathon readings of the entire book.

I heard that Steve Cole is taking this tradition to Twitter, and inspired by that, we’re going to celebrate Bloomsday on Twitter as well. Oxford University Press has published* a facsimile of the original 1922 text and you have the chance to win a copy. Just tweet

I’m celebrating Bloomsday with @OUPAcademic and @OWC_Oxford http://oxford.ly/kjHsVX

and you’ll be automatically entered to win.

In the meantime, I encourage you to read this short excerpt from Jeri Johnson’s introduction to the Oxford World’s Classics edition of Ulysses, in which she talks about the novel’s formidable reputation and the intimidation new readers sometimes feel.

*This Oxford World’s Classics edition is currently available in the UK and will be published in the US this summer.

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29. Kudos For New Jersey’s ARA – Laurie Wallmark

I was very happy to find out yesterday that my Assistant, Laurie Wallmark was chosen as the runner-up for the SCBWI Work-In Progress Grant for a non-fiction book.  The award is $500.  This is the second  year in a row that laurie was runner-up. Congratulations! Laurie.

At least a couple of times a week, I get an e-mail from a member where in the course of the e-mail they mention something very casually about some success they have had.  Please let me know your successes, so I can help tout them for you.  No one is going to think you are showing off and even small successes should be celebrated. 

We put success stories in Sprouts and as you can see, I like to brag about you.  Remember you are the one that has to make things happen and keeping things to yourself is the wrong strategy.  Please share your successes.

Here is the information for the WIP Grant.  Deadline for the next year is February 15th.

The SCBWI Work-In-Progress Grants are designed to assist children’s book writers in the completion of a specific project, and are made possible by a generous grant from Amazon.com.

Grants for first place ($2000) and runner up ($500) are awarded in each one of seven different categories:

  • General Work-In-Progress grant
  • Grant for a contemporary novel for young people
  • Nonfiction research grant
  • Grant for work by an unpublished author
  • Grant for work from a multi-cultural/minority perspective
  • Barbara Karlin Grant for unpublished picture book writers.
  • Don Freeman Grant for unpublished picture book illustrators.

In any given year, an applicant may apply for: the General Work-In-Progress Grant OR the Work-In-Progress Grant for a Contemporary Novel for Young People OR the Work-In-Progress Nonfiction Research Grant. The Grant for a Work Whose Author has Never Had a Book Published may not be applied for — it will be chosen from all the entries in the other Work-In-Progress categories.

Eligibility: The Grants are available to both full and associate members of the SCBWI. They are not available for projects on which there are already contracts. Please note: members can apply for only one SCBWI grant per calendar year.

Grant Amounts:
Seven Grants of $2,000 will be awarded annually, one in each category. Seven Runner-Up Grants of $500 will also be awarded, one in each category. Authors of other projects cited by the judges as noteworthy will receive a Letter of Merit. In any given year, the SCBWI Grant Committee reserves the right to withhold the grant for that year.

Deadline: Completed application and accompanying materials must be postmarked no earlier than February 15th and must be RECEIVED BY March 15th. Receipt of your application will be acknowledged only if a stamped self-addressed post card is enclosed. The recipients of the grants will be announced in September.

Instructions for completing and submitting application materials:

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30. Preview of Raffle Donations at NJSCBWI Conference June 3-5

Below is the list of donations that will be in the NJSCBWI  Conference Raffle.  You can purchase tickets to use to win the following prizes.  We have a lot of really good things this year.  There is still time to donate.  Everyone who donates something worth over 25 dollars will receive three free tickets to use in the raffle.  Check back for additional items.

* Up to 10,000 word Namelos critique.

* Author Sudipta Bardhan-Quallen, picture book critique.

* Author Charlotte Bennardo. critique of the first 30 pages of a novel, plus synopsis.

* Author Dianne Ochiltree, a picture book critique, of one story, double-spaced, 12-point type, up to five manuscript pages

* Author Audrey Vernick critique of full PB or 15 page novel critique. 

* Author Nancy Viau, critique of first 15 pages of a Middle Grade novel and corresponding synopsis.

* Author Natalie Zaman, critique of first 30 page of a middle grade or young adult novel, plus synopsis.

* Brand new Canon color printer

* Writer’s Weekend Retreat inMaine

* 4 Diamond Box tickets to the Phillies game on June 15th

* 2 Yearly SCBWI Memberships.

* $70 off a Summer 2011 Networking Dinner in NYC.

