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Viewing: Blog Posts Tagged with: Hamish McHaggis, Most Recent at Top [Help]
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1. A Special Relationship - Linda Strachan

In Anne Cassidy's recent blog It takes a lot more than one person to write a book  she mentioned a lot of different people who contribute is so many ways when you are writing a novel. But if what you are writing is not a novel but a picture book there is one person whose contribution is as important as the author, and that is the illustrator.

Picture book images are not merely drawings that help the story along, they are an integral part of the story, often carrying a storyline of their own. If you drop by picturebookden.blogspot.co.uk  you will find some interesting and amusing blogs about writing/illustrating picture books, including one by Malachy Doyle on how NOT to write a picture book- see especially points 6 & 7 about illustrators!
Sally J. Collins

People are often surprised when they discover that the author and illustrator of picture books frequently do not meet, or even speak to each other during the process.  The publisher will decide to publish a picture book text and then commission an illustrator to work on it.  The editor is then often the go-between during any discussions about the illustrations.

This has been my experience except in one case and that is the Hamish McHaggis series, 10 books that I have written over the last 10 years which were illustrated by my dear friend Sally J. Collins, a talented illustrator. 
Sadly Sally passed away recently as some of you will know, but as well as being friends we had a wonderful working relationship as author and illustrator working closely together from the very start of the project.

When I was approached to write the Hamish McHaggis books, I suggested that Sally would be a great illustrator for them and luckily the publisher agreed.  Once I had outlined the personalities and characteristics of the four main characters, Sally started working up the drawings until we were both happy with the way they looked.
Hamish, a cuddly Haggis, went through various versions before we were happy with him and Sally as had no wish to draw Hamish or the woodland creatures who were his friends, wearing clothes, we compromised with accessories. Sot Hamish had a hat, Jeannie the osprey had pink beads and painted claws, Rupert the English hedgehog sports a bow-tie and often wears  his glasses, and the cheeky wee pine marten, Angus, wears his red cap back to front.
Because we had a very tight deadline for the first 4 books, Sally and I fell into a kind of routine where I would come up with the basic storyline and she would do thumbnail drawings of all 12 double page spreads.  
One of Sally's thumbnail drawings  Â© Sally J Collins
We would meet up, luckily we lived close to each other, and discuss how it would look and make some changes before I even finalised the text.  This meant that Sally was able to get started on full size rough drawings of the first few pages that we were happy with, while I was writing and editing the text of the story.

One of the things we both enjoyed was the collaboration. I would suggest things that she might want to incorporate in her images and she would come up with ideas for the storyline. This happened more and more the longer we worked together, and made it all the more fun each time we got started on a new book. 

Hamish & the Whirry Bang at the Falkirk Wheel book launch
There was, for a while, a real car made up to look like Hamish's Whirry Bang vehicle and there is also a full size Hamish costume. 
Both of these had a lot of input from Sally and I to make sure they resembled her drawings as closely as possible, and painting up the car was a real labour of love!
Sally and I also went out on the road with Hamish.  
As the books are set in a variety of wonderful locations, Sally and I went on research trips so that we really knew about the places where the books were set.  Sally  would make sketches and take notes so that she could faithfully replicate things like the pattern on the pale blue carpet in Glamis Castle and one of the chairs in the Queen Mother's room, which was incorporated into the story.  She also had to draw so many of the  places in the books, even the front of Edinburgh's parliament building, which was a bit of a challenge!  

The Falkirk Wheel, the world's largest boat-lift, was the setting for another Hamish adventure and when we launched that book we took a boatload of children and parents up on the wheel as we told the story and Sally showed them the pictures from the book. Afterwards they had a drawing class with Sally.  
We had research trips and also book launches in Balmoral, Stirling and Edinburgh Castles and  the most recent was the Kelvingrove and the Transport museum in Glasgow. Sally even managed to sneak in small images of  both of us into one of the pictures at the Transport museum in Hamish McHaggis and the Great Glasgow Treasure Hunt
She had a great sense of fun.

The Hamish books are used  in a lot of schools as the focus for anything from a week to a term's work and although I have always done a lot of school visits on my own, it was fun when Sally and I went to do events together.  I never tired of watching Sally drawing Hamish with a class of children. 
I love writing the stories and it was a joy to watch them come to life on the page with Sally's illustrations.

Hamish McHaggis and his friends have gone out all over the world and he is well loved, as are Sally's humorous and delightful illustrations.


Last year after a lot of fine tuning we were both finally happy with the little cuddly Hamish toy, which is faithful to Sally's drawings of Hamish.


A lovely, talented artist but also a kind and gentle person, Sally will be sadly missed, but wee Hamish and his friends will hopefully delight children for a long time to come as they discover and enjoy his adventures.


It has been a very special relationship that I feel privileged to have been part of and which has left a host of happy memories.




