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On Saturday I went to see the play of Julia Donaldson's novel Running on the Cracks at the Tron Theatre in Glasgow.

It is about a 14 year old girl, Leo, who runs away to Glasgow. Her parents were killed in an accident and living with an uncle and aunt she has become more and more upset by her uncle's behaviour towards her. So she decides to go and look for her Chinese father's parents, who disowned him before she was born. She has little to go on and is desperate that her uncle does not find her.

The story looks at the fear of being a young runaway, and the dangers. It tackles mental illness with great understanding and sensitivity in the character of Mary, who takes Leo in, and her friends.  Finlay the paperboy is a delightful character who, like any 12 year old boy, makes rash decisions but also shows kindness and support for both Leo and her predicament, and for Mary when she needs help.


The way in which a story is told depends on the medium being used to tell the story and as we all know, reading a book is not the same as watching a play, even if it is the same story.  I am fascinated by the process of adapting a novel of something like 250 pages into a play where much of the text in the book must be changed into action and dialogue, or cut altogether and presented in a way that makes sense visually.

There was an interesting post show discussion with Julia Donaldson, the cast and Andy Arnold, who adapted the book as a play, spoke about the restrictions he had to take into account.   He had to work with only 5 actors, so other than the two main characters, Leo and Finlay, the rest had to play multiple parts, which they did very successfully.

He said that as there was a lot of dialogue in the book, much of that ended up in the play and he only had to add some here and there for continuity.
The director Katie Posner was not able to be there but the excellent actors in the cast told how she encouraged them to work through the characters, to get to know them. And so the story unfolded, using the set skilfully, and allowing the characters space and time to affect the audience, making us feel the emotion while still keeping the story moving fast enough to never pall for a moment.

Crafting a novel so that the reader lives with the characters and the way the plot unfolds is something that takes time and a lot of thought and I imagine it must sometimes be difficult to allow your creation to be changed in this way.  That was one of the questions Julia Donaldson answered later. She said that  when writing picture books you are working with another creative person (the illustrator) who adds something extra to your words, using pictures, so perhaps the idea of someone taking what she has written and adapting as a play it is not quite as much of a stretch as it would be for a novelist. 

There is not one single way of telling any story and I suppose the process of cutting and editing when you are writing is in some way similar to that required when adapting a book as a play, but I find the whole process fascinating and cannot help trying to think how one of my own books might look transformed into another medium.

Red Book Awards

 I recall when my book, Spider, was shortlisted for the Red Book Awards, each of three schools had chosen a scene from the book to act out on the stage during the award ceremony.  I was delighted, but also surprised by the scenes they had chosen, and by the original way they had portrayed those scenes on the stage.

In Running on the Cracks, young Leo runs away from home.
 In the UK over 100,000 children run away from home each year, that is one child every five minutes. This is something I touched on in my book Dead Boy Talking, where the catalyst for what happens to the main character, Josh, is his older brother running away from home. It affects the whole family and changes everything for Josh. 
The Aberlour Young Runaways Service in Scotland offers refuge, and support for young runaways.  www.aberlour.org.uk/runaways

I was watching Running on the Cracks in the company of some writer friends who have seen their work transformed in this way and it was interesting to hear their experiences of the process.- Theresa Breslin's Divided City has been running as a play recently, Vivian French who has also had one of her books, Baby Baby, produced as a play and Cathy MacPhail whose book Another Me has just been made into a film for adults called Panda Eyes, due to be released in the near future.
We all thoroughly enjoyed the play, as did the rest of the packed theatre.
 
 TRON THEATRE COMPANY + PILOT THEATRE, YORK  are taking Running on the Cracks on tour and here are the tour dates

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Linda Strachan is the author of over 60 books for all ages from picture books to teenage novels and a writing handbook Writing For Children 

Her latest novel is Don't Judge Me  published by Strident 2012 


website  www.lindastrachan.com
Blog http://writingthebookwords.blogspot.co.uk/

Despite the almost continuous rain earlier in the summer last Saturday when the Edinburgh International Book Festival 2012 opened its doors  the sun shone and it was glorious.  People were sitting all around the lovely square in Charlotte Gardens chatting reading books,eating ice cream, enjoying the atmosphere and people watching - trying to spot their favourite author.

