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Say you wanted to take over the world—how would you do it? Let’s agree it looks much like the world we live in today, where some countries hold inordinate power over the lives of people in others; where global systematic racism, the shameful legacy of colonization and imperialism, has contrived to keep many humans poor and struggling.
The final installment of The Hunger Games films (Mockingjay: Part Two) is about to be released. Amidst the acres of coverage about Jennifer Lawrence, the on-screen violence (is it appropriate for twelve year-olds?) and an apparently patchy and unconvincing ending, it is worth pausing to consider the apocalyptic nature of the franchise.
I had the ‘I should have re-watched the last film before seeing this film’ feeling about a minute in to Mockingjay 2, the final film instalment of The Hunger Games trilogy. (The last book of which has, confusingly, filmicly been split into two to make the trilogy a kind of quadrilogy.) For I couldn’t remember […]
Last night I got to see a double-feature of Mockingjay parts one and two. I liked getting to do that just to remind myself of the first movie, and to really get immersed back into the story. Also, I got to go with my YADC bud, Jenn from Bookshelfery, so we could fight over Gale and Peeta. Very important stuff, guys.
To be honest, I had zero expectations of liking this movie. Actually, after
0 Comments on Mockingjay Part 2 Movie is Better Than the Book. Real or Not Real? as of 11/19/2015 11:36:00 AM
Lionsgate delivered a new “message from District 13″ at Comic-Con International. The video embedded above features the brave Katniss Everdeen (played by Jennifer Lawrence) sending out a call to the people of Panem to “stand with us.”
Vanity Fair reports that The Hunger Games: Mockingjay Part 2, the final installment of the Hunger Games franchise, will be released on November 20. Click on these links to watch the teaser trailer and a motion poster. (via mashable.com)
Lionsgate has unveiled a new motion poster with Katniss Everdeen (played by Jennifer Lawrence) ready to lead a rebellion. The video embedded above features the reluctant heroine standing firm and declaring that “the revolution is about all of us.”
The Hunger Games: Mockingjay Part 2, the final installment of the Hunger Games franchise, will hit theaters on November 20. Follow this link to watch the teaser trailer. (via Elle)
BuzzFeed reports that fans toiled for hours to try to #UnlockMockingjay and crack this bewildering puzzle. What was the reward for this difficult task?
Lionsgate unveiled an exclusive deleted scene from The Hunger Games: Mockingjay Part 1. The video embedded above features a tense conversation between President Snow and Peeta Mellark—what do you think?
Last week I wrote about how camping out - in both reality and fiction - inspired my new book Wild Thing Goes Camping. Equally important, I realised, was the idea of dens and secret hiding places.
There’s something really powerful for a child about a den or a secret place. There’s all the fun of finding or building one. There’s also the thrill of having a place that nobody know about: a place totally under your control, where nobody messes with your stuff, which is totally private from the grown-ups.
I’d already used the idea once before in Sam and the Griswalds – where a tree-house in Sam’s garden provides an important refuge and meeting-place.
In Wild Thing Goes Camping, five-year-old Wild Thing disappears into the back garden with some of the clean laundry. When big sister Kate, Gran and Dad go looking for her, they are rather taken aback when a head pops out of the ground at their feet.
"No need to shout," she said. It was a bit of a shock seeing my sister come out of nowhere like that. "What are you doing down there?" I demanded. "And... where is the rest of you?" "In my new den, of course," said Wild Thing. And she disappeared again, under the sheet. Dad gave a roar of annoyance. Then he knelt down and grabbed a corner of the sheet - and pulled. Wild Thing gave a howl. "Stop!" she bellowed. "That's my roof!"
It turns out Wild Thing has made a potato trench in the back garden into a den for herself and her worms. She makes a sheet into the roof and purloins Gran’s new handbag as a “worm house”.
Of course, Dad forbids her from building more den. But like children before and since, Wild Thing is not about to give up her pursuit of a place of her own!
