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Viewing: Blog Posts Tagged with: Baby Goes Baaaa, Most Recent at Top [Help]
Results 1 - 25 of 41
1. Sitting on the Stairs in Castleford Library



I took the train to Castleford yesterday, to work in the library for the day, running the drawing workshops I was telling you about, with local, Y4 school children. They did me proud and I'll show you some examples next time, once I've sorted through them all.

In my lunch break, I sat in the glass stairwell and sketched the view from the window, using my favourite Sailor Pen and some watercolour. I'm not much into drawing cars, but I liked the long view right across the car park, across the shopping street, towards a river and distant hills: 


I was using an A5, grey-paper, concertina sketchbook which a fellow member of Urban Sketchers Yorkshire, Lucie Golton, made for me as a present, because I loved my tinted-paper Strathmore so much and she noticed how I've recently been getting into the extendable space of the concertina format. How lovely is that? Concertinas are great for longer views like this, when there's loads to fit in, especially if you don't like drawing small.

Ignore the candlestick by the way: that was part of some sketching I did during a recent SketchCrawl day in Buxton.

I did everything but the white, pastel highlights on the spot, but ran out of time before I could get them added (white chalk really lifts things when you are sketching onto a tinted ground). I added the pastel on the train and so got into a lovely conversation with a young man and his mum who were sitting across the aisle. They had been talking about his baby daughter previously so, with an apology for ear-wigging, I signed him a copy of Baby Goes Baaaaa!, passing on the present vibe:


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2. Manchester Library Meets Baby Goes Baaaaa!


I was in the newly re-opened (and gorgeous) Manchester Central Library recently, doing a storytelling event for local schools. I was too busy to look round properly, but what I saw was impressive. They have managed to pull off a modern, hi-tech look, without losing the warmth and friendliness that you need in order to want to curl up with a book. I liked the way the old and the new are dovetailed too. They are very fortunate to have some fabulous old bits to work with:


The performance space was really quiet and just roomy enough without being cavernous for little people. I had a lovely session with sixty 4 - 5 year olds, then ate a rather yummy lunch with the senior librarian in the library's gleamy new cafe. 

On the way out, I spotted this:



I had quite forgotten that Manchester were using some of my Baby Goes Baaaaa! illustrations for their publicity. This is a detail from the 'D' page of the book: Baby goes Da-da! - I think it works really well.

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3. Coventry Book Award: Still in the Running!


Remember I told you, way back in November, that Baby Goes Baaaaa! had been shortlisted for the Coventry Inspiration Children's Book Award? Well, over the last few weeks the competition has turned into a knock-out: each week the 2 books with the least votes gets eliminated (yikes!)

The fantastic news is that I have survived through the first three knock-out weeks and am still, so far, in the game. There are just six books left in my category, 'Never Too Young', but I need more votes to keep going. 

Now, sad but true, I'm not one of these authors or illustrators who wins loads of awards (sob), so it would mean a lot to me to get this one, not just for the head-swelling factor (always nice) but also to help with raising the profile of my new baby books. 


Baby Goes Baaaaa! and Baby Can Bounce! were created in consultation with my friends the lovely Early Learning librarians, to help with the early development of young children and ensure that sharing books with your baby is lots of fun. 


I'm really proud of both books, but of course, nobody will buy them unless they know that they are out there: awards are a great way of letting people know a book exists.


So... I need your help. If you like Baby Goes Baaaaa!, please, please, please go to this link - it's the work of a moment (by the way, since I am in the Never Too Young category, unless your child is school age, you just put 'baby' or 'pre-school' in the 'school' box). 

Thank you! Wish me luck!!


3 Comments on Coventry Book Award: Still in the Running!, last added: 2/9/2013
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4. Coventry Book Award - it's a Knockout!


Guess what? Baby Goes Baaaaa! has been shortlisted for the Coventry Inspiration Book Award 2013. Exciting eh? It is in the Never Too Young category, with books aimed at babies and pre-school children. There is some stiff competition but, with your help, I could be in with a chance.


SO... if you or child likes Baby Can Baaaaa! then please, please, please vote for it!! Anyone can vote. Just click this link - it takes a moment. Don't worry that it asks for your school: the books in this category are for 0 - 4 year olds, so votes will be from parents - just put 'pre-school'.