On the walkways there was a buzz as people rushed to join the queue for an event or strolled by to browse in the bookshops or cafes.

It is my favourite time of the year.  A chance to catch up with lots of friends, writers from all parts of the country, to meet new people and to go to listen, laugh and be fascinated by the skill and imagination of the speakers.

In the famous authors' yurt, (green room) the great and the good,  famous, not so famous and the first time authors gather before or after events. As the festival lasts for over two weeks and has something like 800 authors from all over the world, there are always new people to meet.  This year sees the festival holding the 2012-2013 Edinburgh World Writers Conference, with special events looking at the role of literature around the world today.

On Saturday I caught up with other authors many of them SASsies - Nicola Morgan, Cathy MacPhail, Eleanor Updale, Elizabeth Laird, Julia Donaldson and Moira Munro, Keith Charters and crime writer Alex Gray.  it is a place for families and  I also met the Bookwitch and her daughter, and Mary and Gerry (the Mole) from Ourbookreviews and their lovely daughter.

I went into listen to the brothers Scarrow, Simon and Alex, both highly successful authors who decided that they might share some characters!  So Alex was able to bring two of his brother's well loved Roman characters into his own book set in Rome.
The event was great fun with teams of three chosen from the young audience brought up to compete in a history quiz.  Lots of fun and cheering ensued.


Monday the sun was still shining and I met up with Barry Hutchison and I went into the event on his new book the 13th Horseman, which made me realise just how much fun you can have with your characters!





 Barry, along with Sally Gardner and Steven Butler were understandably nervous about an event called Story Consequences.  Vivian French was the excellent chair person (and had control of the bell!) in an event where the three other writers were invited to start a story (character, place and emotion suggested by the audience) and keep it going for 30 seconds until the bell rang signalling that they had to pass it on to the next person, and so on.
Despite their reservations it was a riotous success and by the end of the event three very different, if slightly strange, stories had come to life.  The audience got behind the authors cheering them on, and everyone had a great time.
It occurred to me that this might be an interesting challenge to try in the future, for writers, aspiring writers and in creative writing sessions with young people, too.

Story Consequences event

This week also saw the Society of Authors in Scotland (SOAiS) AGM and lunch when we welcomed some new committee members Cathy MacPhail, Gillian Philip and Michael Malone and our new Scottish (SOAiS) chair  Lin Anderson.  It was also a pleasure get the chance to chat to the new Chair of the Society of Authors who had travelled up from London - Lindsey Davis.

I had a lovely surprise when dropping in to the yurt to find Keren David there, who introduced me to Amy Plum, a YA author who is American  living in Paris and will be speaking at the book festival  next week.

I will be appearing in the book festival this Sunday when I will be reading as part of the Amnesty International Imprisoned Writers Series on Freedom of Speech when  I read  Nasrin Sotoudeh.'s poignant letter to her daughter. 


On Friday 24th I am looking forward to delivering my workshop 'So you want to write for Children?'.

On the following Tuesday, after the main bookfest closes there is the School Gala Day when Charlotte Square is closed to the general public and bus loads of school children fill the square to attend events with their favourite authors.

Sally J Collins

 I will be there with Sally J. Collins the illustrator of the Hamish McHaggis books and we will be joined by Hamish himself as we tell the story of the Great Glasgow Treasure Hunt



I love the opportunity to go and listen to all sorts of writers talking with passion about the books they have written and living close enough to Edinburgh I enjoy dipping in and out of the festival to see a wide range of events.

A couple I am particularly looking forward to are events with Jasper Fforde and Eoin Colfer.

So if you get the chance to come to Edinburgh in August come along to the book festival - go to some events and soak up the atmosphere.  And keep your eyes open, you never know who you might bump into. 


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Linda Strachan is an award winning author of over 60 books for children of all ages from picture books to teenage novels and a  writing handbook  Writing for Children