Here are some of my own favourite books with secret dens. They cover the entire age range: a secret space, after all, may be just as important to a teenager as it is to a small child making a den behind the sofa.
I’ve had to search hard, though, to think of recent examples. Is this because there are fewer forgotten and hidden places in today's intensely developed world? Or because modern children have less freedom to explore outdoors? Or perhaps because today’s children take refuge online – not in dens?
1) Sally’s Secret- by Shirley Hughes Classic picture book writer-illustator Shirley Hughes produced this wonderful story about a small girl making herself a house at the bottom of the garden. The joy is in the details – the doll’s tea set, the leaf plates, the tiny cakes. At the end she decides to share it, and invites the next door child to tea.
2) Tilly’s House – by Faith Jacques A servant doll that runs away from a dolls’ house and creates her own home in a wooden crate in an abandoned green-house. Although about a doll, it taps into a child’s own desire to make a little place of their very own. The special pleasure of this story, again, lies in the very detailed illustrations, and in seeing how discarded and unwanted every day human objects (sponges, bottle tops, wrapping paper, an old glasses case) can be transformed into the furnishings for a doll.
3) The Hollow Tree House - by Enid Blyton Enid Blyton may not have been a great stylist. But her enormous popularity was not for nothing, and one of her strengths was her ability to hook-in to a child’s fantasies. It’s not surprising, then, that many of her books feature secret hide-outs. The Hollow Tree House is about two children who, with the help of a friend, run away from their abusive relatives and make their home in a huge, hollow tree in the woods.
4) The Magician’s Nephew - by C.S.Lewis Sometimes a secret place may be the way into another world. Polly has made a "smuggler's cave" in the attic of her terraced house. It is, of course, when she shows the attic to her friend Diggory that they travel too far along the rafters, stumble into Uncle Andrew’s study, and end up as part of an experiment which sends them out of this world, and eventually into Narnia…
5) The Dare Game - by Jacqueline Wilson Jacqueline Wilson is a contemporary author who seems to have a direct line to a child's fantasies. In this book, her most famous character, Tracy Beaker, bunks off from school and discovers an empty house. It becomes a place where she can escape from her troubles, but also form new friendships.
6) The Secret Hen House Theatre - by Helen Peters This is a recent book, whose old-fashioned setting on a Sussex farm has not stopped it making a big splash. Helen lives with her three siblings and widowed dad, whose long working day leaves little time for his children. Then one day she stumbles upon a dillapidated old hen house. For Helen, it represents not just the chance of creating her own space, but a way of fulfilling her dreams of being an actress...
7) Jenning’s Little Hut- by Anthony Buckeridge Jennings and his boarding-school friends build their own shelters down by the pond. These vary from Bromwich Major’s subterranean “elephant trap” with resident goldfish to Jennings and Darbishire’s own Ye Old Worlde Hutte with its periscope, duckboards, and front door mat made of bottle tops!
8) Peter’s Room- by Antonia Forest In this neglected classic, Peter Marlow turns the loft above the coal shed into a hide-out, complete with stuffed hawk and antique pistols. This adult-free space then becomes the venue for a teenage fantasy game that gets dangerously out-of-hand.
9) The Hunger Games - by Suzanne Collins Katniss and Gale have a secret shelter where they meet while poaching in the woods. Later, during the Games themselves, Katniss and Peetah take refuge in a cave by the river. For victims of an oppressive, authoritarian regime, the possibility of a space of their own is every bit as important as it is to younger children trying to dodge their parents.
