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I recently read a masterpiece by Richard Yates titled Revolutionary Road. You may have read it, or seen the movie starring Leonardo DiCaprio and Kate Winslet.

The entire book left me in awe, frankly. But why I’m posting today is the ending was just so perfect. A man is sitting in his chair while his wife prattles on and on, perhaps representing the banalities and sometimes-pettiness of suburban life, the smallness of minds. She goes on uninterrupted for almost two full pages. Then he comes the final paragraph:

But from there on Howard Givings heard only a welcome, thunderous sea of silence. He had turned off his hearing aid.

Wow. The end.

A thunderous sea of silence.

And by best last line I should say, best ending for that specific book. For Revolutionary Road, the man turning off his hearing aid was just right. Shutting out the noise.

Anyway, that ending reminded me of all old post I had written maybe four or five years ago. Since I think it still has entertainment value, here you go . . .

——

Stylist magazine has put together a list of The Best 100 Closing Lines from Books. Here’s a few of my favorites . . .

The Great Gatsby, F. Scott Fitzgerald

“So we beat on, boats against the current, borne back ceaselessly into the past.”

Animal Farm, George Orwell

“The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which.”

Charlotte’s Web, E.B. White

“It is not often that someone comes along who is a true friend and a good writer. Charlotte was both.”

The Girl Who Kicked the Hornet’s Nest, Steig Larsson

“She opened the door wide and let him into her life again.”

The Catcher in the Rye, J.D. Salinger

“It’s funny. Don’t ever tell anybody anything. If you do, you start missing everybody.”

Brokeback Mountain, Annie Proulx

“There was some open space between what he knew and what he tried to believe, but nothing could be done about it, and if you can’t fix it, you’ve got to stand it.”

The Book Thief, Markus Zusak

“A last note from your narrator. I am haunted by humans.”

The Beach, Alex Garland

“I’m fine. I have bad dreams but I never saw Mister Duck again. I play video games. I smoke a little dope. I got my thousand-yard stare. I carry a lot of scars. I like the way that sounds. I carry a lot of scars.”

The Old Man and the Sea, Ernest Hemingway

“The old man was dreaming about the lions.”

Never Let Me Go, Kazuo Ishiguro

“I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.”

A Tale of Two Cities, Charles Dickens

“It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.”

The Handmaid’s Tale, Margaret Atwood

“Are there any questions?”

The Kite Runner, Khaled Hosseini

“I ran with the wind blowing in my face, and a smile as wide as the valley of Panjsher on my lips. I ran.”

The Grapes of Wrath, John Steinbeck

“She looked up and across the barn, and her lips came together and smiled mysteriously.”

The Adventures of Huckleberry Finn, Mark Twain

“I got to light out for the Territory ahead of the rest, because Aunt Sally she’s going to adopt me and sivilize me, and I can’t stand it. I been there before.”

The Outcast, Sadie Jones

“He didn’t think about it, he went straight to a seat facing forwards, so that he could see where he was going.”

Before I Die, Jenny Downham

“Light falls through the window, falls onto me, into me. Moments. All gathering towards this one.”

They also compiled a list of 100 Best Opening Lines from Books.

—–

As an author, I guess it’s something to think about. It’s even more important with picture books. As James Marshall once told me in an interview, “The ending is what people remember. If the book fizzles at the end, they remember the whole thing as a fizzled book. It’s important to have a very satisfying ending for the reader. They’ve entered a world and now they are leaving it.”

Perhaps my best closing line comes from Hiccups for Elephant:

“Ah-choo!”

From A Pirate’s Guide to First Grade, as “Red” enters the library:

“I passed the mess and crossed the halls. Until thar she blew — me treasure!”

From longer works, I especially like the closing lines from Along Came Spider:

“Without looking back, Trey nodded, yes, tomorrow, then stepped inside, yes, and was gone.”

Here’s the closing lines from Bystander:

“All the while quietly hoping — in that place of the heart where words sputter and dissolve, where secret dreams are born and scarcely admitted — to score winning baskets for the home team. To take it to the hole and go up strong. Fearless, triumphant. The crowd on their feet. His father in the stands, cheering.”

Recently a reviewer wrote that the last line of The Fall brought tears to her eyes, that it wasn’t until the final moment that she fully realized the book had touched her in that way.

