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Viewing: Blog Posts Tagged with: playing, Most Recent at Top [Help]
Results 1 - 9 of 9
1. #752 – 53 – I Can Dance and I Can Play by Betsy Snyder

I Can Dance & I Can Play Written and Illustrated by Betsy Snyder Chronicle Books       9/01/2015 978-1-4521-2929-7 and 978-1-4521-2905-1 14 pages     7” X 7”     Age infant—2 “Readers make dancers disco, tap, or pirouette and athletes splash, sprint, or score just by wiggling their fingers. But wait! There’s even more …

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2. Painting and Writing and Life - Heather Dyer

 
 © William Cho
 
I visited the studio of an abstract painter once. There was a group of us. All the others were painters; I was the only writer. We started flicking through a portfolio of abstract paintings, and I have to say that they all looked much the same to me: like wallpaper samples. But every now and again when the next painting was revealed, these other painters would collectively say: “Ah! Now that’s interesting!” Their reactions were spontaneous and genuine – and I realized then that they were seeing something that I was missing.

I’m certainly no expert, but I’ve come to understand that appreciating abstract art is about how a painting makes you feel. It’s not about what you think it is. But this is a difficult mindset to get into. Like a lot of people, I like to understand something. I like to know what it’s about. I need to be able to articulate what it is telling me. I’m not used to asking myself how a painting makes me feel.
I visited another abstract painter’s studio yesterday. She had a canvas leaning up against the wall that looked unfinished to me. There was an outline of what could have been the figure of a woman in the middle, and a pool of yellow in one corner and some bright splashes in the other. I wanted to know what it was about: was the woman falling? Was this the sky and this the ground? Which way up was it supposed to be? I wanted to be about something – I wanted to understand the message. “It’s not about anything,” said the artist. “It’s what it is, that’s all.” 
 
A Young Lady's Adventure by Paul Klee
 
This painter works by feeling. She doesn’t know what she’s going to paint before she starts a canvas, she only knows the colours she wants to use, and which brushes. Then she’ll ‘play around’ until some combination of colours appears that she can ‘have a conversation with’. Then she follows the conversation to see where it leads – which might be nowhere. Or it might become something bigger than she herself was capable of, if she’d tried to impose a plan on it beforehand.
Painting and writing are both creative activities, and I recognized parallels in how she described her process. I know that my trouble with writing is that I need to know where it’s heading, I need to know what the message is, well before it appears. I know that this inhibits my creativity, and presents me from feeling the ‘conversation’ that the book might want to have with me.
I asked her how she managed it. “The first thing you have to do,” she said, “is stop. Then, you have to feel with your heart where you need to go next. You need to be playful, you need to be brave, and you need to take risks. And you mustn’t be afraid to make mistakes.”


I know she’s right. The best stuff is always the stuff that we never intended to write about. The best things can’t be articulated, and the most wonderful thing about writing fiction is when a story surprises you, and turns out – to your delight – better than you feel you could have made it. The same process would seem to apply both to painting and to writing – and also, in fact, to life.

www.heatherdyer.co.uk
 

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3. When a Dragon Moves In by Jodi Moore

5 Stars When a Dragon Moves In Jodi Moore Howard McWilliam 23 Pages     Ages: 4 to 8 ........ .......... Inside Jacket:  If you build a perfect sandcastle, a dragon will move in—and that’s exactly what happens to one very lucky boy on the beach. The boy and his dragon brave the waves, roast marshmallows, roam [...]

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4. Dreaming Up: A Celebration of Building by Christy Hale

5 STARS Dreaming Up: A Celebration of Building Christy Hale Lee and Low Books January 2013 32 Pages     Ages: 4 to 8 ……………….. Children building— Concrete poetry— Inside Jacket:  Pair them with notable structures from around the world and see children’s constructions taken to the level of architectural treasures. Here is a unique celebration of [...]

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5. Lilly and Bunny go to the Fair!