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Linda Strachan is the author of over 60 books for all ages from picture books to teenage novels and the writing handbook Writing For Children  

She has written 10 Hamish McHaggis books illustrated by Sally J. Collins who also illustrated Linda's retelling of Greyfriars Bobby

Linda's latest YA novel is Don't Judge Me  


Linda  is  Patron of Reading to Liberton High School, Edinburgh 

website:  www.lindastrachan.com
blog:  Bookwords 





 







0 Comments on A Special Relationship - Linda Strachan as of 8/18/2014 1:07:00 AM
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2. Every day is different. I love it! - Linda Strachan

My shed- 'Tuscany'
One of the best things about being a writer is that no two days are the same. I love having the chance to stay locked away in my shed at the end of the garden, losing myself in my characters and their world, and shutting out the everyday things of real life.  
But writing is only part of the picture, soon it comes time to put on the glad rags and go out to meet the readers, and other writers, and do all the other things that are part of being a writer - particularly a children's writer.

I have a lovely time with my books for younger children and I get to spend time with my cuddly friend Hamish McHaggis.  I never thought almost 10 years ago when I started to write the Hamish stories, that I would have such fun or that children would take him to their hearts.
Hamish at Wee Write Children's festival (at Aye Write Book Festival)
Visitor Centre

I love the variety and the moments of delight when something unexpected happens. Recently I received a package in the post of wonderful stories written by a primary school class based around the Hamish McHaggis characters. Each story had a colourful and carefully drawn book cover.  

Sometimes when I visit schools I discover that they have been working on Hamish related activities for an entire term, often using the great free classroom resources   based on the Hamish series and produced by the Scottish Book Trust. Their classrooms are full of all kinds of wonderful pictures, letters to and from Hamish and models of Hamish's Whirry Bang (vehicle), the Loch Ness Monster and their own visitor's centre
 From 'The Search for the Loch Ness Monster'



With Hamish illustrator Sally J Collins




Tattie Bogles (Scarecrows) 



Versions of Hamish's Whirry Bang














Hamish's little Hoggle (home) in Coorie Doon

This weekend I will be speaking to a sell-out crowd of Hamish fans at the Coastword Festiival in Dunbar, East Lothian.


But Hamish is just one aspect of my life as a writer.  At Coastword Festival I will also be speaking about my YA novels, about Joyriding, (Spider) Knife crime (Dead Boy Talking) and Don't Judge Me which involves fire-setting, quite a change from stories about cuddly Hamish McHaggis!

Although I love speaking to little children I also enjoy the challenge of writing and speaking to a young adult audience. But I suppose in some ways the challenge is the same.  It is my job to be saying something that will grab their interest, whether they are 2 or 8, 12  or 18.

Auchtermuchty
I enjoy travelling,  and visiting libraries and schools on my own is great but I do love it when I get the chance to meet up with other writers as part of an organised event.  
Having the opportunity to visit schools abroad is wonderful and I have found that children love stories wherever they live and often ask the same questions whether they are in Cairo or New Zealand, Scotland, England or Wales.

Mass Lobby for School Libraries in Edinburgh



Writers also need to have a voice and to get out and about to promote and protect facilities for our readers and supporters. Independent bookshops and public libraries (and their librarians), and school librarians are under threat and we must raise our voices to support them.

Another aspect of my writing life is being a creative writing tutor and I get great pleasure in assisting aspiring writers, in all areas of writing, to realise their potential. I found tutoring the week-long Arvon Foundation courses an amazing challenge, with so many different kinds of people at all stages in their writing. 
At Moniack Mhor
I also really enjoy running shorter, day long or weekend courses with adults, such as the Words in The Landscape workshops recently at Moniack Mhor Scotland's Creative Writing Centre, in conjunction with the Abriachan Forest Trust. 
It is important to get any group to work well together and foster a sense of trust, so that people feel they can share their writing for fair and constructive criticism.




I love the scenery I discover on my travels, the wonderful wilds that inspire stories of all kinds.
 And most of all the amazing and interesting people I meet along the way.






I feel privileged to be able to have such a wonderful and varied career. As with anything there are times when things don't go well, frustrations and of course there are disappointments but these are the times when I  go back to my shed and disappear into my writing. By the time I emerge nothing ever seems quite so bad. 



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Linda Strachan is the author of over 60 books for all ages from picture books to teenage novels and the writing handbook Writing For Children  


Her latest YA novel is Don't Judge Me  


Linda  is  Patron of Reading to Liberton High School, Edinburgh 


website:  www.lindastrachan.com
blog:  Bookwords
 











0 Comments on Every day is different. I love it! - Linda Strachan as of 6/18/2014 3:47:00 AM
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3. Beginnings, endings and Christmas - Linda Strachan


 
Yesterday I got my first Christmas card.
Despite the fact that December has only just arrived, already we are inundated with Christmas images, (apologies for adding yet another) and Christmas sales promotions.


I know some people are organised and are already preparing for Christmas but it all seems a bit too soon for me- I am not quite ready to throw myself into festive preparations, quite yet.  I am still in writing mode



I went on my last school visit of 2011 yesterday, and it was wonderful.