I don’t think it was the brilliance of the last line, but more the culmination of feeling. Here it is anyway:

“I guess I will remember everything. Your friend, Sam Proctor.”

And while I’m updating this section with recent titles, I also like the last lines of Before You Go, if you don’t mind me saying so:

“He didn’t know what would happen with Becka. Maybe that’s why he needed to be alone on the beach, to watch the sunrise, to be okay with himself, despite everything. Sometimes life seemed impossibly hard, full of car wrecks and souls that shined like stars in yellow dresses. So much heartbreak and undertow. Jude bent down, picked up a smooth white stone, measured its heft in his hand. And he reached back and cast that rock as far as he could.

Just to see the splash.”

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Today I thought I’d take a closer look at the differences between fables and parables and come up with some recommendations for readers of all ages who enjoy a little learning with their leisure. A fable is: a short story that conveys a moral to the reader, typically with animals as characters. A parable is: a short story designed […]

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Earlier this year, HarperCollins Children’s Books announced that three E.B. White novels will be published as eBooks for the first time: Charlotte’s Web, Stuart Little, and The Trumpet of the Swan. The company has created a book trailer for the digital edition of Charlotte’s Web.

The video embedded above features a young reader, a cute pig, and a special message crafted with spider web. Earlier this year, the team at BBC.com conducted a survey and found that Charlotte’s Web was voted the most popular children’s book of all time.

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What are your favorite stories starring animal characters? The helpucover team has created an infographic to explore Memorable Animals From Literature.

The image features several literary icons including Snowball from George Orwell’s 1984, Wilbur from E.B. White’s Charlotte’s Web and Piglet from A.A. Milne’s Winnie-the-Pooh. We’ve embedded the full piece below for you to explore further—what do you think? (via SeattlePi.com)

 

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Charlotte’s Web by EB White has been voted the most popular children’s book ever, according to a new survey from BBC.

To come up with the list, BBC Culture’s Jane Ciabattari polled dozens of critics from around the globe. These experts were asked to name the best English-language children’s books of all time for readers 10 and younger. The survey included feedback from NPR’s Maureen Corrigan; children’s books editor of the Sunday Times Nicolette Jones; Lev Grossman, books editor at TIME, among others.

The critics named 151 titles in total. Winnie-the-Pooh by A.A. Milne;  Little Women by Louisa May Alcott; and Where the Wild Things Are by Maurice Sendak, also made the top 10.

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With Comic Con NYC later this week, publisher previews on the rise, and various work-related meetings, talks, and speeches I’m just the teeniest tiniest bit busy this week.  But no matter!  It is you, dear readers, that give me what for and how to.  For you I would forgo all the sleep in the world.  And as luck would have it, my 5-month-old baby is currently taking me up on that offer.

Onward!

• Sometimes when I am feeling pensive I attempt to figure out which authors and illustrators currently alive today will, in the distant future, be so doggone famous for their works that people make pilgrimages to the homes they once lived in.  I suspect that the entire Amherst/Northampton area will become just one great big tour site with people snapping shots of the homes of Norton Juster, Mo Willems, Jane Yolen, and so on and such.  Thoughts of this sort come to mind when reading posts like Phil Nel’s recent piece A Very Special House in which he visits the former home of Ruth Krauss and Crockett Johnson.  It is entirely enjoyable, particularly the part where the current owners reenact a photo taken on the porch with Ruth and Crockett 65 years later.

• So they announced the Kirkus Prize Finalists last week.  Those would be the folks in the running for a whopping $50,000 in prize money.  The books in the young reader category are split between two picture books, two middle grade titles, and two YA.  You can see all the books that were up for contention here and the final books that made the cut here.  Heck, you can even vote on the book you’d like to see win and potentially win an iPad for yourself.  I don’t think they needed the iPad as a lure, though.  I suspect many folks will be voting left and right just the for the fun of it.  Thanks to Monica Edinger for the links.

• In other news, we have word of a blog made good.  Which is to say, a blog that figured out how to make a living off of its good name.  When people ask for YA blog recommendations I am not always the best person to ask.  I don’t monitor them the way I monitor children’s book blogs.  Pretty much, I just rely on folks like bookshelves of doom and The Book Smugglers to tell me what’s up.  Now The Book Smugglers are becoming publishers in their own right!  eBook publishers no less.  Nice work if you can get it.