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6. Animal Orchestra

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7. Water Play

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8. Ponytail Pulling is Bad (but awfully good for women’s sports)

Lauren, Publicity Assistant

Laura Pappano, co-author with Eileen McDonagh of Playing With The Boys: Why Separate Is Not Equal, is an award-winning journalist and writer-in-residence at Wellesley Centers for Women at Wellesley College. She blogs at FairGameNews.com . In the original post below, Pappano discusses  Elizabeth Lambert’s hair-pulling and sportsmanship in women’s athletics.  Read Pappano’s previous OUPblog posts here.

Outrage over New Mexico soccer player Elizabeth Lambert’s dirty play – including her ponytail-yanking an opponent to the ground – is justified given this egregious act of poor sportsmanship.

But as the conversation and video have gone viral – from SportsCenter to NFL pre-game shows to David Letterman – the subtext has become less about comportment and more about the gendered expectations of female athletes.

Guys fighting in sports – whether ice hockey or baseball – is considered a “natural” by-product of intense play and, well, testosterone. They can’t help it. When women get heated in competition (ask any high school female athletes about trash talking and you’ll get an earful) there is a perception that they’re supposed to act…differently.

In a season of throw-backs, you can add this to the list: Just as our grandmothers insisted that girls don’t sweat, they “perspire,” there remains a narrow range of acceptable behavior for female athletes. Such rigidity is not new (in previous eras women basketball players were required to wear makeup in competition and submit to half-time beauty contests), but until Lambert we had thought the rules had evolved – at least a little.

The increasing skill level and intensity of women’s sports even at high school and college levels should not be a surprise to anyone who has been paying attention. Problem is, of course, many have not been paying attention. Women’s sports remain poorly covered by the mainstream male sports media. News outlets hardly feel obligated to report on even major events (it took digging to get the result of the WNBA final). And chatter about Lambert on sports talk radio last week on the Boston station I listen to was preceded by the admission that “we have never talked about women’s college soccer on this program and we will probably never talk about women’s college soccer again, but…”

The fact remains that while female athletes have developed skills, hard-charging attitudes and leave-it-all-on-the-field seriousness about their play, we still view them as grown-up girls (in ponytails) who might be doing cartwheels in the backfield if they thought they wouldn’t get caught.

Some little girl-female athlete affinity is purposeful marketing. That’s the justification for Saturday afternoon college basketball games and cheap tickets. And, certainly, why shouldn’t women’s teams, from college basketball to professional soccer build a fan base from those who can relate to them as role models? Isn’t that the NFL’s goal fulfilled when millions of boys paste Ladanian Tomlinson Fatheads on bedroom walls and wear Peyton Manning jerseys to school?

Promoting athletes as role models, of course, is always tricky. But where men get a pass for bad behavior, women draw fire.

We forgive Michael Vick, and gasp when Serena Williams screams at a line judge’s late call at the U.S. Open.

We must get past the notion that female athletes are “nice” first and good second, and women’s games should be peddled as “family fare.” It is tiring to hear enlightened men describe themselves as “supporters” of women’s sports as if they are charitable donors. No one likes dirty play. But if Elizabeth Lambert just made people see that women’s sports are highly intense, competitive, and exciting, well, good for her.

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9. This And That

Manuel Ramos


EL LABORATORIO AND LORNA DEE CERVANTES

Here's an announcement about a new project I recently joined and a plug for the project's first event featuring Lorna Dee Cervantes -- an excellent beginning.

El Laboratorio: Thinking En Público, a new Latino arts and culture center housed within The Lab at Belmar, will host some of Colorado's most acclaimed Latino writers, artists and scholars for literary workshops, public readings, and conversations beginning in summer, 2007. Each event will feature readings by an award-winning author or artist who is reshaping or extending our understanding of the literary arts of the United States. Themes will include avant-garde poetry, experimental novels, drama, the spoken word, storytelling, and slam poetry. In partnership with Arte Público Press, the oldest Latino press in the U.S., El Laboratorio aims to be a premier space where both Latino artists and the general public can gain insights into the ways Latino culture is changing the landscape of the U.S.

Lorna Dee Cervantes, acclaimed poet, teacher, and author will read from her Pulitzer Prize-nominated book, Drive, followed by a conversation with John-Michael Rivera, the Creative Director of El Laboratorio, on June 23, 6:00 PM reception, 6:30 - 8:00 PM main event, $10 ($5 members). The Lab is at 404 Upham Street, Lakewood, CO 303-934-1777.

