Ashton Kutcher’s most recent TV “role” was (as the host of “Punk’d,” but now he’s taking over for Charlie Sheen on “Two And A Half Men.” Will he lure a younger audience to the show? We think so.... Read the rest of this post
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Blog: Ypulse (Login to Add to MyJacketFlap)
JacketFlap tags: Disney, true blood, ashton kutcher, Ypulse Essentials, multicultural youth, metro, lady gaga, Two and a Half Men, monster high, royal wedding, born this way, Odd Future, rebecca black, Add a tag
Blog: OUPblog (Login to Add to MyJacketFlap)
JacketFlap tags: Poetry, rhyming, Literature, Current Events, poem, twitter, national poetry month, William, win, oxford world's classics, terza rima, cinquain, stanza, oxford dictionary of literary terms, enter to win, twitter contest, tercet, *Featured, royal wedding, kate middleton, oupacademic, poetry challenge, envoi, stanzas, wills and kate, ballade, ghazal, types of poetry, msrv0s, Add a tag
Tweet
National Poetry Month, is nearing its end, and the royal wedding is just around the corner, so let’s write poems about it. I’ve made some suggestions below, but all forms are welcome. (If you really want to win me over, I suggest attempting my favorite poetic form, the sestina.) Send your poem care of [email protected] and I’ll post what I can tomorrow. (Keep it clean, please. Humor, satire and effusive excitement are welcome, insults are not.)
Additionally, our Twitter followers are eligible to win one of the below Oxford World’s Classics. To enter, tweet:
Take @OUPAcademic’s #royalweddingpoetrychallenge http://oxford.ly/msrv0S
Entries will be accepted all weekend. Winners will be contacted via DM.
* * * * *
ghazal (ghasel; gazal; ghazel) A short lyric poem written in couplets using a single rhyme (aa, ba, ca, da, etc.), sometimes mentioning the poet’s name in the last couplet. The ghazal is an important lyric form in Arabic, Persian, Turkish, and Urdu poetry, often providing the basis for popular love songs. Its usual subject-matter is amatory, although it has been adapted for religious, political, and other uses. Goethe and other German poets of the early 19th century wrote some imitations of the Persian ghazal, and the form has been adopted by a number of modern American poets, notably Adrienne Rich.
cinquain [sang-kayn] A verse stanza of five lines, more commonly known as a quintain. Examples of such stanzas include the English limerick, the Japanese tanka, and the Spanish quintilla; others include the variant ballad stanza employed intermittently by S. T. Coleridge in his ‘The Rime of the Ancient Mariner’ ( 1798 ), and many more varieties with no name.
terza rima [ter-tsă ree-mă] A verse form consisting of a sequence of interlinked tercets rhyming aba bcb cdc ded, etc. Thus the second line of eac
Blog: OUPblog (Login to Add to MyJacketFlap)
JacketFlap tags: History, UK, Current Events, England, marriage, weddings, royalty, queen, William, elizabeth I, monarchy, Editor's Picks, *Featured, royal wedding, will and kate, kate middleton, helen berry, the castrato and his wife, wills and kate, Add a tag
By Helen Berry
The purpose of British royalty is for people to look at them. Successful monarchs throughout history have understood this basic necessity and exploited it. Elizabeth I failed to marry, and thus denied her subjects the greatest of all opportunities for royal spectacle. However, she made up for it with a queenly progress around England. As the house guest of the local gentry and nobility, she cleverly deferred upon her hosts the expense of providing bed, breakfast and lavish entertainment for her vast entourage, in return for getting up close and personal with her royal personage. It was not enough to be queen: she had to be seen to be queen. Not many monarchs pursued such an energetic itinerary or bothered to visit the farther-flung corners of their realm again (unless they proved fractious and started a rebellion). But then, most of Elizabeth’s successors over the next two hundred years were men, who could demonstrate their iconic status and personal authority, if need be, upon the battlefield (which was no mere theory: as every schoolboy or girl ought to know, George II was the last monarch to British lead troops in battle).
Towards the end of the seventeenth century, improvements in print technology and increasing freedom of the press provided a new way for British people to look at their king or queen. The rise of a mass media in Britain was made possible by the lapse of the Press Act in 1695 (the last concerted attempt by the government to censor newspapers). The Constitutional Settlement of 1689 had determined that Divine Right was not the source of the king’s authority, rather, the consent of the people through parliament. So, during the next century, from the very moment that the monarchy had started to become divested of actual power, royal-watching through the press increasingly became a spectator sport. Essentially harmless, the diverting obsession with celebrity royals proved the proverbial wisdom inherited from ancient Rome that ‘beer and circuses’ were a great way to keep people happy, and thus avoid the need to engage them with the complex and unpleasant realpolitik of the day.