• Louise Rennison wrote a rather amusing little piece about how her British slang doesn’t translate all that well across the pond, as it were.  Fair enough, but don’t go be telling me we Yanks don’t know humor.  That’s why I was pleased to see that at the end of the article it says, “Louise Rennison will be discussing humour on both sides of the pond, and other interesting things, with her fellow countryman Jim Smith (author of Barry Loser and winner of the Roald Dahl Funny prize 2013) and American author Jon Scieszka (author of many hilarious books including Stinky Cheeseman and most lately Frank Einstein) – in a panel event chaired by Guardian children’s books editor Emily Drabble, run with IBBY at Waterstones Piccadilly, London, on 7 October 2014.”  Why that’s today! Give ‘em hell, Jon!  Show ‘em we know our funny from our droll.  Then find out why their Roald Dahl Funny Prize is taking a hiatus.  It’s not like they lack for humor themselves, after all.

*sigh* That Jarrett Krosoczka. He gets to have all the fun. One minute he’s hosting the Symphony Space Roald Dahl celebration and the next he’s hosting the upcoming Celebration of E.B. White.  I mean, just look at that line-up.  Jane Curtin.  David Hyde Pierce.  Liev Schreiber (didn’t see that one coming).  Oh, I will be there, don’t you doubt it.  You should come as well.  We’ll have a good time, even if we’re not hosting it ourselves.

• This may be my favorite conspiracy piece of 2014 (which is actually saying something).  Travis Jonker lays out 6 Theories on the End of Sam and Dave Dig a Hole by Mac Barnett and Jon Klassen.  Needless to say, I’m firmly in the “dog as Jesus” camp.

• And speaking of conspiracy theories, were you aware of the multiple theories that abound and consist of folks trying to locate the precise geographical coordinates of Sesame Street?  There’s a big Sesame Street exhibit at our Library of the Performing Arts right now (by hook or by crook I am visiting it this Sunday) and that proved the impetus for this piece.  Lots of fun.

• Hey, how neat is this?

On Saturday November 8, 2014, the Smithsonian’s National Museum of African Art (NMAA) in Washington, DC will host the 22nd annual Children’s Africana Book Awards (CABA).  CABA was created by Africa Access and the Outreach Council of the African Studies Association* to honor authors and illustrators who have produced exceptional books on Africa for young people.

And who’s that I see on the list of nominees?  None other than Monica Edinger for Africa Is My Home!  Two Candlewick books are listed, actually.  Well played there, oh ye my fellow publisher.

• Daily Image:

I admit it. I’ve a weakness for paper jewelry.  Today’s example is no exception:

Wood pulp. A marvelous invention. Thanks to Jessica Pigza for the image.

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Happy Poetry Friday! See the link at the end of this post to this week's round-up.

I'm not sharing a poem today. Instead, I'm continuing our current discussion on creativity. As Jill said in Monday's post: "Creativity is tough to define and tougher still to write about." I agree!

I did find a satisfactory basic definition at OxfordDictionaries:

"Creativity: The use of the imagination or original ideas, especially in the production of an artistic work."

But there are so many facets to creativity that it's hard to encapsulate the concept in one sentence. That's why I loved how Jill shared so many great quotations on the topic in her post. I'd like to add another quote to the list:

“Creation is in part merely the business of forgoing the great and small distractions.”

--E.B. White

I came across this E. B. White quote in a book I read recently: Manage Your Day-to-Day: Build Your Routine, Find Your Focus & Sharpen Your Creative Mind, (Amazon Publishing) edited by Jocelyn K. Glei of 99u. The book is a compilation of quotes, interviews, and essays from experts in productivity and creativity. Interestingly, the tips often overlap with those in the article Jill linked to: "The Psychology of Writing and the Cognitive Science of the Perfect Daily Routine" by Maria Popova.

I don't believe there really is such a thing as a "perfect daily routine." We are each unique, and what works to activate one person's creativity might stifle someone else's. Also, I often have to adapt my routine to fit what's currently going on in my life. However, I've found 4 specific suggestions in Manage Your Day-to-Day that are really helping me resist "the great and small distractions":

1. Great Work Before Everything Else: 
"Do your most meaningful creative work at the beginning of your day, and leave 'reactive work'—like responding to e-mail or other messages—for later."
I recently made a rule for myself: No email before 10 a.m. It's been amazing to me how much this one simple rule has helped. Now instead of getting lost in email for an hour or more at the start of my day, I get lost in my current work-in-progress. Yay! I also have a second, related rule: check email no more than three times per day. This has really helped me be more focused and efficient when I do check email.

