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The Tiara on the Terrace, by Kristen Kittschier, is a clever novel, perfect for fans of Pseudonymous Bosch and Gordon Korman and a companion to The Wig in the Window.

For many kids, August is back-to-school month. The stories in this month's hot new release kids books will make back-to-school (and anytime) reading a breeze.

The following titles are favorite middle-grade read-alouds, books that inspired our own books.

• Of all the most deserving, least lauded children’s book awards out there, my favorite might be The Phoenix Awards.  “The award, given to a book originally published in the English language, is intended to recognize books of high literary merit. The Phoenix Award is named after the fabled bird who rose from its ashes with renewed life and beauty. Phoenix books also rise from the ashes of neglect and obscurity and once again touch the imaginations and enrich the lives of those who read them.”  They’ve just announced the 2015 winner and I admit that I never read it (One Bird by Kyoko Mori).  There was a time, when I was young, when I tried to read as many Phoenix books as possible.  Someday, maybe, I’ll try again.

• And speaking of obscure awards, did you see the Seven Impossible Things post on Kirkus recently called The Coolest Picture Book Award You’ve Never Heard Of … A lot of you folks should know about this.  I suspect your books would be eligible (it’s for wildlife and nature).

• Heck, while we’re at it let’s also mention once more the Mathical Award which is given to books that “inspire young people to engage with mathematics in the world around them.”  The submission info is here.  Marc Aronson’s thoughts on the matter are here.

• For those of you in the market for ideas for your next middle grade novel, I suggest checking out this Dunmore, PA housing advertisement.  Have at it. Thanks to Kate for the link.

• New Podcast Alert: You know I’m just goofy for new children’s literary podcasts.  Heck, I once did an entire Literary Salon on the topic.  Well, Ms. Julie Sternberg has just started Play, Memory.  As she describes it: “I interview authors and others about the ways in which themes that recur in children’s literature–themes like the secrets we keep in childhood; the times we disappoint our parents; and the times our parents disappoint us–have played out in their lives.”

• And in other podcast news, there’s an interview with Fuse #8 favorite Frances Hardinge over at Tor.com.  Because anything that has to do with Ms. Hardinge is awesome.  I recently found myself having lunch at the same table as Patrick Ness and, at a loss of anything else to say to him, I realized we both belonged to the Mutual Admiration Society of Frances Hardinge.  So to speak. Thanks to Sarah Hagge for the link.

• There’s a nice big post on endpapers up and running at Nancy Vo’s Illustration blog.

This one’s rather interesting to me.  Folks in my family often send me links that have to do with libraries or librarians in some way.  I find some more useful than others.  Still, I was very intrigued by the recent piece called The Archivist Files: Why the woman who started LA’s branch libraries was fired. Wowzah.  Them’s good reading.

Speaking of librarians, did you know there’s an entire site out there dedicated to them dressing up and posting pictures of themselves?  Yup. Librarian Wardrobe. The more you know.

“But there’s a third set of children’s books: those that fall into an uncanny valley between enjoyable literature and ignorable junk. These are books that exert an irresistible pull on adult consciousness but don’t reward it. They are malign presences on the bookshelf. They hurt. One of them may be the best-selling children’s picture book of all time.”  That’s a hard sentence to beat and, as it happens, I agree with author Gabriel Roth every which way from Sunday.  He discusses what may be one of the worst “canonical” picture books of all time.

• A nice little write up of the panel I moderated at BEA called Telling the Truth at Every Age.

• This doesn’t actually have any connection to children’s literature really (though you might be able to make a case for it) but did you know that there’s a site created by NYPL where you can look at old photos of pretty much every single block in the city?  It’s called OldNYC and I’ve just handed you a website that will eat away at your spare time for the rest of the day.  You’re welcome.

• I was discussing this with buddy Gregory K the other day.  Can you think of a single instance where a Newbery Award winner went out, after winning said award, and became an agent?  Because that’s what Ms. Rebecca Stead has just done and I think it’s safe to say that it’s an unprecedented move.

• Daily Image:

So there’s this artist out there by the name of James Hance.  And this, my friends, is just the tip of the iceberg in terms of the content he has available.  Here’s a taste:

Thanks to Stephanie Whelan for the link.

