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Viewing: Blog Posts Tagged with: Corel Painter, Most Recent at Top [Help]
Results 1 - 25 of 42
1. Texture Painting, Glazing Brushes, Customizability Among New Features in Corel Painter 2017

Corel has added significant improvements to the 2017 edition of its digital paint software Painter.

The post Texture Painting, Glazing Brushes, Customizability Among New Features in Corel Painter 2017 appeared first on Cartoon Brew.

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2. From "Skateboard Party" - The Carver Chronicles


0 Comments on From "Skateboard Party" - The Carver Chronicles as of 1/1/1900
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3. A Bear and a Bug

This image is part of a two page spread that illustrates the change in hibernation patterns of Spanish bears in the Cordilleran Mountains. They are waking up too early due to warmer winter temperatures and often no food is available for them to eat.


0 Comments on A Bear and a Bug as of 3/26/2014 4:23:00 PM
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4. Moving into the Digital Age…

People have been asking, and I am pleased to announce that “Bunny Baron 2″ is on its way!  The story is already written; I may need to do some editing, but I think it will have a great positive message.  It is now time for me to do the illustrations.  This is something that took me quite a long time to do in the first book because I drew everything by hand, from the sketching to the coloring.  Coming into the second book, I wanted to make it bigger and better.  I also wanted to streamline the process so I can deliver a great quality story faster than I was able to before.

I decided that I am going to draw my illustrations for “Bunny Baron 2″ digitally.  I gathered up the tools I need with the guidance of a good friend.  corel painterI purchased a copy of Corel Painter X3 which will be my drawing platform.  Obviously, there will be a learning curve, but I know I can do it!  I also purchased a Wacom Intuos touch tablet. wakom TabletThis will be my “pen and paper.”  I am ready for the new “digital age,” and I am prepared to begin putting these new tools to use and create the Bunny Baron and all of his friends in a new digital perspective. I am so excited to begin this new digital experience.  I will keep everyone posted on the progression of “Bunny Baron 2″ and hopefully in the not too distant future, it will be finished!

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5. Illustrating a Picture Book: Finishing Touches


Last week, the scans of my Jungle Grumble illustrations came back from the repro-house. Things have been a bit fast and furious: I've had just a few days to get all the 'finishing work' done, then Dropbox the final digital artwork back to the publisher, ready for everything to be put together and sent off to the printer. Phew.


There were three 'finishing' jobs for me to do in Photoshop / Painter: 

1 - text overlays

Children's illustrators never draw text onto their actual artwork, because of translations. All text, even wording that is part of the actual picture, is added afterwards, digitally. Unfortunately, because of the pastel texture of my work, ordinary, typed text 'floats', so I make my own text overlays, using Painter, which look like they are drawn in black pastel. Luckily there wasn't much intrinsic text in Jungle Grumble, only one lion roar and the Swap Shop sign, though that does appear a few times: 


2 - legibility issues

To keep things as clear as possible, it's easiest when a story's main text falls over areas of sky. That wasn't always possible in Jungle Grumble: in several places I had to use trees or bushes as backgrounds for text. But it was tricky to be sure precisely where specific lines of text would need to sit and, because of my style, it was hard not to include undergrowth textures which might be visually distracting behind the words. Once my designer got the scans, she was able to layer the two together so we could spot any places where things were slightly too busy or too dark to be sure of maximum visibility. I then used Photoshop to make subtle changes. Spot the differences to the bush bottom right:




3 - vignettes

Not all my illustrations are full spreads with illustrated backgrounds. Some pages feature smaller vignettes: characters against a plain background. My biggest digital job is cutting vignette characters off my pink paper. It takes ages because of the pastel edge, especially where the pastel colour is close to the pink of the paper, like Lion's roar:


He looks so much better on green, don't you think? For anyone who wants to know how I do the cutting out, here's a detailed 'masterclass' (though my version of Photoshop is old, so many things may be slightly different on up-to-date editions).

