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Viewing: Blog Posts Tagged with: varmints, Most Recent at Top [Help]
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1. Varmints

Something weird and wonderful. Keep reading… Having seen Marc Craste’s commercial work, Helen Ward set out to write the story of Varmints with him, “I like to think in pictures, so it is very important to me that I know and love the work of the illustrators for whom I write.” Helen tells a story [...]

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2. The Yosemite Sam Book of Revised Quotations

By Mark Peters


Some people and characters are forever associated with a word. I dare you to say refudiate, malaise, nanu-nanu, despicable, winning, and meep without thinking of Sarah Palin, Jimmy Carter, Mork, Daffy Duck, Charlie Sheen, and the Road Runner (or Beaker).

Without a doubt, the poster boy for varmint is Yosemite Sam, the rootin’-tootin’, razzin’-frazzin’ cowboy who was so often outwitted by Bugs Bunny in immortal Looney Tunes cartoons. Sam started popping up in the 1940’s, but the OED reveals that varmint (or varment) goes back much further, referring to “An animal of a noxious or objectionable kind” since the mid-1500’s. It’s a variation of vermin, which I was surprised to learn originally applied to reptiles, not rodents, back in the 1400’s. Like beauty, obscenity, and fugliness, vermin-hood and varmint-itude have always been in the eye of the beholder.

Though Mr. Sam never seemed like the reading type—his intellectual rigor rivaled that of a box of rocks—I wonder what his personal book of quotations would look like. I suspect Yosemite would make predictable revisions to suit his personal mission, like so:

“Hell is other varmints.” –Jean-Paul Sartre

“The first thing we do, let’s kill all the varmints.” –William Shakespeare

“Some of us are becoming the varmints we wanted to marry.” –Gloria Steinem

“To use a varmint to show that a varmint is not a varmint is not as good as using a non-varmint to show that a varmint is not a varmint.” –Chuang-Tzu

“My eleven-year-old daughter mopes around the house all day waiting for her varmints to grow.” –Bill Cosby

“Never have varmints, only grandvarmints.” –Gore Vidal

“When I need a little free advice about varmints, I turn to country music.” –George H.W. Bush

“For just one night, let not be co-workers. Let’s be co-varmints.” –Ron Burgundy

“Every woman adores a varmint.” –Sylvia Plath

“Imagine there’s no varmints. It isn’t hard to do.” –John Lennon

“We fought a war on varmints, and varmints won.” –Ronald Reagan

“It depends on what the meaning of the word ‘varmint’ is.” –Bill Clinton

“I’m going to take my varmints to South Beach.” –LeBron James

“Omit needless varmints.” –William Strunk Jr.

Mark Peters is a lexicographer, humorist, rabid tweeter, language columnist for Visual Thesaurus, and the blogger behind The Rosa Parks of Blogs and The Pancake Proverbs.

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3. Holiday Mini Bytes

HolidayMiniBytes01A

HolidayMiniBytes01B

HolidayMiniBytes01C

If you are interested in subjects from these Bytes you might try these books or ask for recommendations from your librarian, teacher or bookseller:

Christmas Customs Around the World by Hector Wernecke
A Christmas Carol by Charles Dickens
Oliver Cromwell and His Warts by Alan McDonald

To Get the printable version of the Byte click here.

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4. Wicked Weeds and Fiendish Flowers

WickedWeeds01WickedWeeds02WickedWeeds03

If you are interested in subjects from this Byte you might try these books or ask your librarian or bookseller for other suggestions:

Carnivorous Plants (Nature Watch) by  Rebecca L. Johnson
Savage Garden by Peter D’Amato
Skunk Cabbage, Sundew Plants and Strangler Figs: And 18 More of the Strangest Plants on Earth by Sally Kneidel

To Get the printable version of the Byte click here.

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5. varmints premiere!



I'd been wanting to go to this launch SO badly. Tickets were incredibly limited (my Write Away ticket was revoked due to lack of room) and I really didn't think I'd get to go. But an hour and a half before the launch, Marc Craste got in touch and said I could take up one spare ticket, hooray! After my all-nighter, I did a quick switch from pyjamas to cocktail dress; now I'm back in pyjamas. I've only had about two hours sleep in two days, whew.

Here's my review for Write Away. I know its coordinator, Nikki Gamble, is off dining with the queen of Denmark at the moment (really!), so I'll get it up quick here.