Julie Barer, Faye Bender, Brettne Bloom, and Elisabeth Weed will join together to establish The Book Group. This new venture will be a full-service literary agency.

According to Publishers Lunch, each of these literary agents have more than a decade of experience in the industry. Some of the authors on the agency’s client list “include Kristin Cashore, Liane Moriarty, Paula McLain, Elisabeth Egan, Lisa Fain, Joshua Ferris, Sarah Jio, Lily King, Celeste Ng, Allison Winn Scotch, Helen Simonson, J. Courtney Sullivan, and Luisa Weiss.”

Newbery Medal winner Rebecca Stead has also been brought on as an agent. She aims to work with clients who write fiction stories for adults, young adults, middle grade readers, and children.

Goodbye Stranger
By Rebecca Stead
Wendy Lamb Books (an imprint of Random House Children’s Books)
$16.99
ISBN: 978-0-385-74317-4
Ages 10-14
On shelves August 4th

After much consideration, I think I’m going to begin this review with what has to be the hoity toity-est opening I have ever come up with. Gird, thy loins, mes amies. In her 2006 book Betraying Spinoza: The Renegade Jew Who Gave Us Modernity (don’t say you weren’t warned), philosopher Rebecca Goldstein wrote the following passage about the concept of personal identity: “What is it that makes a person the very person that she is, herself alone and not another, an integrity of identity that persists over time, undergoing changes and yet still continuing to be — until she does not continue any longer, at least not unproblematically?” In other words, why is the “you” that you were at five the same person as the “you” at thirteen or fourteen? Now I don’t know that a lot of 10-14 year olds spend their days contemplating the philosophical meanings behind their sense of self from one stage of life to another. But if they hadn’t before, they’re about to now. Goodbye Stranger by Rebecca Stead has taken what on the surface might look like a fluffy middle school tale of selfies and first loves and turned it into a much more layered discussion of bodies, feminism, the male (and female) gaze, female friendships, relationships, and betrayals. And fake moon landings. And fuzzy cat ear headbands. Hard to pin this one down, honestly.

By all logic, Bridge should have died when she was eight years old. She skated into the street and got hit by a car, after all. Yet Bridge lived and with seemingly no serious repercussions. Recently she’s been taking to wearing little black cat ears on her head, but her best friends Emily and Tab don’t mind. It’s their seventh grade year and there are bigger things on their minds. Emily’s been flirting with a cute older soccer player, Tab’s trying to save the world in her way, and now Bridge has become friends with Sherm, a guy she’d never even talked to until this year. When a wayward selfie throws the friends into a tizzy, it’s all the three can do to keep their promise to one another never to fight. Meanwhile, several months in the future, an unnamed teenager is skipping school. Something terrible has happened and she wants to avoid the blowback. But while thinking about her ex-best friend and the way things have changed, she may be unable to hide from herself as well as she hides from others.

Let’s get back to that idea that with every new age in your life, you’re an entirely different person than you were before. That philosopher I was quoting, Ms. Goldstein, asks, “Is death one of those adventures from which I can’t emerge as myself?” Actual death, she’s saying, is where you change into something other than your own “self” for good. But aren’t the changes throughout your life little deaths as well? Is that five-year-old you in that photograph really you? Do you share something essential? Stead isn’t delving deep into these questions but simply raising points to make kids think. So when her teenage character ponders that her best friend has undergone a change from which her old self will never return the book reads, “But another part of you, the part that stayed quiet, began to understand that maybe Vinny, your Vinny, was gone.” Poof! Sherm wonders something similar about his grandfather and the man’s odd actions. He writes in a letter that his grandfather now feels like a stranger and then says, “Is the new you the stranger? Or is the stranger the person you leave behind?”