Most illustrators don't do this digital stuff themselves, but I prefer to, as the pastels make it quite a bit more tricky than usual. It's possible that I'm being a bit of a control freak, as usual, but after all that time spent getting the drawings done, I like to be sure that these final alterations are exactly right.

0 Comments on Illustrating a Picture Book: Finishing Touches as of 2/28/2014 1:22:00 AM
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6. Digital Art: Marigolds from the Garden

Marigolds digital floating lemons


Snapped photos of some marigolds from the garden, erased the background on Photoshop and then popped them into Corel Painter and used oil brushes to repaint them. Back into Photoshop for a cleanup, and here they are.

Then played around a bit with filters to see if enhancing them further would give me extra-ordinary results. Came up with the result below and I do like it, though I think I prefer the colours and contrasts of the original above. Still, there's something slightly crazy about the version below that appeals to the 'need-to-experiment-more' side of my nature that's demanding my attention at present.

 

Marigolds digital 2 floating lemons

 

Wishing you a bright, extraordinary day. Cheers.

 

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7. Swap! - Text Overlays for Foreign Editions


When it comes to the digital 'finishing' work on my books, it's the cutting out that's the real chore but, once that's done, I feel as though I have finished. Not so! There's the final, fussy job of doing the text overlays. Sigh...


All text has to be created separately from the main artwork, because of translations: you can't have English words embedded in the illustration and then hope to sell the book for foreign editions. This goes for all wording, but I am not talking about the regular text you can see above, but the little, incidental details: can you see the word 'DOG' on the bowl? 

There are quite a few more on the spread below:



Most illustrators don't have to worry about the text overlays - the design team at the publishers sort out all that, when they place the other text. However, because I am daft enough to create my artwork in pastels, the bits of text which are intrinsic to the images don't work very well if they too are not in pastels: the wording sort of floats above the illustration.


It's not practical to do the text overlays in actual pastels, so I do it digitally, in 'pretend' pastels, using an old version on Corel Painter, which does a pretty good job of emulating the marks of my pastels, particularly after I have scanned in a sample of the actual paper I draw onto, so the texture matches. This is the text from the classroom door.

It's a boring and fiddly job, but looks much better. Of course, when it comes to the foreign translations, I have no control, so they just bung on ordinary text. Hey-ho - there are times when you just have to let go... 

For the children's dance studio below, I've done the whole sign as an overlay, including the little drawings of the kids, because foreign translations can take up more space than English text. This way, it allows for the little figures to be removed if necessary, to fit in a more wordy name - clever eh?!


Anyway, I am now done, done, done (hurrah!) and a DVD of all the finished artwork has been sent back to my Art Director, who will be busy this week, dropping all the text into its final position and sorting out the final bits of design work (spine, title page, dedications, blurb, bar codes...).

The next stage should be the colour proof. That's the truly exciting bit, when it all looks real!

8 Comments on Swap! - Text Overlays for Foreign Editions, last added: 5/8/2013
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8. Smile sketches

Getting a smile to look right is important. There is a fine line between friendly and psychotic.

Not sure if I achieved that here but these were ‘fun’ to do.

Not sure who the one on the left is but the one on the right is of  actress Ziyi Zhang.

smiling faces

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9. Character Development Alice

I’ve been working on a few projects recently including Alice in Wonderland. I like to explore lots of different options when I’m designing a character. This is just the initial amount of sketches with reference to the original illustrator Sir John Tenniel in the top right. I then chose the designs I like the most and develop them further with more variations in shapes.

I like to get the reference right first and this helps me learn more about the character, but I think having fun and trying crazy variations is also very important to the creative process.

Alice concept stage 1

I’ve also been doing some warm up exercises I learned from the Schoolism course I did last year (Character design with Stephen Silver). There are infinite variations you can create with the circle, square and triangle as a starting point but here are just 3. the top one is the closest to the original reference but obviously stylized somewhat.