Hamish McHaggis and his Hoggle
The P1 and P2 classes at St Ninian's RC Primary in  Livingston had done a huge amount of work based around my Hamish McHaggis books. 

The Hamish McHaggis Whirry Bang
Including making their own Hoggle (Hamish's home) and versions of  his Whirry Bang (car)




 And on my last school visit of the year I was able to tell them about a new beginning, the latest Hamish book which is coming out next spring  
Hamish McHaggis and the Great Glasgow Treasure Hunt  
I also showed them one of the beautiful drawings Sally J Collins  has done for the new book.

This is always an exciting time, when I see my words and her pictures coming together.


Writing  a picture book involves, for me, a very visual approach. I think visually when I am writing, seeing it in my mind's eye and that is not so different whether it is picture books or novels.

But the difference with a picture book is that someone will be drawing the pictures on paper instead of the reader creating them in their mind.  So I think about what the pictures might look like, and I read the story out loud so that I can remove any extra text that is unnecessary and evident from the images on the page but also so as the book reads easily for the parents or children who will be reading it aloud.

Working with Sally on the Hamish books, as I have done now for several years, it is easy to imagine what the images will look

7 Comments on Beginnings, endings and Christmas - Linda Strachan, last added: 12/4/2011
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4. Collaborating or flying solo? - Linda Strachan

Writing is normally a solitary occupation and I rather like that about it.

Tuscany- my shed
There is that feeling of living with and in your characters' heads, so beautifully expressed in Ellen Renner's ABBA post a couple of days ago Visitors From the World Called Imagination    

I like to slope off to Tuscany (my shed), to disappear into another place or time, and live in my head for a while.


I am not sure I know where the ideas and characters come from but I find that nothing will kill off my enthusiasm for a story idea more than  plotting it all out before I begin to write.

I prefer to discover the plot alongside my characters and feel all their uncertainty and excitement.

Without this I lose that tingle in my spine and the sense of wonder and endless possibilities that make writing such a delight and pleasure.  I have to admit that sometimes it can also become incredibly hard if I lose my way, and I imagine that those who plot carefully before they begin at least have signposts to keep them on track.  Unfortunately each time I try to plot a story out chapter by chapter beforehand, it all too soon begins to feel a bit flat.



Some writers have written successful collaborations but I've always wondered how they did it.  What was the mechanism? Were they working together bouncing ideas off each other, throwing around phrases or dialogue while one wrote it all down or working separately, each adding different segments of the story?

I once wrote part of a novel with another writer in the form of letters between two characters who knew nothing of each other to start with. Each of us took one character and replied to the previous letter as suited the character and their temperament. It was a lot of fun being really stroppy and fascinating to see how the characters developed and changed as the story progressed and they drew nearer to meeting each other.  It was never finished as other writing commitments got in the way, but it might be interesting to come back to it one day.

from  Hamish McHaggis

  Working closely with an illustrator - as I have for some years with Sally J. Collins on the Hamish McHaggis books -  is again a different way of working.
9 Comments on Collaborating or flying solo? - Linda Strachan, last added: 10/28/2011
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5. Of Yurts and Spiegeltents: Book Festival-ing in Edinburgh - Linda Strachan



Where can you find a Yurt and a Spiegeltent, comedy, politics, cuddly creatures, crime and all kinds of great writing?
Well, if you are in Edinburgh in the next two weeks or so there is one place you should not miss.
By the time you read this the 28th Edinburgh International Book Festival will have kicked off.  Billed as the 'largest and most dynamic festival of its kind in the world'
 Now that is a huge claim to fame but for those of us who live in the vicinity - and the some 220,000 visitors it attracts- it is easy to see why.
Edinburgh at festival time is a completely different place than it is during rest of the year. It feels looks and even smells different!

Playing host to the The Book festival, the International Festival, the Edinburgh Fringe, the Jazz Festival and several other festivals all at the same time, the city is converted into one huge venue, where even the streets become the stage and performers attract audiences in the most unlikely places.

In all this exciting cultural mayhem the Book festival is an oasis of calm.  You enter Charlotte Square (which for the rest of the year is a leafy private garden) and immediately the bustle of the city is converted into an excited hush, a tranquil setting resounding with gentle roars when the audience in one of the tents begins to applaud.



Of course the Edinburgh weather can affect the Book festival as much as anywhere else and there have been a few years when the rain left delightful little ponds around the square- delightful for the little yellow plastic ducks that suddenly appeared! Their equally sudden disappearance gave rise to discussions about the possibility of a plastic crocodile..... ?

But each year they have added more solid walkways, then covered walkways to and from the event tents and the bookshop tents and finally even to the author's green room - the yurt.

There was one particular year when there was much comedy to be had watching the staff wielding large umbrellas to shelter celebrity authors in the dash across what seemed to be the only uncovered walkway- the first 2 metres as they stepped out of the yurt on their way to their events.  Thankfully that was sorted the following year.


But when the sun shines the grassy centre of the book fe

11 Comments on Of Yurts and Spiegeltents: Book Festival-ing in Edinburgh - Linda Strachan, last added: 8/16/2011
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