It was during the long reign of George III (1760-1820) that newspapers truly started to become agents of mass propaganda for the monarchy as figureheads of that elusive concept: British national identity. The reporting of royal births, marriages and deaths became a staple of journalistic interest. Royal households had always been subject to the gaze of courtiers, politicians and visiting dignitaries, but via the press, this lack of privacy now became magnified, with public curiosity extending to the details of what royal brides wore on their wedding days. George III made the somewhat unromantic declaration to his Council in July 1761: ‘I am come to Resolution to demand in Marriage Princess Charlotte of Mecklenburg Strelitz’. She was a woman ‘distinguished by every eminent Virtue and amiable Endowment’, a Protestant princess from an aristocratic German house who spoke no English before her wedding, but no matter: she was of royal blood and from ‘an illustrious Line’.
The first blow-by-blow media account of the making of a royal bride ensued, starting with the employment of 300 men to fit up the king’s yacht in Deptford to fetch Charlotte from across the Channel. Over the course of the summer in an atmosphere of anticipation at seeing their future Queen, London printsellers began cashing in, with pin-up portraits of the Princess ‘done from a Miniature’ at two shillings a time. Negotiations towards the contract of marriage were followed closely by the newsreading public during August and were concluded mid-month to general satisfaction. Finally, after two weeks of wearisome travel, on September 7th, the Princess arrived at Harwich. The St. Jam
Blog: OUPblog (Login to Add to MyJacketFlap)
JacketFlap tags: Art & Architecture, Images & Slideshows, casely, *Featured, wedding, UK, celebrity, Multimedia, dress, hayford, kate, liberty, Research Tools, wedding dress, maker, prince william, royal wedding, kate middleton, berg fashion library, fashion friday, Add a tag
By Justyna Zajac and Michelle Rafferty
The Royal Wedding is days away and every detail – from the regal breakfast to the honeymoon – is under scrutiny. But we think there’s only one thing that really matters: the dress. So, we’ve taken it upon ourselves to select a few options for Miss Kate. In the off-chance she turns us down, we’ve paired up other celebrity brides-to-be with these charming gowns. Pictures and historical facts courtesy of The Berg Fashion Library.
Artist/Maker: Emenson, ca. 1970
We hope that “Kate the Great” soars in her new role as princess, and she literally can, with
these wing-like sleeves and a 188 cm long cape, eh train, 188 cm long train.
Back-up celebrity: If Kate vetos, we recommend this one for Natalie
Portman (she was after all, a much better white swan).
Artist/Maker: Created for the Corvin Department Store in 1943 (Hungary)
We think the white georgette embroidered apron is a nice way for Kate to let the
people of England know she will never forget her “humble” roots.
Back-up celebrity: Jessica Simpson (we hear she’s on the lookout for a
low-cut dress, which for the 40s this was).
Artist/Maker: Victor Edelstein, 1987 (Great Britain)
Newsweek recently stated: “In a world gone to hell – thank God, a wedding.”
We couldn’t agree more. This a gift to the world, so lets put a bow on it (see: enormous bow above).
Back-up celebrity: Amy Adams (lest we forget her princess flair).
0 Comments on 5 dresses for Kate as of 1/1/1900
Blog: Sugar Frosted Goodness (Login to Add to MyJacketFlap)
JacketFlap tags: caricature, cartoon, marriage, prince, william, Kate, Pete, royal wedding, Ellis, middleton, Add a tag
Blog: OUPblog (Login to Add to MyJacketFlap)
JacketFlap tags: gifts, penguin, rainbow, cupcakes, dolphin, margaret atwood, atwood, margaret, Kate, linked up, no shave november, prince william, royal wedding, book awards, costa, harry potter, Add a tag
This week I had the pleasure of visiting the OUP UK office and spending face time with my wonderful counterpart, Kirsty. [*Waves*] In honor of this, we have done a team Linked Up. (Go team!) Enjoy!
Happy Birthday Margaret Atwood! [For Books' Sake]
What better way to commemorate the forthcoming royal nuptials than with some china? [The Guardian]
This genuinely made me LOL. [Hyperbole and a Half]
With only 37 shopping days left until Christmas (I know, I know) here are some gift ideas for the bookworms in your life. [Reading Matters]
The Costa Book Awards shortlists are out. [Costa]
Um…baby dolphin + curious penguin? What’s not to love? [Daily Mail]
Cookie gif! [Simple Life in Tokyo]
Participating in No Shave November? Well keep that beard! Here’s a festive idea. [Dainty Squid]
Windshield rainbow: all the way. [Helmut Smits]
Anyone need cupcakes for their Harry Potter party? [The Love We Deserve]
Great caricature!
Thanks Pascal!