* $50 off a future NJSCBWI Event.

* Invoke the Muse” Candle Basket.

* “Writer’s Basket” with $50 Barnes and Noble gift cards, chocolate cherry wine, Lang Willaimsburg

* Certificate valued at $1200 for a pencil sketch of your pet.

* Free consultation and $50 certificate off programs price of MEDImorphosis Physician Assisted Weight Loss Plan.

* “Devine and Delicious YA Basket” with a $20 gift card for Dunkin Donuts, plus: MATCHED by Ally Condie, NIGHTSHADE by Andrea Cremer, THE DARK DIVINE by Bree Despain, and ANNA AND THE FRENCH KISS by Stephanie Perkins.

* Original oil paintings and art work

* Barnes and Noble Gift Certificates

* Fabric Sample Basket

* 2 signed copies of The Beauty of Different

* Autographed copy of LULLABYE, LITTLE ONE by Dianne Ochiltree which was selected for inclusion in the Dollywood Foundations Imagination Library national childhood literacy program.

* 2 Autographed copies of The Complete Idiots Guide to Publishing Children’s Books, 3rd Edition

* 1 hour massage,StraubeCenter,Pennington, NJ

* “Tea and Creativity on the Summer Porch” Basket ~  It contains a wooden desk easel, journal, pens, brushes, tea pot, 2 mugs, tea and Ghirardelli chocolate.

* From Kids Lit Authors Club ~ 1 Picture Book basket, plus 1 MG/YA book basket.

* Illustrator creative branding consultation (gift certifica

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31. Royal wedding poetry challenge



National Poetry Month, is nearing its end, and the royal wedding is just around the corner, so let’s write poems about it. I’ve made some suggestions below, but all forms are welcome. (If you really want to win me over, I suggest attempting my favorite poetic form, the sestina.) Send your poem care of [email protected] and I’ll post what I can tomorrow. (Keep it clean, please. Humor, satire and effusive excitement are welcome, insults are not.)

Additionally, our Twitter followers are eligible to win one of the below Oxford World’s Classics. To enter, tweet:

Take @OUPAcademic’s #royalweddingpoetrychallenge http://oxford.ly/msrv0S

Entries will be accepted all weekend. Winners will be contacted via DM.

*     *     *     *     *

ghazal (ghasel; gazal; ghazel) A short lyric poem written in couplets using a single rhyme (aa, ba, ca, da, etc.), sometimes mentioning the poet’s name in the last couplet. The ghazal is an important lyric form in Arabic, Persian, Turkish, and Urdu poetry, often providing the basis for popular love songs. Its usual subject-matter is amatory, although it has been adapted for religious, political, and other uses. Goethe and other German poets of the early 19th century wrote some imitations of the Persian ghazal, and the form has been adopted by a number of modern American poets, notably Adrienne Rich.

cinquain [sang-kayn] A verse stanza of five lines, more commonly known as a quintain. Examples of such stanzas include the English limerick, the Japanese tanka, and the Spanish quintilla; others include the variant ballad stanza employed intermittently by S. T. Coleridge in his ‘The Rime of the Ancient Mariner’ ( 1798 ), and many more varieties with no name.

terza rima [ter-tsă ree-mă] A verse form consisting of a sequence of interlinked tercets rhyming aba bcb cdc ded, etc. Thus the second line of eac

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32. Raffle and Scholarship Fund

Every year at the June conference we run and Silent Auction and Chinese Auction to raise money for our Scholarship Fund.  We always use all the money to help members with financial problems throughout the year attend our events.  The money went fast this year with so many members finding themselves in difficult situations due to the economy. 

The Scholarship Fund helped over 16 members this past year attend events they otherwise would not have been able to afford.  It looks like the economy is starting to tick up, which is a good thing, but we still need to replenish the fund for this coming year.

Members who have helped the chapter by attending New Jersey events, donated their time or donated items to previous raffles, get top priority over other members with similar financial needs.  So your efforts to help the chapter and others does not go unnoticed and could someday end up helping you, too.

Here is what we do:

I call every editor and agent who attended one of our events to see if they can donate a critique and join us at one of our Summer Networking Dinners.  The results get listed in the Silent Auction.  Attendees bid on the things that interest them throughout the conference.  With the Silent Auction you can write down a dollar amount and then if someone wants to beat your bid, that person writes in a higher amount.  This goes back and forth until the person with the highest bid at the end of the conference wins.