Review:
What a triumph! At the Curzon Soho, Studio AKA proudly launched their showcase 24-minute animation, Varmints, adapted and directed by Marc Craste. The film started as a Templar book written by Helen Ward and illustrated by Craste, and follows Craste's 2004 Bafta winning film 'Jo Jo in the Stars'.

Just before the screening, Producer Sue Goffe talked about the challenges of producing such a long piece of animation when the studio typically deals with animations of about 60 seconds or less. Goffe said that the only way the studio could deal with a task of this size was to have a lot of extra projects going on at the same time to fund the work, and she thanked their clients for keeping them so busy. In his down-to-earth, slightly bumbling way that makes him so instantly likeable, Craste thanked her and the rest of the team of 36 people, including CGI Supervisor and Production Designer James Gaillard, Music composer Johann Johannsson and Sound Editor Adrian Rhodes.


Marc Craste and Helen Ward

The room was buzzing with excitement as guests filed into the cinema, and several Studio AKA team members commented in passing that they had deliberately avoided watching large chunks of the film, or certain parts of the film, so it would have more impact on them when seen as a whole.

Having seen a short clip of the film at the book launch in November of last year, this reviewer was prepared to be impressed. And the film was jaw-droppingly good. The animation team perfectly captured the magic of a sparkling meadow. With powerful compositions and dramatically limited colour palettes, the team have created a city that feels hugely menacing and and at the same time very stylish, with its cowed army of commuters, a concrete canyon which overtakes the little varmints' natural world. This reviewer had goosebumps from the dramatic visual compositions and colour palettes which gave the film such a magically charged atmosphere, almost a glimpse of something like heaven.

The main characters look remarkably vulnerable and cuddly, without seeming overly sentimental, and may find more wide-ranging appeal than those in 'Jo Jo in the Stars'. The musical score carries the film powerfully forward, with a thundering performance by the City of Prague Philharmonic Orchestra and Chorus. After the film, a rep from Waterstone's Harrods laughed as she pointed out that as the credits began to roll, both of us simultaneously put our hands up to chests in amazement.

Templar publisher Amanda Wood mentioned how keen she was to get the animation taken up by television. Surely it's not 'if' it will be taken up, but how hard the different channels will have to fight to get it. No doubts, this film will be a classic.


Amanda Wood and illustrator Grahame Baker Smith
Note: As well as being an accomplished illustrator (who incidentally was a classmate of Dave McKean's), Grahame Baker Smith is getting into comics and is working hard on a graphic novel... keep an eye on this guy!

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6. The High Life

'Oooh it must be lovely to be a children's illustrator'...yes, it certainly beats mowing graveyards, washing up, cleaning, selling pine furniture and stacking supermarket shelves, all of which I have done in my time until fairly recently. These jobs all have one thing in common - a regular (if not gargantuan) wage. But next time you pick up a picture book, ponder this: for every pretty picture there will have been hours, days or even weeks of brainstorming, rough sketching, too-ing and fro-ing between artist/art director and maybe others, not to mention the final art work. There is the design, the text setting, the layout, the choice of paper/book size, the printing and colour proofing; it often takes about 14 months or so for a book to come to the shelf, and that is on a good day - sometimes it can take years. But not in my case.

It has to be art worked by the second week in July. So, a last minute request from my lovely publishers, to thrash out the first half of the project meant that I found my self travelling (via motorbike and train) to the outskirts of London, and a meeting with my Art Director. If you had to have classes in 'How to be a Brilliant Art Director', she would be the model example. We've known each other for quite a while now, and the first hour or so was spent yakkering about juicy news, all of which made me practically faint with excitement and none of which must pass my lips until it is in the public domain. With the yakkering came a shower of hardback picture books; many of my favourite illustrators work with Templar, including Alison Jay, who creates some of the most gorgeous images, using lush, rich colours; I can lose myself in her work...




Soon I had a comforting stack of bookish treasure to take home, including a limited edition
of 'Varmints' signed (SIGNED!!!!) by the wonderful author/illustrator Helen Ward (article link) and Marc Craste.





You know the to-die-for Lloyds Bank adverts? That's him. Stunning work. Invent a new word for it, stunning is not enough.




If you like Shaun Tan's work, you will lov
e this - buy it. Just buy it. It is marvellous.


