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Viewing: Blog Posts Tagged with: Janet Reid, Most Recent at Top [Help]
Results 1 - 7 of 7
1. What Self-Publishing Can Not Accomplish

Literary agent Janet Reid offered some self-publishing advice on her popular blog, urging aspiring writers to take a realistic view of the indie route.

According to her post, self-published writers need to sell “more than 20,000 copies” to get the attention of traditional publishers these days. These are tough numbers for any kind of author, setting daunting odds new writers. What do you think?

Check it out: “This post is not to dissuade you from self-publishing. Have at it with all your might. BUT be realistic about what self-publishing is, and what it can accomplish. And more important what it can NOT accomplish. First among the list for what it can’t is launch a mystery series.  Publishers are not keen on picking up Book #2 if Book #1 sold fewer than a 100 copies. And yes, they look. They look at Bookscan, which is NOT your friend if you self-publish.  But mostly they don’t look. Publishers love debut authors,  cause they’re easier to pitch to retail accounts. It’s easier to launch a career than revitalize one.”

New Career Opportunities Daily: The best jobs in media.

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2. This Week for Writers

This week, I decided I was going to just bookmark wonderful posts for writers and lump them all together instead of putting them on the blog one at a time. So here goes. Most of them are from this week, but some go back a little farther. Have a look.

On inspiration and the writing life:
What We Give Up from literary agent Rachelle Gardner
The Benefit of Hindsight by Karen Witemeyer
We All Just Wanna Have Fun by literary agent Miriam Goderich
Reasons I Write by Rachel Greer
7 Steps to Creativity - How to Have Ideas by Simon Townley
Are You Getting These 5 Daily Writing Vitamins? by Suzannah at Write It Sideways
On writing well:
57 Links of Awesome Writing Information and Help from Rebecca Ryals Russell
Writing Wisdom from David Cullen (No, dummies, no relation to Edward)
Starting a Novel in the Wrong Place from literary agent Kristin Nelson
The Series Bible from literary agent Nathan Bransford
Give Yourself License to Try from literary agent Mary Kole
The Writer's Toolkit: Eavesdropping for Dialogue by editor Alan Rinzler
Editing - Meet the Novel Killer by Kristing Lamb
Three Vital Steps to Writing a Novel by Bubble Cow
8 Basic Writing Blunders by Jerry B. Jenkins (Writer's Digest)
On submitting to literary agents:
You're Not Wasting My Time from literary agent Janet Reid
Your Current Project Should Always Be the Focus of Your Query from literary agent Nathan Bransford
Resubmitting Queries from literary agent Jessica Faust
5 Hints for Agent Meeting Survival by Tina Haapala, the Excuse Editor
Building Your Pitch by Elana Johnson for QueryTracker.Net
A Note on Synopses by literary agent Elaine English
Synopsis Pointers and a Reminder from Literary Lab
How to Survive Being on Sub AKA The Neurotic Writer's Guide by Lee Bross at YA Highway
On rejections:
Form Rejection by

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3. How to Know You're Querying Too Soon

A couple of days ago, I blogged about Nathan Bransford's Agent for a Day experiment. On Wednesday, he posted the first thirty pages of the five random queries used in the experiment on Wednesday, and then yesterday he posted his takeaway from the experiment. What I found most striking was that he had picked the five queries at random from a sample submitted for the contest--and they were all pretty good. From the sample pages provided, the manuscripts themselves also had promise. But Nathan mentioned that they all needed "some work and polish before they'd be ready." In other words, the writers queried too soon. Which isn't to say that he would necessarily take on any of the writers down the road, only that they didn't give themselves the best possible chance.

This is something I struggle with, too. I've come to look at the process of getting a manuscript published as if I am the agent for my characters. It pains me to think I'm not doing a good job representing them as much as it pains me to think I might not have written their story well enough. But how do you know?

How do you know when you've done the best you can do? How do you know when you are ready to query?

Does anyone else have this problem?

I've found a couple of good posts on the subject, but I'm still waiting for the epiphany that will keep me from doing it again. Janet Reid recommends that we succeed in writing a brilliant one-page synopsis and write a second novel before querying the first one. What do you think? Does that resonate?