To write one part of the book, the teenager, in the second person was a daring choice. It’s so unusual, in fact, that you cannot look at it without wondering what the reasoning was behind its direction. When Ms. Stead was deciding how to put Goodbye Stranger together, there had to come a point where she made the conscious decision that the teenager’s voice could only work in the second person. Why? Maybe to make the reader identify with her more directly. Maybe to make her tale, which is significantly less fraught than some of the other stories in this book, more immediate and in your face. Insofar as it goes, it works. The purpose of the narrative is perhaps to prove to kids that age does not necessarily begat wisdom. For them, the revelation of the identity of the runaway, who was previously seen as so wise and older, should prove a bit of a shocker. It also drives home the theme of changing personalities and who the “self” really is from one age to another really well.

Right now, I can predict the future. Don’t believe me? It’s true. I see hundreds of children’s books clubs assigned this book. I see hundreds of teachers having kids read it over the summer. And time after time I see kids handed sheets of paper (or maybe virtual paper – I’m flexible) with a bunch of questions about the book and their interpretation of the events. And right there, clear as crystal, is the following question: “What is the significance of Bridge’s cat ears?” Don’t answer that, kids. Don’t do it. Because if the adult who handed you this book is asking you that question, then they themselves didn’t really read the book. You could ask a hundred questions about “Goodbye Stranger” but if the cat ears are your focus then I think you took the wrong message away from this story.

And there’s such beautiful prose to be enjoyed as well. Sentences like “You can see the sun touching the tops of the buildings across the street, making its way through the neighborhood like someone whose attention you are careful not to attract.” Or, “You can have it all, but you can’t have it all at once.” And maybe my favorite one, “You know what my dad told me once? He said the human heart doesn’t really pump the way everyone thinks . . . He said that the heart wrings itself out. It twists in two different directions, like you’d do to squeeze the water out of a wet towel.” Trust me – if I could spend the rest of this review just quoting from this book, I’d do it. I suspect that would only amuse me in the end, though.

Bane of the cataloging librarian’s job, this book is a middle school title for middle schoolers. Not young kids. Not jaded teens. Middle. School. Kids. As such, were it not for the author’s fantastic writing and already existing fan base, it would languish away in that no man’s land between child and teen fiction. Fortunately Stead has a longstanding, strong, and dedicated group of young followers who are willing to dip a toe into the potentially murky world of middle school. There they will find exactly what we all found when we were that age. There will be kids who seem to be enjoying an extended childhood, while others have found themselves thrust into mature bodies they have no experience operating. With this book the selfie has officially entered the children’s literature lexicon and woe betide those who seek to turn back the clock. Naturally, this will lead some adults to believe that the book is better suited in the YA and teen sections of their libraries and bookstores. I condemn no one’s choice on where best to place this book, particularly since some communities are a bit more conservative in their tastes and attitudes than others. That said, I am of the firm opinion that this is a book for kids. We may like to believe that the situations that occur here (and they are very PG situations, for what it’s worth) don’t occur in the real world, but we’d be fooling ourselves. If the heroine of the book had been Bridge’s friend Emily and not Bridge herself, then a stronger case could be made for the book’s YA inclinations. Moreover the tone of the book, while certainly filled with intelligent kids, is truly intended for a child audience. Adults will enjoy it. Teens might even enjoy it. But it’s kids that will benefit the most from it in the end.

The trickiest part of the book, and the part that may raise the most eyebrows, is Stead’s handling of the notion of feminism and the perception of girls and women. Emily and Bridge’s friend Tab takes a class from a woman who seems to have stepped out of a 1974 women’s studies college course. Her name is Ms. Berman but she says the kids can call her Berperson. Tab, for her part, devours everything the Berperson (as they prefer to call her) says and then takes what she’s learned and applies it in a bad way. She’s a middle schooler. There are college girls who do very much the same thing. So I watched very closely to see how Tab’s feminist interpretation of events went down. First off, the Berperson does not approve of what Tab does later in the book. Then I wanted to see if Tab’s continual feminist statements made any good points. Sometimes they really really do. When it comes to the selfie, Tab’s the smartest of her three friends. Other times she’s incredibly annoying. So what’s a kid going to take away from this book re: feminism? For the most part, it’s complicated but the end result is that Tab is left, for all her smarts early on, a fool. That’s a strong message and one that I’m worried will cast a long shadow over the concept of feminism itself, reinforcing stereotypes that it’s humorless and self-righteous. On the flip side, there are some very intelligent things being said about how girls are perceived in society. When a girl is slut shamed (the exact phrase isn’t used but that’s what it is) for her picture, she says later, “But the bad part wasn’t that everyone was looking at the picture. I mean, it was weird and not great. But the bad part was that it felt like they were making fun of my feeling good about the picture. Of me liking myself.” Lots to unpack there.