Templar Publishing have relocated from a lovely converted Mill to an equally delightful old Granary, so there was a tour of the new premises and I was introduced to the members of the production team for my small contribution to their new list - the production room being very large and a quiet bustle of designers and creatives working away on numerous titles. Up to the top level, where the art directors roost - and finding a few familiar faces last seen in the wee hours of the morning round a camp fire at the brilliant Templar party, two years ago. Having said that my AD is marvellous, it should be added that Templar, as a company, not only produce some of the finest, most innovative books in the UK, but are a shining light in what can be a pretty cut-throat business. Publishers - especially the very big ones, who are more like corporations - sadly do not always treat their freelancers as well as they could do. There are horror stories...but Templar are wonderfully friendly, inclusive, respectful and all round Good Eggs.



'Wizardology' from the famous 'ology' series. Website at www.ologyworld.com


Back down to the senior AD's office, (another familiar face) and more heart-palpitating inside
knowledge about future publications (I have now stitched my lips together, so don't even ask!) and finally back to the board room and a highly intense, enjoyable three hour session spent working out the details of the new book. We were so absorbed we lost track of time, and thinking it must be about midday and time for lunch, we were startled to find it was nearly two...





Lunch was an informal but delicious affair at Pizza Express, courtesy of Templar and there was more - much more - chattering. About two hours later we sleepily emerged, full of garlicky carbs, and strolled back through Dorking Center, past the old church with its albino squirrel, to collect my large pile of work-to-do and of course, my books.




The final cherry on what had been a monumental gateaux cake of a day was bumping into one of my all time favourite illustrators - and his agent - Simon Bartram. We shook hands and I went all quiet and shy and went a bit pink; as you do when you meet one of your heroes. (Earlier I had also had the privilege of seeing some of his original artwork for his next book, which was breathtaking).


More Alison Jay: baby board books in a box - absolutely delightful!

I managed to get my precious books all packed and waterproofed (another British summer and therefore a seasonally rainy day). I made the trek back home, finally arriving, after two crowded trains and a bus, in Witney at 8pm (having left home at 6.15 that morning) and was whisked back via motorbike through wet, green country lanes, home. Wonderful home.

Through my little visit, I snagged another toy order; I'm trying to get the needle felting done at night after I've spent a good stint in the studio and I am going to be somewhat absorbed until mid-summer. But yes, on the whole, it IS lovely being a children's illustrator. Toymaker. Card company. Gardener. Head Cake-Maker. Housewife.



'The Wind in the Willows' illustrated by the Great Robert Ingpen. My favourite book. Ever.


"Home! That was what they meant, those caressing appeals, those soft touches wafted through the air, those invisible little hands pulling and tugging, all one way...shabby indeed, and small and poorly furnished, and yet his, the home he had made for himself, the home he had been so happy to get back to after his day's work..."
excerpt, 'Dolce Domum' , Wind in the Willows

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7. G. Neri


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 Writer’s can be an odd bunch. We hear voices in our head and see incredible stories in the ordinary. When asked to explain the writing process, some of us are eloquently complex, others simplistically matter-of-fact. G. Neri is among the latter. He calls himself “a reluctant writer, writing for reluctant readers,” and has said writing for teens from a first-person point-of-view appeals to him because, “I couldn’t turn a phrase if it had power steering. But using a teen’s voice, particularly an inner city voice, I could tell stories rough and raw and straight from the heart.”

But there’s nothing matter-of-fact about Neri’s debut, Chess Rumble, a 2008 ALA Notable Book, or his second Middle Grade novel, Yummy: The Last Days of a Southside Shorty, due out this spring. These two, very different tales, have common denominators, they feature male protagonists and take place in the inner city. As librarians and parents, alike, implore publishers to produce more “boy” books, G. Neri has created two that just may bring more males into the readers’ circle.

BBS: The term “boy” book. Love it or hate it?

Greg Neri: I use it but I don’t like to refer to young adults as boys. I don’t mind it if it’s for a middle grade book.

BBS: Chess Rumble is a free-verse novel, Yummy, a graphic novel. Do you believe using those styles makes your books more appealing to male readers?

Greg Neri: I’m trying to re-think the notion of what a book means to urban teens. Many teens can make it through high school without ever having read a book of fiction. But that’s because to them, books are big, full of words, and told in a voice that is alien to them.

Most of these kids are now born into a more visual society, so I think playing with graphic novels and illustrations and using voices and characters that you don’t see often in literature is a big plus for reluctant readers in the city. I see my books as gateway books to Jane Austen.

BBS: Have you found that being of mixed ethnicity has been a plus, negative or non-issue as a children’s author when it comes to marketing your books or yourself?