Shape exercise Japanese hairstyles

 

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10. Brushes for Corel Painter 12

I’ve updated my mixed media brush library for Corel Painter 12.

I made some new ones and got rid of ones I didn’t like so much.

mixed media set 2013

Enjoy!

 

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11. Selkies

Here are some painted characters for my Selkie idea.
Selkie Turn-arounds
Selkie Pose

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12. Mushrooms and Gloopy lips

Here are some studies for today.

Ink Cap Mushroom Glowing Mushrooms Gloopy lips

I did the lips yesterday and made a video of the painting progress on youtube.

I’m a bit of a mushroom fan, I’ve got about 6 books on the subject now. I just love the different shapes and colours.

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13. Study of red curly hair

This is a study using the lovely actress Tilda Swinton as a starting reference.

I’m a bit obsessed with red hair I suppose- it’s not very easy to paint with so many shades going on so I like the challenge.

I also saw Pixar’s film “Brave” last night and it was brilliant- lots of red hair too.

Tilda Swinton Study of red hair

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14. Little Witch says Happy Halloween!

Just a quick post to wish everyone a Happy Halloween! Be scary and be safe.

88-little-witch

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15. Duck Dilemma

So. I'm in the middle of updating one of my older drawings. Well, a set of drawings ... three white ducks drawn, ATC-sized (that's 2.5"x3.5" to those who have no idea of what Artist Trading Cards are) on coloured backgrounds, all in coloured pencil. The originals are at this post: Ducks ATCs.

I decided to play with them a bit in Corel Painter and now I'm not sure of which ones I should put up on my cards and gifts online - the original drawn in coloured pencil, or the new digitally re-painted ones!

I'd love some help deciding, so here is the original:

82-Duck-drawn

And here's the 'painted' version:

82-Duck-painted

To tell the truth, this isn't the first time I find myself stuck at having to make a choice. Am not too great at decision-making anyway, and when it comes to my art I think I get far too emotionally close, so it's difficult to stand back and be objective. I can get stuck for hours just trying to pick two different shades of the same colour! It's so not amusing that it's funny.

I'm seriously considering starting up a regular "dilemma" section where I ask for help picking out colours or different versions of a piece of art or illustration ... we shall see ...

As far as my Ducks are concerned, I do think I know which one I'm leaning more towards, but am still unsure and haven't made up my mind, so I'd love and appreciate any comments and help. Which one do you prefer?

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16. Poinsettia Joy: A new Surface Design Pattern

I am, very slowly, learning more about Surface Design. And discovering that I'm loving it. It's certainly not a simple process, but I do love puzzles and that probably helps, as putting the separate pieces together to make a cohesive (and aesthetically pleasing!) whole is definitely a large part of the overall process. I just hope that I'm getting it right.

Following on from my Daisy Joy, I've drawn 5 Poinsettia plants in the same style, and attempted once more to create a pattern from them. Here's one of the painted Poinsettias, and below that are the fabrics I've designed from them. 

 

55 Poinsettia Flower

As the Poinsettia plant is so closely associated with Christmas, I've picked cheery seasonal colours for the backgrounds ...

Poinsettia Joy dots Fabrics

Poinsettia Joy dots Fabric Collection

  Poinsettia Joy red Fabrics

Poinsettia Joy red Fabric Collection

 

Poinsettia Joy green Fabrics

Poinsettia Joy green

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17. Daisy Joy: Birth & Evolution of a Pattern

I've been increasingly fascinated by surface design lately. I've always loved patterns but it never occurred to me that I might one day be able to create some of my own. Recently, being able to design on household products has driven me to study the formation of patterns, and I'm slowly learning, researching, and experimenting. Here are the results so far:

 

46 Daisy Joy pattern
I started off by drawing some daisies, then scanning them and digitally painting them in Corel Painter 12 before I took them back into photoshop to apply a few effects. Then it was time to pick background colours, never an easy task for me and it usually takes me hours of nail-biting indecision but I finally came up with three ...