Any suggestions for number 10? ------------------------------------------------------------------------------------------------------------ Emma's series for 8+ Wild Thing about the naughtiest little sister ever (and her bottom-biting ways) is published by Scholastic. "Hilarious and heart-warming" The Scotsman
Wolfie is published by Strident. It is a story of wolves, magic and snowy woods... "A real cracker of a book" Armadillo "Funny, clever and satisfying...thoroughly recommended" Books for Keeps
Recently I was talking to a younger colleague, a recent PhD, about what we and our peers read for pleasure. He noted that the only fiction that most of his friends read is young adult fiction: The Hunger Games, Twilight, that kind of thing. Although the subject matter of these series is often dark, the appeal, hypothesized my colleague, lies elsewhere: in the reassuringly formulaic and predictable narrative arc of the plots. If his friends have a taste for something genuinely edgy, he went on, then they’ll read non-fiction instead.
When did we develop this idea that fiction, to be enjoyable, must be comforting nursery food? I’d argue that it’s not only in our recreational reading but also, increasingly, in the classroom, that we shun what seems too chewy or bitter, or, rather; we tolerate bitterness only if it comes in a familiar form, like an over-cooked Brussels sprout. And yet, in protecting ourselves from anticipated frictions and discomforts, we also deprive ourselves of one of fiction’s richest rewards.
One of the ideas my research explores is the belief, in the eighteenth-century, that fiction commands attention by soliciting wonder. Wonder might sound like a nice, calm, placid emotion, but that was not how eighteenth-century century thinkers conceived it. In an essay published in 1795 but probably written in the 1750s, Adam Smith describes wonder as a sentiment induced by a novel object, a sentiment that may be recognized by the wonderstruck subject’s “staring, and sometimes that rolling of the eyes, that suspension of the breath, and that swelling of the heart” (‘The Principles Which Lead and Direct Philosophical Enquiries’). And that was just the beginning. As Smith describes:
“when the object is unexpected; the passion is then poured in all at once upon the heart which is thrown, if it is a strong passion, into the most violent and convulsive emotions, such as sometimes cause immediate death; sometimes, by the suddenness of the extacy, so entirely disjoint the whole frame of the imagination, that it never after returns to its former tone and composure, but falls either into a frenzy or habitual lunacy.” (‘The Principles Which Lead and Direct Philosophical Enquiries’)
It doesn’t sound very comfortable, does it? Eighteenth-century novels risked provoking such extreme reactions in their tales of people in extremis; cast out; marooned; kidnapped. Such tales were not gory, necessarily, in the manner of The Hunger Games, and the response they invited was not necessarily horror or terror. More radically, in shape and form as well as content, eighteenth-century writers related stories that were strange, unpredictable, unsettling, and, as such, productive of wonder. Why risk discomforting your reader so profoundly? Because, Henry Home, Lord Kames argued in his Elements of Criticism (1762), wonder also fixes the attention: in convulsing the reader, you also impress a representation deeply upon her mind.
One of the works I find particularly interesting to think about in relation to this idea of wonder is Mary Shelley’s 1818 novel Frankenstein. Frankenstein is a deeply pleasurable book to read, but I wouldn’t describe it as comfortable. Perhaps I felt this more acutely than some when I first read it, as a first year undergraduate. The year before I had witnessed my father experience a fatal heart attack. Ever since then, any description or representation that evoked the body’s motion in defibrillation would viscerally call up the memory of that night. One description that falls under that heading is the climactic moment in Shelley’s novel in which Victor Frankenstein brings his creature to life: “I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs.” If the unexpected, in Smith’s account, triggers convulsive motions, then it seems fitting that a newly created being’s experience of its own first breath would indeed be felt as a moment of wonder.
When I was a nineteen year-old reading Frankenstein, there was no discussion about the desirability of providing “trigger warnings” when teaching particular texts; and even if there had been, it seems unlikely that this particular text would have been flagged as potentially traumatic (a fact that speaks to the inherent difficulty of labeling certain texts as more likely to serve as triggers than others, given the variety of people’s experience). I found reading Shelley’s novel to be a deeply, uncomfortably, wonder-provoking experience, in Smith’s terms, but it did not, clearly, result in my “immediate death.” What it did produce, rather, was a deep and lasting impression. Indeed, perhaps that is why, more than twenty years later, I felt compelled to revisit this novel in my research, and why I found myself taking seriously Percy Shelley’s characterization of the experience of reading Frankenstein as one in which we feel our “heart suspend its pulsations with wonder” at its content, even as we “debate with ourselves in wonder,” as to how the work was produced. High affect can be all consuming, but we may also revisit and observe, in more serene moments, the workings of the mechanisms which wring such high affect from us.