The Coventry award is a little different. A lot of awards shortlist from books published in the previous year, but this one specifies only that books must still be in print and have not previously won a major award, which means there is a mix of old and new titles. It's also a knock-out: we start with 12 books, then, starting on January 21st, every week the 2 books with the least votes are eliminated!!! HELP!!!!!


I remembered that Class Two at the Zoo was also shortlisted for the Coventry award and it got through to the final round. I looked it up on the blog and discovered it was part of my very first blog post ever. Fancy that.

5 Comments on Coventry Book Award - it's a Knockout!, last added: 11/19/2012
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5. Baby Can Bounce!: Bouncing into a Shop Near You...


Hurray! Baby Can Bounce!, my new baby book and the sequel to Baby Goes Baaaaa! is now out.


The bold baby animal illustrations are designed specifically to catch the eye of babies from 1- 3 yrs, but I've worked hard to try and make sure that both books are also a funny read for the poor parents (some baby books can be a little basic in content, so gruelling on the 50th repetition...). I wanted mine to be fun to read aloud and easy to share with baby again and again. 


I got the idea for Baby Goes Baaaaa! from noticing that many of my friend's baby's loved making animal noises. I knew that phonics was very important for early language development and learning, so created a book to help readers practise the all the different sounds that all babies enjoy: educational and fun!

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6. Baby Goes Baaaaa! - Spotted in Sainsburies!


John was doing our weekly shopping expedition to our local Sainsburies last week, while I was getting on with my the roughs for my new book. I was sketching away when the phone rang. "Guess what I'm looking at?" said John. "Baby Goes Baaaaa!"

I got him to take this pic on his mobile: 


It's the first copy of Baby Goes Baaaaa! we've spotted in the shops: that first one is always a bit of a thrill. Especially when it's in Sainsburies, as this is the first time we've ever come across one of mine in a supermarket. Egmont did tell me they'd taken a load, but it's not the same as seeing it there with your own eyes (well, with John's eyes anyway)!

6 Comments on Baby Goes Baaaaa! - Spotted in Sainsburies!, last added: 4/15/2012
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7. Baby Goes Baaaaa! - Publication!!!!




Yes, today is the day (hurrah!) when all you good people can rush out to your local booksellers and demand multiple copies of my newest book, Baby Goes Baaaaa! 




The book is stuffed full of sounds that baby will recognise and can easily make. Making these early sounds with a baby is fundamental to early language development, but the funny illustrations of various cute and silly animal characters romping through the book will hopefully make it a fun experience to share and explore together, while the learning happens behind the scenes.




Although the pictures here are square edged, the actual book has gently rounded corners to make it baby-friendly, plus it's fully laminated (thanks Egmont), to allow for enthusiastic licking and sucking! 


My editor at Egmont tells me that we have already sold over 7000 copies (queue fireworks...)!! These are not sales made over the counter at bookshops of course, since it's only just available to buy

3 Comments on Baby Goes Baaaaa! - Publication!!!!, last added: 4/7/2012
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8. Baby Goes Baaaaa! - Author Copies


Whenever you have a new book published, your contract allows you a number of free copies. How many you get depends on how generous (or mean!) the publisher is, but generally it seems to be about 10 copies.





The author's copies usually arrive a little in advance of the books hitting the shops. Baby Goes Baaaaa! is coming out next month, so I got home from a day at Prospect Hill Infants School in Worksop, to find a parcel waiting for me.


It's so exciting to see the final, actual item, all shiny and colourful and real! And of course, it's especially thrilling when the books are entirely mine: when I've created both the text and the illustrations.


You can pre-order copies of  Baby Goes Baaaaa! and it's sister Baby Can Bounce! (due out in July) from Amazon.




If you are interested in how children's books are developed, you can follow the progress of both these books, starting with my earliest sketches, through the production and submission of roughs and then the pastel artwork, 5 Comments on Baby Goes Baaaaa! - Author Copies, last added: 3/7/2012
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9. Proof and Advance Copies have Arrived!


A deceptively unimpressive jiffy-bag came with the postman on Friday. I opened it and pulled out an advance copy of Baby Goes Baaaaa! and the proof of my newest book Baby Can Bounce! 