If Stead has a known style then perhaps it’s in writing mysteries that aren’t mysteries. Every question raised by the text along with every loose end is tied up by the story’s close. Characters are smart and their interactions with one another carry the thrill of authenticity. Stead is sort of a twenty-first century E.L. Konigsburg. Her kids are intelligent but (unlike Konigsberg, I would argue) they still feel like kids. And there are connections between the characters and events that you didn’t even think to hope for until, at last, they are revealed to you. I heard one adult who had read this book say that it was “layered”. I suppose that’s a pretty good way of describing it. It has this surface simplicity to it but even the slightest scratch to that surface yields gold. I’ve focused on just a couple of the aspects of the title that I personally find interesting, but there are so many other directions that a person could go with it. If Stead has a known style, maybe it isn’t mysteries or kids smart beyond their years or multiple connections. Maybe her style is just writing great books. The evidence in this case speaks for itself.

On shelves August 4th

Source: Galley sent from publisher for review.

Like This? Then Try:

• The Kind of Friends We Used to Be by Frances O’Roark Dowell

• 33 Minutes by Todd Hasak-Lowy

Other Blog Reviews: educating alice

Videos:

Those of a certain generation may be unable to read the title of this book without the Supertramp song of the same name coming to mind. So, with them in mind . . .

Note the waitress.  I wonder if she’s taking a vanilla shake and cinnamon toast to a table.

Publishers Lunch has two new editions in its free Buzz Books series, buzzed about as the first and best place for passionate readers and publishing insiders to discover and sample some of the most acclaimed books of the year, before they are published. Substantial excerpts from 65 of the most anticipated books coming this spring and summer are gathered in two new ebooks, BUZZ BOOKS 2015: Spring/Summer and BUZZ BOOKS 2015: Young Adult Spring, offered in consumer and trade editions (adult and YA). All are available free through NetGalley.

Book lovers get an early first look at books from actress and activist Maria Bello, \"Morning Joe\" co-host and bestselling author Mika Brzezinski, NPR/Weekend Edition’s Scott Simon, and bestselling fiction writers Dennis Lehane, Ann Packer, Ian Caldwell, and Neal Stephenson, among others. Highly touted debuts include Leslie Parry’s Church of Marvels, Erika Swyler’s The Book of Speculation, J. Ryan Stradal’s Kitchens of the Great Midwest, Christopher Robinson and Gavin Kovite’s War Of The Encyclopaedists, and Jessica Knoll’s Luckiest Girl Alive. From inside publishing, there’s Jonathan Galassi’s debut novel Muse, and George Hodgman’s memoir Bettyville.

The YA edition features the latest from Sarah Dessen, David Levithan, Barry Lyga, and Michael Buckley, plus renowned middle-grade authors including Newbery winner Rebecca Stead and Louis Sachar. There’s Alice Hoffman’s Nightbird, her first novel for this age range. We also get a first look at YA debut authors Margo Rabb, Maria Dahvana Headley, plus Paige McKenzie’s The Haunting of Sunshine Girl (adapted from the web series of the same name and already in development as a film from the Weinstein Company) and Sabaa Tahir’s debut An Ember In the Ashes (already sold to Paramount Pictures in a major deal).

Fourteen of the adult titles featured in last year’s Buzz Books 2014 were named to one or more major \"Best Books of 2014\" lists, and 18 became bestsellers. Of the 28 books published to date and previewed in the 2014 Fall/Winter edition, 19 have made \"best of the month/year\" lists and nine are New York Times bestsellers.

Cammie McGovern is the author of the adult novels Neighborhood Watch, Eye Contact and The Art of Seeing. She was a Stegner Fellow at Stanford University, and received the Nelson Algren Award in short fiction. She is one of the founders of Whole Children, a resource center that runs after-school classes and programs for children with special needs. Say What You Will is her first book for young adults.