In Minneapolis for a conference a few weeks ago, I mentioned to my panel’s chair that I had run around Lake Calhoun. He asked if I had stopped at the Bakken Museum (I had not), which is on the lake’s west shore. He proceeded to explain that it was a museum about Earl Bakken, developer of the pacemaker, whose invention was supposedly inspired by seeing the Boris Karloff 1931 film of Frankenstein, and in particular the scene in which the creature is brought to life with the convulsive electric charge.
As Bakken’s experience suggests, the images that disturb us can also inspire us. Mary Shelley affirms as much in her Introduction to the 1831 edition of the novel, which suggests that the novel had its source in a nightmarish reverie. Shelley assumes that Frankenstein’s power depends upon the reproducible nature of her affect: “What terrified me will terrify others,” she predicts. Haunting images, whether conjured by fantasies, novels, or films, can be generative, although certainly not always in such direct and instrumental ways. Most of us won’t develop a life-saving piece of technology, like Earl Bakken (my father, in fact, had a pacemaker, and, although it didn’t save his life, it did prolong it) or write an iconic novel, like Mary Shelley. But that is not to say that the impressions that fiction can etch into our minds are not generative. If comfort has its place and its pleasures, so too does discomfort: experiencing “bad feelings” enables us to notice, in our re-tracings of them, the unexpected connections that emerge between profoundly different experiences—death; life; reading—all of them heart-stopping in their own ways.
I turned up to watch the Mockingjay: Part 1 film today, its official day of release, without any prep. I’d like to say that’s because I deliberately withheld re-reading the book or reading advance film reviews, but the reason is much more pedestrian: I’ve been so otherwise occupied with speedbumps I’ve hit in life that […]
Adult/Teen Librarian Danielle Dreger-Babbitt from Mill Creek Library WA is here to Roar with readergirlz for Banned Books Week Welcome Danielle.
Tell us about Banned Books Week Banned Book Week was started 32 years ago to celebrate the freedom to read after more and more books were being challenged in libraries and schools. According to the American Librarian Association, over 11,000 books have been challenged since 1982. Over 200 of them happened in 2013! You can learn more about Banned Book Week on the ALA website.
What do you do to spread the word about Banned Books Week and Intellectual Freedom Issues? I do a banned book display each year.My favorite displays are the ones I did in 2011 when library patrons wrote about their favorite banned books and the 2012 display that took up a whole shelving unit. I love being able to showcase these banned and challenged books.
Along with each year’s display, I include Banned Book lists and pamphlets as well as bookmarks and buttons for library customers to take home. We’ve had essay contests where readers write about their favorite challenged or banned books and win copies of banned books. When I visit the middle schools to talk about books in the fall I often bring along books that have been challenged from other parts of the country and have the students guess why they might be banned or challenged.
Readers Roar: (Let’s hear what teens have to say about banned books)
“If people read the books before they banned them, they might have a better understanding of why the book is important. If you ban a book, it only makes me want to read it more.”- Jessica, Grade 11
Any Banned Books you would like to highlight? Some of my favorite banned and challenged books include Persepolis by Marjane Satrapi, Shine and TTYL by Lauren Myracle, and 13 Reasons Why by Jay Asher. And my absolute favorite banned/ challenged book is Hunger Games by Suzanne Collins. Most teens are amazed to hear that it has been taken out of some schools and libraries!