Greg Neri: I think it’s good because people can’t quite tell what I am. I’ve passed for black, Latino, Italian, Arab, Israeli and so on. I think that makes it okay to talk about more cultures. I am a multicultural writer, literally.

BBS: What types of books have yet to be written targeting young multi-cultural readers?

Greg Neri: I think the possibilities are endless. The more bold, the better. I’d like to see more multicultural books move away from the noble, perfect example of a (insert ethnicity) person’s life and into more colorful, robust works.

BBS: Booklist says Chess Rumble “will have particular appeal among reluctant readers and young, inner-city teens.” Was your audience a conscious thought as you penned the novel?

Greg Neri: Absolutely. I found my niche and that’s urban teen fiction for boys. That being said, I’ve been surprised how universally it’s been accepted. Even white middle-class girls that have nothing in common with Marcus’ life, totally get it.

BBS: How has your experience as a film maker and digital media producer made being an author easier? More challenging?

Greg Neri: Easier because I went through the Hollywood game as a filmmaker. The book business is set up in the same way, but much less ruthless.

Hollywood is full of sharks because that’s where the money is. It’s a joy compared to that world. Almost everyone I’ve met in books is incredibly supportive and positive.

BBS: Looking beyond the obvious reader (inner city, African Americans, young males, reluctant readers), tell us what makes Chess Rumble a good read for any reader ages 9-13?

Greg Neri: I’d like to think it’s a good story, period. It has fantastic illustrations by Jesse Joshua Watson, a unique voice and really, there’s nothing else quite like it out there. We’ve had a great response from students, teachers, and librarians, and very good reviews all around. We were also very lucky to get the approval of the American Library Association who named Chess Rumble a Notable Book for 2008. Isn’t that enough?

chess-rumble.jpg

The Buzz on…Chess Rumble

“This book will become a standby pick for reluctant readers, who will be pulled in before they know it by the story’s quick pace and the authenticity of Marcus’s voice and experience.” —SCHOOL LIBRARY JOURNAL

“Marcus tells his story in street slang, in a conversational first-person voice. . .The acrylic black-and-white illustrations are particularly effective at capturing natural expressions and the concrete-gray inner-cityscape.” - Kirkus Reviews

On the horizon

If someone affiliated with a gang shoots and kills someone else, then later ends up a victim of violence himself is that person a killer or victim?

Greg Neri tackles this weighty topic in his next book, Yummy, the last days of a Southside Shorty through the eyes of Roger, a young man trying to process the life and death of Yummy, a neighborhood boy.

Based on a true incident, this graphic novel illustrated by Randy DuBurke will be released by Lee & Low later this year.

Recommended for readers ages 10+

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8. Novels in Verse...Not just for girls!

Many of the 7th grade girls I teach LOVE novels written in verse.  They devour anything by Sonya Sones, and then I usually steer them to Karen Hesse and others who seem to capture that same magic but in different ways.  Novels in verse, well written, pack a lot of punch with few words, and they usually offer lots of white space on the page, so they're fantastic for reluctant readers.  I haven't found too many that appeal to boys, though, which I why I was so happy to read these two standouts in the books nominated for the CYBILS.


G. Neri's CHESS RUMBLE is appealing to reluctant readers, especially boys, on a number of levels.  Neri nails the voice of a boy growing up in the inner city in a way that's reminiscent of Walter Dean Myers.  Neri's main character, Marcus, is a young man dealing with family troubles and fights at school, until he meets a powerful mentor and learns to fight his battles on a chessboard instead.  This novella in verse is full of language that's vivid and accessible, and Jesse Joshua Watson's illustrations in shades of black, brown, and gray help to set the mood.  This one has serious kid-appeal -- not just for the kids who already love to read but for those who don't often find books on the library shelves that seem to be written for them. This one is.






Katherine Applegate's HOME OF THE BRAVE is another novel in verse that will appeal to boys as well as girls.  It may help that plenty of middle grade readers already know Applegate from the ANIMORPHS series, but this book has a completely different feel to it.  HOME OF THE BRAVE is about Kek, a Sudanese immigrant who recently arrived in America after witnessing the death of his father and brother. He left his mother behind and wonders every day if she is alive.  The poems that explore Kek's emotional state are poignant and accessible to young readers, and the more traumatic scenes are set alongside lighter stories of Kek adapting to life in America and experiencing new things, from snow to washing machines.  This is a kid-friendly story (those who love animals will have an additional connection) that explores a dramatic issue in current events in a manner that is personal, sensitive, and hopeful.

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