For a book this small, it definitely packed a punch with an endearing story brimming with humor, charm, wit, and much heartiness. Through the eyes of a lovable seventh-grade boy named Georges, there are plenty of ups and downs growing up and surviving the confusing age that is adolescence. But Georges lets us know that [...]

Liar & Spy
By Rebecca Stead
$15.99
ISBN: 978-0-385-73743-2
Ages 9-12
On shelves now.

Rebecca Stead is the M. Night Shyamalan of children’s literature, and I mean that in a good Sixth Sense way, not a lame The Happening one. It’s funny, but when I try to compare her other authors I find myself tongue-tied. Who else spends as much time on setting up and knocking down expectations in such a surefire manner? Now Ms. Stead has created the most dreaded of all books: The one you write after you’ve won a major award. Which is to say, she won a Newbery Medal for When You Reach Me and now comes her next book Liar & Spy. Like all beloved authors who don’t follow up their hits with sequels, Ms. Stead is contending with some critics who expected more science fiction. Instead, what they’re getting is a jolt of realistic fiction housed in a story that feels like nothing so much as Rear Window meets Harriet the Spy. Though opinions on it vary widely, in the end I think it’s safe to call this a fun novel with a secret twist and a strong, good heart. Who could ask for anything more?

Don’t call him Gorgeous. Georges has had to live with his uniquely spelled name all his life (gee THANKS, namesake Georges Seurat) and it’s never been anything but a pain. You know what else is a pain? Moving from your awesome home where you had a loft made out of a real fire escape to an apartment with an unemployed dad and an absentee albeit loving mom. When Georges meets the similarly oddly named kid Safer in the new apartment building he becomes enmeshed in the boy’s spy club. Is there someone up to no good in the complex? How far will the boys go to learn the truth? As things escalate and George finds himself facing fears he didn’t even know he could have, he discovers that everything in his life boils down to this question: when it comes to his relationship with Safer, who really is the liar and who really is the spy?

If a book has a twist to its ending but you don’t know that a twist will be coming in the first place, is it a spoiler to mention the fact in a review? I’m counting on the answer to that question to be no since I’d like to talk about the twist a tad. As an adult reader of a children’s book text I did pick up on the fact that throughout the book adults kept looking at Georges in a concerned way. I think it’s fair to say that an intelligent kid with a good eye for detail might also notice as well. Would they think it weird that these looks aren’t explained or would they just write it off as the author’s literary fancy? I haven’t a clue. All I really know at this point is that for probably 96% of the child readership of this book, the ending is going to come flying at them from out of nowhere. In all likelihood.

I’ve had a lot of debates with adults about this novel and it’s funny how diverse the opinions of it range. Some folks think it’s a natural continuation of When You Reach Me. Others take issue with Stead’s use of geography or pacing. But the sticking point that comes up the most when people discuss this book is the fact that Georges is a boy. For a some readers, it isn’t until a good chunk of the story has passed that they suddenly realize that the voice they’ve been hearing is a boy’s voice and not a girl’s. For some, the shock is too much and they deem the speaker to be an inauthentic take on how guys talk. Stead is the mother of two boys, as I recall, so they are not (to cop a phrase) “unknown quantities” to her. Anyway, for my part this was not the problem that it’s proved to be for some readers. I was more concerned about the nature of the taste test. In this book Georges has a science class where a taste-related test will determine whether or not he’s an outcast for good. I loved how the test fit in within the context of the greater story. What I couldn’t quite feel was Georges’ dread of this test. It’s described in such a blasé matter-of-fact way early on that when we are told that he worries about the test it’s just that. We’re told how he feels. We don’t feel how he feels. It’s a fine line.

That said, when it comes right down to it Stead’s writing is stellar. She fills the book with these little insights and conjectures that could only come from a unique brain. I love it when kids speculate about weird things in books, so Georges’ thoughts about his dad as a boy are just great, particularly when he says, “I wonder whether Dad and I would have been friends, or if he would have been friends with Dallas Llewellyn, or Carter Dixon, or what. It’s kind of a bummer to think your own dad might have been someone who called you Gorgeous.” Similarly I was very fond of the characters in this book. Safer was a perfect noir hero, complete with backstory and shady intentions. And seriously, how can you resist a kid that keeps insisting that he’s drinking coffee from his flask? Minor characters are just as interesting too. Bob English, a classmate of Georges, is a redeemed class freak along the lines of Dwight from The Strange Case of Origami Yoda. I’m a sucker for that kind of creation.