2. Jump-Start Your Creativity: 
"Establish 'associative triggers'—such as listening to the same music or arranging your desk in a certain way—that tell your mind it’s time to get down to work."
I call my "associative triggers" my "writing rituals" and I shared them last March when we did a series of posts about our writing routines.

3. Feel the Frequency:
"Commit to working on your project at consistent intervals—ideally every day—to build creative muscle and momentum over time."
In the post on my writing rituals, I talked about how I was in the middle of a "100-day, one hundred words a day (OHWAD) writing challenge." That worked at the time because I was writing a first draft. Now that I'm revising, I've modified it to a "100-day, fifteen minutes a day (FMAD)" challenge. I've committed to work at least 15 minutes/day, six days a week for 100 days. (I don't count my days off in the total.) I deliberately chose a very doable goal--15 minutes--that I could accomplish even when I have a day filled with other commitments. The challenge is working well for me so far: I began revising Chapter One on Day 1. Today is Day 27, and I'm now up to working on Chapter Eight.

4. Make Progress Visible:
"Make your daily achievements visible by saving iterations, posting milestones, or keeping a daily journal."
On Day 1 of my FMAD challenge I created a table in a Word document called Revision Log. In that document, I note such statistics as my start time, time spent, starting page and chapter, ending page and chapter, starting word count, and ending word count. Looking at my log now, I can see that my writing sessions have ranged from 20 minutes to over 2 hours. Without doing the math, I'd guess that I average about an hour a day. (If I wanted to get really fancy, I could put the stats into a spreadsheet and let it calculate my productivity rate.) For me, this log is a great psychological boost because I often fall into the trap of thinking my writing isn't going anywhere when in fact I am making slow, but steady, progress.

These are just four of the suggestions in Manage Your Day-to-Day that have helped me. Even if none of these ideas appeal to you, I hope that my sharing them here will nudge you into thinking about how to support your own creativity. Are you already happy with your routine/process? If so, we'd love to know what works for you. Please tell us via the comments.

I'll leave you with one last quote, from Jonah Lehrer's Wall Street Journal article "How To Be Creative:" 

"But creativity is not magic, and there's no such thing as a creative type. Creativity is not a trait that we inherit in our genes or a blessing bestowed by the angels. It's a skill. Anyone can learn to be creative and to get better at it."

Lehrer's article ends with "10 Quick Creativity Hacks" you may be interested in checking out. And for ten tips on how to make more regularly, see "How to Create the Habit of Writing" by Leo Babauta at Write to Done.

Reminder: Today's the last day to enter for a chance to win an autographed copy of Barbara Krasner’s picture book biography Goldie Takes a Stand  (Kar-Ben Publishing)!


Now you can head over to be inspired by all the Poetry Friday poems. This week's round-up is at former TeachingAuthor  Laura Salas's blog.

Happy writing!
Carmela

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You probably enjoyed Charlotte’s Web or Harriet the Spy at one point in your life. But do you know who edited those great kid’s books?

After covering the Society of Children’s Book Writers and Illustrators (SCBWI) Summer Conference last weekend, I caught up with the New York Public Library’s Youth Materials Collections Specialist Betsy Bird and Seven Impossible Things Before Breakfast blogger Julie Danielson, co-authors of the brand new book, Wild Things! Acts of Mischief in Children’s Literature (co-written with Peter Sieruta).

Q: Could you tell us more about the life and work of the great children’s book editor Ursula Nordstrom? What are some of the books you recommend from this great editor?

Betsy Bird: ”Ursula’s list begins to resemble nothing so much as a Who’s Who in children’s literature after a while. She had this crazy sense of humor that went well with her ability to spot potential children’s literature talent.

I mean, seriously, who would have looked at Shel Silverstein‘s rather explicit cartoons in Playboy and thought ‘There’s the man that children everywhere will love!?’”

(more…)

New Career Opportunities Daily: The best jobs in media.

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A few days ago (June 11) was E.B. White's birthday. Most people know--and love--Charlotte's Web and Stuart Little. 

Do you remember his reference to Indians in Stuart Little?