I am so pleased with the production. The colours really zing out on the glossy, lacquered paper. I'm totally happy with the pale blue cover now, after my slight grumpiness when it was changed, and I love the way the yellow cover of book 2 works with it: much better than Egmont's initial plan for lilac would have.

I love the choice of the rounded corners too - a sensible idea (not mine, I hasten to add) to stop sharp edges going into little eyes, but it also makes the books so cute and friendly looking! I've already shown you the insides of Baby Goes Baaaaa!, from the printer's dummy we got a while ago, so these are all from Baby Can Bounce!:





Another thing I can't claim credit for, is the fab title page of Baby Can Bounce! - all the work of my lovely designer, Sarah, who I've worked with for years and years, even though in that time she has moved between 3 different publishers (they just happened to always be ones I've was working with at the time!)



2 Comments on Proof and Advance Copies have Arrived!, last added: 1/31/2012
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10. Baby Can Bounce: the Cover is Sorted


Sarah, my designer at Egmont, has finished the cover design for my new book. The stripy text I prepared and scanned is all done and in place, the baby croc has his pants on (!) the new strap-line is in place (although that still might change: we're not sure if it's too educational sounding) and the colour is... 


...yep: yellow. 

This is quite funny. Though I was the one who stuck out for yellow originally, when the guys at Egmont wanted lilac (because I thought it would work better with the green croc), I changed my mind when I saw the lilac mocked up. Typical then, that the consensus at Egmont should now change to liking the yellow. It's especially ironic, given that I had to change the cover of Baby Goes Baaaaa!, which I conceived as yellow from the start, to a duck-egg blue. Hey ho. 


If you want to read about how the cover was designed from my scratch, take a look at my initial sketches.

1 Comments on Baby Can Bounce: the Cover is Sorted, last added: 11/19/2011
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11. Baby Can Bounce - Head Down


When last I showed you my artwork on the book, I was about to start the hedgehogs. I got on with them early last week:


There's so much other stuff tacked on the desk above, as I am using the artwork from Baby Goes Baaaaa! as colour reference for the characters etc. 

The hedgehogs are all done now:


They are illustrating the page: 'Baby can dance' of course. I thought it would be more fun if they were dressed up. As you can see from this earlier rough, they were originally going to be trying on Mum and Dad's clothes, like children do...

...but Egmont felt that made things look too old and not babyish enough, so I went for more random dress-ups instead.

I finished the week by working on the polar bear and the anteater. Polar bear is about done (Baby can hide) so today it's anteater (Baby can shake) I'm going to get stuck into.



7 Comments on Baby Can Bounce - Head Down, last added: 9/8/2011
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12. Going Great Guns!


I have been pastelling away like a fiend all last week on Baby Can Bounce and it's been going very well.

The artwork I did for Baby Goes Baaaaa! arrived back from Egmont safely (phew), so I've been able to use that as colour reference for the various animals, rather than just going on the print-outs they did in the office.


It's made a huge difference: I feel much more confident that I'm getting it right now, so things are going much faster. 

I have to do approx one page per day, which would be a nightmare if it was a book with backgrounds - they take 1.5 - 2 days each to pastel - but as these are vignettes, a day is about right. Here was my desk on Friday morning:


You can see how I tack the Baby Goes Baaaaa! artwork above what I'm working on, as well as the line drawings for the current pieces alongside. I'm working on two at a time, so I can swap between pieces if I find myself slowing down on one (I seem to get slower as I go along).

I started to fill up my usual wall above the lightbox, tacking them up as I finished them:


...but John's been helping out again, cutting all the mounting card and overlays, so from next week I can mount them up ready as I finish each one.

I finished the squirrel and panda last week so today I am working on dancing hedgehogs in fancy dress (it's a crazy world...)

1 Comments on Going Great Guns!, last added: 8/30/2011
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13. Changes to My Cover Artwork


Despite Friday's promises to myself to get my head down today and get on with my Baby Can Bounce artwork, I have been headed off at the pass. Egmont need me to make some changes to the cover artwork for Baby Goes Baaaaa! 

There have already been a few minor alterations to the original 'final' design, mostly to the back cover, like adding blocks of colour, to allow us to use some good quotes. I think it looks better for it:


But I first got wind of a new problem last week, when Egmont phoned to tell me the buyer at Waterstones had an issue with the yellow background colour. I'm not sure I really understand the problem, but Waterstones are sufficiently important that they can't be ignored. They want something softer, so Sarah, my designer, has been frantically trying to find another colour that works under my illustration. 