We usually have a few full manuscripts critiques in addition to many partial critiques.

The Chinese Auction consist of items people have donated.  Here are some things people have donated in the past:  All-in-one color printer, Phillies baseball tickets, vacation in Maine, theatre tickets, restaurant gift certificates, wooden desk sets, office supplies, gift cards, framed art work, books, massages, exercise equipment, theme baskets, Free year SCBWI membership, Free entrance to a New Jersey event, and much more.  We sell tickets and you can place your tickets in the container that corresponds to the item you want to win.  At the end of the conference a winning ticket will be pulled for each item.  You can win more than one time.  Everyone who donates an item worth more than $25 will receive five free tickets to use.  You do not have to attend the conference to donate an item. 

Note Published Authors: - Even if you are going to attend the conference, donating a few of your books is a nice way to get your name out there to promote you and your books. 

Note Illustrators:  You can only  have one piece  of art in the Art Exhibit.  Donating another piece of your work will get a second piece seen by all the faculty.  Again even if you can’t attend, this is a great opportunity for an illustrator to get their work in front of the art directors, agents and editors.  A small price to pay to help create some buzz.

Please contact Betsy at [email protected] if you would like to donate something to help.

Talk tomorrow,

Kathy


Filed under: Artist opportunity, Author, Conferences and Workshops, Win Tagged: Children's writers and illustrators, Chinese Auction, Display Comments Add a Comment
33. Leeza Hernandez Wins at SCBWI Conference

New Jersey’s own Leeza Hernandez was the lucky winner of the Artist Showcase at the SCBWI Annual Winter Conference this past weekend.
 
Leeza says, “It came as a complete shock to me, especially because there were more than 200 talented children’s book illustrators in the show.”
 
As a winner, she’ll be given the opportunity to meet with some art directors at publishing houses in New York for a portfolio review. Leeza almost didn’t attend the conference this year, but now she’s glad she did! Illustrators were asked to submit one piece of work for the show—matted or framed—which then were displayed for invited industry professionals to view. 
 

I attended the Illustrator Showcase, so Leeza should be very proud to be picked from the many talented artist who were part of the show.  And I know everyone who knows Leeza is very proud of her win, too.
 

CONGRATULATIONS – Leeza!  Take a minute to visit her website if you aren’t familiar with her work. www.leezaworks.com Leeza is the New Jersey SCBWI Illustrator Coordinator and the Art Director of our Magazine, Sprouts.
 
Talk tomorrow,
 
Kathy

Filed under: awards, Competition, illustrating, Illustrator Sites, Win Tagged: Leeza Hernandez, NJSCBWI, SCBWI, Winner 12 Comments on Leeza Hernandez Wins at SCBWI Conference, last added: 2/1/2011
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34. SCBWI Work-In Progress Grant

Underwritten by Amazon.com.

The SCBWI Work-In-Progress Grants are designed to assist children’s book writers in the completion of a specific project, and are made possible by a generous grant from Amazon.com.

Grants for first place ($2000) and runner up ($500) are awarded in each one of seven different categories:

  • General Work-In-Progress grant
  • Grant for a contemporary novel for young people
  • Nonfiction research grant
  • Grant for work by an unpublished author
  • Grant for work from a multi-cultural/minority perspective
  • Barbara Karlin Grant for unpublished picture book writers.
  • Don Freeman Grant for unpublished picture book illustrators.

In any given year, an applicant may apply for: the General Work-In-Progress Grant OR the Work-In-Progress Grant for a Contemporary Novel for Young People OR the Work-In-Progress Nonfiction Research Grant. The Grant for a Work Whose Author has Never Had a Book Published may not be applied for — it will be chosen from all the entries in the other Work-In-Progress categories.

Eligibility: The Grants are available to both full and associate members of the SCBWI. They are not available for projects on which there are already contracts. Please note: members can apply for only one SCBWI grant per calendar year.

Grant Amounts:
Seven Grants of $2,000 will be awarded annually, one in each category. Seven Runner-Up Grants of $500 will also be awarded, one in each category. Authors of other projects cited by the judges as noteworthy will receive a Letter of Merit. In any given year, the SCBWI Grant Committee reserves the right to withhold the grant for that year.

Deadline: Completed application and accompanying materials must be postmarked no earlier than February 15th and must be RECEIVED BY March 15th. Receipt of your application will be acknowledged only if a stamped self-addressed post card is enclosed. The recipients of the grants will be announced in September.