It is that part where he's fixed up a birchbark canoe and plans to take Harriet out for a ride in it. There's a string tied to it, though, that he can't untie. He's really annoyed. Harriet says they could go anyway and let the string drag behind them. Stuart is not keen on that at all. On page 122, he says:

"Did you ever see an Indian paddling along some quiet unspoiled river with a great big piece of rope dragging astern?"

Harriet says that they could pretend they are fishing, but Stuart says

"I don't want to pretend I'm fishing."

As his prior statement suggests, he was imagining Indians. I don't know that it'd be accurate to say he was playing Indian. He wasn't doing anything with feathers and paint, but he definitely has an image in mind of an Indian in a canoe. Nice that it wasn't an image of an Indian on a horse!

Curious if he'd written anything else about Native peoples, I started digging a bit and found a poem called "An Indian Burial Mound" published in 1922 in Art and Archeology. It is as follows:

The sculpted buttes cut cameo-wise
Against the bold blue skies,
Above the grave.
No catafalque, no lordly marble tomb;
But,--in his native hill side carved,-a room
His bones to save.
The tomb profaned, simple would show his needs;
A shard or two, a strand of turquoise beads
The spirit crave.
Here ruled his tribe before we bade them go.
Here buffalo and deer paid tribute to his bow.
Here lies a brave!

Time for some analysis! That'll come. Later. Gotta run for now!
 

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From the wee folk of long ago (fairies, leprechauns, pixies…) to Hans Christian Andersen’s Thumbelina, and to Mary Norton’s The Borrowers, sentient beings of very small size have fascinated, delighted, and horrified us, but they never fail to capture our attention. In writing this piece I discovered there are far more books about wee folk […]

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“The difficulty of getting rid of even one half of one’s possessions is considerable, even at removal prices. And after the standard items are disposed of—china, rugs, furniture, books—the surface is merely scratched: you open a closet door and there in the half-dark sit a catcher’s mitt and an old biology notebook.”

—E.B. White, “Removal,” One Man’s Meat

“…you should think of will-power as something that never exists in the present tense, only in the future and the past. At one moment you have decided to do or refrain from an action and the next moment you have already done or refrained; it is the only way to deal with will-power….I offer this advice without fee; it is included in the price of this book.”

—Mrs. Hutchins, the narrator of Muriel Spark’s A Far Cry from Kensington

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#1 Charlotte’s Web by E.B. White (1952)
349 points

I’m sure this will be number one again, and for good reason. A magical barnyard that maintains its “barn”ness. Amazing stuff. – Heather Christensen

I know, I know it’s so predictable but I loved this book as a kid (despite having a terrible fear of spiders) and still love it as an adult. It has changed and grown with me – and isn’t that the testament of something that is truly great? As a kid I saw it as a book about friendship and now I see it is a book about loss. It’s deep stuff. And nothing is better than the audiobook read by E.B. White. I like to have it on in the background while I do mundane things like clean and fold laundry hoping that I will absorb some of his genius. – Sharon Ozimy

Because it has to be here. I adore this story of friendship and farm smells. Even if a child has never experienced farm life up close, they will immediately identify with Fern’s desire to rescue Wilber and put doll clothes on him. As a rule I am not drawn to talking animal books, but when it comes to geese with speech impediments I’m putty-utty in the masterful E. B. White’s hands. - DaNae Leu

My second grade teacher read this to our class in the 1960’s. This was my first experience with chapter book. I’ve read it again several times as a child and a teacher myself. – Dee Sypherd

The first chapter book that I read by myself and the first chapter book I read out aloud to my own boys. Timeless language, animal characters… lovely – Charlotte Burrows

A children’s book that has stood the test of time and never grows old. – Pam Coughlan

All of my boys have had this classic read aloud to them, then we watch the movie with popcorn and candy. It’s a rite of passage into the club of reading in our family. – Tess Alfonsin

I read this book for the first time during the summer between 3rd and 4th grades. It was then that I decided it was more interesting to lay in bed and read rather than watch cartoons. I was hooked from the very start, and I could barely put the book down long enough to eat or sleep. – The Sauls Family

Humble. Radiant. Terrific. Some Pig. – Hotspur Closser

I’ve never looked at a spider or a pig in quite the same way since. – DeAnn Okamura

” ‘Where’s Papa going with that axe?’ said Fern to her mother as they were setting the table for breakfast.”