Unlike her previous novel When You Reach Me, Liar & Spy is set firmly in the 21st century. In an era of helicopter parenting, this book got me to wonder whether or not the economic downturn would create an abundance of latchkey children with parents who work more and more jobs to make ends meet. If so, we may see more characters like Georges free to wander the streets while their parental units exist in absence. Something to chew on. Regardless, the book has engendered a lot of discussion and undoubtedly folks will continue to talk about it and debate it for years to come. The best way to summarize it? It’s about an unreliable narrator who meets an unreliable narrator. It’s also fun. And that, really, is all you need to say about that.

On shelves now.

First Sentence: “There’s this totally false map of the human tongue.”

Source: Galley borrowed from friend for review.

Like This?  Then Try:

• Harriet the Spy by Louise Fitzhugh

• The Thief by Megan Whalen Turner

• Dani Noir by Nova Ren Suma

Other Blog Reviews:

• crunchings & munchings
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• There’s a Book
• Random Musings of a Bibliophile
• Confessions of a Bibliovore
• Ms. Yingling Reads

Professional Reviews:

• The New York Times
• A star from Kirkus
• A star from Publishers Weekly

Interviews:

• Kirkus
• GeekMom

Video:

And here’s a fun 60-Second Recap video as well.

It's always so fun to do contests. It's actually one of the things that I love about having a blog is that I can give back to all the people who take the time to read Chocolate for Inspiration.

Thank you to everyone who entered the CAMP giveaway and I hope you enjoyed the interview by Elaine Wolf.

Over at The Rumpus, middle-grade author Cecil Castelluci will coordinate the new Letters For Kids program–a subscription service giving readers mail from authors who write for kids.

According to the launch page, participants will receive “two letters a month written by middle-grade authors like Lemony Snicket/Daniel Handler, Adam Rex, Kerry Madden, Natalie Standiford, Susan Patron, Rebecca Stead, Cecil Castelluci, and more.” The service will cost $4.50 per month for U.S. readers, and $9 international readers. The project will expand upon The Rumpus’ Letters in the Mail program for adults.  Check it out:

Some of the letters will be illustrated. Some will be written by hand. It’s hard to say! We’ll copy the letters, fold them, put them in an envelope, put a first class stamp on the envelope, and send the letters to you (or your child) … Six is pretty much the perfect age to start checking your mailbox for actual letters. And if you’ve waited until you were ten, well, you’re four years behind but still, it’s not too late. And if you’re sixteen, that’s OK, there’s still something of the kid left. And if you’re sixty, well… OK. You’re young at heart.

New Career Opportunities Daily: The best jobs in media.

#11 When You Reach Me by Rebecca Stead (2009)
102 points

I sell this to kids in the library by saying it’s a cross between Beverly Clearly and Lost. And I always say “the ending will BLOW YOUR MIND.” Because it does. – Sharon Ozimy

This is a book you can give to any kind of kid with any kind of interest and they will probably like it. Adults too. It’s such a strange but expertly written sci-fi meets mystery meets… something else. It’ll also make you scratch your brain a whole lot thinking about destiny and free-will. – Nicole Johnston

Sometimes, not very often, you pick up a book and read it, and when you finish, you think, This book was whole and complete and beautifully, wonderfully crafted. That’s the experience I had reading When You Reach Me. Not a cliché in sight, just clean, pure prose and a story that takes you by the hand and doesn’t let go till the last word. It’s the kind of book that makes you want to thank the author personally for writing it. – Kate Coombs

Possibly the best-plotted middle-grade book ever written. – Sam Eddington

Why helloooo, little miss I-almost-made-it-to-the-top-ten-children’s-novels-of-all-time!  The last time this book appeared on the Top 100 list I wrote, “There is no way of knowing if When You Reach Me would be this high on the list if it hadn’t just won itself a shiny gold Newbery Medal.  When I redo this poll in ten years, there is a fairly good chance that the book will either disappear entirelly from this list, or crawl even higher in the estimation of folks as more and more people read it.”  Well, it hasn’t been ten years yet, but judging how quickly this book climbed from its original position at #39, things are looking up, don’t you think?