 

46 Daisy Joy pattern 2

The above turquoise blue was my favourite, but it seemed to work just as well against the chantilly pink and gold yellow (see below). I was aiming for a cheerful, bright and joyful look. Hope I achieved it. The background seemed a little subdued for some products, so I applied stripes in a lighter colour, I then picked a few daisies to enlarge and highlight, and this is the end result:

 

46 Daisy Joy blue
Daisy Joy blue

 

46 Daisy Joy pink
Daisy Joy pink

 

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18. Digital Painting: Pink Iced Cupcake

20 pink cupcake
A digital painting from a photograph by the friend who made the cupcake ... Thank You Michelle! It looked too delicious to resist, and as I couldn't pop one into my mouth as I wished, I drew it instead.

Felt like playing with Corel Painter 12, so I used the oil paint brush and picked the colours from the actual photograph to do this piece. I'm wondering though if perhaps the icing could with a bit of extra whitening, what do you think?

I love anything with sugar icing, doesn't it look just too delicious? I've been promised some cupcakes when she visits this summer and can't wait. Perhaps I'll do more cupcake drawings then, in a variety of mediums. From photographs. Once I've gobbled them down. Cheers!

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19. Red Owl Digital Re-Painting

Red Owl


The Red Owl is in fact my Blue Owl from last year, transformed into a vibrant creature dressed in reds ... though still retaining that slightly bored, slightly grumpy expression I've become quite fond of.

I'd originally planned on just adjusting hues and saturations in Photoshop and leaving it at that, but of course I wasn't quite satisfied with the result, so I ended up dragging it into Corel Painter 12 and doing a huge repainting job with their oil brushes. Glad I did, as I quite like the end result. Took it back into photoshop to fiddle a bit more and add the drop shadow, and here you have it.

Red Owl Grad


I then drew and added the graduation cap, as it just seemed right. The final result is a bright creature, extremely intellectual (as owls are), and slightly cynical (with dollops of humour). But happy. Honest.

If you'd like to peek at the original Blue Owl, it's over at: http://www.floatinglemons.com/2011/02/blue-owl-bee-happy-daisies.html. Cheers!

 

RED OWL cards and matching gifts are over at:

Red Owl at FLoating Lemons Illustration @ Zazzle, and

RED OWL GRAD graduation cards, invitations and matching goodies is up at:  

Red Owl Grad at Floating Lemons Events @ Zazzle

 

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20. Cute Owl Love

 

06 Owl Love


A little image that came to me while I was watching TV a few evenings ago (I was watching a particularly gory episode of a forensic series, so have absolutely no idea of why cute owls came to mind). I grabbed my little wacom and laptop and scribbled it straight into Corel Painter 12 and had fun with it the rest of the evening.

Once I was done I googled 'owl love' just to make sure that the inspiration hadn't come straight from somebody else's illustration that had stuck in a corner of my visual brain. It's something that happens far too often, so I always have to ensure that I'm not inadvertently 'copying' some else's work that I previously admired. Particularly so in this instance as owls seem to be multiplying in flight on the virtual airwaves; apparently they are a huge trend at the moment.

Once I was as sure as one can be that I wasn't plagiarising, I cleaned it up and uploaded it to my stores. It's a quick little digital sketch, I know, but I'm now quite fond of it. Cuteness seems ingrained in some part of my psyche whether I wish it to be or not.

Cheers!

If you're interested in taking a peek, I'm uploading it at the moment to:

Owl Love at Floating Lemons Illlustration

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21. Little Blue Submarine

30 Little blue submarine

I've been doing a bit of doodling. Not quite sure where this came from, but I liked it enough to transfer it into Corel Painter and paint over the original colored pencil drawing. Still needs a bit of a clean-up but I'll do that once I'm done with the queue of Christmas and New Year designs I have to finish up or redo! Cheers.