Here are the links:

http://jodyhedlund.blogspot.com/2010/01/how-to-know-when-to-query.html
http://www.genreality.net/2-years-3-manuscripts-and-50-rejections-anatomy-of-an-agent-search?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+Genreality+%28GENREALITY%29&utm_content=Google+Reader
http://jetreidliterary.blogspot.com/2009/06/how-soon-is-too-soon.html

Cheers,

Martina

P.S. - Here's a great post by Write It Sideways about the 25 Reasons (Janet Reid says) Your Query Letter Gets Rejected.  (Janet Reid is the Query Shark for those of you who haven't seen her fantastic blog site).

http://writeitsideways.com/25-reasons-your-query-letter-sucks/

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4. Slush Pile: Then and now


Revision update: Another two chapters revised in the last two days, but I’m starting to doubt that I’ll finish by the end of the week. Maybe end of next week?

For unpublished writers, facing the slush pile can seem daunting. We hear all these horror stories about manuscripts getting buried in six-foot piles of paper, never to be heard from again. We send off query letters filled with hopes and dreams and fear they’ll get lost in a sea of other queries.

The slush pile has changed a lot in the last few years. It used to be stacks and stacks of manuscripts in an editor’s office, but that has — mostly — gone now. In its article Death of the Slush Pile, the Wall Street Journal offers up some of the well-known authors who were discovered through the slush pile when it was in its heyday, such as Anne Frank. If it wasn’t for the slush pile, we wouldn’t have her classic literary work, which is a staple of English class curriculums.

But what WSJ’s Katherine Rosman doesn’t point out is that it’s not so much that the slush pile has died, it has just changed. Today, most publishing houses won’t accept unsolicited manuscripts except from agents. So the slush pile has moved from the editor’s desk to the agent’s desk, and for most agents, it has moved from paper to electronic. This newest technological change benefits both agents and writers. When I sent out my first query letter for my first novel, within minutes I had a request for the full manuscript. Not every agent was so quick, but on average, I’d say the turnaround time was around a week between query and response. (It was longer after a full was requested, but that’s a lot more reading on the part of the agent.) A week is a lot different from the three-to-six-month turnaround time — at least — when writers and agents/editors were dealing with paper copies.

Rosman does point out one agent slush pile success: Stephenie Meyer. But agents will tell you there are many others.

Here’s the latest example: Earlier this month, agent Janet Reid wrote about the launch of her client Patrick Lee’s book and how that book came to her as a query in her slush pile back in August 2007.

And on the Guide to Literary Agents blog, agent Ted Malawer told how he found his client Sydney Salter through her stellar query letter in his agency’s slush pile.

These are just two examples, but it shows that, with a brilliant query letter and an equally brilliant manuscript, slush can in fact work.

Hang in there.

Write On!

2 Comments on Slush Pile: Then and now, last added: 1/20/2010
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5. Dealing with rejections


Current word count: 12,201

Words written today: 568

Words to goal:  27,799/ 352 words a day til end of September

Nothing written yesterday, but I got back on track this morning and hope to not miss a day this week. The good news is, when I do write, I’m usually way over the number of words I need a day to have 40K by the end of the September. The bad news is, what I am writing is not making up for my missed days, and I’d secretly love to be finished earlier than the end of September. We’ll see.

Friends and I both have query letters out with agents right now, and we were chatting the other day about gleaning information from rejections. It’s frustrating to receive a form letter that says the manuscript just isn’t right for them. It would be wonderful to get a letter that gives some specific details about what exactly they don’t like about the manuscript, but that doesn’t happen often mainly because agents don’t have time, and I FULLY understand that.

But there’s another reason I think rejections letters are vague, even when they’re not form letters. I received a lovely and very encouraging personalized rejection letter from one agent who had requested the full manuscript. In it, she said there was “much she enjoyed and admired,” but ultimately, she said she didn’t feel she was the right agent for the book and knew “another agent will feel differently.”

