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Viewing: Blog Posts Tagged with: herodotus, Most Recent at Top [Help]
Results 1 - 9 of 9
1. 12 little-known facts about cats

Cats are among some of the most popular pets in the world, and they’ve been so for thousands of years. In fact, there are more than two million cat videos on YouTube. In appreciation of our feline friends for World Cat Day on 8 August, we’ve put together a list of 12 little-known cat facts.

The post 12 little-known facts about cats appeared first on OUPblog.

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2. Ancient Greek and Egyptian interactions

“You Greeks are children”. That’s what an Egyptian priest is supposed to have said to a visiting Greek in the 6th century BC. And in a sense he was right. We think of Ancient Greece as, well, “ancient”, and it is now known to go back to Mycenaean culture of the second half of the 2nd millennium BC. But Egyptian civilisation is much earlier than that: in the mid 2nd millennium BC it was at its height (the “New Kingdom”), but its origins go right into the 3rd millennium BC or even earlier.

The post Ancient Greek and Egyptian interactions appeared first on OUPblog.

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3. And the lot fell on… sortition in Ancient Greek democratic theory & practice

Some four decades ago the late Sir Moses Finley, then Professor of Ancient History at Cambridge University, published a powerful series of lectures entitled Democracy Ancient and Modern (1973, republished in an augmented second edition, 1985). He himself had personally suffered the atrocious deficit of democracy that afflicted his native United States in the 1950s, forcing him into permanent exile, but my chief reason for citing his book here, apart from out of continuing intellectual respect, is that its title could equally well have been Democracy Ancient Versus Modern.

The post And the lot fell on… sortition in Ancient Greek democratic theory & practice appeared first on OUPblog.

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4. Powell’s Q&A: Jesse Ball

Describe your latest book. I woke up one day from a sort of daydream with an idea for a book's structure, and for the thread of that book, one predicated upon the protagonist's loss of memory. In many cases, such memory losses are accidental or undesired, but in this case, it is an asked-for amnesia. [...]

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5. ‘Persia’ and the western imagination

Iran has long had a difficult relationship with the West. Ever since the Islamic Revolution of 1979 overthrew the monarchy and established an Islamic Republic, Iran has been associated in the popular consciousness with militant Islam and radical anti-Westernism. ‘Persia’ by contrast has long been a source of fascination in the Western imagination eliciting both awe and contempt that only familiarity can bring. Indeed if ‘Iran’ seems altogether alien to us, ‘Persia’ seems strangely familiar. There are few cultural icons or aspirations that we would associate with Iran; there are by contrast quite a few we would relate to Persia, most obviously carpets, the occasional cat and for the truly affluent, caviar. That these two words would elicit such dramatically different associations is all the more striking because they are describing the same place. Persia is simply the name inherited from the Greeks and the Romans for the great empire to the East that its inhabitants came to know as ‘Iran’. Persia, from the province of Pars, was not unknown to the Iranians but they would not have used it to apply to the entirety of their state.

Yet Persia reminds us that Iran is not as unfamiliar to us as we might imagine. Quite the contrary. The Persians serve an almost unique function in the Western narrative, being present at the birth and some might argue, the creation of a distinctly Western civilisation. If the Greeks under the influence of Herodotus, first defined history as a conflict between ‘East’ and ‘West’, identified as the Persian and the Greeks, it was a model reinforced with some vigour by the Romans whose own political expediency ensured that many nuances in the relationship were smoothed out to provide a reassuring narrative of confrontation between an increasingly civilised West and barbaric East. Yet if the Romans held up the Persians as a mirror upon which to reflect their own glories, the mirror was never quite as untarnished as its proponents would have liked to believe: the Persians were never quite the antithesis of the West that some sought to portray. The relationship, as the Greeks might have protested, was a good deal more subtle and a great deal more intimate.

This is perhaps best exemplified by the attitude towards the Persian king Cyrus the Great, widely admired in the Greek world as the ideal king whose political wisdom was fictionalised for posterity by Xenophon in his Cyropaedia, or ‘Education of Cyrus’. Cyrus, real or imagined was to have a profound influence on the political elites of the Western world from the renaissance through to the Enlightenment, while his role as a ‘messiah’ in the Old Testament has ensured an enduring affection among Christians, intriguingly among the Protestant variety that populated North America where the name remains popular.

Charles_Montesquieu
Charles Montesquieu, by After Jacques-Antoine Dassier (1715–1759). Public domain via Wikimedia Commons.

Indeed the ancient Persians, for all their antagonism retained nobility that made them attractive to their Western protagonists. So much so, that when Montesquieu sought ‘discussants’ to critique the condition of Western – in this case French – state and society, he produced his ‘Persian Letters’. The Persians in the Western imagination were sufficiently ‘civilised’ to perform this role. They were educated and had good ‘manners’; were proficient in poetry to the highest standard and, as Cyrus himself exemplified, were masters of the art of landscape gardening, indicative of man’s power over and connection with nature. Indeed the Old Persian word for walled garden has given us our word for ‘paradise’.