Instructions for completing and submitting application materials: 

Previous Grant Winners & Runners

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35. Raffle Critique Opportunites & More

I listed the critiques donated by the editors and agents that are in the Silent Auction a few days ago, but here are some critiques you can win in the raffle. For as little as $5 you can have a chance to win one of the below critiques:

Anna Oswanger - Agent, Liza Dawson Associates Literary Agency – Submit a picture book dummy or the first 20 pages of a novel and receive a free 10-minute phone consultation about your work.
Sudipta Bardhan – Full Picture Book Critique by Sudipta Bardhan
Dianne Ochiltree – Full Picture Book Critque e-mailed
Eileen Kennedy-Moore – lunch and Picture Book critique
Jody Staton – 30-pages of copy editing by a professional copy editor
Laurie Wallmark – One-hour phone consultation re: children’s books. Topic chosen by winner
Leeza Hernandez – Two-hour in-person portfolio/PB dummy critique for illustrators
Leeza Hernandez – One-hour phone PB critique for writers with emailed critique
Anita Nolan – 30 page MG or YA novel critique by author and Sprouts editor Anita Nolan
Sheila Wright – up to 15 pages for a critique by the NJ Children’s Writer’s Guild
Rachelle Burke – Professional Critique of a PB or the first 7 double-spaced pgs of a novel,author of TREE HOUSE IN A STORM.

Signed and numbered Gilcee Print titled, Exploring the Garden donated by Kathy Temean

Folkmanis Hand Puppets – Collectable no longer being made, Seagull, plus Long Legged Monkey donated by Kathy Temean

Does your book have a monkey or a seagull in it?  These top of the line hand puppets could really help make your school visit.  Lots more items in the raffle.  You should check yesterdays post again.  I added more info on the dinners.

Talk tomorrow,

Kathy


Filed under: Book, Conferences and Workshops, illustrating, Win Tagged: Books, critiques, illustrators, writing 7 Comments on Raffle Critique Opportunites & More, last added: 5/23/2010
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36. What Would I Really Do?

Let’s be honest I’m not quite twenty years old, witch means if had million dollars i would probably spend it all on what some people would consider pointless things. I would most likely not invest the money or try to live off the interest, what i would do is take it and have an amazing time with a couple of my closest friends. Of course i would help my parents out a little bit, I definitely ow them that much.

After that was done well then i party , haha!

1. Go sky diving, always wanted to do it.

2. Drive race-car at a super speedway, and definitely race some people!

3. Get my pilots license , so cool to fly a plan

4. Of course I’d end up buying a car, witch one I haven’t decided yet.

5. Make a point to travel all around the world, So awesome to see every country, and I’d like to do it by backpacking , see it the way it is.

6. By more lottery tickets… a lot more :P

7. Go to professional mountain biking clinic

Image via Wikipedia

8. Front row seats to these bands, Metalica, Tragically Hip, David Wilcox, Three Days Grace, Nickel back, Disturbed, Foo-fighters, and that’s just a few.

9. Buy a mac-book, just because ill actually be able to afford for once.

10. Go on a cruise ( I’ve never been on one).

11. Take horse riding lessons.

12. Ride the all the biggest and fastest Roller Coasters in the world!dr

13. Do what ever else came to mind.

And when I look back at where all the money went, just smile and enjoy the rest of my life because its the experiences that count the most. 

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37. What Would I Really Do?

Let’s be honest I’m not quite twenty years old, witch means if had million dollars i would probably spend it all on what some people would consider pointless things. I would most likely not invest the money or try to live off the interest, what i would do is take it and have an amazing time with a couple of my closest friends. Of course i would help my parents out a little bit, I definitely ow them that much.

After that was done well then i party , haha!

1. Go sky diving, always wanted to do it.

2. Drive race-car at a super speedway, and definitely race some people!

3. Get my pilots license , so cool to fly a plan

4. Of course I’d end up buying a car, witch one I haven’t decided yet.

5. Make a point to travel all around the world, So awesome to see every country, and I’d like to do it by backpacking , see it the way it is.

6. By more lottery tickets… a lot more :P

7. Go to professional mountain biking clinic

Image via Wikipedia

8. Front row seats to these bands, Metalica, Tragically Hip, David Wilcox, Three Days Grace, Nickel back, Disturbed, Foo-fighters, and that’s just a few.