And here we reach the end of the Top 100 Children’s Novels poll results. I think what I’ve learned from redoing my old polls is that some books are so firmly entrenched in the public consciousness that it is impossible to conduct a poll of this sort and expect them to be anywhere but #1.  And you, Charlotte’s Web, you will always be number one to American children and adults everywhere.

The plot, as it appears in Anita Silvey’s Everything I Need to Know I Learned From a Children’s Book reads, “In Charlotte’s Web, Charlotte, a spider, serves as the main protagonists; Fern, a young girl, plays a supporting role.  Both females work to sve the life of Wilbur, the runt pig of the litter.  In fact, the reader learns to appreciate an entire group of talking animals and watch their interactions in the barn.  Than at the state fair, Charlotte asserts the power of the pen – in this case the words she weaves in her web.  With just seven words, she convinces everyone that Wilbur, “some pig,” is truly something special and must

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E.B. White was a respected American essayist when he published his odd, endearing, fantastical books for children. Charlotte’s Web is now sixty years old, and the New York Times’ article “Some Book” by Michael Sims gives the scuttlebutt.

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Nobody every became a writer, said Richard Peck. We write in admiration of writers who are better than we are.

The book on my desk these days, he says, is STUART LITTLE. (He's currently writing books from the perspective of a mouse.) The one voice our story never needs is ours, he says.

A story is always something that never happened to the author.

E.B What was never a mouse or a spider.

J.K. Rowling never attended Hogwarts.

Stephenie Myer never got bitten by a you-know-what.

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Maybe half a year ago I mentioned that Ms. Lucy Knisley had created a cartoon poster for the first four Harry Potter books.  Now with the final Potter movie coming out, the posters are at long last complete.  They follow the plots of the books, not the films, but the look of the characters can be amusingly cinematic at times.  And for the record, if I were a tattoo-minded dame, I would adore getting this image of Luna Lovegood and her pop.

But that’s not really my top news story of the day.  How could it be?  No the top news story is that it is once again time for the Summer Blog Blast Tour.  Twice a year a cadre of bloggers for child and teen books gather together to interview some of the luminaries in the field.  Chasing Ray has the round-up, so seek ‘em out and read ‘em up.  I know I will.

When I lived in London for a time (it was like a little Intro to New York) I would periodically buy the newest issue of Time Out London and find interesting places to visit.  One day the mag highlighted a toy museum.  It was called The Museum of Childhood and it was fascinating.  I was too intimidated to take any pictures, though, so I sort of forgot that I even went.  Years have passed and I see that author/illustrator David Lucas has also been to that same museum and he has written about it in the post What do TOYS Think of Us? Stick around for the moment when he starts talking about panpsychism.  Looking at all those ragamuffin bits of much loved cloth and felt reminds me of my library’s own original Winnie-the-Pooh.  He is, after all, of the British persuasion.

• Birthday party themes for kids abound.  My heart, however, belongs to any kid who opts for the theme of “librarian”.  There’s even a section discussing what such a party consisted of.  Just in case you need some pointers.  Big thanks to Jan Godown Annino for the link!

• Yay, Sunday Brunch!  Over at Collecting Children’s Books my partner in writing crime (we’re doing a Candlewick book with Jules from 7-Imp) has a delightful post that is well worth your time.  My favorite parts include the childhood of a future Brat Packer, a reason why Erin E. Moulton’s Flutter is unique, and a vote for “The Year’s Creepiest YA Novel.”  Hooked yet?

• Marci, this is for you. Remember how we were trying to figure out how one would go about creating Quidditch croquet?  Well . . .

• And since thi
  8 Comments on Fusenews: Croquet and Pentanque (together at last), last added: 7/13/2011
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  Gregory K. said, on 7/11/2011 10:53:00 PM
  

  That’s interesting about the Popularity Papers and the script. I wonder, though, if it’s more than unfamiliarity with script that was the problem: for a lot of folks with dyslexia and other visual processing issues, it really might be close to impossible to read a heavily script-y font. Which, of course, leads me to thinking that e-books would be a great solution to this: print it the way it makes the most sense (with the handwriting) but allow a speedy font change (or a readaloud or or or!).

  And thanks for running the picture of the dress. You’ve saved me embarrassment as I was going to wear that next time on the red carpet, but I guess it wouldn’t be fresh anymore….

  Amy said, on 7/12/2011 3:27:00 AM
  

  “This has been an excellent year for book dresses.” So true.