She put this duck-egg blue to Waterstones, and they have agreed it. I don't like it as much as the yellow, but hey-ho: there are times when it's wiser to go with the flow. 

Unfortunately, my illustration was designed to work on yellow, so has subtle yellow reflections in lots of the colours that now don't make sense, as well as a slight yellow 'furring' around the edges, that helped it 'sit' on the original colour and not float above it. Not to mention the yellow shadows... 

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14. Baby Can Bounce - Reworks


Hurrah - all my changes to the roughs are done and I have emailed them off to Egmont!

I thought you might be interested to see some of my 'before' and 'after' drawings, to get an idea of why changes are requested and to see how they can improve on an illustrator's original idea.


For those who've not been following the progress, the 1st book Baby Goes Baaaaa! is about baby having fun making sounds with Mum or Dad. It has a cast of 26 animal characters making the sounds for baby to copy. I wanted to re-use them all in the sequel, Baby Can Bounce!, which is this time about sharing simple actions.

Each creature in turn demonstrates an action, which they share with a new character: a little spider, who appears on every page. These are my 'before' and 'after' drawings of the baby anteater, who is on the page Baby can... shake:


The feedback from my publisher, when they saw the piggy-bank idea, was that it was an object that would mean more to a slightly older child, rather than the target 1 - 3 years. Fair point. They suggested the maracas, which I think work well:


Note that I had to change anteater's stance, as you hold youself differently when you shake maracas.

Another one that needed a substantial change was Baby can... tickle. The monkey triplets all appear together in book 1, so I felt all 3 needed to be here too. As you can see, in the original version, I had two of the monkeys giggling at the spider tickling no 3. Egmont
3 Comments on Baby Can Bounce - Reworks, last added: 8/7/2011
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15. The Layouts are Here!


There's been so much going on throughout July that I'd almost forgotten I am in the middle of a couple of books! This week though we start a new month and I am back to real work with a vengeance.

On Monday morning, my friendly postman delivered a package - jiffy bags always mean something interesting... This one was no disappointment, as it contained the coloured layouts for Baby Goes Baaaaa!


They are not the actual proofs, just print-outs, but the colours look pretty good. This is the first time I have seen how it all looks together, and not just as files on the computer.
 
It seems ages since I finished working on the scans. Things have been going on in the background though - it has already been shown to oversees publishers and to Waterstones for feedback.


I'm really pleased with how vibrant and fun they are looking. I also love what Peter and Sarah (my editor and designer at Egmont) have done with the 'extra spread' below:


I can't remember if I told you, but I did a fair bit of educational research into p

3 Comments on The Layouts are Here!, last added: 8/5/2011
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16. Incy Wincy Spider to the Rescue!


Over the past few weeks, in between my other adventures,
I have been beavering away at my new book, the sequel to Baby Goes Baaaaa!, turning my big ideas sheets into proper drawings.

Book two is going to revolve around 'Baby Can...' rather than 'Baby Goes...' showing actions a baby is familiar with. I figured one of the most familiar actions for Baby is putting inappropriate things into its mouth, hence these early ideas for 'Baby can lick':


Without the alphabet to hang this set of illustrations on, I needed an idea to link the images together. I decided that the book would feature all the original characters from Baby Goes Baaaaa!, but I would introduce an additional tiny creature, who could wander through all the pages, interacting with the various animals. 


My first sketches used a little caterpillar, who seems sufficiently cute.


Then I got the idea that he could change into a butterfly half way through the book, which would be fun and make the perfect illustration for 'Baby can point':



2 Comments on Incy Wincy Spider to the Rescue!, last added: 6/20/2011
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17. Back to the Drawing Board...


Now the artwork scans for Baby Goes Baaaaa! are out of my hair, I've been trying to work out what on earth I am going to draw for the sequel. Book 1 is about sounds, so I thought book 2 could be movement. Babies LOVE to imitate, so a series of simple actions, using the same cast of animals as Baby Goes Baaaaa!, should be good fun and just as interactive.