The summary from my original review reads, “It’s the late 70s and the unthinkable has occurred. While walking home, Miranda’s best friend Sal is punched in the stomach for no good reason. After that, he refuses to hang out with Miranda anymore. Forced to make other friends, Miranda befriends the class yukster and a girl who has also recently broken up with her best friend too. But strange things are afoot in the midst of all this. Miranda has started receiving tiny notes with mysterious messages. They say things like ‘I am coming to save your friend’s life and my own’ and ‘You will want proof. 3 p.m. today: Colin’s knapsack.’ Miranda doesn’t know who is writing these things or where they are coming from but it is infinitely clear that the notes know things that no one could know. Small personal things that seem to know what she’s thinking. Now Miranda’s helping her mom study for the $20,000 Pyramid show all the while being driven closer and closer to the moment when it all comes together. When you eliminate the possible all that remains, no matter how extraordinary, is the impossible.”

Originally titled You Are Here (which may explain the image on the cover a bit better), author Rebecca Stead had only previously written the science fiction middle grade novel First Light, before penning this newest book.  In May of 2009 I, being no fool, interviewed Rebecca right quick so as to talk to her about the book.  I asked her where the ideas for the book came from.  She answered, “The ‘big idea’ behind the book w

If you’ve read my blog in the last year you may have heard me mention a little something called the 90-Second Newbery Film Festival.  Said aloud it sounds like The 92nd Newbery Film Festival (which is not too far off since 2012 will be the 90th Newbery Award).  However the entire premise was this: Kids from around the world (yes world) filmed 90-second or so versions of various Newbery Award and Honor books.  They sent these books to YA author James Kennedy (of The Order of Odd-Fish) and he collected, curated, organized, tightened, and generally got them into working order.  Now James received more than 100 entries, so those were culled down to a select few that he is showing in three theatrical showings.  Here in New York our film festival this past Saturday was the first and played in the main branch of the library system.  Subsequent showings will be held in Chicago and Portland, Oregon.

For this performance, James had a difficult job ahead of him.  Essentially he had to take the best aspects of what you get at your average school play and avoid the pitfalls such performances normally contain.  He also had to wrangle some special guests and actors because a festival of just films might be fine, but it wouldn’t be kickin’.

So it was that co-master of ceremonies Jon Scieszka, Newbery Award winner Rebecca Stead, author Ayun Halliday, her hugely talented children India and Milo, and the kids of Writopia Labs all gathered together to put on what I can only call a helluva show.

My job in all of this was simple: Bring water to performers. Keep the calm.  Don’t panic.  Don’t let the auditorium fill to above capacity.

Well, three out of four ain’t bad, right?  Turns out that while I excelled in the calm/no panic/water area, I had a hard time coming down on the auditorium rule.  How could I help it?  James’s show was clearly a hit.  Here’s what it looked like before the latecomers started sneaking in:

I would have been displeased if I hadn’t been so thrilled.

The show started off with a bang.  Scieszka and Kennedy brought to mind the old vaudeville acts of old.  In their pseudo-tuxes the two managed on the spot to create two characters out of thin air.  Jon, the gleeful worldly New Yorker with a gleam in his eye.  James, the hardworking up-and-comer form Chicago with a chip on his shoulder in the face of Jon’s smugness.

The show began with James’s version of A Wrinkle in Time, that magnificent video that went viral (90,400 views of it on Vimeo alone).  After it ended James reminded everyone that this is going to be an annual film festival.  “So if you’re inclined, start thinking about what 90-second Newbery films you might want to do for next year’s film festival. You’ll be thinking, ‘I can do that, but a million times better.’ DO! You don’t have to have a dance party at the end.”

5 Comments on The 90-Second Newbery Film Festival: New York Style, last added: 11/7/2011