9. Buy a mac-book, just because ill actually be able to afford for once.

10. Go on a cruise ( I’ve never been on one).

11. Take horse riding lessons.

12. Ride the all the biggest and fastest Roller Coasters in the world!dr

13. Do what ever else came to mind.

And when I look back at where all the money went, just smile and enjoy the rest of my life because its the experiences that count the most. 

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38. FEBRUARY COMPETITON: WHERE IN THE WORLD…?

I have just got back from a very interesting and world famous location which will appear in the fifth book of the Power of Five series. I had this photograph taken. But where am I? The first correct answer posted on this site will win a signed typescript of BAD DREAM, a poem I have written for a collection of horror stories coming out later this year. I’ll post the full picture and a blog about recent events/developments in a couple of weeks.

All the best,

Anthony

 

Where is Anthony?

Where is Anthony?

NOTE: Please be very specific with your answer. You can enter the competition by adding your answer in a comment reply to this post. Remember, all comments are not automatically published, we do moderate them first. Please ensure that you use a valid email address so that we can contact you for your address details should you win the prize. If we cannot contact you by email the prize will go to the next correct entry.

THE COMPETITON IS NOW CLOSED. WE WILL ANNOUNCE THE WINNER HERE SHORTLY. THANK YOU.

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39. The Oddest English Spellings, or, Thinking of O. With My Compliments to the Conference of the Spelling Society in Coventry, UK.

anatoly.jpg

By Anatoly Liberman

On seeing the second line of the title, some experts in Shakespeare’s diction may have jumped to the conclusion that they are in for another essay on a scurrilous topic. Not quite, unless the subject English spelling is considered obscene by definition. How is it possible for a single vowel letter to have so many values? “Elementary, my dear Watkins,” as Sherlock Holmes did not say in any tale told by Conan Doyle. (Supposedly, the phrase was first used in 1915 by P.G. Wodenhouse in his novel Psmith Journalist. In Conan Doyle, the exchange between Watson and Holmes runs as follows: “’Excellent!’” I cried. “’Elementary’,” said he”. Those famous familiar quotations that everybody knows! They are like the proverbs of Alfred and the sayings of King Solomon. Dozens of works on word history open with Voltaire’s witticism that in etymology vowels count for nothing and consonants for very little. Yet it does not turn up in any of his written works.)

Unless counterbalanced by drastic reforms, long tradition usually makes spelling appear at best antiquated and at worst irrational. “This happens in all languages. For example, let us take English,” to quote a linguist of my acquaintance. We will follow his advice and “take” the letter o. Consider the following list:
bosom, Boleyn, woman;
love, dove, above, come, done;
move, prove;
on, gone;
one, none;
so, toe, nose.
On and nose (the short and the long of it) are taken for granted (so and toe are, in partly like nose), but the others?

I’ll begin with woman. The Old English for woman was wifman. Its long i designated a sound comparable with Modern Engl. ee in wee. Later that vowel underwent shortening, so that the word’s pronunciation began to resemble Modern Engl. wifman, rather than weefman, whereupon f was assimilated to its neighbor and wifman first turned into wimman (with regard to assimilation, compare lem’me go from let me go and leman “lover” from leofman) and then into wiman, for, as time went on, English lost long consonants. Contrary to professors of elocution, “common people” mispronounce words, slur as much as they can, and in general do not care about their delivery. Otherwise they would not have allowed wifman to degenerate into wimman. But they did not stop there. To articulate w, speakers protrude their lips and are not always in a hurry to spread them again. The result of this laziness was that Old Engl. widu “wood,” for instance, yielded wudu. Likewise, wiman became wuman. In the Middle English period, scribes disliked the sequences wu, um, mu, un, nu, and uv (because of too many vertical strokes the letters were hard to separate in reading, the more so as the usual signs for v and w were u and uu respectively) and substituted o for u. This is how uuuman became uuoman, that is, woman. Present day English has no words spelled with initial wu-. The few exceptions are dialectal forms recorded by linguists centuries after the phonetic processes mentioned here had been completed, and the only one most of us know is wuther, thanks to Emily Bronte’s title Wuthering Heights. In the early modern period, short u, except in the north of England, changed to the vowel of Standard English one now hears in shut up. Hence love, dove, above, come, and others. The story of done is more complicated: the change from long o (as in the modern paw or pore) to long u (as in the modern school), the shortening of that u, and the last step to the vocalic value of u in shut up. Womb and woman, which also have o contiguous to w, are still pronounced with the vowel of wuther. The original sound remained intact under the influence of w-.