And I just read on Lorna Dee's blog that she is moving to Berkeley, CA. Our loss is the Bay Area's gain. I'm hopeful she will keep her ties to Colorado -- the cultural scene around here now has a big hole because of her leaving.



MIGRATIONS AND OTHER STORIES
Lisa Hernández
Arte Público Press, 2007
Speaking of the oldest Latino press in the U.S., the following message showed up recently on my computer screen and I pass it along to you.

This debut story collection explores issues of migration and identity from a Mexican and Mexican-American perspective. It is the winner of the University of California Irvine’s Chicano/Latino Literary Prize. Past and present are interwoven in the eleven stories dealing with migration across geographical and cultural boundaries. Set in California and Mexico, the characters in these stories struggle with all that life throws their way, including abusive boyfriends, separation from loved ones, and unfaithful spouses, all in an uneasy search for a balance between a Mexican past and a Mexican-American future. With vivid brushstrokes, Hernández paints a collage of Latinas who work vigorously to overcome drastic situations. A woman is convinced that her brother-in-law’s constant fooling around with co-eds caused her sister’s heart attack, and she obsesses about getting revenge even if it means turning to brujería. A young woman who has flunked out of college multiple times finally goes home to confront the memories of her father’s sexual abuse that she hasn’t been able to flee or forget. On her deathbed, Chata reveals to her daughter that when she was growing up in a small Mexican village, her first love was a beautiful prostitute. Themes of survival, identity, and cultural conflict are woven through the stories in this intriguing and entertaining collection. Publisher’s Weekly gave the book an excellent review, and said “Short and affecting, Hernández’s tales are as ardent as they are prosaic and unflinching.” Lisa Hernández is a native of Pasadena, California, where she lives with her husband and daughter. She teaches English at Los Angeles Community College and coordinates literacy programs for the Los Angeles Unified School District.

ART FROM ASHES
Time: Saturday, June 16, 2007 10:00 AM - all day
Location: Cultural Legacy Booksellers, 3633 W. 32nd Ave, Denver
Art from Ashes is a Denver-based, high-risk youth empowerment through poetry organization, and Cultural Legacy is supporting the group with a fundraiser on June 16, the date of the Highlands Street Fair. At 3 pm, there will be an Art from Ashes poetry performance.

Come to Cultural Legacy, meet local authors and enjoy their books! Wellington Webb, Christine Loomis, Charlene Porter and others will be there.
The entire event will run from 10 am until dusk. The fundraising will extend to purchases on-line until midnight. Join us to support this great organization.

I'm one of the "others" and will be at the bookstore signing books (even mine if you have them) at 2:00 PM.

MANITOU SPRINGS LIBRARY AUTHOR FEST
Author Fest of the Rockies 2007 in Manitou Springs, CO, to be held
October 19-20, at the Cliff House Hotel. The organizers are looking for authors,
illustrators, poets, editors, publishers, agents, and anyone interested in the business
of books. They have made a call for proposals from those wishing to
participate as a workshop presenter.

The Friends of the MSPL sponsor this event as a fundraiser for the Carnegie
building's preservation, restoration, and expansion campaign. The library building is almost 100 years old, and the Friends of the MSPL are attempting to update it to meet ADA
requirements, and to expand the infrastructure necessary to meet today's
library technological needs.

The theme of this year's conference is Writing As Art, and you can get an application to make a proposal for a presentation from the library's website.

FINAL NOTES
Rolando Hinojosa sends word that his article, De noche todos los gatos son pardos, con excepciones,will appear in Ventana Abierta (UCSB) Vol. VI, NMo.22, Primavera 2007/Inmigrantes.

Some of you may recall that in last week's column I challenged writers to write an ending to the first page of a story that I posted. Well, two of my comrades here on La Bloga accepted the challenge and wrote up a couple of imaginative endings to my little beginning. You can read how Lisa Alvarado and Michael Sedano ended the story in the comments to my column, here. Sad to say, however, no one else took up the challenge. Oh well.

Later.

3 Comments on This And That, last added: 6/15/2007
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