The idea started to crystalise a couple of weeks ago, but I had barely begun to think about it, when those pesky scans hit the doormat. But at last I have got away from the computer, picked up a real pencil and drawn on some actual paper.


I decided to try the big sheet of paper system again, to free my mind. Of course, starting something new is never easy and I immediately began sighing, finding displacement activities (like this) and wishing I could do something nice and mindless, like some digital tinkering...

It's going quite well by now though. Once that first, painful day is over, it always starts to flow again. So John has crept out from under cover!

(by the way, I think you can now click to enlarge my images - try it out for me!)

3 Comments on Back to the Drawing Board..., last added: 5/28/2011
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18. Oops - Nearly Missed It!


John has nipped to the post office for me, so the DVD of scans is winging its way to Egmont at last (phew), but I nearly overlooked something important...

While I was doing a last-minute check through my illustrations, looking for bits of text I might have missed for my overlays, I spotted the crocodiles. When I did the actual artwork, we hadn't finished designing the Baby Goes Baaaaa! cover, so I illustrated it as my best guess, based on discussions at that stage:


Once we had done the cover re-design, using the spotty, coloured text, the lighter yellow etc, I was able to alter the illustration on the digital scan, to match the new look:


I spent ages tinkering in Photoshop, creating a miniature version of the book. One challenge was not making it too neat: trying to make it look like it would if I'd been restricted by the pastels.

BUT... I suddenly realised this was not very co-edition friendl

2 Comments on Oops - Nearly Missed It!, last added: 5/27/2011
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19. Thank Goodness! (But There's Still More...)


I am well and truly frazzle-brained after that marathon but, finally, all the digital cut-outs for Baby Goes Baaaaa! are now done. Phew. It took longer than usual, because every single page needed doing, rather than just the odd image here and there.


However... just when I thought it was all over, I remembered there are a couple of illustrations that need incidental text adding, like the paint pot you can see in this rough of page E, F, G. As any illustrator knows, you never draw wording on your illustrations, because of co-edition translations, but that means overlays are required, so the words can be printed on afterwards.

There are two little pots with wording on: one for the paint above, another for the anteater's sticky treacle (which I think will be syrup in the US):


Now, for most sensible people, who don't work in pastels, overlays are not something they need worry about: the designer is quite happy to take care of it. But, pastel illustrations look a bit weird with standard, hard-edged fonts on top - the wording floats above the surface of the drawing.

So, like the control-freak John is always reminding me I am

2 Comments on Thank Goodness! (But There's Still More...), last added: 5/26/2011
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20. I Love / Hate Photoshop


Working digitally can feel rather stifling and I am FED UP with having my eyes glued to a screen all day. But, my goodness, there are some wonderful things that are only possible in the virtual world of Photoshop.

Remember last week Sarah and I were swapping colours around, trying find which would work best behind which illustration? Well, the snake / rhino spread ended up having to be yellow and sky blue, which works in a general way, but there are elements of both illustrations that don't sit at all well on their new backgrounds:


Photoshop to the rescue! By isolating the troublesome clock face and balloon, I was able to completely change their colours.

I love the way that, with just the sliding of a few scales, I can experiment endlessly, until I find colours that work better:


I thought it would also help to pick up the blue from the rhinos for the clock face, and use the snake's orange for the balloon, to help tie the two images together.

2 Comments on I Love / Hate Photoshop, last added: 5/24/2011
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21. Masterclass (!) on Digital Background Shenanegans in Photoshop


By popular request (well, one or two comments...) this is a more detailed description of how I cut my pastel illustrations from the pastel paper in Photoshop (version 7.0), to substitute a digital background colour that 'knits' with the pastel artwork.

One quick Health and Safety warning: what follows is aimed at Photoshop users. Do not read on if you are not digitally-inclined, or there is a serious risk of brain injury!!

OK - eyes closed all you non-Photoshop types? Then here goes...

First create a new layer beneath the main image and fill it with the intended background colour:


Then use the lasso to select the entire inside area, keeping just within the pastel edges:


Select inverse, so you now have all the pink paper, plus just the edges of the illustration selected.

Use a 'colour range' selection to grab just the pink paper and not the pastel edge (I usually set the scale at 50 - 60%).