  Elizabeth Bird said, on 7/12/2011 5:53:00 AM
  

  Hm. You make a great point about script and dyslexia, Greg. I admit that that hadn’t occurred to me.

  Take in the seams and I bet you could still wear that dress too. Never lose hope!

  Peter said, on 7/12/2011 11:21:00 AM
  

  I was surprised that the Indiana story got so much press, as many schools haven’t taught cursive in decades. One article stated that 41 states no longer require cursive in the curriculum…though some school systems still choose to teach it. The dyslexia issue is a valid point, but I think in most cases these days kids simply don’t know it. I have an author friend who always begs her publishers not to put her titles on the cover in cursive “because kids cant’ read it.” And kids who send her fan letters frequently ask her not to handwrite her response because they simply don’t know how to read cursive.

  MR said, on 7/12/2011 1:52:00 PM
  

  My eight-year-old is reading The Popularity Papers and having trouble with the cursive, even though she learned cursive in school last year. The thing is that they push perfect handwriting so hard, she only knows how to read cursive that looks like the stuff on their worksheets. I tried to explain about everyone having different handwriting, and she was baffled, since her teacher made it clear that all handwriting was supposed to look exactly alike. Luckily The Popularity Papers is highly motivating, so she’s getting some practice deciphering!

  Marjorie (PaperTigers) said, on 7/12/2011 3:26:00 PM
  

  Whew, I feel dizzy! Thank you for this amazing round-up. Jumping in on the cursive discussion, it reminds me of when I was a child reading my dad’s old Babar book – I can still see myself sitting up in the huge old bed I slept in at my grandad’s house feeling sooo proud the day I could actually read it! And yes, the Museum is wonderful – thanks for pointing to the article.

  Cecilia said, on 7/12/2011 8:39:00 PM
  

  My students always start the year complaining that they can’t read cursive, and then when I write directions on the board, I sneak in cursive letters here and there and they are fine. By January I’m writing entirely in cursive and they can read everything. Unfortunately there is nowhere near enough time in the day to fully teach both cursive and typing, and cursive is usually the one that gets short-changed. Thanks for the Museum of Childhood link–one of my favorite places in London!

  marchek said, on 7/13/2011 9:06:00 AM
  

  Hahaha! Yay quidditch croquet! Thanks

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From Hawthorne to Twain to White to Roth: if American fiction and personal essays “are at times nearly impossible to distinguish,” it’s “because they share a common ancestor.” (Thanks, NYRB.)

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Lest we forget that book banning and free speech issues are conversational topics appropriate beyond the brackets of Banned Books Week, a recent news item has me lost for words.  A federal appeals court has ruled, and this is true, that an Ohio high school teacher “has no First Amendment right to make assignments about book-banning or to select particular books for her students.”  Come again?  Well apparently a teacher decided to do an assignment on banned books with her class (of high school students, recall).  So they each picked a book that had been banned. . . and then their parents found out.  So because she was distributing racy literature like, oh say, Heather Has Two Mommies, the teacher’s contract was not renewed and she lost her appeal.  You may read more about the case here.  Thanks to Leslea Newman for the links.

• Now that’s interesting.  I had not heard that Jacqueline Woodson’s novel Locomotion had been turned into a stage play.  Once in a while a book to theater adaptation just makes perfect sense.  This is one of those cases.  I suppose verse novels make excellent adaptations.  Huh!  Food for thought.

• Funniest dang thing I’ve seen all day.  Bar none.

• Feeling the absence of my Top 100 Novels poll results?  Well, much of my information came from Anita Silvey.  Now Anita turns it all around by starting a blog of her own.  Called Book-A-Day Almanac, the premise is that she will recommend a children’s book every day for a year.  At the end of the year, she’ll then turn those posts into a book.  Shoot.  That’s a good idea.  Clearly I’ve got to get around to turning my own polls into books.  Thanks to 100 Scope Notes for the link.

• I really like this habit I’ve gotten into, doing audible reviews of books for the Katie Davis podcast Brain Burps About Books.  In a given year I can properly review only so many books.  Katie’s site allows me to give some weight and consideration to I might otherwise have to ignore, like Kimberly Willis Holt’s gorgeous The Water Seeker.  That’s this week’s review on Katie’s newest podcast 6 Comments on Fusenews: I speak for the trees . . . and oatmeal, last added: 11/1/2010