What can readergirlz do to celebrate Banned Books Week? Check out the activities on the BannedBooksSite . Readergirlz can celebrate their freedom to read by reading one or two banned or challenged books during Banned Book Week. Bonus points for reading these all year long, not just in September and for sharing these titles with their friends and family.
More ideas from readergirlz diva Janet Lee Carey: Grab your favorite Banned Book and RIP = Read in Public. Do a selfie while reading your favorite banned book and post it on your favorite social networks. Use twitter hashtag #BannedBooksWeek and @readergirlz when you post on twitter.
Use the site Support Banned Books Weekto add a temporary banner below your profile photo. Divas Janet Lee Carey and Justina Chen's photos:
ONE LAST BIG ROAR from guest poster, Danielle The best way to support libraries is to use them! Check out books and DVDs and CDs, use the databases to find information, and attend as many library programs and events as your schedule allows. By doing these, you are showing us that you think libraries are important. There are many ways to give back to your library. Consider becoming a volunteer or join the library board or Friend’s Group. Teens can join the library’s Teen Advisory Board and help make decisions about future library programs and purchases. You can also donate books to the library for the Friends of Library Book Sale. The money from these sales supports library programs and special events!
About Danielle Dreger-Babbitt I’ve been a teen librarian for over 10 years and have worked in libraries in Massachusetts and Washington. I’ve been an Adult/ Teen Librarian at the Mill Creek Library for over 5 ½ years. I’ve been active in ALA’s YALSA (Young Adult Library Services Association) for the last decade and have served on committees including Outreach to Teens With Special Needs, The Schneider Family Book Award, and most recently The Alex Awards, for which I was the 2014 committee chair.
In my spare time I write for children and teens. I love to read YA and MG fiction and cooking memoirs/ cookbooks. I own two cats and two badly behaved (but adorable) dogs. I also love to travel and recently visited Uruguay, Brazil, and Argentina.
Lionsgate has unveiled a new video called “Together as One” (embedded above) to promote the Mockingjay Part 1 movie. Vulture reports that it features “PSA-style announcement” from the villainousPresident Snow and “a stoic Peeta Mellark” standing beside him.
So far, the video has drawn more than 480,000 views on YouTube. The third installment of The Hunger Games film franchise will be released on November 21, 2014. Fans can visitTheHungerGamesExclusive.com for photos, posters, and script excerpts. What do you think?
Have you ever wanted to visit Panem? Lionsgate will partner with Thinkwell Group to design and launch "The Hunger Games: The Exhibition."
According to the press release, this exhibition will feature "interactive displays of authentic costumes, props and other elements of the world of The Hunger Games." Fans will be able to view it at "major museums and institutions across the country."
A U.S. tour has been planned for the Summer of 2015. No definitive schedule has been announced, but the organizers have confirmed that the exhibition will open several months prior to release of the fourth installment of The Hunger Games film franchise, Mockingjay Part 2 which is due out on November 20, 2015. What item would you most like to see? (via NYLON)
Lionsgate has launched TheHungerGamesExclusive.com to give fans their first look at the next installment of The Hunger Games film franchise, Mockingjay Part 1. The Facebook announcement has drawn more than 48,000 "likes."
Visitors who explore the website will find notes from a filmmaker roundtable, excerpts from the script, and a Mockingjay motion poster. The photos feature Julianne Mooredressed as Alma Coin, Woody Harrelson playing mentor Haymitch Abernathy, and the late Philip Seymour Hoffman portraying head gamemaker Plutarch Heavensbee.
In the video embedded above, Moore sits for an interview and shares her thoughts on Suzanne Collins' books, the characters, and the story itself. Mockingjay Part 1 will hit theaters on November 21, 2014. Mockingjay Part 2 is set to follow on November 20, 2015. What do you think? (via BuzzFeed)
Best Selling Books for Kids
This month, the popular Who Was …? biography series is back on top of The Children’s Book Review’s best selling kids series list. And the list of hand-selected series from the nationwide best selling Children's Series list, as noted by The New York Times, features the same popular dystopian thriller series as last month from the likes of Veronica Roth and Suzanne Collins, the adventurous Heroes of Olympus series by Rick Riordan, and the relatable Diary of a Wimpy Kid books by Jeff Kinney.