It is striking how many Renaissance princes sought to emulate these characteristics and achievements. Yet by the end of the Enlightenment, as Western power grew to surpass that of the Persians, and travellers became reacquainted with the country and its people, old prejudices were redefined for the modern era. The Iranians were not quite like the Persians of their imagination but there was a convenient explanation to hand. The Persians of old were undoubtedly civilised but they had succumbed to decadence and hence decay. They had in sum become excessively civilised and indulgent; exotic yet effete. This explained their predicament and reconciled the apparent contradiction of being both civilised and barbarous at the same time.

Gibbon, perhaps like Herodotus before him, had found a means of reconciling contradictory tendencies, not only in defining the Persians but in explaining the Western relationship with them. A relationship that has been far from confrontational and much more symbiotic than some might suspect. Persia represents at once an ideal and the dangers ever-present in the corruption of that ideal. Persia – and by extension Iran – has been part of the grand narrative of the ‘West’ since its inception: it is neither as alien, nor indeed as foreign, as we may like to think.

Featured image credit: Apadana of Persepolis, by F. Ameli A Persian. CC BY-SA-2.5 via Wikimedia Commons

The post ‘Persia’ and the western imagination appeared first on OUPblog.

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6. A reading list of Ancient Greek classics

This selection of ancient Greek literature includes philosophy, poetry, drama, and history. It introduces some of the great classical thinkers, whose ideas have had a profound influence on Western civilization.

Jason and the Golden Fleece by Apollonius of Rhodes

Apollonius’ Argonautica is the dramatic story of Jason’s voyage in the Argo in search of the Golden Fleece, and how he wins the aid of the Colchian princess and sorceress Medea, as well as her love. Written in the third century BC, it was influential on the Latin poets Catullus and Ovid, as well as on Virgil’s Aeneid.

Poetics by Aristotle

This short treatise has been described as the most influential book on poetry ever written. It is a very readable consideration of why art matters which also contains practical advice for poets and playwrights that is still followed today.

The Trojan Women and Other Plays by Euripides

One of the greatest Greek tragedians, Euripides wrote at least eighty plays, of which seventeen survive complete. The universality of his themes means that his plays continue to be performed and adapted all over the world. In this volume three great war plays, The Trojan Women, Hecuba, and Andromache, explore suffering and the endurance of the female spirit in the aftermath of bloody conflict.

The Histories by Herodotus

Herodotus was called “the father of history” by Cicero because the scale on which he wrote had never been attempted before. His history of the Persian Wars is an astonishing achievement, and is not only a fascinating history of events but is full of digression and entertaining anecdote. It also provokes very interesting questions about historiography.

The Iliad by Homer9780199645213_450

Homer’s two great epic poems, the Odyssey and the Iliad, have created stories that have enthralled readers for thousands of year. The Iliad describes a tragic episode during the siege of Troy, sparked by a quarrel between the leader of the Greek army and its mightiest warrior, Achilles; Achilles’ anger and the death of the Trojan hero Hector play out beneath the watchful gaze of the gods.

Republic by Plato

Plato’s dialogue presents Socrates and other philosophers discussing what makes the ideal community. It is essentially an enquiry into morality, and why justice and goodness are fundamental. Harmonious human beings are as necessary as a harmonious society, and Plato has profound things to say about many aspects of life. The dialogue contains the famous myth of the cave, in which only knowledge and wisdom will liberate man from regarding shadows as reality.

Greek Lives by Plutarch9780199540051

Plutarch wrote forty-six biographies of eminent Greeks and Romans in a series of paired, or parallel, Lives. This selection of nine Greek lives includes Alexander the Great, Pericles, and Lycurgus, and the Lives are notable for their insights into personalities, as well as for what they reveal about such things as the Spartan regime and social system.

Antigone, Oedipus the King, Electra by Sophocles

In these three masterpieces Sophocles established the foundation of Western drama. His three central characters are faced with tests of their will and character, and their refusal to compromise their principles has terrible results. Antigone and Electra are bywords for female resolve, while Oedipus’ discovery that he has committed both incest and patricide has inspired much psychological analysis, and given his name to Freud’s famous complex.

Heading image: Porch of Maidens by Thermos. CC BY-SA 2.5 via Wikimedia Commons.

The post A reading list of Ancient Greek classics appeared first on OUPblog.

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7. Ancient voices for today [infographic]

The ancient writers of Greece and Rome are familiar to many, but what do their voices really tell us about who they were and what they believed? In Twelve Voices from Greece and Rome, Christopher Pelling and Maria Wyke provide a vibrant and distinctive introduction to twelve of the greatest authors from ancient Greece and Rome, writers whose voices still resonate across the centuries. Below is an infographic that shows how each of the great classical authors would describe their voice today, if they could.

CF_12voicesIG_100314_final

Download the infographic in pdf or jpeg.

Featured image credit: “Exterior of the Colosseum” by Diana Ringo. Licensed under CC BY-SA 3.0 via Wikimedia Commons.

The post Ancient voices for today [infographic] appeared first on OUPblog.

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8. The Year in Review

Or rather, not. One year when I worked as a film reviewer for radio I took it upon myself to put together a year-in-review show that attempted to provide a summary of that year's films using soundbites from my fellow reviewers. I had nearly 60 hours of material to work with and in those analog days of rerecording and literally splicing quarter-inch tape I wound up living in the production

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9. Wired for Books

http://wiredforbooks.org/kids.htm

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