The lips are active not only in the production of w but also in the production of p and b, and this is why pull and bull are pronounced the way they are. However, sometimes p- and b- could not save the following vowel from change, and alongside put, pull, and bull we have putty, pulp, and bulb. Unfortunately, the pernicious habit of designating the vowel in words like womb with the letter o resulted in the modern spelling bosom. The long stressed vowel of Old Engl. bosom (again as in Modern Engl. paw, pore) changed to long u (the equivalent of Modern Engl. oo), underwent shortening, and has been preserved. Boozom, boozam, or buzom would have made sense. Bosom reminds us of the word’s image that has not existed for at least half a millennium, and this is its only virtue. Anne Boleyn’s name was also spelled Bullen, but the unnatural variant has triumphed. When a word of Modern English is spelled with oo, we may assume that in the past it had a long vowel, regardless of whether its today’s reflex is long (as in food, mood) or short (as in good, hood). But the vowel of wood hardly ever was long. It is often said that conservative English spelling comes students in good stead, for it provides a window to the history of the language. It does, but those who look out of that window should be warned that the glass distorts the picture more than once.

It is now clear why prove and proof are spelled differently. The digraph oo in proof causes no surprise. Prove joined the words with v after o. The difference between prove, move and love, dove is that in the first group the vowel has remained long. Had love and dove withstood shortening, the four words would have rhymed, as they probably did in Shakespeare’s days. Today love/move is a so-called rhyme to the eye—a fact of no importance, since rhyming poetry is all but dead.

Old Engl. an “one” (with long a, as in Modern Engl. father) should have developed like stan, which is now stone, and it did, judging by the pronunciation of only (from anlic) and alone (a fusion of two words). In Middle English, an became on (on as in today’s awning). The rest is less clear. At that time, long vowels and diphthongs behaved similarly in that they could be pronounced with stress on the beginning and on the end, and this is why leosan, for instance, existed in two variants: leosan and leosan. As a consequence of this alternation, Standard Engl. lose, the reflex of leosan, has a dialectal variant lease, which continues leosan. This is also the reason show has a competing spelling shew (among the greats G.B. Shaw used only shew). If choose had sheared the fate of lose, today we would be asked “to cheese/chease our cheese.” Apparently, Middle Engl. on, that is, oon could be oon or oon, depending on the rhythm of the sentence. The variant oon was pronounced uon and won, rhyming with on. Several other dialectal variants of the same type have also been attested. Won became wun and later won, indistinguishable from the past tense of win. The pronunciation wonly was already known in 1570. As is usual with phonetic novelties, educated people first rejected the “vulgar” pronunciation of one with initial w- but were overwhelmed. The result is that today one is not a homophone of own. Most language historians trace the novelty described here (from oon to wun and won) to the British southwest, but it is hard to understand why the local pronunciation of such an important word should have been adopted by the Standard. Perhaps the forms with w- developed in the London area in the “allegro speech” of the capital (a great melting pot at all times) or under the influence of the “lower classes.” Once and none have aligned themselves with one. Spelling passed this tempest by.

The conclusion is obvious: the letter o has so many values because spelling has not caught up with the history of English sounds. Language retaliates sluggishness by producing spelling pronunciations. The fairly recent innovations often and fore-head are not the only examples of this type. Those who know about Coventry only from books sometimes pronounce Cov- as in cover. And indeed, who won’t be lost among Coventry ~ cover ~ over? Other people think that the name of the poet Donne, a homophone of done and dun, should be pronounced with the vowel of on. We can pity the naïve foreigner who missed the difference between worsted, the past tense of the verb worst, and worsted, the fabric, but sad is the lot of a native speaker who so often feels like a foreigner at home.


Anatoly_libermanAnatoly Liberman is the author of Word Origins…And How We Know Them as well as An Analytic Dictionary of English Etymology: An Introduction. His column on word origins, The Oxford Etymologist, appears here each Wednesday. Send your etymology question to [email protected]; he’ll do his best to avoid responding with “origin unknown.”

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40. Don’t Rock the Boat

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Earlier today we introduced you to The Elephant in the Room: Silence and Denial in Everyday Life by Eviatar Zerubavel. Below is a second excerpt from the book which looks at why breaking the silence is so very difficult.

…it is not only individuals’ but also groups’ collective face that conspiracies of silence are designed to protect, and silence breakers are therefore usually viewed as more than just tactless. Indeed, they are often explicitly denounced by their fellow group members as traitors. (more…)

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