Last week I read about a girl, a teenager from Idaho, who, after her school banned Sherman Alexie’s The Absolutely True Diary of a Part-Time Indian, decided to start up a petition to campaign for the book to be unbanned. The book was on the curriculum for many schools in Idaho, but following a campaign by some parents it was removed on the grounds that it contained profanity and sexual and anti-Christian content.
The teenager, Brady Kissel, decided to mount a petition and got 350 signatures from fellow pupils asking the school to re-instate the book, but to no avail. The issue was picked up by Rediscovered Books, a local book store, who ran a crowd funding exercise to raise money to buy each of the 350 signatories a copy of the book. They raised $3,400, which was more than enough. Brady and the bookshop gave away copies of the book outside her school on World Book Day, but the story escalated further when some parents called the police to stop her, stating that Brady was giving children books without their parents’ consent.
The police, however, saw nothing wrong in what she was doing and let her carry on.
The national press then picked up the story and, eventually, the publishers of the book became involved and decided to provide a free copy of the book for anyone who wanted it. The American Library Association cites the book as the third most challenged/banned book in the States. Strangely enough, the Captain Underpants series tops the list, with Hunger Games coming in at number five. Most of the books that are challenged by parents fall into books aimed at the 14-18 age group. The expanding Teen/YA market probably has something to do with that.
You might say, well that’s the USA for you. But I’ve heard stories from authors in the UK whose books are sometimes excluded from a school because of their content. A “book ban” in the UK would happen, if at all, at school level, usually following a head teacher’s decision, not a formalised complaint or challenge to a school board or the American Library Association as in the States.
The States has a constitution which protects freedom of speech. Brady Kissel argued that, as teens, they too have the same rights as adults and banning a book contravened that. What actually happened every time a book was banned was that teenagers went out and got hold of a copy in another way.
I know some writers in the SAS have had their books banned in the States. But has anyone had their books banned by a school here?
Jessica Lee is a teacher librarian at Willard Middle School in Berkeley, California. She has also been an English teacher, a public librarian, and a waitress, but her favorite terrible-teen job was selling snacks at Six Flags Magic Mountain. She is the mom of two boys who are also students at her school, fully integrating the work-life experience.
The New York Times bestselling "Pete the Cat" picture book series tops The Children's Book Review's best selling kids series list. And the list of hand-selected series from the nationwide best selling Children's Series list, as noted by The New York Times, features the same popular dystopian thriller series as last month from the likes of Veronica Roth and Suzanne Collins, the adventurous Heroes of Olympus series by Rick Riordan, and the relatable Diary of a Wimpy Kid books by Jeff Kinney.
The popular Who Was …? series tops The Children's Book Review's best selling kids series list. And the list of hand-selected series from the nationwide best selling Children's Series list, as noted by The New York Times, features the same popular dystopian thriller series as last month from the likes of Veronica Roth and Suzanne Collins, the adventurous Heroes of Olympus series by Rick Riordan, and the relatable Diary of a Wimpy Kid books by Jeff Kinney.
What are your favorite book-to-film adaptations? Harry Potter, The Hunger Games, The Book Thief? Anxious for the movie version of Divergent? Can't wait to see the next installment of The Hobbit? Leave a comment at Allie's latest Teens Wanna Know article!
The full track listing for The Hunger Games: Catching Fire soundtrack has been released.
The CD includes songs by Coldplay, Imagine Dragons, and Patti Smith, according to Yahoo! Music.
The video embedded above contains a 90-second snippet from Christina Aguilera’s song, “We Remain.” The announcement on the Grammy Award-winning diva’s facebook page has already drawn almost 24,000 “likes.”
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