Select inverse again and click the icon that creates a mask, which visually kills the paper background, doing most of the work, revealing the colour behind:


On the actual image (not the mask layer) lasso all the background area again, leaving a margin around the illustration, and delete: this will instantly kill any small specs or smudges you might miss.

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22. Choosing the Background Colours


While my trusty new side-kick gets my admin up to date, I am still working away at the computer, cutting out the illustrations for my new book Baby Goes Baaaaa!, lifting the pastel drawings from the digital scans, ready for the coloured backgrounds to be dropped behind. 

But I quickly realised that making final decisions on the exact colours of the backgrounds needed to take priority, as changing them later would mean revisiting the cutouts. 


Sarah at Egmont suggested a colour scheme of around 7 colours, repeated throughout, to hold things together - a good idea. I tweaked her colour suggestions a bit and then narrowed them down to 6 I felt worked well across all the images.


Above are the 1st 4 spreads of the book, with all 6 colours in play.

I substituted the brighter blue above for the more lilac-blue Sarah originally suggested, and I wasn't keen on the peachy yellow below.

Sarah had kicked things off by created a low-res, digital mock-up of the whole book, a tri

4 Comments on Choosing the Background Colours, last added: 5/17/2011
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23. Digitally Created Backgrounds


On Monday morning, despite the sunshine in the garden, I knuckled down and started the digital stage of Baby Goes Baaaaa!. Come Tuesday, I had to break off for my assessing work at the University, but today I have been hard at it again.


Each of my pastel illustrations for the book was created on my usual, pink paper but, as you can see from the mock-up above, created by Sarah, my designer at Egmont, the images are designed to sit on bright background colours, so the pink area around each drawing needs removing. 


I won't go into the boring details (yawn...) of how this is actually done in Photoshop (I can already hear your sighs of relief), but since I always have to do this bit, I thought I'd quickly explain the principle again, using the koalas as an example.

I get back a scan of each illustration that looks like the one above. In good old Photoshop, I then quickly knock out the pink, to get this instead:


This might look done, but the final image is going to sit on the pale yellow, so I create a temporary yellow layer beneath my koalas, so I can guage exactly what it's going to look like.

The first, obvious thing to adjust is the shadow.


The lilac shadow above looked right on the pink background I began with, but is way too strong on yellow, so this lo

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24. Yahoo - All Done!


The last piece of artwork for Baby Goes Baaaa!, Nana Crocodile, who got left right to the end, has now been finished. I'm especially pleased with her croc slippers:


They have more than a passing resemblance to the chicken space-boots I designed for When You're Not Looking!.

Today, everything has to be given a final once-over, then all the new pieces mounted up and wrapped up with the artwork I completed earlier, into a lovely big parcel and posted off to Egmont, the publisher. Fortunately, I know that at least Sarah, my designer, likes how it's come on, as she has been peeking at the progress, here on the blog (hi Sarah!).

3 Comments on Yahoo - All Done!, last added: 4/14/2011
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25. The Perils of Fixative!


I need to get all the artwork for Baby Goes Baaaa! done by the end of this week. When you last looked in on me, I'd done the ducks and monkeys and had almost finished this baby tiger (who, as you can see, now has his stripes). All that was left was the cover and the Nana Crocodile illustration.


I got the go-ahead on the cover re-design last week and, apart from my sneaky day off, have been working away on the artwork. As there are several characters on the cover that I've already designed for the inside of the book, I needed to tack all that previous artwork to my desk, for colour reference:

I'd previously sent all the artwork I'd done so far to the publisher, so they could present the project at Bologna, but they had to post it all back to me for this part.

With the inside illustrations, I've not worried about the background colours and will try things out later, in Photoshop. With the cover though, I wanted to design it with a background colour in mind: it's so important, as it can completely change the book's appeal. After much thought, I decided to go for golden yellow, keeping all the outfits and toys as bold, strong colours, to stand out against it.

As the yellow will be dropped in digitally, I didn't intend to colour it in like this but, without it, I soon began having trouble judging the effect of the other colours. So I stopped and, very carefully, coloured around what I'd already done in the golden yellow pastel, as above.

Then I carried on. Except, the yellow was very messy and kept getting all over my hand and smudging. So I stopped again, to spray it with fixative before continuing. And this is why I HATE fixative! Just look at the effect it has on the colours:

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