There’s still nothing specific in this letter that could guide me on improving my manuscript, but that’s the point. Sometimes a rejection doesn’t mean there’s anything wrong with a book. I’ve read agent Kristin Nelson write on her blog about books that she turned down that went on to do well once they’re published. But Kristin pointed out that the book did well thanks to the work of another agent, and if she had picked it up, the book might not have done as well because she didn’t have the passion for it.

Let’s face it, writing is an art and art is subjective. Some people love the Harry Potter books passionately, others enjoy them but didn’t rush to buy the last book when it was released, others might read them in a pinch at the doctor’s office. But for an agent, who’s going to go out and sell a book, there has to be real passion for the writing and subject matter and story and characters. If not, that agent might not be able to sell the book as well as another agent who has that kind of passion for it.

Of course, there are some reasons why queries and/or manuscripts are rejected. The Adventurous Writer blog lists 17 reasons given by agent Janet Reid, editor Julie Scheina and reviewer Haile Ephron. Some are misuse of the English language, boring writing, too complex a plot, too many stock characters…

These are all good things to think about when we’re considering sending out our work. As writers, we should look at our work with an honest eye — a really honest eye, after we haven’t looked at it for a few weeks to a month and the excitement of finishing and revising and revising has worn off — and see whether we can truly say that our manuscript and query letter suffers from NONE of these. If that’s the case, then we could send it out. If not, then we should keep revising.

But if we can say that we truly believe our manuscript or query letter has none of these problems, then we should look at rejections with less frustration. Because, like Kristin Nelson points out, agents do think differently, and it’s out job to keep persevering until we find the RIGHT agent for our work.

How’s your writing coming?

Write On!

1 Comments on Dealing with rejections, last added: 7/20/2009
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6.

BookExpo America/Writer's Digest Books Writers Conference...

Contrary to what some of you who were fooled by the Publishers Weekly April Fool's Day piece might think (you know who you are), BookExpo America is being held as planned at the Javits Center in New York May 28-31.

The coolest BEA event is happening before the show gets started, however. It's the BookExpo America/Writer's Digest Books Writer's Conference which takes place Wednesday May 27 (which is also my brother's birthday. Jim, if I forget to call you this is my excuse.)

What so cool about it? Speakers include Karin Slaughter, Donald Maass, Christina Katz, and a host of WD authors and editors (myself included). Plus there will be 66 (!) agents on hand for an exciting afternoon Pitch Slam (also known as Chuck Sambuchino's Lawn and Garden Scotch Fest. We won't actually be serving Scotch but it's an idea I am in favor of).

Agent Janet Reid said on Twitter: "I found one of my biggest juiciest projects at this conference last year. Damn straight I'll be back in 09!" So if you have a big juicy project our event might be a good place for you. There will be plenty of agents who handle children's material on hand including Michelle Andelman, Michael Bourret, Andrea Brown, Debbie Carter, Vivian Chum, Rachel Downes, Jennie Dunham, Stephany Evans, Mollie Glick, Jenny Rappaport, Jessica Regel, Elana Roth, Michael Stearns (who said in this space "the only things that should be pitched are baseballs"), Gretchen Stelter, Joanna Stampfel-Volpe, Jennifer Weltz, Tina Wexler, and Christine Witthohn.

If you can't make it you'll have the opportunity to vicariously enjoy the event through blogs and Twitter. (More details on that closer to the conference).

7 Comments on , last added: 5/11/2009
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7. Under the Rose: An Ivy League Novel by Diana Peterfreund

In the second novel in this great new series, Amy Haskel finds herself embroiled once more in a plot to undermine the authority of Rose and Grave, a very Very secret society she is now a member of.  Things are not going well with this year’s taps (who are now all seniors) and not only are strange messages popping up, but someone is leaking information to the press.  Amy meanwhile is trying to get her schoolwork done while having many late night tete a tete’s with fellow classmate George.  Life is suddenly very complicated and very tiring.  Plus Amy has started to rethink her decision to go into publishing after school is done. 

The second book in the series is just as entertaining as the first.  It captures all the elements of a good ya novel combined with a great cloak and dagger book.  My only sadness: I have to wait til 2008 to read the next one.   :(

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