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On February 23, the Cooperative Children's Book Center at the University of Wisconsin released its statistics on the numbers of children's books by/about American Indians/First Nations and People of Color during the year 2015. Their data is based on books that are sent to them. It is raw data that does not address the quality of the books themselves. This data is important and I'm very glad they collect it. I use it in my work.

In 2015, CCBC estimates that they received about 3,400 books. Dr. Sarah Park Dahlen at St. Catherine University, working with illustrator David Huyck and several others (including me), created a graphic that depicts the CCBC data for 2015. Kudos to Sarah for getting it done. The idea--to show a variety in the size of the mirrors--is excellent. Including animals, trucks, etc., is also excellent because it tells us that there are more books about animals, trucks, etc. than about Native or People of Color.

As of this writing (Thursday, September 15, 2016), the graphic has gone viral. It is being widely shared across social media. I'm very glad to see that, but I'm also seeing lots of assumptions about the data itself. My post today is a close look at the data specific to Native peoples and my attempt to look closely at that 0.9% on the graphic.

Earlier this year, CCBC sent me the list of books on their American Indian Log (it includes First Nations, Latin America, Pacific Islands, and New Zealand). There are a lot of ways to analyze their list. I may do more with the list in another post, but for now, I'm focusing on fiction (according to CCBC's tags) published by US publishers.

Fiction, US publishers:

Here's the list of fiction written or illustrated by Native people (titles in blue are ones that AICL has recommended, here or elsewhere; titles in black have not been reviewed)

• Bruchac, Joseph. Trail of the Dead. Published by Tu Books/Lee and Low (Apache)
• Bruchac, Joseph. Walking Two Worlds. Published by 7th Generation (Iroquois)
• Loew, Patty. Native People of Wisconsin. Published by Wisconsin Historical Society Press (Multiple tribes)
• Robertson, Robbie. Hiawatha and the Peacemaker. Published by Abrams Books for Young Readers. (Mohawk)

Now here's the books on the CCBC list, by writers and illustrators who are not Native (titles in red are ones that AICL reviewed here or elsewhere and did not recommend; titles in black have not been reviewed)

• Bowman, Erin. Vengeance Road. Published by Houghton Mifflin Harcourt. (Apache)
• Johnston, E. K. Prairie Fire. Published by Carolrhoda/Lerner. (Haida and Tseshaht)
• Osborne, Mary Pope. Shadow of the Shark. Published by Random House. (Maya)
• Rose, Caroline Starr. Blue Birds. Published by Penguin/Putnam. (Tribal nation not specified)
• Shepherd, Megan. The Cage. Published by Balzer + Bray/HarperCollins. (Maori)
• Velasquez, Crystal. Hunters of Chaos. Published by Aladdin/Simon and Schuster. (Mayan and Navajo)
• Voelkel, J & P. The Jaguar Stones: The Lost City. Published by EgmontUSA. (Maya)

Who publishes what?
In 2015, the Big Five publishers did not publish Native writers. Over half of the books the Big Five published misrepresent and/or stereotype Native peoples. As I found in the 2013 data set, Native writers get published by smaller publishers.

What does that mean?
If teachers/librarians wanted to get all 11 of the fiction from US publishers on the 2015 CCBC list, they'd likely have a harder time getting those from the smaller publishers because those aren't stocked in stores like ones from the major publishers. Given the poor quality in the books from the Big Five, children will most easily see problematic depictions of Native people.

Is there a focus on one Native people?
Yes. There are 3 books with content specific to the Mayan people. I think that's interesting because this sample is US publishers. We might expect that, in sum, we'd see them publishing books about US tribal nations, but, no! It is very hard to make generalizations based on such a tiny set of data, but what do you think?
What settings (chronologically) get published?
There are 11 books. Some are straight up historical fiction (Blue Birds). Several, like Shadow of the Shark are hard to categorize because there's time travel. I think this sample is not large enough to make any definitive statements about setting, but what do you see? What observations might you make?




The Native child in the new graphic is holding a very small mirror. 

When you take a close look at the quality of the books that could be mirroring her in some way, what she gets is, primarily, distortions. 

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Back in April, I was up in Minneapolis for AWP 2015. Heid Erdrich snapped this photo. I meant to share it here on AICL then, but time got away from me, as it is want to do! So, here it is, today!

AWP is the Association of Writers and Writing Programs. Here's the blurb about their conference (from their website):

The AWP Conference & Bookfair is an essential annual destination for writers, teachers, students, editors, and publishers. Each year more than 12,000 attendees join our community for four days of insightful dialogue, networking, and unrivaled access to the organizations and opinion-makers that matter most in contemporary literature. The 2015 conference featured over 2,000 presenters and 550 readings, panels, and craft lectures. The bookfair hosted over 800 presses, journals, and literary organizations from around the world. AWP’s is now the largest literary conference in North America.

AWP 2015 was the first time I went to that conference. I was there as a moderator for a panel that included Eric and Debby Dahl Edwardson, too. Good times there, and with Sarah Park Dahlen and her family, too!

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