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22. Two Doves One Heart

27 Two Doves One Heart

A little doodle of a sweet pair of doves, one pale blue and the other light pink, cuddled in an embrace shaped like a heart. It started out as a pencil sketch in my moleskine that I scanned and then digitally painted in Corel Painter, then played around with in Photoshop to create a pair of separate blue and pink hearts as well:

27 Two Doves One Heart blue

27 Two Doves One Heart pink
I've used them to design cards and matching gifts for ...

Weddings: Two Doves One Heart Wedding at Floating Lemons Events;

Baby Showers for twins: Twin Doves Heart at Floating Lemons Events;

and Valentine's Day: (coming soon!)

Cheers!

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23. Thank Goodness! (But There's Still More...)


I am well and truly frazzle-brained after that marathon but, finally, all the digital cut-outs for Baby Goes Baaaaa! are now done. Phew. It took longer than usual, because every single page needed doing, rather than just the odd image here and there.


However... just when I thought it was all over, I remembered there are a couple of illustrations that need incidental text adding, like the paint pot you can see in this rough of page E, F, G. As any illustrator knows, you never draw wording on your illustrations, because of co-edition translations, but that means overlays are required, so the words can be printed on afterwards.

There are two little pots with wording on: one for the paint above, another for the anteater's sticky treacle (which I think will be syrup in the US):


Now, for most sensible people, who don't work in pastels, overlays are not something they need worry about: the designer is quite happy to take care of it. But, pastel illustrations look a bit weird with standard, hard-edged fonts on top - the wording floats above the surface of the drawing.

So, like the control-freak John is always reminding me I am

2 Comments on Thank Goodness! (But There's Still More...), last added: 5/26/2011
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24. Blue Owl & Bee Happy Daisies

07-Blue-Owl
I've just discovered Corel Painter and am thoroughly enjoying everything it has to offer. This blue owl started off as a teeny marker pen doodle in my moleskine ideas book, and was scanned in and dropped into Painter where I had a sinful amount of fun painting him over, playing with their oil brushes and palette. Couldn't do it without my Wacom Bamboo pen and tablet -- I spent a whole day immersed in a non-messy oil painting experience. Can't wait to get my hands 'dirty' again. I have further plans for my Blue Owl, he will be 'graduating' soon and wearing the proper attire for it.

Here's an older drawing (Bee Happy Daisies) that I reworked in photoshop (pre-Painter discovery) and uploaded to Zazzle. I cut the bees and flowers out and played with the design in various configurations on the different products that they have to offer ... I love the customization option on Zazzle that allows for this. So it's slightly different depending on which product it's on up at the store, but this is the original illustration:

06-Bee-Happy
Cheers!

Blue Owl cards and matching gifts at Floating Lemons at Zazzle

Bee Happy Daisies cards and matching gifts at Floating Lemons at Zazzle

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25. New Specs!


A couple of months ago, I started noticing myself squinting at the drawings on my desk as I was working. That couldn't be right, could it? I went for an eye test.

It's quite fun choosing new glasses, isn't it? I tried on almost every pair in the shop, including the funky kids' ones, with chequers and flowers.

Disappointingly though, there were no brussel sprouts involved - this is a digital illustration (done in Corel Painter) from a Professor Brainstorm book from a few years back, and I can't for the life of me remember what the sprouts were about!

Anyway, back in the real world, it turned out I needed two pairs: varifocals, for everyday life...


...and another pair, with what they call 'office lenses', for close work in the studio:

The first pair turned out quite similar to my old ones I suppose, though more purple that pink.

It's another huge bite out of the poor, wobbly bank balance, but at least I can see what I'm doing again, which is kind of handy for an illustrator.

8 Comments on New Specs!, last added: 5/16/2010
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