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Viewing: Blog Posts Tagged with: susan drawbaugh, Most Recent at Top [Help]
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1. 2012 Best of Writing and Illustrating

Susan DarwbridgeXmas_tree_angelcolorfinal_ original_scan_fxd1 KT

December illustration by Susan Drawbough. Susan has been creating whimsical artwork for children’s markets and publishing for years – magazine covers, picture games, and books. Being constantly around children from toddler age to middle school provides Susan with tons of inspiration. www.susandrawbaugh.com/

I managed to post everyday again this year.  Lot of posts informed visitors of contests they could enter.  Others tired to keep you up-to-date with Industry changes, while others let you know editor and agents likes and dislikes, and other industry talk.  Plus I tried to share successes, so we could all find hope and share the joy.  Here are the articles that I felt were worth another visit.  You may have missed them during the year.

Writing Cross Culturally

Agents for Picture Book Writers

Book Scouts

What Teachers and Librarians Need Now

Industry Changes: Jenny Bent Weighs in on the Good and Bad

Categorized Children’s Picture Books

It All Starts With Research (not the kind you think)

Words of Wisdom from Penn & Teller

Ten Character Development Tips

Tropes, Foils, and Other Writing Definitions

Tips to Avoid Horror Story School Visits

He Said, She Said – Using Dialog Tags

Writing and Publishing in the Digital Age

Non-Fiction Writing and Illustrating Offers Publishing Opportunities

How to Approach a Critique Session

Picture Book Writing Tips

Chipping Away at Writer’s Block

Crafting a Picture Book Dummy

Market Your Book─ Without The Book

Book Fairs and Exhibits

Re-Imaging Your Picture Book

Effective Query Letters

First to Final Draft – Novel Developmental Process

Book Contracts & Negotiations

Wordless Picture Books

Formatting for Maximum Visibility

How to Pitch and Submit Illustrated Projects

There’s a Whole Universe Out There:  World Building

Using Academic Standards as a Marketing Tool

Summoning the Muse

World Building

Too Theme or Not to Theme

School Visits – Teacher Talk

Free Database of Publishers Accepting Submissions

Five Opening Novel Blunders

Gone in Seconds

Story Behind the Newbery

Editor Answers Questions

Look into Tension

Develop a Thick Skin

The Waiting Game Tips

Killing Your Darlings

Hooking Your Readers

Finding the Perfect Name for Your Characters

Poetry Critique/Revision Checklist

Can You Answer “YES?” – Synopsis Questions

Critiquing Your Writing? Nine Story Elements to Check

Critiquing?  Revising? 10 Writing Style Elements to Check

Inner Lives of Your Characters

Finding Photos

Write What You Know

Show don’t Tell – When to Break the Rule

TENSION

Will Your Manuscript Keep Your Readers Reading

First Pass Editing List

Screen Writing Plot Techniques

The Journey of Writing a Novel

Agent and Editor on Trends in YA and Kidlit

Talk tomorrow,

Kathy


Filed under: Advice, article, authors and illustrators, reference, Tips Tagged: Best of Writing and Illustrating 2012, Review, Susan Drawbaugh

3 Comments on 2012 Best of Writing and Illustrating, last added: 12/23/2012
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2. Artist Interview !

Please visit the link below for a fun interview with newer artist with CATugeau, Susan Drawbaughhttp://kathytemean.wordpress.com/2012/05/05/illustrator-saturday-susan-drawbaugh/   We love it when Kathy Temean interviews our agency artists….such a great fun job!


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3. Illustrator Saturday – Susan Drawbaugh

Our featured illustrator this week is Susan Drawbaugh.  She loves to draw and do whimsical illustrations. Early in her art career she was greatly influenced by a man she met while touring the MGM Animation Studios, Ben Washam. As one of the original animators of the Bugs Bunny, Road Runner, and Tom & Jerry cartoons, he ended up passing down the skills of his trade by teaching a small group of aspiring animators from his home. Susan was one of those fortunate students.

Although she never made a career of animation, years later she wrote and illustrated her first children’s book, What Pet Will I Get?, an animated “Flip n Giggle” picture book that was soon published. A mix of creative ventures followed, until she made the decision to become a freelance commercial illustrator.

Her range of work spans from children’s picture books, stationery lines, canvas paintings, infant bedding, and editorial picture puzzles – to humorous wall prints, greeting cards, coffee mug lines, holiday decor, and chapter illustrations. Susan uses the traditional method of illustrating by hand, but throughout the course of every project she puts her digital skills to work, as well.

Surrounded by the coastal charm of Southern California, she creates from my home studio by the port of San Pedro. Take a look.  I am sure it will put a smile on your face.

Here’s Susan explaining her process:

Soon after my younger daughter had her first baby, she excitedly told me that she’d ordered a painting for the nursery that she’d seen online.
 
Purchased???!  I thought. A whimsical painting???!  But, WHY??! , I gasped, What about your whimsical-artist mom???  Well, the picture arrived in the mail, and to my hidden delight, she was not happy with it. So off to Aaron Bros I went – to get started on my new project.  I came out with a 40″ x 30″ stretched canvas, paint brushes, and tubes of acrylic paint in every color – - – - I’d used oil paints in the past, but never acrylics! Nail biting time.
 
Before starting I very carefully planned each step.
 

1) First I brushed a coat of white paint over the entire canvas.
 
2) Then I developed rough sketches,  fine tuning them until they were just the look I wanted. Tracing paper, a kneaded eraser, and a soft lead mechanical pencil are my favorite tools for developing characters. The lines flow with ease, allowing more personality to come through as I draw, and there’s no messy crumbling or smearing from the eraser.
 
3) Once I was happy with the drawings I scanned each one into Photoshop CS3 and loosely created paths for each. I then dragged each image, layer by layer, onto a blank Photoshop document that I made to be the same size as the actual canvas – in this case 40″W x 30″H. Because of the layers I could move each image around, reducing, enlarging, and positioning until the layout was the look I was after.
 
4) I saved it as a PSD keeping it in LAYERS just in case I wanted to make changes late

7 Comments on Illustrator Saturday – Susan Drawbaugh, last added: 5/6/2012
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4. February Illustrations

On February 3rd, I asked illustrators to submit an illustration inspired by the month itself. Most of you chose Valentines Day, but we had one Groundhog’s Day illustration and one President’s Day inpired illustration. Here are the illustrations submitted in no particular order:

MONSTER’S LOVE by Aaron Anderson’s : Aaron’s love of drawing covered his walls as a young boy and lead to a major in illustration at Utah Valley University. During his college years he worked for editorial and educational companies doing illustrations for their publications. After earning his BFA, he worked as a concept artist for a children’s video game publisher. His style lends itself to adventurous, humorous and lively fun themes. Aaron currently resides in Austin, Texas with his beautiful and loving wife. He is most grateful and pleased to be able to live his passion bringing life to his visions with his illustrating. http://aaronillustration.blogspot.com/

LOVE FAIRY (my title) by Virginia Allyn: Virginia has illustrated multiple trade and educational books internationally with a specialty in classic nursery tales. Her recent projects include Little Red Hen (Ladybird), The Three Little Pigs (Ladybird), The Gingerbread Man (Ladybird), and The Elves and the Shoemaker (Ladybird). She lives in sunny Florida with a red-headed snippet, the meanest cow kitty in the West, and lots of manila paper. http://www.mbartists.com/cgi-bin/iowa/artists.html?artist=84

NATURE LOVE (my title) a watercolor by Gwen Connolley: Gwen has a degree in Illustration from Syracuse University and early experience as an advertising art director and illustrator. A class taught by Lena Shiffman at the Center for Contemporary Art kindled her interest in children’s book illustrationand lead her to study at the School of Visual Arts under Monica Wellington and Elizabeth Sayles. She hopes to illustrate picture books, early readers or middle grade books. www.gwenconnolley.com

VALENTINE’s RED HEART by Susan Drawbaugh: Susan has been a commercial freelance illustrator for many years, and enjoys putting subtle humor into her work. Her creative ventures are put to work in her home studio off the coast of San Pedro, California where she resides with her husband. Much of her inspiration comes from their two grown daughters and very funny grandkids. www.susandrawbaugh.com.

STRAWBERRY KISSES by Donald Ford: This illustration was commissioned for the grand opening of a new Gertrude Hawk Candy Sto

9 Comments on February Illustrations, last added: 2/29/2012
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